Big Car
Published 1 Nov 2020Toyota’s best-selling vehicle is the long-running Toyota Corolla, but second is Toyota’s resilient pickup the Hilux that’s been sold for over 50 years. No matter where you are in the world, you’ll likely find one moving up to a ton of cargo down a dusty lane. In the process it’s turned into a bit of a Jekyll and Hyde vehicle. On the one hand it’s the basic indestructible commercial vehicle that thousands of businesses rely on every day. On the other it’s become a well-specced weekend leisure vehicle. And in some cases it’s a bit of both! So why did this unassuming vehicle get a place of honour at the Top Gear studio, and what other successful vehicles have been born out of this long-running pickup?
If you’d like to support what I do, and get early access to advert-free videos and exclusive channel updates, please consider supporting the channel from just $1 or 80p a month: http://patreon.com/bigcar
January 30, 2021
Toyota’s Invincible Truck
January 28, 2021
Japan’s Big Asian Gamble – WW2 Special
World War Two
Published 27 Jan 2021Access to scarce natural resources and labor was a big reason for the Japanese to invade numerous South-East asian countries. But was that necessary? And did the benefits outweigh the risk? Let’s find out!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Image Research by: Michał Zbojna
Edited by: Michał Zbojna
Sound design: Marek KamińskiColorizations:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Icons from The Noun Project:
asia by Ted Grajeda
clothing by Adnen Kadri
Coal by Eucalyp
Wire by Arthur Shlain
noun_Wool_2842881
noun_rock_12609
noun_rock_481051
noun_hemp_2183488
Iron Ingot by Jetro Cabau Quirós
rock by Bakunetsu Kaito
Medicine by Ladalle CS
noun_rock_481016
noun_silk_3492403
noun_Oil_3319962
Paper by Sergey Demushkin
rock by Aline Escobar
tire by Juan León
soap by Roman
noun_Wood_2177037
noun_Metal_3369307
rock by Bakunetsu Kaito
noun_Mineral_3517065Soundtracks from Epidemic Sound:
“Sights of the Tokyo Tower” – Sight of Wonders
“Paths of a Samurai” – Mandala Dreams
“Pacific Shores” – Mandala Dreams
“Sights of the Tokyo Tower” – Sight of Wonders
“Save Her” – Jon BjorkSources:
Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago
Japan wasn’t the only nation that went to war over Asia’s natural resources. Indonesia was a big source of wealth for the Dutch ever since it became a colony, so The Netherlands went to war after World War Two, when the Indonesians declared their independence. We have made a whole series about the Indonesian War of Independence, including a prologue covering the colonial context (including WW2 occupation) of Indonesia. You can watch that prologue right here: https://youtu.be/IkKJSRaeOik
January 26, 2021
QotD: “A world organized around institutional mass slavery”
An example: We’ve discussed all the cool steampunk shit the Greeks could’ve had, if only Archimedes had … well, that’s just the thing, isn’t it? We look at the aeolipile and see a prototype steam engine; they looked at it and saw, as best we can tell, a party trick. Back when, I suggested, Marxist-style, that labor costs were a sufficient explanation for why nobody took the obvious-to-us next step of hooking the thing up to something productive and kicking off the Industrial Revolution. Machines are labor-saving devices; the ancient world had a gross excess of labor. Calling the aeolipile a steam engine, then, is a category error.
New hypothesis: It’s a category error, all right, but not because they didn’t think in terms of labor costs. It’s because they couldn’t think in terms of labor costs.
A world organized around institutional mass slavery is, in a very real sense, a timeless world. Herodotus (I think) actually says somewhere that nothing worth mentioning happened before him, and you can see echoes of this attitude even as late as the Antebellum South. You see their attitude described as “conservative,” but since that’s egghead shorthand for “evil” you can ignore it. They weren’t consciously backward-looking; rather, they were deeply rooted to their place and station. To the outsider, it looked like they were trying to hold time back, but to the insider, time — clock time, industrial time, the time of the Protestant work ethic — barely existed at all.
So with the Classical World. The Romans, for instance, are endlessly frustrating to their admirers (of which I am an ardent one). Their only economic fix, for instance, was debasing the currency, i.e. a primitive form of inflation. You guys could figure out how to hew an artificial harbor out of some desert rocks — a trick we’d have a hard time pulling off today — but you couldn’t figure out fiat currency? Or a better political system than the tetrarchy? Or that the forts-and-legions paradigm just isn’t cutting it? Or … etc.
