Quotulatiousness

June 24, 2020

BESAL: Britain’s Emergency Simplified Light Machine Gun

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 8 Aug 2017

Armament Research Services (ARES) is a specialist technical intelligence consultancy, offering expertise and analysis to a range of government and non-government entities in the arms and munitions field. For detailed photos of the guns in this video, don’t miss the ARES companion blog post:

http://armamentresearch.com/british-b…

The BESAL is a simplified redesign of the Bren light machine gun, developed by a BSA employee named Faulkner. The design of the gun was motivated by the disastrous retreat of the British Army from Dunkirk in 1940, where they abandoned a huge amount of weaponry and war material, including most of their Bren guns.

The Bren gun was in production only as the BSA factory, which was at great risk to German bombing — and the Bren included a number of complex parts that could not be effectively put into production elsewhere in the UK on short notice. It was with this in mind that Faulkner designed the BESAL, which used much simpler components which could be made in a great number of small shops. Decentralized production would have made it a much more resilient process in the case of invasion (similar to German small arms production late in the war).

By the time the BESAL prototypes were built, tested, and approved as being reliable and effective, however, the immediate threat of invasion had passed and the Bren was in production at the Inglis factory in Canada as well as at BSA. The BESAL design was shelved for use in case it became necessary again, but it never was.

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June 23, 2020

Defending Britain with a Bayonet | Hobart’s Pike | The Tank Museum

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 06:00

The Tank Museum
Published 24 May 2020

Director Richard Smith looks at Percy Hobart and the incredible weapon he was issued on joining the Home Guard at the start of WW2; a bayonet welded to a pole. Major General Percy Hobart commanded the 79th Armoured Division and gave the revolutionary, specialised tanks used on D-Day their nickname “Hobart’s Funnies”.

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June 21, 2020

A Tale of Two Swords

Atun-Shei Films
Published 19 Jun 2020

Myles Standish and Benjamin Church were military commanders in 17th century colonial Massachusetts who lived a generation apart. Standish came over on the Mayflower, and commanded the militia of the Plymouth Pilgrims in the 1620s; Church lived his whole life in the New World, and led the crack troops that tracked down Metacomet, sachem of the Pokanoket Wampanoag, during King Philip’s War in the 1670s. Standish carried an elegant German rapier, while Church used a simple naval cutlass. What changed? And what story can these two swords tell about the men who wielded them?

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~REFERENCES~

[1] Jeremy Dupertuis Bangs: “Myles Standish, Born Where? (2010).” Sail 1620 https://web.archive.org/web/201011301…

[2] Nathaniel Philbrick: Mayflower (2006). Penguin Books, Page 59-60

[3] “Short Men ‘Not More Aggressive'” (2007). BBC News http://news.bbc.co.uk/2/hi/uk_news/65…

[4] Charles Francis Adams: The New English Canaan of Thomas Morton (1883). The Prince Society, Page 284 https://archive.org/details/newenglis…

[5] Philbrick, Page 164

[6] Philbrick, Page 151-152

[7] Benjamin Church: Entertaining Passages Relating to King Philip’s War, Tercentenary Edition (1975). Pequot Press, Page 67-73

[8] Church, Page 75

[9] Church, Page 105-106

[10] Church, Page 108

[11] Church, Page 140

[12] Lisa Brooks: Our Beloved Kin (2018). Yale University Press, Page 322

[13] Church, Page 142

[14] Douglas Edward Leach: Flintlock and Tomahawk (1958). Parnassus Imprints, Page 231

[15] Philbrick, Page 338

[16] Church, Page 170

[17] Leach, Page 237

[18] Brooks, Page 337

French Killing French in Syria – WW2 – 095 – June 20, 1941

World War Two
Published 20 Jun 2020

The Allies continue advancing into Vichy French Syria, but they are halted and pushed back by Erwin Rommel at the Halfaya Pass in Libya. Meanwhile, the last preparations are being made for Operation Barbarossa. It will begin in two days.

