Quotulatiousness

August 21, 2024

The Great Enshittification – technological progress is now actually regressing

Ted Gioia provides ten reasons why all our lovely shiny technological improvements have turned into a steady stream of enshittified “updates” that reduce functionality, add unwanted “improvements” and make things significantly less reliable:

By my measure, this reversal started happening around a decade ago. If I had to sum things up in a conceptual chart, it would look like this:

The divergence was easy to ignore at first. We’re so familiar with useful tech that many of us were slow to notice when upgrades turned into downgrades.

But the evidence from the last couple years is impossible to dismiss. And we can’t blame COVID (or other extraneous factors) any longer. Technology is increasingly making matters worse, not better — and at an alarming pace.

[…]

But I have avoided answering, up until now, the biggest question — which is why is this happening?

Or, to be more specific, why is this happening now?

Until recently, most of us welcomed innovation, but something changed. And now a huge number of people are anxious and fearful about the same tech companies they once trusted.

What caused this shift?

That’s a big issue. Unless we understand how things went wrong, we can’t begin to fix them. Otherwise we’re just griping — about bad software or greedy CEOs or whatever.

It’s now time to address the causes, not just complain about symptoms.

Once we do that, we can move to the next steps, namely outlining a regimen for recovery and an eventual cure.

So let me try to lay out my diagnosis as clearly as I can. Below are the ten reasons why tech is now breaking bad.

I apologize in advance for speaking so bluntly. Many will be upset by my frankness. But the circumstances — and the risks involved — demand it.

August 20, 2024

QotD: The printing press was to the Reformation what social media is in the Current Year

Consider the Reformation. I’m in no way qualified to walk you through all the various doctrinal issues, but in this case a superficial analysis is not only sufficient, it’s actually better. Instead of getting lost in the theological weeds, I want to focus on the process. So let’s stipulate for the sake of argument that nothing Luther said was all that original, theologically — you can find pretty much any tenet of “Lutherism” (as it then was) somewhere in the past, often among the Church Fathers (the “double predestination” that drove Calvinists insane is straight out of St. Augustine, for example). Wyclif, Hus, Nicholas of Cusa, Marsilius of Padua, all those guys were proto-Luthers, at least in part.

The thing about Luther, then, wasn’t what he said, so much as how he said it.

Martin Luther was the world’s first spin doctor. Though he insisted for a long time that his famous 95 Theses were, and were always intended to be, a scholastic debate between clergymen, Luther mastered the use of printed propaganda. His opponents soon followed, or tried to, in an ever-increasing spiral of printed viciousness. Mutatis mutandis, the exchanges between Luther, Erasmus, Thomas More (to say nothing of a thousand lesser lights) and their opponents all sound shockingly Current Year. They’re snarky and waspish at best, grotesque ad hominem at worst. Modern flame wars have nothing on the way Thomas More and William Tyndale tore into each other, for instance, and More and Tyndale were rank amateurs compared to Luther.

As with the Current Year, where being first on social media is the only criterion that matters, so the printing press injected something very like “hot takes” into the late-Medieval intellectual atmosphere. If you tried to respond to your opponents the old-fashioned way — with closely reasoned, heavily cited arguments, on parchment, hand-copied by monks — you might win the intellectual battle … 500 years later, among historians who thank you for providing such a useful glimpse into late-Medieval mentalités, but in your own time you’d get fired at best, get burned at the stake at worst, if you didn’t respond instantly, in kind.

The printing press, in other words, represented a quantum leap in the velocity of information. Those who grasped its fundamentals prospered, while those who fell behind perished. King Henry VIII, for instance, fatally damaged his cherished intellectual reputation when he deigned to attack to Luther in person. Luther hit back with a tirade that wouldn’t be out of place on Twitter1, and Henry responded in kind, and now the king, who was hip-deep in self-inflicted shit by that point, had to drop the fight. Having been publicly abused by a mere ex-monk, he had to quit the field with his tail between his legs.

Severian, “Velocity of Information”, Rotten Chestnuts, 2021-08-10.


