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What did Spanish Republicans do during the Second World War? How would the Axis have divided Africa? And did Hitler plan to keep Mussolini around after the war? Find out as Indy and the Chair of Infinite Knowledge answer three more intriguing questions in this episode of Out of the Foxholes!
Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Karolina Dołęga
Visual Sources:
Bundesarchiv
US Holocaust Memorial Museums
Library of Congress Geography and Map Division
Nasjonalbiblioteket from Norway
Icons from The Noun Project by: Milinda Courey, Eucalyp, Luis Prado, Gan Khoon Lay, DonBLC, Pavel N and Rigo Peter
Music:
“Deviation In Time” – Johannes Bornlof
“Superior” – Silver Maple
“Underlying Truth” – Howard Harper-Barnes
As the German armed forces stretch further and further into the USSR, the Wehrmacht command doesn’t seem to agree where they are really going. In the Middle East, the Fascist French forces are delivered a hard blow as the Allied Syrian campaign comes to an end.
War, we libertarians are fond of telling each other, is the health of the state. Peruse the most recent posting here by our own WW1 historian, Patrick Crozier, to see how we often think about such things. So, what about that increasingly obtrusive and kleptocratic Brazilian state that has been putting itself about lately, stirring up misery and libertarianism? There have been no big wars to make the Brazilian state as healthy as it now is, and especially not recently. What of that?
The story Bruno Nardi told made me think of the book that explains how peace is also the health of the state, namely Mancur Olson’s public choice theory classic, The Rise and Decline of Nations. It is years since I read this, but the story that this book tells is of the slow accumulation and coagulation of politics, at the expense of mere business, as the institutions of a hitherto thriving nation gang up together to form “distributional coalitions” (that phrase I do definitely recall). The point being that if you get involved in a war, and especially if you lose a war, the way Germany and Japan lost WW2, that tends to break up such coalitions.
The last thing on the mind of a German trade unionist or businessman, in 1946, was lobbying the government for regulatory advantages or for subsidies for his particular little slice of the German economy. Such people at that time were more concerned to obtain certificates saying that they weren’t Nazis, a task made trickier by the fact that most of them were Nazis. Olson’s way of thinking makes the post-war (West) German and then Japanese economic miracles, and the relative sluggishness of the British economy at that time, a lot more understandable. Winning a war, as Olson points out, is not nearly so disruptive of those distributional coalitions, in fact it strengthens them, as Crozier’s earlier posting illustrates.
August 1944. After nearly 5 years of suffering and oppression at the hands of the Nazis, the Polish resistance in Warsaw was ready to rise up against the German occupation. With the Red Army approaching towards the Vistula from the east, the insurgents planned to take over much of the Polish capital and hold it until help from their Allies arrived. In the early morning hours of August 1, groups of armed young men broke the curfew and stormed official buildings and German warehouses. But as insurgents fought for their lives and future, the outside world however, remained eerily quiet to their pleas for help.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
When the German armed forces invade the USSR, they come with an order to exterminate from Hitler. Now the defending Soviet armed forces receive similar orders from Stalin. The bloodshed that follows defies human imagination.
Soundtracks from the Epidemic Sound:
Skrya – “First Responders”
Philip Ayers – “Trapped in a Maze”
Farrell Wooten – “Mystery Minutes”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”
Fluow – “Endlessness”
Jon Bjork – “Icicles”
Jon Bjork – “For the Many”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
8 hours ago (edited)
However hard it is to watch this horror, it’s important that we document it, and learn from it. Each and everyone of us can, and we must for the sake of ourselves and our fellow human beings do so. The steps that led the people involved in these atrocities to this point were small, sometimes innocent, or at least uninformed decisions that took many years to reach this level of inhumanity. It starts with denying facts, imagining conspiracies as the root of your own problems, and demonizing your imagined enemies. In this void you are already on a slippery slope that may lead into the abyss. On that note, the events depicted here are based on solid research, and verified sources that are irrefutable. Wherever there is uncertainty, we have mentioned it. The purpose of this documentation is neither to scapegoat any one side, nor exonerate anyone from blame. These are the facts. This is what happened. Think about that, because the perpetrators here were like us, they didn’t come out of their mother’s womb with the intent to torture and murder anyone. And the victims were also like all of us, ordinary people just trying to get on with their lives according to their best ability. They had dreams and goals in life, some of them political perhaps, but mostly they just got on with their everyday life, banal and difficult as that might be, until they ended up in the hands of someone who had learnt to hate them without even knowing them. Remember that – this could have been anyone of us, on both sides of the events. To have that humility is the beginning of a journey to do good.