Stuff like that is why Spengler said classical, Apollonian culture was fundamentally different from, and incompatible with, our Faustian culture. According to Spengler, the master metaphor for the Apollonian is the human body, which is beautiful but changeless (emphasis mine, not Spengler’s). You can improve your body somewhat, but only within certain tight limits, and the body’s fundamental form is always the same (we could time warp Julius Caesar into the Current Year and still recognize him as a fellow homo sap., no matter how different his mind might be).
The Faustian, though — that would be us — organizes his worldview around space, infinite space. Practically speaking, this results in our attitude of innovation-for-innovation’s sake. We send a man to the moon because we can, but such an idea would never occur to the Romans, for the same reason they didn’t apply all their awesome engineering knowledge to the problems of governance. Hacking a harbor out of the desert is a tremendous feat, but it’s a local feat — a one-shot deal, a very specific response to a very specific local problem, with no broader applications.
This, I suggest, is because the timeless world of institutional mass slavery naturally selects for the kind of man who is at home in the world of institutional mass slavery. It’s a world of very low future time orientation, because “time” hardly exists at all. Forget machinery for a sec; the Roman world was full of enormous problems that had teeny-tiny, head-slappingly obvious fixes. Julius Caesar, for instance, was considered some kind of prodigy because he could sight-read books. Which really was a noteworthy feat, because Romans didn’t even put spaces between their words, much less use any sort of punctuation marks. And they were radical innovators compared to the Ancient Egyptians, since at least Roman writing all ran left-to-right; hieroglyphics can be read in any direction, including vertically, and I’m pretty sure there are examples of them changing text orientations in the middle of the same inscription. It’s not hard to imagine some legion commander actually losing a battle because he had to stop and sound out an important communique from a subordinate …
… and yet the Romans, for all their technical skill, never even figured that tiny change out. See also: The Chinese doing fuck-all with movable type, vs. (Faustian) Europeans using it to conquer the world. China, too, was a timeless society. As Derb says somewhere, Classical Chinese isn’t even really writing; it’s more of an aide-memoire — designed to remind readers of stuff they already know, not to communicate new information.
Your post-Roman European, by contrast, lived in a world where high future time orientation was an absolute must. You don’t need hypotheses like the famous “lead in the drinking water pipes” to explain the seemingly bizarre things the Romans did, or didn’t do; all you need is time orientation, a fundamental attitude of “this is a variation on an old problem” vs. “this is an entirely new situation that requires a new response.” Life in the post-Roman world was solitary, poor, nasty, brutish, and short — every man for himself; think through the consequences of your actions very carefully before you do them, or die horribly. Those who failed to do so died. Bake that into the genetic cake for a few generations, and you get Renaissance Man, who’d see a million possible applications for the aeolipile.
Severian, “Bio-Marxism”, Rotten Chestnuts, 2020-09-24.
January 25, 2021
QotD: Indira Gandhi’s exploitation of the goddess Kali
In colonial India, Kali’s notoriety boomed. For in her both coloniser and colonised found a figurehead. Corrupted by the British, Kali was spun as a sexually depraved, blood-swigging black sorceress. As William Ward phrased it in his encyclopaedia, “She exhibits altogether the appearance of a drunken frantic fury … on whose altar victims annually bleed”. Such descriptions, deemed by Indians to be reductively fixated on her destructive powers to the omission of her maternal reserve, activated a movement for her reclamation and turned her into an icon in the struggle for Indian independence in the late-nineteenth century. Put on calendars, cigarette packets, matchboxes, and subject of hugely popular prints, Kali was embraced as a vision of freedom. The reverence for her was inseparable from politics. And it took just two decades after India gained its freedom for a politician to exploit it.
Indira Gandhi — the daughter of one of the freedom movement’s protagonists Pandit Nehru and India’s first and only female prime minister — chose consciously to co-opt this divinity in service of burnishing her own self-image. Indeed, during her first spell in office, from 1966-1977, Indira’s image was as prolific as the colourful printed pictures of the tantric goddess splashed across India’s towns and bazaars. Her appearance was, understandably, more benign. But in India’s jostling visual marketplace her image — big smile and bobbed black hair shot with a streak of white framed by a demure uttariya (veil) — was as inescapable as any deity’s.
Indira played the demagogue superbly. But just as her popularity among Indians soared, and her political confidence grew, those around her began equating her strong, intolerant, and cold politics with female divinities and their overwhelming powers. According to a hugely contentious apocryphal story, Indira’s young rival Atal Bihari Vajpayee, who would go on to succeed her as prime minister, was so overcome by devotion at the sight of her gallantry during India’s war with Pakistan in 1971 that he called her Ma Durga — Kali’s mother.
