Quotulatiousness

September 19, 2020

B.C./A.D. or C.E./B.C.E.? A perfect solution!

Filed under: History — Tags: , , — Nicholas @ 02:00

Lindybeige
Published 24 Oct 2014

I recall the first time I encountered the modern awfulness that is the terminology ‘C.E.’ and ‘B.C.E.’ — it was in a museum in Europe. Here I present my solution to the non-problem.

I spent a day making this video, and then didn’t like the result. For one thing, it was too long and rambling at four and a half minutes, so the next day I remade it, and I’ve now managed to cut it down to eight and half minutes.

Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.

▼ Follow me…

Twitter: https://twitter.com/Lindybeige I may have some drivel to contribute to the Twittersphere, plus you get notice of uploads.

website: www.LloydianAspects.co.uk

B.C./A.D. or C.E./B.C.E.? A perfect solution!

September 18, 2020

Édith Piaf during World War Two, Kerensky, & the German Journey to N. Africa – WW2 – OOTF 017

Filed under: Africa, France, Germany, History, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 06:00

World War Two
Published 17 Sep 2020

How did Alexander Kerensky react towards the invasion of the Soviet Union? How were French musicians working during the war? How did Germans get to Africa in 1940? Find out from Indy the answers to all these questions in Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga

Colorizations by:
– Mikołaj Uchman
– Klimbim
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Visual Sources:
– Bundesarchive
– Fortepan: 146645
– Library of Congress
– United States Holocaust Memorial Museum
– US National Archive
– B. Huber from German Wikipedia
– Tigidoulaïlaï from Wikimedia
– Picture of Jacques Prévert courtesy of Ruth Bessoudo Courvoisier
– Icons from The Noun Project by: iconsphere, Luke Anthony, Jordan
Alfarishy, Gan Khoon Lay , Alice Design, ProSymbols & Hada Arkanda.

Music:
“The Inspector 4” – Johannes Bornlöf
“Moving to Disturbia” – Experia
“Castles of France” – Cercles Nouvelles
“Memories of Paris” – Trabant 33
“March Of The Brave 10” – Rannar Sillard

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From innovation to absolutism — English inventors and the Divine Right of Kings

In the latest Age of Invention newsletter, Anton Howes looks at how innovations during the late Tudor and Stuart eras sometimes bolstered the monarchy in its financial battles with Parliament (which, in turn, eventually led to actual battles during the English Civil War):

King Charles I and Prince Rupert before the Battle of Naseby 14th June 1645 during the English Civil War.
19th century artist unknown, from Wikimedia Commons.

The various schemes that innovators proposed — from finding a northeast passage to China, to starting a brass industry, to colonising Virginia, or boosting the fish industry by importing Dutch salt-making methods — all promised to benefit the public. They were to support the “common weal”, or commonwealth. And to a certain extent, many projects did. The historian Joan Thirsk did much pioneering work in the 1970s to trace the impact of various technological or commercial projects, revealing that even something as mundane as growing woad, for its blue dye, could have a dramatic impact on local economies. With woad, the income of an ordinary farm labouring household might be almost doubled, for four months in the year, by employing women and children. In the late 1580s, the 5,000 or so acres converted to woad-growing in the south of England likely employed about 20,000 people. That may seem small today, but at a time when the population of a typical market town was a paltry 800 people, even a few hundred acres of woad being cultivated here or there might draw in workers from across the whole region. In the mid-sixteenth century, even the entire population of London had only been about 50-70,000. As Thirsk discovered, innovative projectors also sometimes fulfilled their other public-spirited promises, for example by creating domestic substitutes for costly imported goods, or securing the supplies of strategic resources.