    1. Again, mutatis mutandis. Though this sounds to modern ears like an abject apology on Luther’s part (“especially as I am the offscouring of the world, a mere worm who ought only to live in contemptuous neglect”, etc.), in context it’s a vicious attack. For one thing, what’s a great king like Henry doing responding to a “mere worm”? And Henry had to know, since Wolsey did nothing without his master’s orders … except everyone had heard the rumors that Henry was just a dimwitted playboy, and Cardinal Wolsey was really the king in all but name, so maybe he didn’t know. Either way Henry, who prided himself on being an intellectual, was a fool. That’s the kind of thing that would get you executed in the 16th century, and here’s this “mere worm” publishing it, for all the world to see, with no possibility of reprisal from a supposedly puissant monarch.

August 17, 2024

Twit/X – Hellsite or online Hotel California?

Filed under: Britain, Media, Politics, Technology — Tags: , , — Nicholas @ 05:00

Ed West on the odd phenomenon of people loudly claiming they’ve had it with “this hellsite” and that they’re decamping to social-media-site-of-the-minute, yet in many, many cases they’re back on “this hellsite” not very long afterwards:

There was something of a trend in the late 2000s for former hell-raising journalists to start more sedate publications because they felt that society was changing, and people didn’t want to drink and party as much as they used to. It was heralded as the end of the “new lad” and the rise of a more mature outlook among men, largely by culture journalists whose job it is to invent societal trends.

And I remember reading these articles and always thinking “isn’t this just you getting old?” None of my friends go out and get pissed four times a week anymore — what does this say about British society?

I’ve long felt the same about Twitter, that while it’s immensely useful as a resource for news and information, and interacting with friends, I’ve got to the stage where it’s not fun. But that’s probably just middle age, and at a certain point people should avoid too much time joking around on social media, lest they become Facebook boomer memes. (Or, in Britain, go to jail.)

This week I was on the Spectator Americano podcast talking about Elon Musk’s takeover of Twitter, following my recent post on how he had changed the nature of the place. (I promise this is the last time I write about every journalist’s favourite social media site for at least two weeks.)

Everyone claims to hate Twitter, I pointed out, but they never leave. I actually started writing this piece a few months back, and noted that many people have bailed out from “X”, as no one calls it, among them academic Kathleen Stock, satirist Andrew Doyle and Labour politician Dawn Butler.

I’ve had to rewrite this because I think they’re all back now. In fact almost everyone who leaves the Hellsite soon returns; it’s a running joke, because we’re all addicted. I checked in on Threads the other day and it was full of people expressing their relief about breaking their Twitter habit and finding a new home. We shall see.

Others, like Alastair Campbell, have set up accounts on Bluesky but still proclaim their intention to stay on Twitter to fight the far-Right. Okay, sure.

Stock and Doyle seemed to be leaving in part because of the toxicity of their own side, in their case gender-critical feminists, and this kind of unpleasantness can indeed feel worse than when it comes from opponents. Watching online debates about immigration, for instance, I’m often reminded of GK Chesterton’s famous quote about pity and truth:

    The modern world is full of the old Christian virtues gone mad. The virtues have gone mad because they have been isolated from each other and are wandering alone. Thus some scientists care for truth; and their truth is pitiless. Thus some humanitarians only care for pity; and their pity (I am sorry to say) is often untruthful.

On one side will be vaguely establishment figures repeating arguments that feel warm-hearted and kind but also untrue, and on the other, mostly anonymous users citing a wealth of studies to show that the situation is actually much worse than that, and clearly having better arguments, while often being incredibly unpleasant and personal to the journalists involved. The fact that anonymous users are often the most informed and insightful accounts adds to the Chestertonian feel.

