Quotulatiousness

August 7, 2020

“40:1” Pt. 2 – Another Polish Last Stand – Sabaton History 079 [Official]

Filed under: Europe, Germany, History, Media, Military, Russia, WW2 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 6 Aug 2020

At the end of September 1939, Poland was burning. Trapped in an ever shrinking corridor between the Wehrmacht and the Red Army, the last remaining Polish forces were still holding out. Isolated, short of ammunition and supplies, and without hope for relief. The last Polish Army, the SGO Polesie, was making its way towards the Vistula, as it was cut off by German motorcycle troops. Determined to sell their lives dearly, the SGO Polesie dug in and prepared for a last stand.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “40:1” from the album The Art Of War:
https://music.sabaton.net/TheArtOfWar

Watch the Official Music Video of “40:1” here:
https://www.youtube.com/watch?v=epeQw…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
Paul Otto courtesy Glenn Jewison
University of Wisconsin-Milwaukee Libraries
Bundesarchiv
Imperial War Museums: HU106375
Museum of Warsaw
Narodowe Archiwum Cyfrowe
Centralne Archiwum Wojskowe

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago (edited)
Once again the time has come for the Polish people to show what they’re made of.

This time they’re facing a gargantuan two-headed monster of an enemy and are outnumbered many many times over.

They may not win, they may not even live to see another day — but The Polish will not give up without giving their all.

Spirit of Spartans
Death and glory
Soldiers of Poland
Second to none

So come, bring on all that you’ve got
Come hell, come high water — never stop!

With the help of Indy and the TimeGhost team you can learn more about the Soviet invasion of Poland and the last days of The Polish Defensive War in these two episodes of the “World War Two In Real Time” series:

“The Russians are Coming! – The Soviet Invasion of Poland” – WW2 – 004 – September 22, 1939
https://youtu.be/8vjBp-qyNVE

“Poland is Crushed” – WW2 – 005 – 29 September, 1939
https://youtu.be/OOPiUaakSXM

August 2, 2020

Words are verbal tools, but tools can be weaponized

Filed under: Education, Media, Politics, USA — Tags: , , , , , , — Nicholas @ 03:00

In this week’s newsletter, Andrew Sullivan analyzes the roots of wokeness:

In the mid-2010s, a curious new vocabulary began to unspool itself in our media. A data site, storywrangling.org, which measures the frequency of words in news stories, revealed some remarkable shifts. Terms that had previously been almost entirely obscure suddenly became ubiquitous — and an analysis of the New York Times, using these tools, is a useful example. Looking at stories from 1970 to 2018, several terms came out of nowhere in the past few years to reach sudden new heights of repetition and frequency. Here’s a list of the most successful neologisms: non-binary, toxic masculinity, white supremacy, traumatizing, queer, transphobia, whiteness, mansplaining. And here are a few that were rising in frequency in the last decade but only took off in the last few years: triggering, hurtful, gender, stereotypes.

Language changes, and we shouldn’t worry about that. Maybe some of these terms will stick around. But the linguistic changes have occurred so rapidly, and touched so many topics, that it has all the appearance of a top-down re-ordering of language, rather than a slow, organic evolution from below. While the New York Times once had a reputation for being a bit stodgy on linguistic matters, pedantic, precise and slow-to-change, as any paper of record might be, in the last few years, its pages have been flushed with so many neologisms that a reader from, say, a decade ago would have a hard time understanding large swathes of it. And for many of us regular readers, we’ve just gotten used to brand new words popping up suddenly to re-describe something we thought we knew already. We notice a new word, make a brief mental check, and move on with our lives.

But we need to do more than that. We need to understand that all these words have one thing in common: they are products of an esoteric, academic discipline called critical theory, which has gained extraordinary popularity in elite education in the past few decades, and appears to have reached a cultural tipping point in the middle of the 2010s. Most normal people have never heard of this theory — or rather an interlocking web of theories — that is nonetheless changing the very words we speak and write and the very rationale of the institutions integral to liberal democracy.

