Quotulatiousness

May 19, 2017

“Everything is a potentially impeachable offence or an indication that Trump is mentally unbalanced or both”

Filed under: Media, Politics, USA — Tags: , , , — Nicholas @ 05:00

Jay Currie says that the ongoing epidemic of Trump Derangement Syndrome is worse than the 2001-2009 Bush Derangement Syndrome outbreak or even the 1969-1974 media demonization of Richard Nixon:

There was a fair bit of anti-Bush sentiment, and Reagan was often attacked, and, of course, Nixon was vilified long before Watergate; but for sheer, sustained, noise, anti-Trump campaigning by the Democrats and the mainstream media is an order of magnitude or two greater. Everything is a potentially impeachable offence or an indication that Trump is mentally unbalanced or both. The never-Trumpers in the RINO section of the Republican party are having a great time suggesting that Trump is a threat and a menace and needs a good impeaching.

In the hysteria virtually any bit of information, regardless of source, so long as it is anti-Trump, is a page one story. Anonymous sources say Trump revealed super secret stuff to the Russians? Perfect, Wapo is on the job and he’s a traitor or an incompetent or both. Doesn’t matter that the people in the room heard nothing of the sort. Impeach him! Guy phones the NYT with a pull quote from a memo that former FBI Director Comey wrote to file on a meeting with Trump? Quote says Trump said, ““I hope you can see your way clear to letting this go, to letting Flynn go,” Trump allegedly told Comey, according to the memo. “He is a good guy. I hope you can let this go.”” which is clearly the biggest obstruction of justice since Nixon wanted Archibald Cox fired.

At this point, Trump supporters usually say, “but the White House could have handled this better.” I don’t. I don’t say that because there is no “handling” the mainstream media, rabid Democrats and charging RINOs.

Trump and his people have to make a choice between conforming to the norms of a Washington Presidency or simply saying that was what Trump was elected to fix.

[…]

I don’t have any sense that Trump or the White House staff know much about “damage control”; however, they have a good deal of capacity to, in the words of a former President, punch back twice as hard. To do that they need to ignore the storm and fury of the Washington establishment and the legacy media and go for kill shots with live ammunition. The Comey memo archive is a great place to start.

Earlier, Nick Gillespie had pointed out that the people who are screaming for an impeachment bill now are the same people who wanted Il Donalduce impeached even before he was elected:

But let’s get real: At this point in the game, all the explainers about how impeachment works (the 1990s called, they want their sex scandals back!) and adapting the 25th Amendment’s ability to remove the president from decision-making during colonoscopies to the current crisis are evidence-free exercises in ideological masturbation. If we are going to survive not just the Trump years but eventually get around to kick-starting the 21st century, we’re going to have become smarter media consumers and demand more from both our politicians and the press. “The New York Times has not viewed a copy of the memo,” explains the Paper of Record, “but one of Mr. Comey’s associates read parts of it to a Times reporter.” As Reason‘s Scott Shackford has noted, that’s what Joe Biden would call a “big fucking deal” if it turns out to exist and to be accurate. It’s also a pretty big if at this point.

But even before Comey’s possible “paper trail” documenting President Trump’s demands (which may or may not actually rise to the level of impeachable offense) came to light, his enemies were out in force. For god’s sake, they wanted him impeached even before he was the Republican nominee.

[…]

Needless to say, none of this absolves Donald Trump of any wrongdoing. But impeachment talk this soon and this thick is coming not from a place of seriousness but pure partisanship and ideology masquerading as disinterested belief in the public good. When the Republicans moved to impeach Bill Clinton back in the 1990s, it was the same thing and it didn’t exactly work out that well for many of the main conspirators, or for the country at large. Among other things, the impeachment push indirectly led to the ouster of Newt Gingrich as Speaker of the House, which eventuated in an actual child molester being way high up in the presidential line of succession.