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– Imperial War Museum: E 6022, CM 923
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-443-1599-20
– Hawker Hurricane shape by Martin Čížek from Wikimedia
– Narodowe Archiwum Cyfrowe
– SA-Kuva
– Bundesarchiv, CC-BY-SA 3.0: Bild 101III-Wiegand-119-12 / Wiegand

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Burma Victory (1945)

PeriscopeFilm
Published 31 May 2016

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Made in 1945, BURMA VICTORY is a British documentary about the Burma Campaign during World War Two. It was directed by Roy Boulting. The introduction to the film outlines the geography and climate of Burma, and the extent of the Japanese conquests. The film then describes the establishment of the South East Asian Command (SEAC) under Mountbatten, “a born innovator and firm believer in the unorthodox”, and gives a comparatively detailed account of subsequent military events, including the Battle of Imphal-Kohima and Slim’s drive on Mandalay, Arakan landings, the northern offensive of the Americans and Chinese under Stilwell, and the roles played by Chindits and Merrill’s Marauders. The film ends with the capture of Rangoon and the Japanese surrender. The film focuses on the difficulties of climate, terrain, the endemic diseases of dysentery, malaria, etc., the vital role of air supplies, the shattering of the myth of Japanese invincibility and the secondary role of the Burma campaign in overall Allied strategy.

This film represents a British look at the campaign and was the pet project of Admiral Lord Louis Mountbatten, Supreme Allied Commander, South-East Asia, and he planned it as a joint Anglo-American production. But this scheme foundered over the inability of the U.S. leadership and British to agree on the main theme of the film. The British wanted it to concentrate on the drive southwards to liberate Burma. The Americans, anxious not to be seen to be participating in the restoration of the British Empire, wanted to emphasize the heroic building of the Ledo Road and the drive northwards to relieve the Chinese. In the end the two sides went their separate ways. The Americans produced the Ronald Reagan narrated film The Stilwell Road and the British made Burma Victory. It was the final production of the Army Film and Photographic Unit (AFPU) and was directed, like Desert Victory (1943), by Roy Boulting. Not released until after the war was over, it was hailed and promoted as “the real Burma film”.

The Burma Campaign in the South-East Asian theatre of World War II was fought primarily between the forces of the British Empire and China, with support from the United States, against the forces of the Empire of Japan, Thailand, and the Indian National Army. British Empire forces peaked at around 1,000,000 land, naval and air forces, and were drawn primarily from British India, with British Army forces (equivalent to 8 regular infantry divisions and 6 tank regiments), 100,000 East and West African colonial troops, and smaller numbers of land and air forces from several other Dominions and Colonies. The Burmese Independence Army was trained by the Japanese and spearheaded the initial attacks against British Empire forces.

The campaign had a number of notable features. The geographical characteristics of the region meant that factors like weather, disease and terrain had a major effect on operations. The lack of transport infrastructure placed an emphasis on military engineering and air transport to move and supply troops, and evacuate wounded. The campaign was also politically complex, with the British, the United States and the Chinese all having different strategic priorities.

South East Asia Command (SEAC) was the body set up to be in overall charge of Allied operations in the South-East Asian Theatre during World War II. Admiral Lord Louis Mountbatten served as Supreme Allied Commander of the South East Asia Command from October 1943 through the disbandment of SEAC in 1946.

This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD and 2k. For more information visit http://www.PeriscopeFilm.com

June 20, 2020

Two books on WW2 – which is the memoir and which the novel?

Filed under: Books, Britain, Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Lindybeige
Published 4 Mar 2018

Two books I have read recently. When is a book a memoir and when is it a novel? WW2 from two different perspectives.

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The books:
From the City, From the Plough by Alexander Baron (Bernstein)
The Last Panther by Wolfgang Faust (Chris Ziedler)

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June 19, 2020

The economy isn’t all huge corporations and government

Filed under: Britain, Business, Economics — Tags: , , , — Nicholas @ 03:00

Paul Sellers reminds us that the economy is far more than just the big names that get mentioned in the financial pages:

An example of the kind of one-man businesses Paul is talking about.