What we have long needed is an intelligible, intelligent description of this theory which most people can grasp. And we’ve just gotten one: Cynical Theories: How Activist Scholarship Made Everything About Race, Gender and Identity, by former math prof James Lindsay and British academic, Helen Pluckrose. It’s as deep a dive into this often impenetrable philosophy as anyone would want to attempt. But it’s well worth grappling with.

What the book helps the layperson to understand is the evolution of postmodern thought since the 1960s until it became the doctrine of Social Justice today. Beginning as a critique of all grand theories of meaning — from Christianity to Marxism — postmodernism is a project to subvert the intellectual foundations of western culture. The entire concept of reason — whether the Enlightenment version or even the ancient Socratic understanding — is a myth designed to serve the interests of those in power, and therefore deserves to be undermined and “problematized” reason whenever possible. Postmodern theory does so mischievously and irreverently — even as it leaves nothing in reason’s place. The idea of objective truth — even if it is viewed as always somewhat beyond our reach — is abandoned. All we have are narratives, stories, whose meaning is entirely provisional, and can in turn be subverted or problematized.

During the 1980s and 1990s, this somewhat aimless critique of everything hardened into a plan for action. Analyzing how truth was a mere function of power, and then seeing that power used against distinct and oppressed identity groups, led to an understandable desire to do something about it, and to turn this critique into a form of activism. Lindsay and Pluckrose call this “applied postmodernism”, which, in turn, hardened into what we now know as Social Justice.

July 31, 2020

“Coat Of Arms” – The Greco-Italian War – Sabaton History 078 [Official]

Filed under: Europe, Greece, History, Italy, Media, Military, WW2 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 30 Jul 2020

Morning of October 28th, 1940.

The Italian ambassador to Greece had entered the house of Greek Prime Minister Ioannis Metaxas. An unacceptable ultimatum in hand, he demanded subjugation under Italian rule. Refusal would mean war. An ardent Ochi! was the answer. No, the Greek would not bow to fascist demands, but instead fight for the defense of their country and their honor. What followed were months of bitter fighting in the harsh environment of Epirus and the Macedonian mountains.

The Greco-Italian War.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Coat Of Arms” on the album Coat Of Arms:
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlay

Watch the Official Music Video of “Coat Of Arms” here:
https://youtu.be/wtax3Fl-UZo

The episode of WW2 in Real-Time Indy was talking about: https://www.youtube.com/watch?v=GYznP…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Imperia War Museums: 205197881
Diplomatic and Historical Archive Department
Italian map by F l a n k e r from Wikimedia
The icons from Noun Project: Oksana Latysheva, Wichai Wi, baken studio, ProSymbols

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

QotD: Princess may have to wait to be rescued

Filed under: Humour, Media, Politics, Quotations, USA — Tags: , , — Nicholas @ 01:00

I drove my daughter’s car this morning and the radio was tuned to whatever Sirius current pop station she listens to. I changed the lyrics of every single song to,

    “I cry myself to sleep,
    And I wear skinny jeans.
    I have a lumberjack beard,
    and I cry when I wake up.”

What’s amazing was that my lyrics fit every single whiny soy-boy vanilla song.

Someday all the princesses are going to look around and wonder why the princes are all married to homosexual exotic animal dealers or are simply not interested. The girlzz will be friend-zoned and will answer their biological urge to be a mother with the sperm banked by a stranger.

Paul Piatt, responding to a post on Mewe, 2020-04-29. (Reposted by permission.)

July 30, 2020

“Muzzling” scientists only ever happens under Conservative governments…

Filed under: Cancon, Environment, Government, Health, Media, Politics, Science — Tags: , , , , , — Nicholas @ 05:00

… so even though the circumstances might look remarkably similar to the layman’s eyes, Justin Trudeau can’t possibly be accused of doing the same thing as that evil, anti-science Stephen Harper:

Prime Minister Stephen Harper speaking at the Annual Meeting 2012 of the World Economic Forum at the congress centre in Davos, Switzerland, January 26, 2012.
World Economic Forum photo via Wikimedia Commons.