The impeachment of Bill Clinton was one of the major mileposts in the long, ongoing shift of America from a high-trust to a low-trust country, one in which faith, trust, and confidence in most of our major public, private, and civic institutions have taken a massive beating for decades now. Maybe it was the Warren Commission Report that got the ball rolling, or Lyndon Johnson’s infamous “credibility gap.” All the secret wars in Cambodia and Watergate sure didn’t help and the mind-boggling revelations of the Church Commission might have the final nail in the coffin of trust. The Pinto disaster sure didn’t help, nor did other revelations of private-sector fakery. You throw in freakazoid oddness such as the People’s Temple, United Way scandals, and rampant Catholic Church buggery, and, well, what do you expect? Across the board, fewer and fewer of us trust the government, the media, labor, corporations, etc. to do the right thing given the option of doing the wrong thing.

But if you’re still in the “impeach now, impeach often” camp, here’s your game plan:

Published on 18 May 2017

Want to get rid of the president?

There are two ways, basically.

First, find an impeachable offense. According to the Constitution an impeachable offense: treason, bribery, or “Other High Crimes and Misdemeanors.” What counts for that last part? Nobody knows. Some people say it means bad things only people in high office can do—like misusing public assets, dereliction of duty, or having sex and then lying about it. Others say it’s any crime or misdemeanor at all, even if it has nothing to do with a president’s position or power. Did you steal a pen from work? Petty theft is a misdemeanor. You should no longer be president.

Once you get an impeachable offense, get a majority of House members to vote in favor of the motion and then go to trial in the Senate, with the chief justice of the Supreme Court presiding. After the highest-rated programming in C-SPAN history, the senators vote. If 67 senators find the president guilty, he’s gone.

There is another way, however, without all that messy legal stuff. But it involves the 25th Amendment, which is used to transfer power to the vice president whenever the president is getting a colonscopy. Seriously. It’s not pretty.

About 2 minutes. Produced by Austin Bragg.

Common Sense Soapbox #1: Fake News is Old News

Filed under: Media, Politics, USA — Tags: , , , — Nicholas @ 04:00

Published on 18 May 2017

The term “Fake News” gets thrown around all the time, but what is it?

Sometimes it’s just a phrase people use to to discredit information or sources they don’t like. But there are also people who spread misinformation to further their own agenda. So how do you avoid getting stuck in a bubble without being a victim of misinformation?

We give you 5 helpful tips on how to spot Fake News, and use a skeptical eye to assess information.

Written by Seamus Coughlin & Sean W. Malone
Animated by Seamus Coughlin

Check out FEE.org: https://fee.org/articles/fake-news-is-old-news/

Diana Rigg on Farts, Knickers, Breast Size and Stage Nudity

Filed under: Britain, Humour, Media — Tags: , , — Nicholas @ 02:00

Published on 6 Nov 2015

Portions of a fun interview with Mr. Cavett (America’s best interviewer) from years gone by.

May 18, 2017

If you subsidize art, you’ll get more [bad] art

Filed under: Europe, Media — Tags: , , , , , — Nicholas @ 03:00

I missed this when it got posted initially … Theodore Dalrymple on an Irish government initiative to actually audit the art they’re busy subsidizing:

Like most governments these days, the Irish government is a patron of the arts. The problem is that most governments know as much about the arts as I know about how to select camels for a camel race.

Naturally, therefore, governments rely on advisers to advise them on artistic matters, in effect delegating to them the disbursement of funds. Here the problem is that the art world is now so corrupt morally, intellectually, and aesthetically that the advice it gives is more likely to resemble Mr. Madoff’s advice to investors than Lord Duveen’s to Henry Clay Frick. There has always been bad art, of course, but rarely has it been so heavily subsidized; and when we see work of which we are inclined to ask, “But is it art?” we should perhaps be asking instead, “Is it government-funded?”