But the ideal of benefiting the commonwealth could also, all too frequently, be elided with serving the interests of the Crown. Projectors might promise the monarch a direct share of an invention’s profits, or that a stimulated industry would result in higher income from tariffs or excise taxes. Increasingly, they proposed schemes that were almost entirely focused on maximising state revenue, with little evidence of new technology. They identified “abuses” in certain industries — at this remove, it’s difficult to tell if these justifications were real — and asked for monopolies over them in order to “regulate” them, then making money by selling licences. Last week I mentioned patents over alehouses, and on playing cards. They also offered to increase the income from the Crown’s property, for example by finding so-called “concealed lands” — lands that had been seized during the Reformation, but which through local resistance or corruption had ostensibly not been paying their proper rents. The projectors would take their share of the money they identified as “missing”. And they proposed enforcing laws, especially if the punishments involved levying fines or confiscating property. The projectors offered to find the lawbreakers and prosecute them, after which they’d take their share of the financial punishments.

Projectors thus came to present themselves as state revenue-raisers and enforcers, circumventing all of the traditional constraints on the monarch’s money and power. They provided an alternative to Parliaments, as well as to city corporations and guilds, in raising money and propagating their rule. Taking it a step further, projectors offered the tantalising possibility that kings like James I and Charles I might rule through proclamation and patents alone, without having to answer to anybody. They thus experimented with absolutism for much of 1610-40, only occasionally being forced to call Parliament for as briefly as possible when the pressing financial demands of war intervened.

In the process, with the growing multitude of projects — a few bringing technological advancement, but many merely lining the pockets of courtier and king — the designation “projector” became mud. It was as if, today, the Queen were to use her prerogative to grant a few of her courtiers monopolies on collecting all traffic fines, or litter penalties, to be rewarded solely on commission. Or if she were to award an unscrupulous private company the right to award all alcohol-selling licences (perhaps on the basis that underage drinking was becoming common). The country would soon be awash with hidden speed cameras and incognito litter wardens, and the price of alcohol would go through the roof. The people responsible would not be popular. A recent book by economic historian Koji Yamamoto meticulously charts the changing public perceptions of projects, describing the ways in which innovators then struggled, for decades, to regain the public’s trust.

“The Last Battle” – The Strangest Fight of WWII – Sabaton History 085 [Official]

Filed under: Germany, History, Media, Military, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

Sabaton History
Published 17 Sep 2020

On the 5th of May 1945, the Second World War in Europe is literally in its final days. As the German lines and Nazi state collapse into free fall, some Nazi hardliners remain fighting until the very moment surrender is announced. At Castle Itter, the lines are blurred as US and German soldiers fight side by side in a medieval castle, home to some of the highest profile prisoners of the war.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Last Battle” on the album The Last Stand:
https://music.sabaton.net/TheLastStand

Watch the Official Lyric Video of “The Last Battle” here:
https://www.youtube.com/watch?v=BwfJs…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Iryna Dulka
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.com
Sources:
– Photos of the Itter Castle: Sammlung Risch-Lau, Vorarlberger Landesbibliothek
All music by: Sabaton

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

Germany’s Not-So-Light 5cm LeGrW 36 Light Mortar

Filed under: Germany, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 2 Sep 2018

Sold for $18,400

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The 5cm 5CM Leichter Granatwerfer 36 was the standard German light infantry mortar going into World War Two. It was designed by Rheinmetall-Borsig in the mid 1930s and adopted in 1936. It fired a 0.9kg / 2 pound mortar bomb with a range of up to 550 meters. In theory, it occupied the same role as the French Mle 1937 50mm light mortar — except it was far heavier than was practical, and substantially more complex to use. The LeGrW 36 weighed in at a hefty 31 pounds (14kg) – nearly four times as much as its French counterpart.

It was a striker fired design, with a trigger lever and thus did not fire immediately upon a round being loaded. It used adjustments in angle to determine range, with a constant projectile velocity (as opposed to venting a varying amount of propellent gas to adjust range). By the middle of the war, it was being pulled out of front-line use, as its weight and relative complexity made it impractical for its intended role.