In fact, Grant Robertson reports, the Trudeau regime effectively shuttered a small, cheap (less than $3 Million dollars ~ petty cash in Canada’s government) research and early warning team called the Global Public Health Intelligence Network (GPHIN) which

    was among Canada’s contributions to the World Health Organization, and it operated as a kind of medical Amber Alert system. Its job was to gather intelligence and spot pandemics early, before they began, giving the government and other countries a head start to respond and – hopefully – prevent a catastrophe. And the results often spoke for themselves.

Unfortunately, by the time the COVID-19 pandemic was getting started, just when the GPHIN should have provided “early warning,” it had been told, by the Trudeau regime, to focus on domestic issues. But global pandemics don’t often start in Canada, do they? The GPHIN sifted through data from around the world, often from places like China, Iran and Russia which hide or manipulate medical information, conducting something akin to military reconnaissance so that Canadian (and global (WHO)) officials could “see” what might be headed our way.

Did Justin Trudeau give the order to “muzzle” the GPHIN scientists? No, of course not … no more than Stephen Harper gave the order to “muzzle” scientists in Environment Canada. The decision to “refocus” the GPHIN on useless, domestic busywork was likely made by an Assistant Deputy Minister who was acting on yet another demand from the Treasury Board Secretariat to justify every programme dollar … again.

You should be glad that the Treasury Board Secretariat casts a sceptical eye on every single government programme and is a constant thorn in the side of operational people (like I was when I was serving and like the GPHIN folks were, too). They, skilled, hard-working civil servants, are just trying to ensure that your tax dollars are not being wasted. They are good people doing good work. But sometimes the wheat gets tossed away with the chaff. That appears to have been the case with the GPHIN. In retrospect, it seems almost criminally stupid to have deprived Canada of a valuable medical reconnaissance agency just because there had not been an “attack” recently. But that appears to have been the bureaucratic justification ~ it’s like me saying that since my house hasn’t burned down recently we should disband the fire department.

Did Justin Trudeau muzzle scientists? No.

Did Justin Trudeau’s government disable a valuable (and cheap) “early warning” system just to make its own wild spending look a little less careless? Yes, that’s what the Globe and Mail‘s investigation says ~ and we have paid a horrendous price in lives for that decision.

This story, it seems to me, is very much like the “Harper muzzles scientists” stories from a few years ago … but minus the massive media attention. It appears very evident, from Mr Robertson’s investigations that bureaucrats, acting on their own, internal priorities, emasculated the GPHIN just when we needed it most. That, bureaucratic action, was I believe what was, mainly, behind the “Harper muzzles scientists” stories, too. But in the 2010s much of the mainstream media was in a sort of undeclared war against Stephen Harper and so the claims of climate activists became “news” and opinions were treated as facts.

QotD: The “strong female protagonist” in movies and on TV

Filed under: Media, Quotations, USA — Tags: , , , , , — Nicholas @ 01:00

And I wonder whether you’ve noticed a character that can be found in practically every movie made today? I call her the “all conquering female.” Almost without exception, she is underestimated by men and then proves herself more intelligent, cleverer, more courageous, and more skilled than any man. Whether we’re talking about a romantic comedy, an office-drama, or an adventure movie, the all conquering female will almost inevitably show up. And she has to show her worth in a domineering way, that is to say, over and against the men. For her to appear strong, they have to appear weak. For a particularly good case in point, watch the most recent Star Wars film.

Now I perfectly understand the legitimacy of feminist concerns regarding the portrayal of women in the media as consistently demure, retiring, and subservient to men. I grant that, in most of the action/adventure movies that I saw growing up, women would typically twist an ankle or get captured and then require rescuing by the swashbuckling male hero — and I realize how galling this must have been to generations of women. And therefore, a certain correction was undoubtedly in order. But what is problematic now is the Nietzschean quality of the reaction, by which I mean, the insistence that female power has to be asserted over and against males, that there is an either/or, zero-sum conflict between men and women. It is not enough, in a word, to show women as intelligent, savvy, and good; you have to portray men as stupid, witless, and irresponsible. That this savage contrast is having an effect especially on younger men is becoming increasingly apparent.