The Irish Arts Council, however, recently came up with a novel, even transgressive idea (“transgressive” is the highest term of praise in current art criticism, incidentally), namely that the artists they subsidize should show some sign of artistic endeavor. It is true that the council’s choice of word, audit, was an unfortunate one, as if artists were accountants having their accuracy checked; and the eminent Irish writer Colm Toibin said that the council’s terminology — for example, “working artists engaged in productive practice” — had a North Korean ring about it; an exaggeration, no doubt, given that the North Korean regime subjects its artists to something more severe than mere audit, but one knows what he means. These days it is increasingly difficult to distinguish, stylistically, between an official circular and a page from The Selected Works of Kim Il-sung. (The only one of those communist leaders worth reading, by the way, is Enver Hoxha, who had a wonderful natural gift for poisonous invective and insult. As by the end of his life he had fallen out with everyone, he also had a lot of practice at it; his principle was never to speak well of the dead, especially if he had killed them himself.)

But Mr. Toibin was exercised about the very idea of demanding of artists that they actually produce something in return for the money they receive. After all, many a great artist in the past has had a fallow patch in his life, sometimes lasting decades; you can’t just go to an artist and insist that he be inspired, any more than a photographer can insist that his subjects be natural in front of the lens. His logic appears to be:

Great artists a and b had fallow patches

Artist c is having a shallow patch

Therefore artist c is great and indefinitely worth subsidy

Now, I’m not against patronage as such; sometimes I even wish I had had a patron who had relieved me of the necessity to earn my daily bread (and jam). Then, surely, I would have written an imperishable masterpiece; I would have had time for le mot juste instead of having to make do with the le mot approximatif that mere journalism, as against literature, requires. But the government doesn’t have the taste or discrimination to act as patron. It can’t even choose its advisers well.

The Avengers On Location (1966)

Filed under: Britain, Media — Tags: , — Nicholas @ 02:00

Published on 13 Apr 2014

Beaulieu, Hampshire.

At Lord Montagu’s Motor Museum we see the filming of the ‘tag’ pieces for episodes of The Avengers television series, where Diana Rigg and Patrick Macnee drive off in a vintage car – a different one each time.

Several shots of the cast and crew in the grounds of Beaulieu; Patrick Macnee chats to Lord Montagu. Patrick and Diana get into a veteran car; Diana puts on a groovy kind of face/eye shield and they drive off; they stop and the director gives instructions to Diana; as they start off again funny business ensues as Diana puts her feet up, then jumps from the car, leaps back in, clutches her head and so on.

Diana, in an evening outfit of a chiffon over harem pants, has her make-up touched up. Another sequence is shot with a different vintage car; when it doesn’t start, Diana gets from the back seat into the front and prepares to drive while Patrick goes to the rear to push, and ends up with a blackened face from the exhaust. He gets in; Diana drives off.

Commentator says the crew are trying to complete all these end sequences in one day’s shooting. Diana, in a blue cat suit, chews gum while receiving direction. In this sequence, Diana and Patrick start to push the veteran car which zooms off without them as they chase after it.

Note: according to a press release on file, this series was the first in Colour. More details in notes on the clothes worn and the filming of these tag pieces; Diana’s costumes were designed by Alan Hughes; Patrick wore his own suits!

May 17, 2017

The amazing luck of Il Donalduce

Filed under: Media, Politics, USA — Tags: , , , — Nicholas @ 05:00

For all the things that Donald Trump does wrong (and you can just reference the headlines of any newspaper or mainstream web site for a long list), he had one thing going for him: the fact that his opponents can be depended upon to over-react to every policy twitch or Twitter update. The cumulative effect of all this outrage is exactly the opposite of what Trump’s opponents actually want:

It wasn’t a good week for President Donald Trump, but it could have been a lot worse. For all his faults – and there are many – the president is blessed with one important thing: opponents so unhinged, so irrational, that even when compared to him, he comes off better.

The ham-handed and, frankly, classless way in which the president fired FBI Director James Comey could have and should have been handled better. The White House can find out where the head of the FBI is at any given moment, so wait until he’s in the office to fire him or pick up the phone and do it right. Instead, Comey saw it on TV.