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

September 17, 2020

The British are Coming! Is Nuclear War as Well? | The Suez Crisis | Part 4

TimeGhost History
Published 16 Sep 2020

As Britain, France, and Israel continue to push home their advantage in the face of overwhelming international pressure, the Soviet Union finally enter the arena. Britain now faces utter disaster. The Soviets are threatening nuclear war and the British economy faces free fall; how much longer can Britain reject a ceasefire?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Image Research by Daniel Weiss & Shaun Harrison
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Maps by Ryan Weatherby

Colorizations:
– Mikołaj Uchman
– Daniel Weiss
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
– IDF Spokesperson’s Unit
– Imperial War Museums: © MH 23498, MH 23513, HU 4190, HU 4183
– Bundesarchive
– The Bank of England Archive

Music:
– “As the Rivers Collapse” – Deskant
– “Descending Mount Everest” – Trailer Worx
– “Last Man Standing 3” – Johannes Bornlöf
– “March Of The Brave 10” – Rannar Sillard.mp3
– “Moving to Disturbia” – Experia
– “Break Free” – Fabien Tell
– “Last Point of Safe Return” – Fabien Tell
– “Epic Adventure Theme 4” – Håkan Eriksson
– “Deflection” – Reynard Seidel
– “Last Minute Reaction” – Phoenix Tail
– “Force Matrix” – Jon Bjork

The icons from The Noun Project by Geovani Almeida, alerma, Mochammad Kafi, Gilberto, Leona Grande, Smalllike & Pause08

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago
We thought we’d share with you a quote that didn’t make it into the final script but really sums up the outpouring of protests the British government received upon its military intervention in Suez.

It’s a letter in The Times newspaper on November 6, written by none other than Violet Bonham Carter — a leading member of the Liberal Pary, close friend of Winston Churchill, and grandmother of actress Helena Bonham Carter. It reads: “For the first time in our history our country has been reduced to moral impotence. We cannot order Soviet Russia to obey the edict of the United Nations which we ourselves have defied, nor to withdraw her tanks and guns from Hungary while we are bombing and invading Egypt. Today we are standing in the dock with Russia … Never in my lifetime has our name stood so low in the eyes of the world. Never have we stood so ingloriously alone.”

Britain’s technological edge in the Battle of Britain

Filed under: Britain, Germany, History, Military, Technology, WW2 — Tags: , , , , — Nicholas @ 03:00

Over at The Register, Gareth Corfield lists some of the advanced technological kit the Royal Air Force had access to during the Battle of Britain in 1940:

Restored Battle of Britain operations room in an underground bunker at former RAF station Uxbridge.
Photo by Ian Mansfield via Wikimedia Commons.

Technology played its part, mostly behind the scenes – yes, we mean the backroom boffins – in equipping Britain to hold firm and defeat the Germans. As today’s commemorations focus on the pilots and ground crew who saw off the Luftwaffe, spare a thought for the technologists whose efforts also saved the western world.

The Chain Home Tower in Great Baddow Chelmsford.
Photo by Stuart166axe via Wikimedia Commons.

Radar and radio

Chief among the technological innovations that gave the RAF the edge was radar. In the 1930s Britain was one of the world leaders in radar (thanks in part to a bizarre and unsuccessful experiment to kill sheep with a death ray) leading to the building of radar stations all around the British coast.

Sir Robert Watson-Watt, today regarded as the father of radar, was instrumental in devising a method of bouncing radio waves off a flying aeroplane to figure out its location. He turned that 1935 concept into the fully operational Chain Home and Chain Home Low air defence networks inside four years.

Without radar, the RAF was totally reliant on humans with binoculars spotting incoming formations of German bombers; radar gave the air force an early warning capability as hostile aircraft formed up over France before crossing the Channel.

Before radar came radio direction-finding. The RAF’s Home Defence Units were first established in the 1920s and mastered the art of pinpointing an aeroplane’s location from radio transmissions made by its pilots. Though less high profile than radar, the HDUs’ activities allowed the RAF to “see” beyond the range of radar as Luftwaffe bomber formations, transmitting to each other over France, formed up ready for a raid over British soil.

Signals intelligence and compsci

Not far behind radar was the crucial role of what was then the Government Communications and Cipher School (GC&CS), based at Bletchley Park. Today the site is home to the National Museum of Computing but in the dark days of the 1940s it was where codebreakers deciphered German military communications.