August 16, 2024

After the Trump livestream, Elon Musk’s been “charged with coercive chuckling, a legal first”

Filed under: Government, Law, Media, Politics, Technology, USA — Tags: , , — Nicholas @ 03:00

Chris Bray has been following the legal sideshow of the United Auto Workers union filing charges with the US National Labour Relations Board (NLRB), alleging that Trump and Musk made threats against organized labour during the recent livestreamed event:

The UAW complaints against Tesla and Trump for President 2024 have been listed on the NLRB website. They really did it, and I got it wrong. The delay in listing the complaints, and the lunacy of the charges, led me to the wrong conclusion. The complaints are real: there are forms with vague and obviously ridiculous complaints on them, and they filed the things.

But they’re still functionally fake, and they’ll die quickly. Anti-Trump organizations have been doing this for years, without success; this is the third complaint filed with the NLRB against Trump campaign organizations.

In the first of those previous cases, the NLRB raised the obvious question about jurisdiction, expressing doubt (“without deciding”) that they can police presidential campaigns using labor law:

The NLRB has previously declined to pursue labor complaints against Trump for President, and the UAW has filed a labor complaint against Trump for President. We can make educated guesses about what happens next. I’ve emailed professors who teach labor law to ask them if the National Labor Relations Act governs the political speech of presidential candidates, but they haven’t responded.

As for the complaint against Tesla, Elon Musk had a livestreamed discussion with Donald Trump in which Trump said that striking workers should be fired; Musk laughed, but didn’t say anything in response. This news report includes audio of that exchange. The complaint alleges that Musk therefore made coercive statements

August 10, 2024

British NPCs have all downloaded the latest patch – “Spaceship Man Bad!”

Elon Musk is the new Emmanuel Goldstein for British NPCs:

I always knew Britain’s liberals were secretly illiberal. That our chattering classes who genuflect at the altar of “human rights” would happily snatch away the rights of anyone who says something offensive online. That these dwellers of the leafy suburbs who weep over the jailing of dissidents in China will chortle over the sacking or blacklisting of dissidents at home, whether it’s women who think you can’t have a knob and be a lesbian or ex-Muslims whose criticisms of Islam are a tad too salty. And yet even I’ve been shocked by their frothing rage against Elon Musk in recent days. By their priestly demands that X be censured and possibly even wiped from the web. It’s one of the most batshit things I’ve seen in ages.

It’s not enough to call this a “mask-off moment”. It’s more like the phoney liberals have ripped their masks to shreds and stomped them into the dirt for good measure. Their rage is linked to the riots currently rocking the UK. Musk’s own tweets, they say, not least his chatter about Britain being on the road to “civil war”, have helped to whip up the mayhem. Worse, his “free-speech absolutism”, as one “liberal” magazine snottily refers to it, has meant that every tosser with a smartphone has been able to tweet their inflammatory views on the riots and even to spread misinformation. In essence, says a writer for the Guardian, Musk has been “leading from behind on UK thuggery and race riots”.

Got that? The reason Britain is going to shit is not because of any internal rot but because a billionaire in Texas said “civil war” on the internet. Glad we cleared that up. Even worse than the great and the good’s shameless deflection tactics – where they try to pin the blame for their own failures on a foreigner with money – is their tinpot solutions to this supposed problem. It might be time, says that sexagenarian Marxian in a leather jacket, Paul Mason, to “pull the plug” on X entirely. Yesteryear’s tyrants smashed up printing presses and chased booksellers out of town – today’s want to switch off a website on which no fewer than half a billion souls regularly share their thoughts and feelings.

They really have taken leave of their senses. Musk’s “horrific version of Twitter” is “a bit like Paris under Nazi occupation”, says Peter Jukes of Byline Times, the preferred publication of rich liberals who’ve been in a state of red mist since the plebs voted for Brexit eight years ago. Just like Paris in the 1940s, says Jukes, some are fleeing Musk’s X, while others are sticking around to “work for liberation”. The narcissism of it. Imagine thinking that keeping your X account open so you can continue spouting bollocks in your echo chamber is as brave as when Parisians stayed in Paris to resist Nazi rule.