That said, he had to go. But media reports suggest the White House was shocked at the reaction. If true, that itself is shocking. If Donald Trump saved a puppy, the media and Democrats would complain about it, so firing the head of a department currently investigating the Trump campaign and being shocked about blowback is amateurish.

Luckily for the president, “worse than amateurish” is the perfect way to describe his opponents.

Democrats who days or even hours earlier had been hyper-critical of Comey spun on a dime to proclaim his firing an affront to justice. They declared he had no credibility, then expressed outrage at his no longer “leading the investigation into President Trump.”

Of course the head of the FBI was not “leading the investigation” any more than the CEO of a car company leads the investigation into a faulty brake pad. But why let the facts stand in the way of a good freak-out?

Nearly every Democrat, journalist, and cable news personality clutching their pearls over Comey’s firing has a trail of pronouncements expressing disgust at one or more of his actions in the recent past.

Which leaves these leftists having to argue that a man they repeatedly declared unsuited for the job should not have been removed from it.

But that’s not all. Not even close.

May 16, 2017

Terry Teachout remembers Dragnet

Filed under: History, Media, USA — Tags: , , , , — Nicholas @ 04:00

I vaguely remember watching Dragnet on TV, but the version I watched is apparently just a pale imitation of the original series:

If you’re fifty or older, you won’t need to be told the source of these half-recalled phrases: “The story you are about to see is true.” “This is the city.” “I carry a badge.” “My name’s Friday.” If you’re much younger than that, though, I doubt that you’ll remember Dragnet with any clarity. In the early days of network television, Dragnet was the most successful of all cops-and-robbers TV shows, as well as the most influential. It’s still influential — every episode of Law and Order bears its indelible stamp — but TV has since moved in flashier directions, and I doubt that the narrative conventions brought into being by Jack Webb, the director, producer, and star of Dragnet, will remain conventional for much longer.

For baby-boom TV viewers, Dragnet is both iconic and ironic. The version of the show that ran on NBC from 1967 to 1970, in which Webb was partnered by Harry Morgan, was an exercise in unintended self-parody, full of hippy-dippy druggies and the earnest cops who locked them up and threw away the key. A few of the episodes remain effective in their quaint way, but most are embarrassingly stiff. Part of the problem was that Sergeant Joe Friday, Webb’s character, was the squarest of squares, and it was already chic to smirk at such straight-arrow types by the time I reached adolescence. My father watched Dragnet religiously, though, so I did, too, little knowing that what I was seeing each week was a recycled, watered-down simulacrum of the real thing.

The real Dragnet was the black-and-white version that aired from 1951 to 1959. That series, in which Webb was partnered by Ben Alexander, was pulled out of syndication long ago and has never been legitimately reissued on DVD, nor is any “official” version, so far as I know, currently in the works. Fortunately, a few dozen episodes were inadvertently allowed to go out of copyright, and it’s easy to track down copies of them. […]

Like the later color version, the Dragnet of the Fifties was a no-nonsense half-hour police-procedural drama that sought to show how ordinary cops catch ordinary crooks. The scripts, most of which were written by James E. Moser, combined straightforwardly linear plotting (“It was Wednesday, October 6. It was sultry in Los Angeles. We were working the day watch out of homicide”) with clipped dialogue spoken in a near-monotone, all accompanied by the taut, dissonant music of Walter Schumann. Then and later, most of the shots were screen-filling talking-head closeups, a plain-Jane style of cinematography that to this day is identified with Jack Webb.

The difference was that in the Fifties, Joe Friday and Frank Smith, his chubby, mildly eccentric partner, stalked their prey in a monochromatically drab Los Angeles that seemed to consist only of shabby storefronts and bleak-looking rooms in dollar-a-night hotels. Nobody was pretty in Dragnet, and almost nobody was happy. The atmosphere was that of film noir minus the kinks — the same stark visual grammar, only cleansed of the sour tang of corruption in high places. But even without the Chandleresque pessimism that gave film noir its seedy savor, Dragnet was still rough stuff, more uncompromising than anything that had hitherto been seen on TV. In 1954 Time called the series “a sort of peephole into a grim new world. The bums, priests, con men, whining housewives, burglars, waitresses, children and bewildered ordinary citizens who people Dragnet seem as sorrowfully genuine as old pistols in a hockshop window.”