Independents in micro-businesses are few and far between and often hard to discover, despite the internet’s ever-increasing web of enterprises. The backbone of British industry is made up of small, independent people striving to retain a measure of individualism, independence and entrepreneurialism in their lives. Statistics from 2019 show that in Britain there were 5.82 million small businesses responsible for 99.3% of the total business output in the UK.

Small businesses here comprise those with 0-49 employees and digging deeper still into what might at first seem more irrelevant than relevant is that the niche that small businesses fill in the real world of enterprise. Over 76% of businesses are operated by one-man bands; single-person enterprises who operate alone comprise almost 4.5 million men and women. With an additional 1.15 million micro-business (1-9 employees) around 95% of businesses here operate on a strength of under just 10 people. So over 99% of small to medium business enterprises, that’s zero to 249 employees, but only 0.6% have a workforce of 50-249 employees. Less than 4% are small businesses with 10-49 staff members and get this, over 95% operate as micro-businesses with 0-9 employees. What does this tell you about businesses output? What it tells me is how little of this is newsworthy by the mass media manufacturing companies (Like BBC News and ITV, Sky and so on) who constantly tell us about how many this massive company or that massive company is laying off and how little this really affects our economy because the little guys still get out into their little micro-shops and make what cannot work work.

Anglo-Dutch Wars | 3 Minute History

Filed under: Britain, Europe, History, Military — Tags: , , , , , , — Nicholas @ 02:00

Jabzy
Published 25 Apr 2015

First, Second and Third Anglo-Dutch Wars. I left out the Fourth War because it really wasn’t connected to the previous 3.

Also – I hope you don’t mind I used ‘Netherlands’ throughout the video despite the fact the term didn’t come until much later.

June 18, 2020

The fall of olde timey “liberalism”

Filed under: Books, Britain, Education, History, Liberty, Politics, USA — Tags: , , , , — Nicholas @ 03:00

David Warren on the way “liberalism” was dissected, consumed, digested, and excreted by progressivism:

From different angles, from Tocqueville to Schumpeter to a thousand reporters on the ground, it has been observed that liberalism defeats itself. I mean by this real liberalism, not the poison candy version that is offered to children by our academic Left. The real thing celebrates liberty as the central political good, and equality of opportunity versus equality of result. It frees up economies and societies, by cancelling hidebound rules and regulations. When much younger and under the influence of my father and his war-veteran generation (his was World War II), I considered myself a “liberal,” for views that activist mobs would now consider to be deeply “conservative,” or as they say, “fascist.”

Opposition to totalitarianism was a key to that generation. They weren’t shy about using arms. A true liberal was an enthusiast for the War in Vietnam, and other global initiatives. Liberals were “open society” in an explicitly anti-communist, 1950s way. They loved “civil rights,” and opposed the Nanny State, although incoherently. They wished to accommodate the women’s movement. Their instinctive suspicion of social programmes, and revulsion for “ideology,” were slipping away; or had already slipped, to a longer historical view.

To be tediously economic, they were intoxicated by the view that, “now we are rich we can afford to have some fun.” They had long been bored with the absolute moral judgements that their ancestors (to whom neither divorce nor contraception were thinkable) took for granted — based on a Protestant Christianity that had been abandoned by sophisticated intellectuals a century before. “Church versus State” was no longer an issue, and because it wasn’t, morality became a statist “construct,” even without action from the Marxists.

When Ross Douthat writes a book on “decadence,” he is treating it as a temporal trend: something that comes and goes through the decades. His arguments are themselves decadent: something for the chattering classes to play, in the spirit of badminton. It is a topic for upmarket wit; no horror lurks beneath it. The old Gibbonesque “decline and fall” narrative has evaporated with classical culture, and been replaced by a dry happyface from which the wrinkles of serious history are botoxed. The “whig view of history” survives, but only by cliché.