Cleo Roberts, “Indira Gandhi: a gift from the gods?”, The Critic, 2020-10-15.
January 24, 2021
The Formalization of Extermination – The Wannsee Conference – WW2 – 126 – January 23, 1942
World War Two
Published 23 Jan 2021Nazi Germany’s “Holocaust by Bullets” has already claimed over a million lives over the past 8 months; this week German authorities hold a conference to streamline and systematize the process of extermination. Gas will now be the preferred method of murder. The Japanese are murdering Allied soldiers that fall into their hands as they advance ever closer to Singapore. The Soviet offensive continues along the entire Eastern Front, but the orders and objectives grow ever more confusing and chaotic. In North Africa, Erwin Rommel launches a surprise offensive against the Allies and make a lightning advance the final two days of the week.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Mikołaj Uchman
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man
– Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
– IWM SE 4819
– Mil.ru
– Bundesarchiv
– ammo by Nociconist, Fruits by Icongeek26, Oil Tank by Mangsaabguru, from the Noun Project
– JoJan from Wikimedia Commons
– Yad Vashem 1427_85, 2CO1, 4613_360Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Flouw – “A Far Cry”
– Fabien Tell – “Weapon of Choice”
– Reynard Seidel – “Rush of Blood”
– Edward Karl Hanson – “Spellbound”
– Johan Hynynen – “Dark Beginning”
– Johannes Bornlöf – “The Inspector 4”
– Gunnar Johnsen – “Not Safe Yet”
– Rannar Sillard – “Split Decision”
– Howard Harper-Barnes – “London”
– Christian Andersen – “Barrel”
– Cobby Costa – “From the Past”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 22, 2021
Japan’s Only Pacific “Ally” – Phibun’s Thailand – WW2 Biography Special
World War Two
Published 21 Jan 2021Thailand’s prime minister and de-facto dictator Plaek Phibunsongkhram imported European fascism, nationalism and militarism to his country. But when Japan’s threat to South-East Asia became imminent, Phibun didn’t know what to do. His story is one of utter indecisiveness and opportunism.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Sources:
IWM HU 675
Portrait of Plaek Phibunsongkhram, courtesy of 冯銮披汶 https://commons.wikimedia.org/wiki/Fi…
From the Noun Project: people by ProSymbols, tick by akash kSoundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Philip Ayers – “Trapped in a Maze”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Farrell Wooten – “Blunt Object”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 17, 2021
German U-Boats to Strike New York – WW2 – 125 – January 16, 1942
World War Two
Published 16 Jan 2021Operation Pauchenslag, long-range German submarines operating just off the US Coast, kicks into action this week, as does the Japanese invasion of the Dutch East Indies. They also take Kuala Lumpur. Meanwhile, the Soviet Red Army offensive all along the Eastern Front has its first full week of action, with the Soviets making some real territorial gains in the center, though a German offensive in the Crimea catches them off guard.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Daniel Weiss
– Spartacus Olsson
– Mikołaj UchmanSources:
– National Archives NARA
– Narodowe Archiwum Cyfrowe NAC
– Imperial War Museums: NYP 45042, A 6920, HU 90349, A 7371, C3881, E 9572, A 7376, E 9569,
– Library of Congress
– Bundesarchiv
– United States Signal Corps. source – Washington County Free Library Photo WCRH018
– FDR Presidential Library
– United States Holocaust Museum
– Yad Vashem: 4613-1055, 5138-98, 86FO2, 4220-3,Soundtracks from Epidemic Sound:
– “Remembrance” – Fabien Tell
– “Dragon King” – Jo Wandrini
– “The Unexplored” – Philip Ayers
– “Maze Heist” – Max Anson
– “London” – Howard Harper-Barnes
– “Document This 1” – Peter Sandberg
– “First Responders” – Skrya
– “The End Of The World 2” – Håkan Eriksson
– “Dark Beginning” – Johan HynynenArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 15, 2021
Germany Bankrupts Greece – Countless Die in Famine – War Against Humanity 026 – January 1942, pt. 1
World War Two
Published 14 Jan 2021The early weeks of 1942 show how much of a global War Against Humanity this really is. People in occupied zones across the globe suffer under the boot of their tormentors. In Greece, thousands die in a famine, while repressive tactics claim the lives of many more in the Balkans. The Holocaust continues in cities and the extermination camp of Chełmno, while the Japanese army wreaks havoc in South-East Asia as they advance on Allied positions.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Valantis Athanasiou