QotD: Politics as an auto-immune condition

Filed under: Media, Politics, Quotations, USA — Tags: , , — Nicholas @ 01:00

From living with eczema, which is a chronic auto-immune disorder, I can tell you that it much resembles the way we stumbled through from the forties (perhaps earlier. But in the forties, Heinlein described the communists taking over the Democratic party. And considering it took him till the eighties to vote Republican for the first time, I don’t think he can be considered a biased source.) through to 2001 like I live – most of the time – with my eczema: it flares up in a specific part of my body, and it itches like heck, which of course means that I don’t give my full attention to anything much, but because I’ve lived like this since I was one, it doesn’t really bother me or I should say – I don’t know what it’s like when it’s not bothering me.

[…]

For those who’ve been following our politics in puzzled wonder, it might help if you think of our issues as an autoimmune disorder. Let’s for the moment forget where it came from. Most autoimmune disorders are a bit of a mystery. Yes, part of it was the same bad philosophy that affected Europe at the time, and some of it might have been Soviet agitprop leaking over the ocean (as someone who grew up in Europe and in a fractured country, I know most Americans ignore the chances of that.) Part of it was a predisposition to it. The US and the ancient Israelites are the only people I know of formed on a set of principles and engage in detailed criticism of themselves over their principles. (Most other nations engaged in a criticism of OTHER countries over their own principles and blame OTHER countries for their own failures. For further study, I recommend Europe.)

Anyway, mostly we’ve been living with it and ignoring it, like I do with eczema. The areas where it was chronic: college campuses, “intellectual” areas were relatively minor. Even when it affected Hollywood, as long as it wasn’t flaring up too badly, most people rolled their eyes and ignored it.

[…]

The problem is this – the flare up continued growing. All through the sixties and the seventies, and the eighties, and yes, of course, the nineties, the flare up of self-hatred grew. And just like the eczema in my hands, it started affecting areas we can’t live without: K-12 schools, business, news.

And it’s not just a little. The news have been biased left for a long time (yes, I know the left thinks they’re biased right, but that’s because the left is to the left of Stalin, while the media are basically propping up a state-capitalism system much like China’s.) If you consider Fascism right, then you’re darn tooting the media is biased right. Since I consider it a misnomer, well…

But more importantly, unlike the manifestations of totalitarian impulse in other countries – Russia, Cuba, China – the autoimmune problems are NOT affecting just our governance or our industry. It’s not a matter of destroying our industry so we’ll all be poor. That would be bad enough. The problem is far worse, though: the problem is that the statist ideology now in control of our government, our media, our education and what passes for “high culture” doesn’t just hate this or that part of us. No, they’ve been told/convinced/brainwashed that what’s wrong with the world is US – that the country and its existence ARE the enemy.

It might be the first time in history where in a non-occupied country flying the flag is an act of daring that in certain neighborhoods can get you shunned by all your neighbors. It might be the first time in history where teaching the good parts of your history in school is considered an act of defiance, and where the higher-class and all the bien-pensants push distorted histories and documentaries that run down the country that hosts them.

Autoimmune. Systemic.

Sara A. Hoyt, “Auto-Immune — A blast from the past post from February 2013”, According to Hoyt, 2015-07-01.

May 13, 2017

QotD: Sneering at the “farmers” in fly-over country

Filed under: Education, Media, Politics, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

If Star Wars was written by today’s establishment, Luke would have to be a girl who suffered oppression by the bigoted farm boys, then escaped to the Empire (which was, of course, politically correct and ruled by wise, learned Socialist oligarchs) to wield its military might against the hicks and unlearned morons of Planet Redneck.