What isn’t defended, is soon killed off, in nature but also in metaphysics. Leftism flourishes today, not because it has won any argument, but by eating everything on the liberal side. Even the word, “liberal,” went down with a soft burp. It now represents the denial, or reversal, of everything that liberals once stood for. Gentle reader may prove this to himself, by reading old magazines.

June 17, 2020

Alcibiades, the first recorded iconoclast, but far from the last

James Heartfield on the modern day resurgence of iconoclasm:

“Drunken Alcibiades interrupting the Symposium”, an engraving from 1648 by Pietro Testa (1611-1650)
Via Wikimedia Commons.

… far more often, the attacks on public symbols are indicative of a breakdown in social solidarity — often with alarming consequences. For activists seeking to win popular support, knocking down statues is a high-risk strategy that can provoke the opposite sentiments to those hoped for. The futurist Marinetti’s proposal to fill in the canals of Venice with concrete to make modern roads is a witty way to make a point, but not a sound policy.

Alcibiades was perhaps the first recorded statue vandal. One night in 415 BC he knocked all the stone cocks off the statues of Hermes in Athens. In 1497, the friar Girolamo Savonarola launched a Bonfire of the Vanities in which artworks, books and statues were destroyed out of a fear they would tempt people away from God. As any lover of old English churches knows, the furies of the Puritan revolution led to the destruction and defacing of Catholic saints’ statues and paintings.

In the modern era, the temptation to destroy monuments has been strong. In the First World War, Britain’s local authorities changed German-sounding names of streets like Bismarck Road — now Waterlow Road — while bully boys attacked German-owned shops. In 1933, Nazi students in Germany organised bonfires of subversive books, while the Reich organised an exhibition of “degenerate” modernist art. The burning of books only served as a trial run for the extermination of people, as the symbolic slaughter failed to yield the results of a “cleansed” Germany.

People often make the point that there are no statues of Hitler in Germany — though those were not taken down by Germans, but by the Allied occupiers. You can still see Albert Speer’s Zeppelinfeld and grandstand in Nuremberg, where many of Hitler’s rallies took place, though not much else of his Nazi architecture survives. Mussolini’s architects, Giuseppe Terragni and Marcello Piacentini, did better — much of their absurdly grandiose work survives. The model of an Allied-led “denazification” was in the minds of the US-led forces that overthrew Saddam Hussein in 2003. The destruction of his statue in Baghdad was largely staged by the allies.

Under the Maoist regimes in China and the Khmer Rouge in Cambodia, some of the worst atrocities after the Nazis were carried out. Mao’s “Cultural Revolution” against the “four olds” led to the destruction of books and artworks. Later, there were showtrials and the politically incorrect were battered by the mob. In the wreckage of Cambodia, Pol Pot led a terrifying war on alleged capitalist-roaders and even intellectuals — who could be handily identified by the fact they wore glasses — that led to millions being killed. Pol Pot declared a “year zero” — that all civilisation before the Khmer Rouge took power would be cancelled. Tragically, the wholesale wiping out of Cambodian culture was only a prelude to the extermination of much of its population. The sentiment of wiping out the wrong history was repeated in the war that al-Qaeda-inspired regimes in Afghanistan and Mali conducted against books and statues that did not match their own Islamist views.

In Soviet Russia, when the communist-allied artists of the Proletkult organisation argued that all Tsarist culture should be expunged, the Bolshevik leader Lenin took them to task for “rejecting the most valuable achievements of the bourgeois epoch”. Instead, he said, they should assimilate and re-work “everything of value in the more than 2,000 years of the development of human thought and culture”. Sadly, Lenin’s wise advice was lost on the Stalinist regimes that followed, during which the policy oscillated between futurist iconoclasm and maudlin Russian sentimentality. History got its revenge in eastern Europe when most of the ubiquitous Lenin and Marx statues came down in the 1990s.

“We don’t need no stinkin’ badges!”

Theodore Dalrymple on the use of badges within the NHS to virtue signal and compel compliance in the unwilling:

Not actually the official symbol of Britain’s National Health Services … probably.