In the midst of a “you-go-girl” feminist culture, many boys and young men feel adrift, afraid that any expression of their own good qualities will be construed as aggressive or insensitive. If you want concrete proof of this, take a look at the statistics contrasting female and male success at the university level. And you can see the phenomenon in films such as Fight Club and The Intern. In the former, the Brad Pitt character turns to his friend and laments, “we’re thirty year old boys;” and in the latter, Robert De Niro’s classic male type tries to whip into shape a number of twenty-something male colleagues who are rumpled, unsure of themselves, without ambition — and of course under the dominance of an all conquering female.

It might be the case that, in regard to money, power, and honor, a zero-sum dynamic obtains, but it decidedly does not obtain in regard to real virtue. The truly courageous person is not threatened by another person’s courage; the truly temperate man is not intimidated by the temperance of someone else; the truly just person is not put off by the justice of a countryman; and authentic love positively rejoices in the love shown by another. And therefore, it should be altogether possible to hold up the virtue of a woman without denying virtue to a man. In point of fact, if we consult the “all conquering female” characters in films and TV, we see that they often exemplify the very worst of the traditional male qualities: aggression, suspicion, hyper-sensitivity, cruelty, etc. This is what happens when a Nietzschean framework has replaced a classical one.

Bishop Robert Barron, “The Trouble With the ‘You Go Girl’ Culture”, Word on Fire, 2016-10-18.

July 28, 2020

A rosy hypothetical about the US 2020 elections

Filed under: Media, Politics, USA — Tags: , , , — Nicholas @ 03:00

David Warren‘s not committed to this scenario being accurate, although elements of it are clearly based in reality:

Donald Trump addresses a rally in Nashville, TN in March 2017.
Photo released by the Office of the President of the United States via Wikimedia Commons.

Arguably, the American people have a handle on this. Their strategy is to support Biden and the Democrats publicly, to save their jobs, discourage doxing, and avoid vicious attacks from “friends” on Facebook. Then come November, they vote for a Republican supermajority, including a Trump sweep of the Electoral College, and a GOP landslide in the House of Representatives. Thanks to the secret ballot, they can say they voted for Biden afterwards, if he is still alive. (Has anyone checked on the dear old guy in his basement?)

That Trump will lose badly will be obvious to everyone until the election results come in. The younger constituency has been thoroughly indoctrinated by the radicals who captured schools and universities, but will, as usual, rarely turn up to vote. There will be a huge volume of fraudulent mail-in ballots — nine-tenths of them Democrat — but the Natted States Postal Service will fail to deliver them on time. Desperate efforts by Antifa and BLM to keep the riots going will substantially reduce the urban leftie vote. The meltdown of the meejah talking heads, on the night of November 3rd, will be even more amusing than their meltdown in 2016. Many will succumb to the Covid virus, by morning.

Not to be political, because I never am — but I did have a long history of correctly guessing election results when I was myself practising the demonic art. (Journalism.) I was, for instance, a polite “never Trumper” even after I’d been deleted by my newspaper employers (who felt they didn’t need “token conservatives” any more). But I did think, against all the odds, that Trump would win. This was because I try not to let my own prejudices interfere with my observations. My reasoning was simple. There were lots of people who loved Trump, and very few who loved Hillary Clinton. Therefore, the latter would lose. (This also explains how I predicted Obama’s victories.)

July 27, 2020

QotD: People on social media are the worst!

Filed under: Media, Quotations, Technology — Tags: , , , — Nicholas @ 01:00

This article asked many internet pioneers about how they think it’s all turned out. They’re not happy.

No one asked me, he said with a petulant sniff. I think it’s turned out well for those who regard it as a personal publishing platform, and don’t regard social media as an equivalent or replacement for the real world. It is a shadow realm full of tricksters and devils and angels and blokes and sheilas. It’s Second Life except it seems real because it contains Kardashians, who are the most important and fascinating people on earth.

Anyway, it’s mostly lamented now because A) Trump, and B) People are jerks.

    Rich Kyanka: Social media was supposed to be about, “Hey, Grandma. How are you?” Now it’s like, “Oh my God, did you see what she wore yesterday? What a f**ing cow that bitch is.” Everything is toxic — and that has to do with the internet itself. It was founded to connect people all over the world. But now you can meet people all over the world and then murder them in virtual reality and rape their pets.