Any mention of the Nazis is usually a reliable sign of madness. And so it is with the outburst of Muskphobia among Britain’s influencers. Musk’s antics on X led “straight to” rioting in the UK, says Will Hutton of the Observer (my italics). Do they really believe this? Do they really believe the reason that young shirtless fella looted the Greggs in Hull is because Elon Musk said “#TwoTierKeir” on X? Apparently they do. And there’s only one solution. “Pass a bill closing down Twitter in the UK”, says barrister and arch Remoaner Jessica Simor. That she said this on Twitter at least provided us with fleeting comic relief amid the elite’s lunacy. Does she know she can deactivate her account? Can someone tell her?

It’s the haughtiness of Britain’s influential haters of Musk that is most irksome. Alastair Campbell accused Musk of talking “utter shite” about Britain and its riots. That’s big talk from the undisputed king of shite, the man whose BS about Iraq helped to start a war in which tens of thousands of Arabs perished. Look, I know Musk’s words hurt liberals’ feelings, but at least they don’t hurt people’s lives and limbs.

“Elon Musk’s menace to democracy is intolerable”, pronounced Edward Luce of the Financial Times. That’s the paper that regularly made the case for overthrowing the largest democratic vote in British history. “Democracies can no longer ignore” the threat posed by Musk’s X, says Luce. I don’t like the term dogwhistle, but this is a tyranny dogwhistle, isn’t it? It’s a nod and a wink at “democracies” to clamp down on the “menace” of unfettered online speech. Lewis Goodall of The News Agents – a podcast hosted by ex-BBC staff for whom the BBC wasn’t quite wanky enough – wonders if “unmediated platforms” like Musk’s X are “beyond redemption”. “Should we stop using it?”, he wonders. Please, yes.

August 7, 2024

Maxims in the Skies: the German LMG 08/15

Filed under: Germany, History, Military, Technology, Weapons, WW1 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published Apr 24, 2024

As soon as the MG08/15 “light” machine gun was adopted by Germany, it was recognized as an ideal basis for an aircraft gun. Weight was of the essence for WW1 aircraft, and a lightened Maxim was just the thing to use. So the Spandau Arsenal began producing the LMG08/15 (the “L” in which might stand for either air-cooled or lightweight; we really don’t know which) in May 1916. In addition to cutting a ton of lightening slots in the water jacket, the guns also had mechanisms added to allow a pilot to cycle both the bolt and the feed system from behind the gun (something not possible with a standard ground model). The example we are looking at today has a great example of an early style of such device completely intact …
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August 6, 2024

The CrowdStrike outage and regulatory capture

Filed under: Business, Technology, USA — Tags: , , , , , , — Nicholas @ 03:00

Peter Jacobsen discusses the July technical and financial fiasco as a faulty software patch from CrowdStrike took down huge segments of the online economy and how regulatory capture may explain why the outage was so widespread:

“CrowdStrike outage at Woolworths in Palmerston North” by Kiwi128 is marked with CC0 1.0 .

On July 19th, something peculiar struck workers and consumers around the world. A global computer outage brought many industries to a sudden halt. Employees at airports, financial institutions, and other businesses showed up to work only to find that they had no access to company systems. The fallout of the outage was huge. Experts estimate that it totaled businesses $5 billion in direct costs.

The company responsible, CrowdStrike, was also severely impacted. Shareholders lost about $25 billion in value, and some are suing the company. The outage has led to expectations of, and calls for, stricter regulations in the industry.

But how did the blunder of one company lead to such a massive outage? It turns out that the supposed solution of “regulation” may have been one of the primary culprits.

Regulatory Compliance

CrowdStrike, ironically, is a cybersecurity firm. In theory, they protect business networks and provide “cloud security” for online cloud computing systems.

Cloud security, in and of itself, is likely a service that businesses would demand on the market, but the benefit of increased security isn’t the only reason that businesses go to CrowdStrike. On their own website, the company boasts about one of its most important features: regulatory compliance.

[…]

When experts who have relationships with companies are called in to help write regulations, they may do so in a way favorable to industry insiders rather than outsiders. Thus, regulation is “captured” by the subjects of regulation.