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel WeissSources:
Yad Vashem 4147/72, 953, 4613/629, 85EO6
IWM KF 199, FE 255, SE 4819
Bundesarchiv
Narodowe Archiwum Cyfrowe
Museum of Yugoslavia
From the Noun Project: Skull by Muhamad UlumSoundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Peter Sandberg – “Document This 1”
Skrya – “First Responders”
Cobby Costa – “From the Past”
Farrell Wooten – “Blunt Object”
Gunnar Johnsen – “Not Safe Yet”
Cobby Costa – “Flight Path”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 10, 2021
Washington DC Abandons The Troops in the Field – WW2 – 124 – January 9, 1942
World War Two
Published 9 Jan 2021The US government realizes that it cannot send help to relieve the US and Filipino forces in the Philippines, but it does not tell those forces. Meanwhile in the USSR, a huge Red Army offensive against entrenched German forces begins along the entire frontline. The Germans have pulled back in North Africa, though, to consolidate. The Japanese enter Manila and advance in Malaya, but are forced to withdraw in China.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Michał UchmanSources:
– IWM FE 239
– Supermarine Spitfire By Joel Wisneski from the Noun Project
– Container by Shocho from the Noun ProjectMusic from Epidemic Sound:
– “Easy Target” – Rannar Sillard
– “Deflection” – Reynard Seidel
– “Growing Doubt” – Wendel Scherer
– “Secret Cargo” – Craft Case
– “Trapped in a Maze” – Philip Ayers
– “Not Safe Yet” – Gunnar Johnsen
– “Underlying Truth” – Howard Harper-Barnes
– “Spellbound” – Edward Karl Hanson
– “On the Edge of Change” – Brightarm Orchestra
– “Split Decision” – Rannar Sillard
– “Out the Window” – Wendel SchererArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 8, 2021
QotD: Culinary appropriation
Cultural appropriation is good. When ideas from different cultures are imperfectly absorbed, new ideas ensue. Exchange promotes change. I detest empires, but, in deference to truth, praise them as culturally creative arenas in which new ways of life, thought, art, language, worship, work, government and food take shape, as people swap and circulate biota, behaviour and brilliance.
Some of the resulting dishes are deplorable. I could live happily in a world without chop suey, chilli con carne, or coronation chicken. I’m not going to try a recipe described in Eater magazine as “huevos Kathmandu that paired green chutney and spiced chickpeas with fried eggs”.
Tex-mex cuisine is Montezuma’s most effective revenge. Rijstafel conquered the Netherlands more thoroughly than the Dutch ever subjected the East, and now rivals the drearier Hutspot as Holland’s national dish. Yet Dutch food still lags behind grandes cuisines.
Vindaloo is the epitome of culinary appropriation: a Bengali dish with ingredients from the Americas — potatoes and chillies — and a corruption of a Portuguese name: vinho d’alho, or garlic wine. It has become so British that “Vindaloo nah-nah” was the chorus of a chant popular among English football fans at a World Cup tournament (perhaps they confused it with Waterloo). I still dislike it.
Usually, however, culturally exchanged foods produce admirable dishes. Chocolate, tomato and avocado are among the few English words derived from Nahuatl. The Aztecs never used the items they designate in pain au chocolat, or tricolore, or avocado toast. But the responsible cultural appropriators deserve praise, not blame.
Satay would be unthinkable if Malays hadn’t incorporated peanuts that Portuguese pinched from Brazil. The basics of cajun cuisine reached Louisiana with “Acadian” migrants from French Canada — but cultural appropriation made it what it is today. Black chefs in the same region would be at a loss without African-born yams.
Curries would be historical curiosities if Indians hadn’t appropriated chillies from Mexico. Is Sichuanese cuisine imaginable without American peppers or sweet potatoes. Tempura would be unavailable if Japanese chefs hadn’t annexed and improved Portuguese techniques of frying. Culinary historians bicker over whether Jewish or Italian immigrants developed fish and chips. But almost everyone agrees that the British could never have done it on their own.
Felipe Fernández-Armesto, “Bad taste of PC foodies”, The Critic, 2020-09-19.
January 7, 2021
Banzai Tank Charge – Saipan 1944
Mark Felton Productions
Published 6 Jan 2020The story of the largest tank battle of the Pacific Campaign on the island of Saipan.