Everything is toxic — and that has to do with the internet itself. I don’t think so. I think it has to do with people on the internet. People who otherwise wouldn’t say boo to you as you passed on the street, but feel as if it is their duty to yell at everything on Twitter, because there are no consequences. If you got into the elevator at work every day and acted rude to everyone in the car, eventually it would have consequences. The Internet is a hellish version of an elevator car — everyone is looking at everyone else and talking at the same time about everyone else and themselves.

James Lileks, The Bleat, 2018-05-02.

July 26, 2020

J.K. Rowling receives an apology

Filed under: Books, Britain, Media, Politics — Tags: , , , , , , — Nicholas @ 03:00

In his first Weekly Dish newsletter, Andrew Sullivan reports on the retraction and apology by The Day to J.K. Rowling:

J.K. Rowling’s Harry Potter books have been pivotal for many Millennials in encouraging them to move away from traditional religious beliefs.

We’re used to public apologies by now, but this one is a little different. It comes from a magazine for schoolchildren in England, called The Day. It reads:

    We accept that our article implied that … JK Rowling … had attacked and harmed trans people. The article was critical of JK Rowling personally and suggested that our readers should boycott her work and shame her into changing her behaviour … We did not intend to suggest that JK Rowling was transphobic or that she should be boycotted. We accept that our comparisons of JK Rowling to people such as Picasso, who celebrated sexual violence, and Wagner, who was praised by the Nazis for his antisemitic and racist views, were clumsy, offensive and wrong … We unreservedly apologise to JK Rowling for the offence caused, and are happy to retract these false allegations and to set the record straight.

The Day had been referring to JK Rowling’s open letter on trans issues, which you can read in its entirety here and judge for yourself.

I have to say it’s good to see this apology in print. It remains simply amazing to me that the author of the Harry Potter books, a bone fide liberal, a passionate feminist and a strong supporter of gay equality can be casually described, as Vox’s Zack Beauchamp did yesterday, as “one of the most visible anti-trans figures in our culture.” It is, in fact, bonkers. Rowling has absolutely no issue with the existence, dignity and equality of transgender people. Her now infamous letter is elegant, calm, reasonable and open-hearted. Among other things, Rowling wrote: “I believe the majority of trans-identified people not only pose zero threat to others, but are vulnerable for all the reasons I’ve outlined. Trans people need and deserve protection.”

She became interested in the question after a consultant, Maya Forsteter, lost a contract in the UK for believing and saying that sex is a biological reality. When Forsteter took her case to an employment tribunal, the judge ruled against her, arguing that such a view was a form of bigotry, in so far as it seemed to deny the gender of trans people (which, of course, it doesn’t). Rowling was perturbed by this. And I can see why: in order either to defend or oppose transgender rights, you need to be able to discuss what being transgender means. That will necessarily require an understanding of the human mind and body, the architectonic role of biology in the creation of two sexes, and the nature of the small minority whose genital and biological sex differs from the sex of their brain.

This is not an easy question. It requires some thinking through. And in a liberal democracy, we should be able to debate the subject freely and openly. I’ve done my best to do that in this column, and have come to many of the conclusions Rowling has. She does not question the existence of trans people, or the imperative to respect their dignity and equality as fully-formed human beings. She believes they should be protected from discrimination in every field, and given the same opportunities as anyone else. She would address any trans person as the gender they present, as would I. Of course. That those of us who hold these views are now deemed bigots is, quite simply, preposterous.

[…]

It pains me to see where this debate has gone. There’s so much common ground. And I do not doubt that taking into account the lived experiences of trans people is important. But if we cannot state an objective fact without being deemed a bigot, and if we cannot debate a subject because debating itself is a form of hate, we have all but abandoned any pretense of liberal democracy. And if a woman as sophisticated and eloquent and humane as JK Rowling is now deemed a foul bigot for having a different opinion, then the word bigotry has ceased to have any meaning at all.