We can’t say with certainty that this particular outage is the result of an intentional regulatory capture by CrowdStrike, but it seems clear that CrowdStrike’s dominance is, at least in part, a result of the regulatory environment, and, like most large tech companies, they’re not afraid to spend money lobbying.

In any case, without cumbersome regulations, it’s unlikely that cybersecurity would take on such a centralized form. Despite this, as is often the case, issues caused by regulation often lead to more calls for regulation. As economist Ludwig von Mises pointed out:

    Popular opinion ascribes all these evils to the capitalistic system. As a remedy for the undesirable effects of interventionism they ask for still more interventionism. They blame capitalism for the effects of the actions of governments which pursue an anti-capitalistic policy.

So despite the reflexive call for regulation that happens after any disaster, perhaps the best way to avoid problems like this would be to argue that in terms of regulation, less is more.

Me262 – Why It Was Rubbish

Filed under: Germany, History, Military, Technology, Weapons, WW2 — Tags: , , , , , , , — Nicholas @ 02:00

HardThrasher
Published Feb 16, 2024

A brief and sober discussion of the multi-faceted nature of aircraft development in the 3rd Reich, and an assessment of the aircraft itself in context of the political and organisational challenges and changes from 1939-1945. Or to put it another way, why it was rubbish from start to finish.

Timestamps
00:00 – 00:22 – Trailer
00:22 – 01:49 – Introduction
01:49 – 05:14 – Willy Messerschmitt’s World Falls Apart
05:18 – 08:03 – Udet’s Flying Circus
08:07 – 11:26 – Me262’s Development
11:26 – 11:32 – Popcorn
11:33 – 13:37 – The Me163 Affair
13:42 – 19:30 – Milch Tries to Break His Willy
19:33 – 30:18 – Hitler’s Big Brain Moment
30:21 – 42:03 – Speeds and Feed of the Me262
42:05 – 46:53 – Operational History
46:54 – 48:50 – Survivor’s Club
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August 5, 2024

Short-term technological forecast – “If I were a commercial pilot, I’d tell you to return to your seats and buckle up”

Most of this Ted Gioia post is behind the paywall (and if you can afford it, I’m sure you’d get your money’s worth for a subscription):

I anticipate extreme turbulence on every front for the remaining five months in 2024. You will see it in politics, business, economics, culture, world affairs, the stock market, and maybe even your own neighborhood.

That’s one of the themes of my latest arts and culture update below.

What happened to the AI business model last week?

After almost two years of hype, the media changed its opinion on AI last week.

The hype disappeared almost overnight

All of a sudden, news articles about AI went sour like reheated 7-Eleven coffee. The next generation AI chips are delayed, and 70% of companies are behind in their AI plans. There are good reasons for this — most workers now say AI makes them less productive.

People are also noticing that AI businesses want to use the entire electricity grid to run their money-losing bots. Meanwhile AI companies are burning through cash at historic levels. Even under the best case scenario, this all feels unsustainable.

But the worst disclosure, in my opinion, came on July 24 — just eleven days ago.

A study published in Nature showed that when AI inputs are used to train AI, the results collapse into gibberish.

This is a huge issue. AI garbage is now everywhere in the culture, and most of it undisclosed. So there’s no way that AI companies can remove it from future training inputs.

They are caught in the doom loop I described last week.

That same day, the Chief Investment Officer at Morgan Stanley warned investors that AI “hasn’t really driven revenues and earnings anywhere”. One day later, Goldman Sachs quietly released a report admitting that the AI business model was in serious trouble.

Even consulting firms, who make a bundle hyping this tech, are backtracking. Bain recently shared the following chart (hidden away at the end of a report) which explains why AI projects have failed.

These findings are revealing. They show that management is absolutely committed to AI, but the tools just don’t deliver.

And, finally, last week the media noticed all this.

They published dozens of panic-stricken articles. Investors got spooked too — shifting from greed to fear in a New York minute. Over the course of just two days, Nvidia’s stock lost around $400 billion in market capitalization.