Dr. Mark Felton is a well-known British historian, the author of 22 non-fiction books, including bestsellers Zero Night and Castle of the Eagles, both currently being developed into movies in Hollywood. In addition to writing, Mark also appears regularly in television documentaries around the world, including on The History Channel, Netflix, National Geographic, Quest, American Heroes Channel and RMC Decouverte. His books have formed the background to several TV and radio documentaries. More information about Mark can be found at: https://en.wikipedia.org/wiki/Mark_Fe…
Visit my audio book channel “War Stories with Mark Felton”: https://youtu.be/xszsAzbHcPE
Help support my channel:
https://www.paypal.me/markfeltonprodu…
https://www.patreon.com/markfeltonpro…Disclaimer: All opinions and comments expressed in the ‘Comments’ section do not reflect the opinions of Mark Felton Productions. All opinions and comments should contribute to the dialogue. Mark Felton Productions does not condone written attacks, insults, racism, sexism, extremism, violence or otherwise questionable comments or material in the ‘Comments’ section, and reserves the right to delete any comment violating this rule or to block any poster from the channel.
January 3, 2021
The Formation of the United Nations! – WW2 – 123 – January 2, 1942
World War Two
Published 2 Jan 2021At the ongoing Arcadia Conference, 26 nations sign the Declaration of the United Nations. Otherwise it is very much a week of motion and changes in motion: in the USSR the Soviets are on the move in the center and the Crimea, the Japanese are slowing their movement in China, the Americans are finishing their movement in the Philippines, and the Axis are moving backward in North Africa. The Luftwaffe also decides that Malta must be eliminated as a base for the Allies.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Mikolaj UchmanSources:
– Election1960 from Wikimedia
– Battleship by Anand Prahlad from the Noun Project
– Supermarine Spitfire by Joel Wisneski from the Noun Project
– Afrrs from Wikimedia
– National Portrait Gallery
– BundesarchivArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 27, 2020
Heinz Guderian’s Christmas and the fall of Hong Kong – WW2 – 122 – December 26, 1941
World War Two
Published 26 Dec 2020The Japanese offensives and advances in Southeast Asia and the Pacific continue unabated and both Hong Kong and Wake Island fall. British and American leaders begin the Arcadia Conference to decide just how they are going to fight this war together, and there are more changes made in the German High Command on the Eastern Front, even as the Soviets make advances there.
Check out Jean Paul’s museum here: https://www.romagne14-18.com/english-…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
—Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– IWM: FE 203
– Battleship by Anand Prahlad from the Noun Project
– Man by Milinda Courey from the Noun Project
– prisoner by Luis Prado from the Noun Project
– bockelsound from freesound.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 26, 2020
Legends Summarized: The Journey To The West (Part VIII)
Overly Sarcastic Productions
Published 25 Dec 2020Journey to the West Kai, episode 5: Fishy Business and Mountaineering Madness!
Danger! Intrigue! Sandy fights a carp! Pigsy gets two makeovers! Monkey reunites with several old frenemies, and Tripitaka gets less screentime than the horse!
(merry christmas)
(Here’s a cheeky little bit of merch: https://www.redbubble.com/shop/ap/656…)
FIRST EPISODE: https://www.youtube.com/watch?v=61nuX…
PREVIOUS EPISODE: https://youtu.be/ABuG8hZqynI
FULL SERIES: https://www.youtube.com/playlist?list…Our content is intended for teenage audiences and up.
PATREON: https://www.Patreon.com/OSP
MERCH LINKS: https://www.redbubble.com/people/OSPY…
DISCORD: https://discord.gg/h3AqJPe
OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
Find us on Reddit https://www.Reddit.com/r/OSP/
December 23, 2020
Kido Butai: Terror of the Pacific – WW2 Special
World War Two
Published 22 Dec 2020Kido Butai was the fleet that launched the surprise attack on the US Pacific Fleet at anchor at Pearl Harbor and followed that up with a string of victories in 1942. But how was it commanded, both as a whole and in the high and even mid level command? Today we’ll look at that.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Markus Linke
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/Sources:
https://commons.wikimedia.org/wiki/Fi…
Mitsubishi G4M bomber graphic, courtesy Kaboldy https://commons.wikimedia.org/wiki/Fi…
Picture of Jisaku Okada, courtesy XxSuguxX https://commons.wikimedia.org/wiki/Fi…
Narodowe Archiwum CyfroweSoundtracks from the Epidemic Sound:
Jo Wandrini – “Dragon King”
Rannar Sillard – “March Of The Brave 4”
Yi Nantiro – “Watchman”
Philip Ayers – “The Unexplored”
Johannes Bornlof – “The Inspector 4”
Mandala Dreams – “Pacific Shores”
Phoenix Tails – “At the Front”
Philip Ayers – “Trapped in a Maze”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.