In Britain’s highly-centralized, almost Soviet-style healthcare system, the National Health Service, staff are being encouraged all over the country to wear little rainbow-coloured metal badges to show that they are homosexual, bisexual, and transsexual-friendly, and do not discriminate against them. The wearing of these badges is voluntary, but about 3,000 of the staff of Guy’s and St Thomas’ Hospitals, for example, now wear them. The self-congratulatory website of those ancient hospitals — St. Thomas’ is over 800 years old and Guy’s was founded in 1721, now combined into one administrative unit — says:

    The badges are just one way to show that Guy’s and St Thomas’ is an open, non-judgmental and inclusive place for people that identify as LGBT+ [which] stands for lesbian, gay, bisexual and transgender). The + simply means we are inclusive of all identities, regardless of how people identify themselves.

This language, which combines the unctuous with the bureaucratic, is typical of the way British hospital administrators express themselves nowadays. And if, as Buffon said, the style is the man himself, we may justly fear for a semi-totalitarian future.

By implication, the badges bully the staff, for if any of them refuse to wear one, their refusal is likely to be taken to mean that their minds are closed, judgmental (in the sense of being censorious, for even the attempt to avoid making judgments is itself based on a judgment), and exclusionary. It is to imply that they would deliberately treat any patients in the above mentioned categories differently and worse from all other patients. Wear the badge or declare yourself to be a bigot.

This is an insult to all those people who worked before the advent of the badges (or who now refuse to wear them) who strove and continue to strive always to treat patients to the best of their ability, irrespective of the many categories into which any individual patient falls. In my experience, the great majority of doctors have always tried to do this.

Let me give an example. Working as I did as a doctor in prison, I met many men who had done terrible things. I treated them, as a matter of course, to the best of my ability. I remember, for example, a man who had strangled three children and then impaled them on railings. Though I did not think he was a good man, and in that sense passed a judgment on him within the privacy of my mind, I treated him for his bronchitis exactly as I would have treated anyone else with bronchitis. I did not find this difficult in the least and do not claim any special merit for having done so, for it is only what all my colleagues in the profession did — as a matter not only of course, but of principle.

A couple of years ago, I read the diary of one of Marshal Pétain’s doctors during the latter’s imprisonment after World War II. The doctor had been a member of the Resistance and had no reason to love Pétain, to say the least: Pétain’s supporters would have had not a second thought about killing him if he had fallen into their power. Yet, as the diary makes clear, the doctor treated Pétain, who by then was demented, with the greatest humanity. Moreover, the doctor refused to publish his diary, despite the financial advantage of doing so, because he thought that publishing it would be to break patient confidentiality. It was only after his death, and more than half a century after Pétain’s, that the diary was published. The doctor’s adherence to his medical ethics was impressive, and he needed no badge to proclaim his virtue.

June 16, 2020

QotD: A thumbnail history of the English language

Filed under: Britain, France, History, Humour, Law, Quotations — Tags: , , , , , — Nicholas @ 01:00

Languages are anything but static. Some change very slowly, like French — which owes much of its ponderousness to a government department specifically tasked with rooting out heretic words that creep in from the outside. Other languages undergo periods of very rapid change — the English of Chaucer (late 1300s) would be very confusing to Shakespeare (late 1500s and early 1600s). Two hundred years seems like a long period of time, but in the history of an entire country, it’s a drop in the bucket.

English doesn’t just borrow words; it lifts whole phrases and grammatical ideas from other languages without so much as a by-your-leave. With the coming of the Saxons to Britain, Germanic languages crashed headlong into Brythonic and became Old English. Then the Vikings went for a multi-century beer run starting in the late 700s and left behind a bunch of Norse words, because who doesn’t invent a new language every time they go out carousing? In 1066, William the Bastard decided he didn’t like his name, and brought Norman French with him when he went to the town clerk’s office to have his name legally changed to William the Conqueror.