Such disdain is everywhere, now. It’s not hard to find in the media, in entertainment, or social media. Some time ago, I remember watching a Youtube video where a man with a strong Southern accent went to great lengths to demonstrate his education and intelligence, discussing complex matters of science, history, and philosophy in an effort to disprove the notion that a Southern accent somehow implies stupidity. I remember wondering why this was even necessary. I’ve met many intelligent, educated individuals in the South, and I’ve encountered no more idiots here than in the other places I’ve been to. Why would this even have to be disproved?

Then it hit me. The new American myth, carefully constructed by the SJWs and their ilk, is that farmers are stupid. Mechanics are dumb. Plumbers only ply their trade because they are too stupid to take gender studies courses. And since they are all idiots, of course their children must be idiots too. Indeed, they are all far too stupid to be permitted a say in how their own lives are run. As Tom Nichols once explained to me: Americans are too stupid to read maps, so why bother informing them about terrorist incidents? Being something of a Centrist, Tom is more charitable than most of the Leftists, whose disdain is much more direct. To those folks, America (and by extension, Americans themselves) is nothing more than a backward nation full of bigots, greedy thieves, murderers, and utter morons in desperate need of extinction.

[…]

But now, a two and a half centuries later, we’re back to where we started. The anointed, ivory tower aristocrats telling us what’s good for us — when we all know it’s a steaming pile of horse manure constructed solely to fool enough good people to keep the nobles planted atop their wobbly thrones. Their underestimation of the regular folks in the world, the farm boys and plumbers, may be what saves us, in the end. After all, it’s worked for America before, time and time again. It’s why, despite all the agitprop to the contrary, today America still remains the most powerful nation on Earth.

Dystopic, “From Farm to Space: A Lost Cultural Myth”, The Declination, 2017-05-01.

May 11, 2017

The transactional nature of “identity”

Filed under: Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

Eric S. Raymond on the rising chatter about “identity”:

These criticisms imply a theory of “identity” that is actually coherent and useful. Here it is:

Your “identity” is a set of predictive claims you assert about yourself, mostly (though not entirely) about what kinds of transactions other people can expect to engage in with you.

As an example of an exception to “mostly”, the claim “I am white” implies that I sunburn easily. But usually, an “identity” claim implies the ability and willingness to meet behavioral expectations held by other people. For example, if I describe my “identity” as “male, American, computer programmer, libertarian” I am in effect making an offer that others can expect me to need to shave daily, salute the Stars and Stripes, sling code, and argue for the Non-Aggression Principle as an ethical fundamental.

Thus, identity claims can be false (not cashed out in observed behavior) or fraudulent (intended to deceive). You don’t get to choose your identity; you get to make an offer and it’s up to others whether or not to accept.

[…]

I can anticipate several objections to this transactional account of identity. One is that is cruel and illiberal to reject an offer of “I claim identity X” if the person claiming feels that identity strongly enough. This is essentially the position of those journalists from The Hill.

To which I can only reply: you can feel an identity as a programmer as strongly as you want, but if you can’t either already sling code or are visibly working hard on repairing that deficiency, you simply don’t make the nut. Cruelty doesn’t enter into this; if I assent to your claim I assist your self-deceit, and if I repeat it I assist you in misleading or defrauding others.

It is pretty easy to see how this same analysis applies to “misgendering” people with the “wrong” pronouns. People who use the term “misgender” generally follow up with claims about the subject’s autonomy and feelings. Which is well enough, but such considerations do not justify being complicit in the deceit of others any more than they do with respect to “I am a programmer”.

A related objection is that I have stolen the concept of “identity” by transactionalizing it. That is, true “identity” is necessarily grounded not in public performance but private feelings – you are what you feel, and it’s somehow the responsibility of the rest of the world to keep up.

But…if I’m a delusional psychotic who feels I’m Napoleon, is it the world’s responsibility to keep up? If I, an overweight clumsy shortish white guy, feel that I’m a tall agile black guy under the skin, are you obligated to choose me to play basketball? Or, instead, are you justified in predicting that I can’t jump?