In this environment, true believers quickly turn into skeptics. The whole AI business model gets scrutinized — and if it doesn’t hold up, investment cash flow dries up very quickly.

This is exactly what I predicted 6 months ago. Or even a year ago.

I expect that the next few weeks — or maybe even the next few days — will be extremely turbulent in the AI world.

Buckle up!


The dominant AI music company just admitted that it trained its bot on “essentially all music files on the Internet”.

Suno is a huge player in AI music — it tells investors it will generate $120 billion per year. Microsoft is already using its technology.

But there’s a tiny catch.

The company now admits in a court filing:

    Suno’s training data includes essentially all music files of reasonable quality that are accessible on the open internet, abiding by paywalls, password protections, and the like, combined with similarly available text descriptions

Hey, this is totally illegal — it’s like Napster all over again.

Suno will need to prove that all these copyrighted songs are “fair use” in AI training. I doubt that any court will take that claim seriously.

If the music industry is smart, they will use this violation to shut down AI regurgitation of copyrighted songs.

If the music industry is stupid — run according to my “idiot nephew theory” — they will drop charges in exchange for some quick cash.

What the First Astronauts Ate – Food in Space

Filed under: Food, History, Space, Technology, USA — Tags: , , , , — Nicholas @ 02:00

Tasting History with Max Miller
Published Apr 23, 2024

Smooth, sweet, and sour Tang pie in a graham cracker crust

City/Region: United States of America
Time Period: 1960s

Contrary to popular belief, NASA did not invent Tang, but the company that did, General Foods, used the association in a lot of their marketing. They even developed this recipe for Tang pie, also called astronaut pie.

The texture of the pie is smooth and very nice, but it had too much of a sour zip in it, or “tang” if you will, for me. If you like sour notes like in lemon meringue or key lime pies, or if you just like Tang, then I think you’ll like this. You can use a ready-made graham cracker crust to make this pie even easier to put together.

    Tang Pie. It’s the pie of the future. Here it goes space boys and girls:

    TANG Pie
    1 can sweetened condensed milk
    3/4 C. Tang® powder drink mix
    1/2 C. sour cream
    1 (9 oz.) tub Cool Whip®
    1 graham cracker pie crust.
    Mix condensed milk and Tang. Add in sour cream until well blended. Then fold in tub of Cool Whip. Pour into pie crust and refrigerate for 4 hours or until set and cold.

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August 4, 2024

“Generation loss” in the game Telephone … and in real life

Filed under: Gaming, Media, Technology — Tags: , , — Nicholas @ 03:00

Ted Gioia explains how you can tell if you’re living in what he calls a “doom loop”:

You might have played an old party game called Telephone — in which people sit in a circle, and whisper a simple phrase from ear to ear.

By the time the information has moved around the entire circle, the words have changed. That’s because people mishear and misinterpret.

So when a game of Telephone was played in 2012 with 237 individuals, the starting phrase was: “Life must be lived by play” (a quote from Plato). But when it reached the end of the circle, the words had turned into: “He bites snails”.

Here’s how it progressed:

In other instances, people have started with the phrase “Only the good die young” and end up with “The three Vikings visit Christ”. Or “Today the library is hot” somehow morphs into “Sharon Stone is my girlfriend”.

Perhaps a degree of wish fulfillment enters into the game. Or as my mother used to say: “People hear what they want to hear”.

There’s a technical term for this process. It’s called generation loss.

It has nothing to do with a lost generation — which is how Gertrude Stein described the Jazz Age. She famously told Ernest Hemingway: “You are all a lost generation”.

I’m not talking about those kinds of generations.

The generation loss we’re dealing with here refers to deteriorating data quality when a signal is repeated over and over again.

Each time it’s generated, the information gets a little more corrupted.

And it’s not just hearing that leads us astray. You can also measure generation loss if you make a photocopy of a photocopy. Each time you do it, the quality of the image gets worse. If you do it enough times, you can’t recognize what was in the original.