July 25, 2020

“The Ballad of Bull” Pt.2 – Combat Medics – Sabaton History 077 [Official]

Filed under: Australia, Germany, History, Japan, Media, Military, Pacific, Russia, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 24 Jul 2020

Sometimes war is killing, sometimes war is saving lives.

In the first episode we have seen Leslie “Bull” Allen become a hero, not through the death of his enemies, but by saving his comrades’ lives. And there were others like him. Soldiers and medics, whose first duty it was to preserve lives during war, even when it meant endangering their own safety. Here are three short stories of men and women, who served as medics at the front line of the Second World War, and became heroes to their country.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Ballad of Bull” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Photos of Desmond Doss Courtesy of the Desmond Doss Council
– Frame vector created by milano83 – www.freepik.com
– Arkiv i Nordland
– P.Fisxo from Wikimedia

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
The medical staff in war — combat medics, field surgeons and nurses, ambulance drivers and medevac crews — are often the unsung heroes of war, literally and figuratively.

That doesn’t mean that they don’t deserve to be remembered and their sacrifices honored. There are undoubtedly many instances of exceptional bravery among the medical staff of wars throughout history — for which they rightly should be praised. But they should also be remembered for their everyday work in trenches or field hospitals, in jungles and deserts, at sea or in mid-air. Treating a seemingly endless stream of incoming wounded, trying to give relief to those in pain, comfort to those in agony, and hope to to those who have lost theirs — day in and day out, for as long as the war will last.

If you missed part one of “The Ballad of Bull” you can see it right here.

Walter Duranty, Stalin’s tame “journalist”

Filed under: History, Media, Russia, USA — Tags: , , , , , , — Nicholas @ 03:00

Francis X. Maier makes the case that the Holodomor — the Soviet Union’s deliberate starvation of millions of its own people in Ukraine and surrounding regions — killed even more than the better-known Nazi Holocaust, then identifies one of the key apologists who lied serially and deliberately to hide the genocide:

A page from the Chicago Herald and Examiner from 3 March, 1935.
Wikimedia Commons.

[S.J.] Taylor’s 1990 article was timed to the release of Stalin’s Apologist, her withering biography of journalist Walter Duranty. A Pulitzer Prize winner, celebrated political analyst, and Moscow correspondent for the New York Times during the 1930s, Duranty interviewed Stalin twice. He also played a significant role in securing American diplomatic recognition for the Soviet regime. Less publicly, he was a prodigious womanizer, longtime opium buddy of Satanist Aleister Crowley, compulsive exploiter of friends, a spendthrift, occasional drunk, and an inventive, always-reliable flack for the Soviet regime.

One of Duranty’s lifelong memories involved his religious grandmother who, after catching the adolescent Duranty in a lie, had warned him that “liars go to hell.” He never forgot or forgave the correction. As an adult, he simply erased all family ties and falsely claimed in his autobiography that he’d been orphaned at age ten. Massaging the truth became one of his core skills. Brilliant, engaging, and widely respected at the time, he was, in the words of Malcolm Muggeridge, who also reported from Moscow and saw Duranty in action, “the greatest liar of any journalist I have met in 50 years of journalism.”

Committed to protecting his own influence and to a future “greater good” promised by the Soviet regime, Duranty at first dismissed rumors of the Ukrainian Famine. Then he downplayed them. Then he claimed that Ukraine’s “food shortages” were the result of local mismanagement and the work of “wreckers” and “spoilers” intent on undermining Soviet progress. He repeatedly denied the mass starvation in his reporting. But he did suggest that “you can’t make an omelet without breaking eggs” … especially when the omelet is the task of modernization, and the cooks are tough-minded Bolsheviks intent on a better tomorrow.

As Taylor notes in her book, Western powers struggling with the Great Depression and the rise of Hitler in Germany had little interest in rumors from Ukraine that might antagonize Stalin as a potential ally. Muggeridge had arrived in Russia in 1932 to string for the Manchester Guardian. A convinced socialist at the time, he intended to stay in Russia and renounce his British passport for Soviet citizenship. Reality interfered. By March 1933, he was reporting on Ukraine’s famine as “one of the most monstrous crimes in history,” and his disillusionment with the Soviet paradise was complete. But back in England, thanks in part to Duranty’s counter-reporting and Soviet propaganda, Muggeridge’s work was dismissed as “a hysterical tirade.” Muggeridge himself was slandered, vilified, and unable to find employment. And that might have buried the Holodomor story successfully, except for one man.