Breaking Nazi Germany’s encryption was a vast task, and in the days before computers extremely labour intensive; between 9,000 and 12,000 personnel worked at Bletchley during the Second World War. The demands of RAF and other military commanders for speedy decryption of enemy messages directly contributed to the development of early computer science; Alan Turing worked at Bletchley Park, helping devise improvements to electromechanical crypto-breaking machines that resulted in the Bombe, a very early computer.

QotD: Baden-Powell and the Scouting movement

Filed under: Books, Britain, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

[Robert, 1st Baron] Baden-Powell served in the British Army from 1876 until 1910 in India and Africa. He was heroically involved in relieving the Siege of Mafeking during the Second Boer War. “BP” specialised in scouting, map-making and reconnaissance, and trained soldiers in these essential skills. On returning home in 1903, he found that the handbook he had written for soldiers, Aids to Scouting, was being used by youth leaders and teachers. William Smith, founder of the Boys’ Brigade, asked Baden-Powell to devise a citizenship training scheme for boys. The experience of the Boer War had led to fears that British youth lacked the fitness and skills necessary for the military.

In 1907, Baden-Powell took 20 boys to Brownsea Island on an experimental camp. Boys from different social backgrounds participated in camping, observation, woodcraft, chivalry, lifesaving and patriotism. This was the start of scouting. There was soon great interest and demand for scouting across the world. Today there are over 54 million scouts, operating in almost every nation on earth.

I know about this legacy not from my own experience – I was never much of a scout – but from my family. My father was a scout and scout leader. He played a part in widening the horizons of thousands of young people in Paisley and then Derby where he lived. He was proud of the legacy, and rightly so.

My own children have benefited greatly from being in the scouts. One of them, when aged 14, attended the 23rd World Scout Jamboree in Japan. He returned having made friends from many countries, rich and poor, black and white, and with an invaluable insight into the world and its cultures. Local scout leaders are community heroes, without whom the lives of many children would be poorer. At a time when children can feel their lives are overregulated, and parents that their offspring don’t get out enough, the scouts are especially important.

How many people have left a legacy of this magnitude and worth? The statue-toppling crusaders prefer to ignore Baden-Powell’s real legacy and focus on aspects of his life that were reactionary, yet commonplace at the time he was alive. On retirement in the 1930s, he warmed to some of Hitler’s visions, and in a 1939 diary entry he described Mein Kampf as “a wonderful book, with good ideas on education, health, propaganda, organisation etc”. A certain admiration for Hitler was, in fact, shared quite widely among sections of Britain’s elite in the 1930s. Besides, none of this has any bearing at all on his scouting legacy today.

Jim Butcher, “Baden-Powell’s legacy should be celebrated, not toppled”, Spiked, 2020-06-14.

September 16, 2020

Tanks of the Red Army in 1941: Medium and Heavy Tanks, by the Chieftain – WW2 Special

Filed under: History, Military, Railways, Russia, Weapons, WW2 — Tags: , , , — Nicholas @ 06:00

World War Two
Published 15 Sep 2020

Chieftain’s channel: https://www.youtube.com/user/TheChief…

Chieftain returns to the World War Two channel this week for Part 2 of his deep-dive into the Soviet armour in the first months of war on the Eastern Front. This week, the focus is on medium and heavy tanks.

You can see Part 1 which covers armoured cars and light tanks here: https://www.youtube.com/watch?v=a2FkF…

Chieftain’s previous video on Soviet doctrine: https://youtu.be/s7nr83CYQ9Q
For Indy’s introduction to armour on both sides: https://youtu.be/gh7mt2OS770

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: The Chieftain
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: The Chieftain
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Sources:
Bundesarchiv
RIA Novosti archive, image #613694
Narodowe Archiwum Cyfrowe
Picture of K2, courtesy Ein persoon from Wikimedia Commons https://commons.wikimedia.org/wiki/Fi…
Picture of MBV-2 at Patriot Museum, Kubinka, courtesy Alan Wilson https://flic.kr/p/ZhtG6k
From the Noun Project: Shield by Nikita Kozin, Weight by Vadim Solomakhin, company soldiers by Andrei Yushchenko

Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 4”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Phoenix Tail – “At the Front”
Max Anson – “Ancient Saga”
Fabien Tell – “Other Sides of Glory”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

QotD: Firearms apocrypha

Filed under: Business, History, Quotations, USA, Weapons — Tags: , , — Nicholas @ 01:00

Certain models of Smith & Wesson have bits of apocryphal lore that become permanently entwined with them. You can’t see a top-break .44 Russian without someone telling you that the weird hook on the trigger guard was to parry saber slashes.