Even digital data — which is supposedly copied and pasted with perfection — deteriorates with each repetition.

Photos that are shared from account to account on Instagram get worse over time. In one experiment, a photo that was copied and reposted 90 times gradually turned into an unrecognizable blur.

August 3, 2024

The Rise, Fall, And Revival Of Art Deco | A Style Is Born W/ @KazRowe

Filed under: Architecture, France, History, Technology, USA — Tags: , , , , , , — Nicholas @ 02:00

Wayfair
Published Jun 15, 2023

Welcome to A Style is Born, hosted by YouTuber, cartoonist, and champion of under-represented history, Kaz Rowe!

Join us as we go down the rabbit hole and uncover the unique histories and origin stories behind your favorite design styles. In this first episode of Season 2, we delve into the history-rich Art Deco movement.

Chapters
Intro – 00:00
History – 00:45
Influences, Elements, & Materials – 04:58
1980s Art Deco Revival Via Memphis Group – 07:46
Conclusion – 09:13
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August 1, 2024

QotD: Sex and dating in the internet dating age

Filed under: Health, Media, Quotations, Technology — Tags: , , , — Nicholas @ 01:00

… as they encounter each other in the chambers of Tinder, Bumble, Hinge and OkCupid, the climate between men and women is frosty. Everyone is cross and fed up with everyone else for being so rubbish that they have to keep swiping.

In 1996, Helen Fielding’s Bridget Jones helped women realise that half the human race (men) might usefully be called “fuckwits” when it came to dating and romance. The dynamics of internet dating, with its illusion of graspable sexual paradise, has either created a new tsunami of apparent fuckwits, or it has made the sheer extent of them inescapable.

Meanwhile, the boredom and jadedness stitched into heavy use of apps (“nope”, “like”, “nope”, “nope”, “nope”, “like”) has produced a ubiquitous undercurrent of queasy unpleasantness. The result is that men, formerly seen as an alternating source of fun, trouble and heartbreak, become “men: ugh”. Women, once the promised land for many a Romeo, become bitches, gold-diggers, game-players, and, most significantly, for a depressing bloc known as “women: meh”.

This sexual stand-off, characterised by simmering distrust and putrid fatigue, oozes off internet dating portals. I’ve often found myself, after a night of binge-scrolling, surprised to remember that dating is filed under “romance”, which is supposed to be — at least at the start — a little about positive, fuzzy feelings or the potential to develop them.

Zoe Strimpel, “Why the young are falling out of love with sex”, UnHerd, 2019-11-25.

July 25, 2024

Poptimism?

Filed under: Media, Technology, USA — Tags: , , , — Nicholas @ 03:00

Freddie deBoer has a few things to say about “poptimism” (whatever the heck that might be):

this piece is by a literature professor btw

I mean, honestly, what are we doing here? Where does this go? When does the madness end? What degree of all-swallowing society-wide celebration of pop music might be considered sufficient, for pop fans? How much more slavish devotion can Taylor Swift engender before they stop calling her an underdog? What is the endgame? What level of delusion is yet to be achieved, in the space of pretending that pop music is somehow marginalized or disrespected? This is, I’m told, “pop girl summer“, and it is genuinely difficult to find new music that gets any burn that isn’t some 18 to 28 year old photogenic woman, autotuning over shlocky overproduced midtempo backing tracks complete with beats stolen from mid-2010s EDM and muddy indistinct synth lines that all sound exactly the same. (Jack Antonoff should be put to death for his crimes.) My friends: you get all the streams, you get all the good reviews, you get all the Grammys, you get all the magazine covers. There exist almost no mainstream publications that regularly cover any music other than the kind you like. If anyone uses words like “authenticity” in music criticism, they will be sent to the gulag; if anyone suggests that musicians who write their own songs possess some sort of intimate connection to them, that person receives the digital equivalent of being pressed to death like Giles Corey. What more adulation do you want for your stars? What additional level of respect is there for them to secure? What do you want?