Welshman Gareth Jones was a young Russian Studies graduate of Cambridge and a former secretary to British Prime Minister Lloyd George. Stringing for the same Manchester Guardian as Muggeridge, he eluded Soviet press controls and spent three weeks on his own, walking through the hellish conditions of a starvation-ravaged Ukraine. Then he wrote about it in the spring of 1933, confirming and compounding the impact of Muggeridge’s recent work. Walter Duranty led the ferocious, Soviet-prodded attack on Jones’s credibility. He also bullied most other Moscow-based Western journalists — to their enduring disgrace — into doing the same, lest they lose their visas. Jones, however, had a spine. He did not back off. He continued writing and speaking about the famine in Ukraine with lasting effect, until his death under suspicious circumstances two years later.

Shakespeare Summarized: The Tempest

Filed under: Books, Humour, Media — Tags: , , , , — Nicholas @ 02:00

Overly Sarcastic Productions
Published 5 May 2014

At last! It’s not a tragedy!

It may have been Shakespeare’s final play, but that doesn’t mean it’s my final summary! Hopefully, you lucky folks will get to hear my melodious rambling for a while yet.

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July 24, 2020

Orchestras encouraged to ditch blind auditions for reasons of diversity

Filed under: Business, Media, Politics, USA — Tags: , , , — Nicholas @ 03:00

Tal Bachman responds to a recent New York Times article by Tony Tommasini demanding that musical organizations ignore the relative quality of a potential musician’s play in order to ensure more visible minority players get hired:

The New York Philharmonic Orchestra, detail from a group portrait in 2018.
Photo from the New York Philharmonic Orchestra website.

Tommasini begins his piece, entitled “To Make Orchestras More Diverse, End Blind Auditions”, by decrying the racism and sexism which, he claims, kept the orchestras of yesteryear predominantly white and male. He then pays tribute to the simple practice that helped erase that racism and sexism from orchestra hiring procedures: the blind audition. Starting in the late 1960s, orchestras began ditching traditional face-to-face auditions in favour of auditions that took place behind screens. With orchestra administrators no longer able to see the race or sex of the orchestra applicant, conscious and unconscious bias in hiring choices became impossible. Musical skill became the sole criterion for winning one of those prized professional playing positions.

This meritocratic turn, Tommasini argues, proved especially beneficial to female players. Whereas in 1970, women made up only 6% of orchestras, they now make up somewhere between a third and half of an average orchestra.

I add that audiences also benefited from meritocratic hiring processes as orchestras played increasingly brilliant renditions of the classics. Those improved performances also showed greater reverence for the original composers themselves. In short, the blind audition was a big win for all lovers of musical excellence – players, living composers, and fans alike.

So why on earth would anyone now call for their abolition?

Tommasini answers this way:

    Blind auditions changed the face of American orchestras. But not enough. American orchestras remain among the nation’s least racially diverse institutions, especially in regard to black and Latino artists … Ensembles must be able to take proactive steps to address the appalling racial imbalance that remains in their ranks. Blind auditions are no longer tenable.

In other words, the low number of black and Latino classical musicians means orchestras need to re-institute the old-time racial discrimination Tommasini began his article by decrying. Orchestras need to know which applicants are white and Asian precisely so they can refuse to hire them on that basis, no matter how skilled they are. Blind auditions make racial discrimination impossible, so they must be scrapped. American orchestras, writes Tommasini, should stop “passively waiting for representation to emerge from behind the audition screen”. Instead, they must realize that “removing the screen is a crucial step”.

To summarize: For Tommasini, it’s not just that justice requires injustice. It’s that justice is injustice (injustice in the form of racial discrimination). And if that reminds you of the official slogan of Orwell’s Ministry of Truth in 1984 – war is peace, freedom is slavery, ignorance is strength – you’re not alone.