People like to repeat the myth that the tiny M-frame .22 “Ladysmith” was discontinued because a puritanical D.B. Wesson heard that it was popular with “ladies of the night”, because that’s sexier than the fact that it was selling poorly, expensive to make, and constantly broke when people ran the then-new .22 Long Rifle cartridges through the fragile little guns.

Similarly, there’s a legend involving Mr. Wesson that’s attached to the final iteration of the .38 Double Action […] In this case, the story goes, D.B. heard the tale of a police officer who, while arresting a miscreant, had the offender reach over and pop the latch on his top-break Smith, dumping the rounds on the ground, like Jet Li with the slide of a movie prop Beretta. The officer, goes the legend as it was told to yours truly, was killed in the ensuing struggle.

Moved by the fate of the dead officer, the apocryphal tale has Mr. Wesson designing the Perfected Model top-break. This model features a Hand-Ejector style cylinder latch that must be operated in conjunction with the more normal “T”-shaped barrel toggle in order to break the revolver open.

This origin myth is almost certainly, to use the technical term, a load of hooey.

Tamara Keel, “Sunday Smith #60: .38 Double Action Perfected Model”, The Arms Room, 2020-06-14.

September 15, 2020

France’s Super-Light 50mm Modele 37 Grenade Launcher

Filed under: France, History, Military, Weapons, WW2 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 1 Sep 2018

Sold for $1,725

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

A new very light and portable mortar to replace the V-B rifle grenade was one of the facets of the French plan for rearmament and modernization after World War I. The concept for the weapons that would become the L.Gr. Mle 37 was first requested in 1924 — but like so almost all the other parts of that arms program, it was crippled by delays through the 1920s and 1930s. Only in the late 1930s when war was looking imminent did the program finally move forward.

The design, created by Captain Nahan of the Chatellerault arsenal, was adopted in 1937 and a whopping 21,950 were ordered in January of 1938 — and the order was quickly revised up to 50,000. However, only 2900 had been produced by the time of the armistice in June 1940. Production resumed in 1944, and the launcher did see use in Indochina. In addition, its 50mm grenade was the basis for the postwar French rifle grenades, as used on the MAS-36 LG 48, the MAS-44, and MAS-49 rifles. As fired from the mortar, the projectile weighed about one pound (0.4kg) and had a range of 80 to 460 meters, with an effective rate of fire up to 20 rounds per minute.

If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow

QotD: Racism and the minimum wage

Filed under: Africa, Economics, History, Quotations, USA — Tags: , , , — Nicholas @ 01:00

During South Africa’s apartheid era, racist unions, which would never accept a black member, were the major supporters of minimum wages for blacks. In 1925, the South African Economic and Wage Commission said, “The method would be to fix a minimum rate for an occupation or craft so high that no Native would be likely to be employed.” Gert Beetge, secretary of the racist Building Workers’ Union, complained, “There is no job reservation left in the building industry, and in the circumstances, I support the rate for the job (minimum wage) as the second-best way of protecting our white artisans.” “Equal pay for equal work” became the rallying slogan of the South African white labor movement. These laborers knew that if employers were forced to pay black workers the same wages as white workers, there’d be reduced incentive to hire blacks.

South Africans were not alone in their minimum wage conspiracy against blacks. After a bitter 1909 strike by the Brotherhood of Locomotive Firemen and Enginemen in the U.S., an arbitration board decreed that blacks and whites were to be paid equal wages. Union members expressed their delight, saying, “If this course of action is followed by the company and the incentive for employing the Negro thus removed, the strike will not have been in vain.”

Our nation’s first minimum wage law, the Davis-Bacon Act of 1931, had racist motivation. During its legislative debate, its congressional supporters made such statements as, “That contractor has cheap colored labor that he transports, and he puts them in cabins, and it is labor of that sort that is in competition with white labor throughout the country.” During hearings, American Federation of Labor President William Green complained, “Colored labor is being sought to demoralize wage rates.”