Spartacus
PS. and if you wonder how we put up with making this kind of content; it’s difficult. I cried bitterly after recording this, and tears still well up when I think about it. While we write it’s easier to turn off, switch on the coping mechanisms, pretend that its just absurd facts and numbers. But when you act out the words… that what defies imagination is suddenly horribly real.
Comments Off on Barbarossa, Hitler’s and Stalin’s Hell on Earth – War Against Humanity 014 – July 1941, Part 01
The summer of 1920 was marked by escalating tensions on the borders of the German Reich. In the Rhineland, a neutral zone per the Versailles Treaty, the revolutionary uprising after the failed Kapp Putsch was put down with the help of the army and the Freikorps. In Upper Silesia, the conflict between Poland and Germany was escalating into a proxy war. And all that while the German government was negotiating the payments of reparations at the Spa Conference.
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» SOURCES
Buat, Edmond. 8 (Perrin, 2015)
Beaupré, Nicolas. Occuper l’Allemagne après 1918 (Revue historique des armées, 2009)
Böhler, Jochen. Civil War in Central Europe, 1918-1921 (Oxford University Press, 2019)
Gietinger, Klaus. Kapp-Putsch (Stuttgart: Schmetterling, 2020)
le Naour, Jean Yves. La Honte Noire (Hachette, 2004) Le Figaro, numéro du 8 avril 1920 (via Gallica)
Stengers, Jean. L’accord militaire franco-belge de 1920 et le Luxembourg (Revue belge de de Philologie et d’Histoire, 2004) https://www.dhm.de/lemo/jahreschronik…
Pöppinghege, Rainer: Republik im Bürgerkrieg. Kapp-Putsch und Gegenbewegung an Ruhr und Lippe 1919/1920 (2019)
van Galen Last, Dick. Des soldats noirs dans une guerre de blancs (1914-1922): une histoire mondiale (Editions de l’Université de Bruxelles, 2015)
»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig
Channel Design: Alexander Clark
Original Logo: David van Stephold
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
Comments Off on German-Polish Proxy War In Silesia – French Troops On The Rhine I THE GREAT WAR 1920
Germany keeps advancing on the eastern front, and yet by now, transport and supply problems are seriously undermining the capability of the German spearheads, even as they pull further away from the infantry. The Syria-Lebanon campaign is coming to an end, though, and an armistice is proposed which would give the Allies victory if accepted.
The career of Duško Popov is probably more exciting than any work of fiction. A glamorous and brave spy who plays a central role in the underground intelligence war of the time.
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Scott Grimwood
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Music:
“Try and Catch Us Now” – David Celeste
“Too Close for Comfort” – Jon Bjork
“Epic Adventure Theme 4” – Håkan Eriksson
“Moving to Disturbia” – Experia
“Other Sides of Glory” – Fabien Tell
“Underlying Truth” – Howard Harper-Barnes
“Spy Game” – Jon Sumner
Visual Sources:
National Archives NARA
Library of Congress
Imperial War Museum: CH1461
US Holocaust Memorial Museum
Alexander Altenhof https://commons.wikimedia.org/wiki/Fi…
Icons from The Noun Project: Marco Livolsi, faisal, Smalllike, Adrien Coquet, Fiona OM, Businessman with Suitcase by Fiona, Nick Novell, Luis Prado, Samy Menai, Nithinan, designer468, Marco Livolsi, ProSymbols, Milinda Courey,Icons Producer, Halfazebra, Leona Grande, Vectors Point, Arthur Dias,MRK, Becris, iconcheese, Likous, Markus, ProSymbols, Michael Fischer, priyanka, Adnen Kadri, Baboon designs and Laymik
Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Comments Off on The Real James Bond was Balkan – Duško Popov – WW2 Biography Special
We have all seen plenty of sporter CETME rifles and civilian HK-91s, but when the G3 was new to the Germany military, there was already an interest in bringing semiauto versions into the US. The Golden State Arms Corporation was the first to do so, with three batches of imports in 1962 (just 3 years after the G3 was adopted). The first of these came into the US in March, and was basically identical to the military G3 except with a two-position semiauto-only fire control pack.