You can’t base “identity” on a person’s private self-beliefs and expect sane behavior to emerge any more than you can invite everyone to speak private languages and expect communication to happen.

May 10, 2017

QotD: “Reality” TV

Filed under: Media, Quotations, USA — Tags: , — Nicholas @ 01:00

“Reality”-based game shows, by no means a U.S.-driven or U.S.-invented phenomenon, may recruit individuals who appear truly random. In practice, the contestants are selected for extreme personality features that the format elicits quickly. The future annals of reality TV will tell how little time it took for shows like Survivor to abandon their original regular-folks pretense — it was a matter of weeks in the case of the U.S. Survivor. Within months the more typical reality-competition show was something like Real World/Road Rules Challenge, i.e., a cauldron of freewheeling pathology spiced with sex and violence.

At any rate, everyone who appears on an actual television program has passed an implicit “can be on television” test for looks. The test is not strict: I was a semi-regular on a deep-cable panel show, and look at me. But try walking in the downtown of any major city and counting the number of people who have tics or wens or facial asymmetries that would disqualify them outright from TV. Needless to say, you don’t hear quite the same range of accents you do at a food-court MacDonald’s, either. It is probably to the good that we are disconnecting from television as a total environment, a multidimensional image of society plunged into at birth: those of us who were reared under those conditions must have weird, unfixable blind spots.

Colby Cosh, “On the ignominious downfall of Jared from Subway”, National Post, 2015-08-20.

May 7, 2017

QotD: The privilege of colourblindness

Filed under: Media, Politics, Quotations — Tags: , , , , , , — Nicholas @ 01:00

In Slate magazine, SF author Ursula LeGuin complains that the producers of the new Earthsea miniseries have butchered her work. One form of butchery that she zeroes in on is by casting characters who she intended to be red, brown, or black as white people.

I have mixed feelings. LeGuin has every right to be POed at how her intentions were ignored, but on the other hand my opinion of her has not been improved by learning that she intended the books as yet another wearisomely PC exercise in multiculturalism/multiracialism.

I liked those books when I read them as a teenager. I didn’t notice any character’s skin color. I would really prefer not to have had my experience of those characters retrospectively messed with by LeGuin’s insistence that the race thing is important.

Note: I am not claiming that all casting should be colorblind. I remember once watching an otherwise excellent Kenneth Branagh production of Much Ado About Nothing that was somewhat marred for me by Branagh’s insistence on casting an American black man as a Renaissance Italian lord. This was wrong in exactly the same way that casting a blue-eyed blond as Chaka Zulu or Genghis Khan would be — it’s so anti-historical that it interferes with the suspension of disbelief. Fantasy like LeGuin’s, however, doesn’t have this kind of constraint. Ged and Tenar don’t become either more or less plausible if their skin color changes.

But what really annoyed me was LeGuin’s claim that only whites have the “privilege” of being colorblind. This is wrong and tendentious in several different ways. Colorblindness is not a privilege of anyone, it’s a duty of everyone — to judge people not by the color of their skin but the content of their character, and to make race a non-issue by whatever act of will it takes. (It doesn’t take any effort at all for me.)

Eric S. Raymond, “The Racist of Earthsea”, Armed and Dangerous, 2004-12-16.

May 6, 2017

Marine Le Pen versus Emmanuel Macron

Filed under: France, Media, Politics — Tags: , , , — Nicholas @ 03:00

Megan McArdle is in France this week and watched the televised debate between Le Pen and Macron on Wednesday. She found some interesting parallels between it and the US presidential debates, but some significant differences, too:

Watching last night’s presidential debate here in France, I found it hard not to think about our own presidential debates in the U.S., lo these many months ago. In many ways, it was the same: the populist upstart against the center-left representative of the establishment, the status quo against the YOLO, the woman against the man. In other ways, it was very different — which is why, according to almost everyone, Emmanuel Macron is going to be elected president next week, and Marine Le Pen will not.