For the next two hundred years, the English upper classes spoke French and the lower classes spoke a zillion dialects of Middle English (travel was difficult for poor people, so regional variations survived). All legal business was done in French, which was often translated on the spot into Latin for the official records. A person couldn’t even submit a legal plea in English until 1362. But with the start of the Hundred Years’ War in 1337, Edward III decided that speaking French was très passé, and began encouraging English as a spoken and written language, with a little French thrown in, just to keep things interesting. And ever since, English has been debating how sophisticated it wants to be, while making rude gestures across the Channel at France and grumbling when the French sneer northwards.

Blake Smith, “A Brief History of English and Why it Matters”, Mad Genius Club, 2018-03-07.

June 15, 2020

Wokepocalypse Now

Filed under: Britain, History, Politics — Tags: , , , , — Nicholas @ 05:00

In Spiked, Andrew Doyle takes a very brief moment to say “I told you so” about Antifa and the other woke entities haunting the headlines these days:

A building burning in Minneapolis following the death of George Floyd.
Photo by Hungryogrephotos via Wikipedia.

Those of us who have urged vigilance when it comes to the rise of identity politics and the cult of Social Justice have now been fully vindicated. For years we have warned about the ways in which the culture war had the potential to infect all public and political discourse. But we were dismissed as railing against niche politics confined to campus common rooms and the dark recesses of the internet. Now the culture war has exploded on to the streets of the UK. If that sounds like a fancy way to say “I told you so”, then so be it.

If we are to have any chance of preserving the liberal values upon which our society depends, we need to find a way to navigate the binary thinking that comes with ideologically driven movements. The first step is to acknowledge common ground. In all my life I have never met a single person who would not agree with the proposition that “black lives matter”, so that seems like a good place to start. It’s been many years since racism has been in any way tolerated by polite society, one of the undeniably positive outcomes of the political-correctness campaigns of the 1980s and 1990s. A further point on which we can surely all agree is that racism exists and should be resisted wherever it occurs. This may seem obvious, but since any opposition to the cult of Social Justice is automatically taken as a denial of the fact of racism, it is worth making the point explicitly.

Those who would deny the existence of racism, or do not agree that black lives matter, or do not accept that racism is an evil that must always be confronted, are already beyond the scope of rational adult conversation. The vast majority of the population believe in our shared values of equality and fairness, although many Social Justice activists prefer to ignore this reality in favour of a fantasy Britain awash with fascists. We saw this in the way that Brexit voters were consistently smeared as xenophobic, even though such a label could only possibly apply to a tiny minority. We saw this in the myth that those who voted Leave were nostalgic for a colonial past, a virtually non-existent mindset that was assumed to be commonplace on the basis of no evidence at all. These kinds of prejudices, largely levelled against working-class people by bourgeois commentators, in turn generated the kind of resentment that almost certainly tipped the scales in favour of Brexit and ultimately led to the collapse of Labour’s “red wall”. These outcomes were in themselves taken as proof of Britain’s inherent racism, and so we find ourselves caught in this perpetual square dance of straw men.

All of which has been a boon for the intersectional, identity-based Social Justice movement, which is sustained on a view of society that bears little resemblance to reality. The latest protests have been infiltrated, and often stoked, by the presence of various groups who unite under the banner of “Antifa”. Like “Black Lives Matter”, these groups rely on the good nature of a public who are likely to interpret their name literally. After all, only a fascist would complain about anti-fascism. Even Mara Liasson, national political correspondent for NPR, fell for this basic rhetorical trick when she described the Normandy landing of more than 150,000 Allied troops as the “biggest Antifa rally in history”. Activist singer Billy Bragg posted an image of Winston Churchill captioned simply with “ANTIFA”. That protesters this week defaced the statue of Churchill in Parliament Square and branded him a “racist” shows the incoherence of much of what is going on.

To return to our common ground: not only is fascism vanishingly rare in the UK, but you would be hard pushed to find anyone who isn’t wholeheartedly opposed to fascism. We are all anti-fascist, which makes Antifa’s claim to be resisting a popular tyrannous force seem about 80 years out of date. The difference is that most of us understand that pepper-spraying a Trump supporter, or striking a UKIP voter over the head with a bike lock, doesn’t put us in the same bracket as those who fought actual fascists at Cable Street in 1936.