Walter E. Williams, “Minimum Wage and Discrimination”, Creators Syndicate, 2017-02-08.

September 14, 2020

That Time the Ladies of New Orleans Peed on Union Soldiers

Filed under: History, Humour, Military, USA — Tags: , , , — Nicholas @ 02:00

Atun-Shei Films
Published 24 Sep 2019

In 1862, shortly after the capture of New Orleans by Union forces during the Civil War, General Benjamin “the Beast” Butler issued the infamous “woman order” because the wealthy ladies of the city wouldn’t stop dumping pee on his men.

Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms

#NewOrleans #CivilWar #BenjaminButler #AmericanHistory

Watch our film ALIEN, BABY! free with Prime ► http://a.co/d/3QjqOWv
Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/alienbabymovie
Instagram ► https://www.instagram.com/atunsheifilms
Merch ► https://atun-sheifilms.bandcamp.com

September 13, 2020

Irish War of Independence – WW1 Veterans In A New Battle I THE GREAT WAR 1920

The Great War
Published 12 Sep 2020

Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar

The conflict between the Irish independence movement and the UK government had been heating up since 1919. The summer of 1920 brought a new level of escalation with the arrival of the the Auxiliary Division of the Royal Irish Constabulary. Former veterans of the First World War were brought in to quell the rebellion and get hold of the strongholds controlled by the IRA.

» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar

» OUR PODCAST
https://realtimehistory.net/podcast – interviews with World War 1 historians and background info for the show.

» BUY OUR SOURCES IN OUR AMAZON STORES
https://realtimehistory.net/amazon *
*Buying via this link supports The Great War (Affiliate-Link)

» SOURCES
Hart, Peter: The IRA and Its Enemies (Oxford: Oxford University Press, 1998)

Harvey, A.D: “Who Were the Auxiliaries?” The Historical Journal, Vol. 35, No. 3 (Sep. 1992)

Hopkinson, Michael: The Irish War of Independence (Montreal & Kingston: McGill-Queen’s University Press, 2002)

Leeson, David: The Black and Tans: British Police and Auxiliaries in the Irish War of Independence, 1920-1921 (Oxford: Oxford University Press, 2011)

McMahon, Sean: The War of Independence (Cork: Mercier Press, 2019)

O’Brien, Paul: Havoc: The Auxiliaries in Ireland’s War of Independence (Cork: Collins Press, 2017)

Riddell, George: Lord Riddell’s Intimate Diary of the Peace Conference and After: 1918-1923 (London: Victor Gollancz Ltd, 1933)

Roxbourgh, Ian: “The Military: The Mutual Determination of Strategy in Ireland, 1912-1921” in Duyvendak, Jan Willem & Jasper, James M. (eds) Breaking Down the State: Protesters Engaged (Amsterdam: Amsterdam University Press, 2015)

Townshend, Charles: The Republic: The Fight for Irish Independence 1918-1923 (London: Penguin Books, 2014)

“Tubbercurry”, Manchester Guardian, 4 October 1920.

Hugh Martin: “‘Black and Tan’ Force a Failure”, Daily News, 4 October 1920.

» MORE THE GREAT WAR
Website: https://realtimehistory.net
Instagram: https://instagram.com/the_great_war
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel

»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig

Channel Design: Alexander Clark
Original Logo: David van Stephold

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020

Victory for the Red Army! – WW2 – 107 – September 12, 1941

Filed under: Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 12 Sep 2020

The German invasion of the Soviet Union has taken enormous amounts of territory, but this week the Red Army not only stops the Germans, they score a ringing victory. However, Leningrad comes under siege and Kiev is in great danger, and Adolf Hitler is issuing directives for the next phase of the operation.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Daniel Weiss

Sources:
– Mil.ru
– Bundesarchiv, CC-BY-SA 3.0: Bild_102-08824
– Imperial War Museum: CR 165

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

« Newer PostsOlder Posts »

Powered by WordPress