Later imports had to be made more and more distinct from the military G3s, which leaves these 3/62 guns as the closest thing to the real G3 available to the non-NFA US shooter.
Video on the development of the roller-delayed blowback system:
On D-Day, 6th June 1944, Operation Overlord began. The Western Allies unleashed their gigantic amphibious landing on the coast of Normandy. Preluded by a nightly airborne attack and supported by a massive armada of bombers and fleet artillery, their landing-craft reached the fortified beaches. Against a hail of machine-gun bullets, the Allied soldiers stormed the beaches and overran the German bunkers and trenches. A new front was opened and the battle for France began.
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean – https://www.screenocean.com
Colorizations by: Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Music by: Sabaton
Sources:
National Archives NARA
Bundesarchiv
US Holocaust Memorial Museum
Imperial War Museums: IWM H 39183, H38244 IWM, 1944_B5234, 944_TR1631, IWM A70 31-1, IWM A70 31-2,EA25734, B 5218, 1944_MH9509, IWM A70 29-1-2, B5225, B5089
Icons from The Noun Project by zidney and Norbert de Graaff
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
Unlike the German Army, which for the most part had many idle months over the past year, the German Air Force — the Luftwaffe — has seen constant action in the Battle of Britain and the Mediterranean Theater. How did this affect its preparations and plans for the invasion of the Soviet Union?
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”
Philip Ayers – “Trapped In A Maze”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point Of Safe Return”
Johan Hynynen – “Dark Beginning”
When WWII breaks out many parts of the world are still missing population-wide healthcare. The pressure of the war deteriorates healthcare services even further. By 1941, both the British Commonwealth and Germany are facing an outright healthcare crisis on the home front.
Hosted by: Anna Deinhard
Written by: Fiona Rachel Fischer and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel Fischer
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
IWM D 2373, D 2318, B 14299, D 2315, D 2078, D 14318, D 2334
Narodowe Archiwum Cyfrowe
Bundesarchiv
Wellcome Images no. L0028759
From the Noun Project: london by Pablo Fernández Vallejo, Patient by Miho Suzuki-Robinson, Patient by Binpodo, Doctor by Wilson Joseph, Hospital by Hare Krishna, School by David, Apartment by Victoruler, Bus by Eucalyp
University of Liverpool Faculty of Health & Life Sciences
Soundtracks from the Epidemic Sound:
Farrell Wooten – “Blunt Object”
Johannes Bornlof – “Deviation In Time”
Skrya – “First Responders”
Gunnar Johnsen – “Not Safe Yet”
Johannes Bornlof – “The Inspector 4”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Rannar Sillard – “March Of The Brave 4”
Cobby Costa – “From the Past”
Fabien Tell – “Last Point of Safe Return”
Cobby Costa – “Flight Path”
Andreas Jamsheree – “Guilty Shadows 4”
Jo Wandrini – “Puzzle of Complexity”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
It might be surprising that the global healthcare crisis of 2020 has an immediate relationship to WW2, but it does. Although, when you look at it, it’s logical — with every crisis humanity learns a little — it was still a little bit of a surprise to us how direct this relationship was when researching and writing this episode. Was it surprising to you too?
On the topic of writing, this is the first episode by our new co-writer, Fiona Rachel Fischer, who will now be a regular contributor to the On the Homefront series — please give her a warm welcome.
Comments Off on The Healthcare Crisis of 1941 – WW2 – On the Homefront 005
Operation Barbarossa continues this week but is already running into problems that are gonna be hard to fix. The Japanese are thinking future war strategy, while the British set up a focused research program on nuclear power and atom bombs…
Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
Hosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Wolfgang Seitz
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Johan Hynynen – “Dark Beginning”
Gunnar Johnsen – “Not Safe Yet”
Farrell Wooten – “Blunt Object”