Macron, like Hillary Clinton, is the candidate of “more of the same, but with, you know, more of the same.” His contempt for Le Pen was obvious, and if this were an American debate, would have hurt him. My French is good enough to read a newspaper (very slowly) and to sort of follow the debate as long as no one else was talking. So as I watched, I paid attention to tone and body language as much as content.

[…]

Le Pen, like Trump, is basically the candidate of “things were better 40 years ago, so let’s go back there.” And it’s easy to understand why that’s appealing for a lot of voters in both France and America. The problem is, even if it were desirable to migrate en masse back to the mid-20th century, no one knows how to do it. France may be struggling to integrate its immigrants, but they are here, and cannot simply be removed the way one might get rid of a piece of furniture that clashes with the rest of the décor. Trade may have resulted in painful deindustrialization, but de-industrialization is a one-way street, and pulling out of those trade relationships will not bring back the lost factories. The euro may have been a very bad idea — no, strike that, the euro was a very bad idea, probably the worst one France has had since “let’s get into a land war in Southeast Asia” — but leaving the euro is not the same as having never adopted it. In the short term, at least, it would be catastrophically messy.

To this, Le Pen’s supporters might reply “but at least we could stop making things worse.” But even if you hold out more hope for her agenda than I do, the fact remains that if you reject the status quo in favor of radical change, you necessarily raise the risk that things will get much worse. We know approximately what the status quo looks like. Radical action means launching off into the dark. Which is why radical candidates inevitably seem less prepared, knowledgeable and plausible than their mainstream opponents.

That said, compared to Donald Trump, Marine Le Pen sounds like a wonk’s wonk. Nor does she have his propensity to lose his cool. Watching the French debate, I was struck by a repeated thought: if Clinton had had Le Pen’s speaking ability, she would be president now. During the campaign, and after, Clinton’s supporters frequently complained that Clinton was being penalized for being an older woman. But Le Pen is living proof that middle-aged ladies can be effective politicians. I don’t like her agenda, and I really don’t like her party. But looking strictly at effectiveness on the stump, she’s pretty good.

May 4, 2017

What’s So Bad About The Galactic Empire?

Filed under: Economics, Liberty, Media — Tags: , — Nicholas @ 09:06

Published on 4 May 2017

Have you ever really stopped to consider why the Galactic Empire in Star Wars is actually bad?

Welcome to Out of Frame, a new on-going monthly series where we talk about the intersection of art, culture, and ideas from a classical liberal perspective. The goal for this series is to explore the underlying ideas in movies, TV, comics, books, and other media that you may not have thought about before.

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QotD: Christopher Lee in the Star Wars prequels

Filed under: Humour, Media, Quotations — Tags: , — Nicholas @ 01:00

His own favorite film was Jinnah, in which he played the title role of Pakistan’s ascetic founder. It’s very credible, but it’s not why audiences loved him. Lee redeemed almost anything he was in, but had his work cut out when George Lucas signed him for the Star Wars prequels. By then Lucas was a director without peer when it comes to getting bad performances out of great actors. Once upon a time Ewan McGregor was one of the sexiest actors on the planet. Then George Lucas cast him as Obi-Wan Kenobi, and turned him into a souvenir action-figure with no private parts and a flat monotone voice. As Princess Amidala, Natalie Portman couldn’t be Aniduller. The kid who plays Anakin seems like he should be the shy fellow in the back in some passing boy band but instead his agent stuck him with some lousy movie gig in a language not his own. He and Miss Portman roll in the grass like it’s a contractual obligation. The most fully realized characters are the computer-generated ones, like Yoda, the wrinkly midget with the inverted word order that nevertheless sounds less unnatural than the rest of the inert, stilted dialogue.

But, when it comes to such acting honors as there are in the series, the Empire strikes back! Lee as Count Dooku and Ian McDiarmid as Chancellor Palpatine have the measure of Star Wars: go with the hokum, have some fun doing the standard creepy-snooty Brit bad-guy shtick, and cash the check.

Mark Steyn, “Fangs, Light Sabers and a Supernumary Papilla”, Steyn Online, 2015-06-13.

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