July 23, 2020

Justin Trudeau and the Overton Window

Filed under: Cancon, Media, Politics — Tags: , , , , , , — Nicholas @ 05:00

Ted Campbell explains how Canada’s mainstream media work so hard to move the Overton Window to benefit Justin Trudeau and the Liberal Party:

… this explanation from Politico might help:

    The concept of the “Overton window,” the range of ideas outside which lie political exile or pariahdom, was first batted around in a series of conversations by the late free-market advocate Joseph Overton in the 1990s. After Overton’s untimely death in a plane crash in 2003, his friend and colleague at the libertarian Mackinac Center, Joseph Lehman, formalized and named the idea in a presentation meant to educate fellow think-tank warriors on the power of consistent advocacy. Ring the bell loudly for your idea, no matter how unpopular, and back it up with plenty of research and evidence, so the thinking went. Today’s fringe theory can become tomorrow’s conventional wisdom by the shifting of the finely tuned gears that move popular opinion; to Overton and Lehman the role of the think tank was to at least familiarize voters with these ideas, giving them an institutional home when public opinion finally moved their way.

Or, and even more brief visual explanation is:

Anyway, I believe that the Liberal Party of Canada and its allies in e.g. the CBC, The Star, and amongst the others who speak for the Laurentian Elites are working very hard, right now, to move the Overton Window frame of one idea from “Unthinkable” to at least barely “Acceptable.” That idea is that Justin Trudeau’s personal corruption (I believe that’s the right word) is acceptable because the alternative is a Conservative government that is, by Liberal/Laurentian Elite definition, authoritarian (fascist), homophobic, militaristic, racist, and sexist.

That’s right, the Liberal/Laurentian Elites admit that Justin Trudeau is dishonest, that he, unthinkingly, breaks the rules, over and over again ~ because, you see, he’s a really nice person but, sadly, he’s just not very smart. I have even made that case for them. I suggested, almost a year ago, that Justin Trudeau is an intellectual lightweight who is in no way qualified to hold high office … but he has the “second hand” celebrity of a famous name and he’s photogenic, too, and so, in 21st-century Canada he’s electable.

George Orwell’s “What is Fascism?”

Filed under: Britain, History, Media, Politics, WW2 — Tags: , — Nicholas @ 04:00

TIK
Published 21 Jul 2020

George Orwell wrote a short piece in 1944 asking the question: What is Fascism? George Orwell (Eric Arthur Blair) died in 1950. His work is technically not in the PUBLIC (STATE) domain in the UK until the end of this year. If Orwell’s estate wishes to make a Fascist-copyright claim on this video, feel free. I’m not monetizing it anyway, and will simply take the video down.

To see yesterday’s suppressed video on Greece under Fascist and National Socialist rule in WW2, click here https://youtu.be/oT2NPAoXeSk

To learn why the word PUBLIC means STATE, click here https://youtu.be/ksAqr4lLA_Y

If you’re looking for a Graphic Designer, here’s a good one: https://www.terriyoungdesigns.co.uk/

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📚 BIBLIOGRAPHY / SOURCES 📚

Full list of all my sources https://docs.google.com/spreadsheets/…

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Want to ask a question? Please consider supporting me on either Patreon or SubscribeStar and help make more videos like this possible. For $5 or more you can ask questions which I will answer in future Q&A videos. Thank you to my current Patrons! You’re AWESOME! https://www.patreon.com/TIKhistory or https://www.subscribestar.com/tikhistory

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ABOUT TIK 📝

History isn’t as boring as some people think, and my goal is to get people talking about it. I also want to dispel the myths and distortions that ruin our perception of the past by asking a simple question – “But is this really the case?”. I have a 2:1 Degree in History and a passion for early 20th Century conflicts (mainly WW2). I’m therefore approaching this like I would an academic essay. Lots of sources, quotes, references and so on. Only the truth will do.

This video is discussing events or concepts that are academic, educational and historical in nature. This video is for informational purposes and was created so we may better understand the past and learn from the mistakes others have made.

Full text of Orwell’s “What is Fascism?”, first published in Tribune in 1944 is available here.

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