NPR says “This summer’s music charts are dominated by pop girl underdogs”. Underdogs cannot dominate! Definitionally! If they are dominating, they are not underdogs! This is the modern hell of crybullying, the person who tells you that you’re oppressing them while they’re busy mashing your face into the asphalt.

And, of course, it’s mostly all a negotiation with aging. As one of the oldest Millennials, I’m watching as my generation reaches middle age and reacts to that transition, and I can give you an initial verdict on how it’s going: not well, at all. We’re mostly adjusting to it by not adjusting to it. So, so many Millennials are confronting the end of their youth by performatively embracing youth culture, loudly declaring that the only music that matters is that which you discover on TikTok. They need everyone to know that they’ve spent the cost of a new Toyota on tickets to the Eras Tour. (Which soaks up seats that might otherwise be available to actual young people, not wine moms with too much money, but nevertheless.) They might like music. But in a much deeper way, they need it. They need what they think it represents.

Of course, this is all made a little bleaker by the fact that elder Millennials were once defined as the “hipster” generation, Williamsburg residents swilling PBR at backyard parties where they listened to the latest indie darling. In other words, they — we — have gone from being ostentatiously countercultural to ostentatiously mainstream, in the span of twenty years, which makes it hard not to conclude that they — we — never actually had aesthetic tastes at all and have instead lived like little reeds in the wind, terrified of ever appearing to not be The Right Kind of Person, which can only ever be defined through our capitalist consumption, since we think that all we are is our capitalist consumption.

July 23, 2024

The next phase of the campaign to replace “Orwellian” with “Trudeaupian”

On the Fraser Institute blog, Jake Fuss and Alex Whalen outline the Trudeau government’s latest attempt to drive the word “Orwellian” out of common usage by making “Trudeaupian” the more authoritarian descriptor:

A Toronto Sun editorial cartoon by Andy Donato during Pierre Trudeau’s efforts to pass the Canadian Charter of Rights and Freedoms. You can certainly see where Justin Trudeau learned his approach to human rights.

This year marks the 75th anniversary of George Orwell’s classic novel 1984 (and it’s been 40 years since the actual year 1984). In the novel, Orwell explains the dangers of totalitarianism by exploring what happens when government exercises extreme levels of control over citizens including censoring and controlling language. While Canada is a relatively free country in 2024, there are aspects of Orwell’s world reflected in government policy today.

The Human Freedom Index, published annually by the Fraser Institute and Cato Institute, defines freedom as a social concept that recognizes the dignity of individuals by the absence of coercive constraint. In a free society, citizens are free to do, say or think almost anything they want, provided it does not infringe on the right of others to do the same.

Canada currently fares relatively well compared to other countries on the Human Freedom Index, placing 13th out of 165 countries. However, our score has dropped six spots on the index since 2008 when Canada recorded its highest ever rank.

This is not surprising given the Trudeau government’s recent efforts to control and manage the free exchange of ideas. The recent Online Streaming Act imposes various content rules on major streaming services such as Netflix, and requirements to extract funds to be redirected toward favoured groups. The Act seemingly seeks to bring the entire Internet under the regulation of a government body.

In another piece of recent legislation, the Online News Act, the government attempted to force certain social media platforms to pay other legacy news outlets for carrying content. In response, the social media platforms chose simply not to allow content from those news providers on their platforms, resulting in a dramatic reduction of Canadians’ access to news.

Now, a new piece of federal legislation — Bill C-63, the Online Harms Act — seeks to control language and grant government power to punish citizens for what the government deems to be unfavourable speech.

The government has sold Bill C-63 as a way to promote the online safety of Canadians, reduce harms, and ensure the operators of social media services are held accountable. In reality, however, the bill is Orwell’s Big Brother concept brought to life, where government controls information and limits free exchange. The legislation seeks to punish citizens not just for what the governments deems as “hate speech” but also grants the state power to bring Canadians before tribunals on suspicion that they might say something hateful in the future. Not surprisingly, many have raised concerns about the constitutionality of the Bill, which will surely be tested in court.

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