As I have argued in Standpoint, our failure to instil critical thinking in our educational systems has led to many of the problems we face in today’s society. To make the case for measured and reasonable discussion of these sensitive issues is to open oneself up to entirely unfounded charges of racism. In such circumstances, most people would rather acquiesce for the sake of an easy life. We have even seen those who have raised questions about the wisdom of permitting mobs to destroy public landmarks being accused of endorsing the slave trade. “How you feel about that statue is how you feel about slavery”, tweeted LBC presenter James O’Brien. “Don’t let anyone pretend otherwise”, he said. But the chances of finding anyone in the UK who would defend slavery are infinitesimal, and it is surely inconceivable that anyone making these allegations sincerely believes otherwise.

The Battle that Saved an Army | Arras 1940 | The Tank Museum

Filed under: Britain, Economics, France, Germany, History, Military, Weapons, WW2 — Tags: , , , , , , — Nicholas @ 04:00

The Tank Museum
Published 17 May 2020

Encircled by the Germans in North-West France, the Battle of Arras, 21st May 1940, was a successful Allied counter-attack which allowed French and British troops to be evacuated at Dunkirk. Curator David Willey, presents his talk on the WW2 Battle of Arras from home.

For more on the Blitzkrieg see David’s Tank Story Hall tour https://www.youtube.com/watch?v=eysQa…

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June 14, 2020

The Treaty of Trianon – The Most Controversial of the Peace Treaties I THE GREAT WAR 1920

The Great War
Published 13 Jun 2020

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The last of the big peace treaties signed in Paris that finalized the borders in Europe was the Treaty of Trianon. Even at the time, Hungarians considered it a historic injustice while nations such as Czechoslovakia, Romania and Yugoslavia were quite happy with the result. We examine how the treaty was signed and negotiated.

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» SOURCES
Isaiah Bowman, The New World-Problems in Political Geography, (Yonkers-on-Hudson: World Book Company, 1921)

Francis Deák & Dezsó Ujváry, Paper and Documents Relating to the Foreign Relations of Hungary, Volume 1; 1919-1920, (Budapest: Royal Hungarian Ministry of Foreign Affairs, 1939)

Conan Fischer, Europe between democracy and dictatorship, 1900-1945, (Chichester: Malden, MA: Wiley-Blackwell, 2011)

Mike Gyula (ed.), Magyar Statisztikai Zsebkönyv, 1940 [Hungarian Statistical Pocket Book 1940], (Központi Statisztikai Hivatal: Budapest, 1940)

Róbert Győri & Charles W.J. Withers, “Trianon and its aftermath: British geography and
the ‘dismemberment’ of Hungary, c.1915-c.1922”, Scottish Geographical Journal, 135:1-2 (2019)

Michael Károlyi, Memoirs of Michael Károlyi: Faith Without Illusion (London: Jonathan Cape, 1956)

Jörn Leonhard, Der überforderte Frieden: Versailles und die Welt 1918-1923, (Bonn: bpp, Bundeszentrale für Politische Bildung, 2019)

C.A. Macartney, Hungary and her successors: the treaty of Trianon and its consequences 1919-1937, (London: Oxford University Press, 1937)

Margaret MacMillan, Paris 1919: Six Months That Changed the World, (London: Macmillan, 2019)

Arnold Suppan, The Imperialist Peace Order in Central Europe: Saint-Germain and Trianon, 1919–1920, (Vienna: Austrian Academy of Sciences Press, 2019)

Miklós Zeidler; Thomas J. DeKornfeld; Helen DeKornfeld, “Ideas on Territorial Revision in Hungary, 1920-1945”, East European Monographs, 717, (2010)
Miklós Zeidler, Trianon, (Budapest, Osiris, 2003.)

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»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig

Channel Design: Alexander Clark
Original Logo: David van Stephold

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Contains licensed material by getty images
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