… a Canadian Journalist’s main job is to smooth over any rough spots and shush away worries as the Liberal government plunders the public purse to pay for technocratic solutions to problems we didn’t know we had while adopting a laissez-faire attitude to the problems we do have. If the Opposition has a point, it falls to a Canadian Journalist to correct the record and say that, well, actually, no they don’t.
Josh Lieblein, “Hack or Flack: Aaron Wherry Edition”, Raving Canuck, 2017-11-29.
December 31, 2019
QotD: Canadian journalism
December 30, 2019
The federal Conservative Party’s dilemma
Canadians currently have two left-of-centre federal parties (three if we count the Greens), but only one party on the right (Maxime Bernier’s PPC), leaving the right-of-left-of-centre to the hapless, leaderless, useless, spineless, craven Conservative Party. “Conservative” in name only, of course, for those of you who don’t follow Canadian politics (and neither blame nor shame to you if you fall into that happy group). Bernier’s been labouring under an almost complete media blackout except where engineered drama can be used to demonize him or members of his party, so the roughly one-third of Canadian voters who would prefer an actual conservative alternative don’t really have anyone to vote for.
Jay Currie offers his analysis of the Conservative dilemma (but he’s also a known PPC sympathizer, so good Canadians must pay no attention to what he says):
Frank Graves and Michael Valpy ask the question, “What if the Conservatives had a ‘centrist’ leader?” like Rona Ambrose or Peter MacKay. To their credit Graves and Valpy recognize that while a centrist Conservative party would appeal to the media and various elites in Canada it would effectively maroon the 30% of Canadians who might loosely be described as “populist”.
A billboard in Toronto, showing Maxime Bernier and an official-looking PPC message.
Photo from The Province – https://theprovince.com/opinion/columnists/gunter-berniers-legitimate-position-on-immigration-taken-down-by-spineless-billboard-company/wcm/ecab071c-b57d-4d93-b78c-274de524434cI think Graves and Valpy are right and I can’t wait for that exact outcome.
Scheer managed to hoodwink a lot of natural populists with a combination of Liberal-lite policies and some goofy socon gestures (I am not sure Pride Parade non-attendance really counts for much with the serious socons.)
Graves and Valpy maintain that this was enough to avoid “orphaning the party’s biggest lump, and he more or less cut off oxygen to Maxime Bernier’s People’s Party of Canada (PPC).” It might have been last election but if the CPC goes centrist with its next leader, the lump will be looking elsewhere.
I am fairly certain that the CPC will go for a centrist leader if only because there are really no populist candidates available to it. Pierre Poilievre might fill the bill but it is not obvious that the CPC will be willing to support an MP who is as “direct” as Poilievre.
Which will leave “the lump” looking for a home. Graves and Valpy give a rundown of the lump’s core issues,
Like the United States, the United Kingdom and sizeable chunks of Western Europe, Canada has a significant portion of citizens — about 30 per cent — who are attracted to the current psychographic and demographic binge of ordered populism. They are profoundly economically pessimistic and mistrustful of science and the elites. They have no interest in climate change, they don’t really see an active role for public institutions and believe there are too many immigrants. Of those immigrants coming to Canada, they think that too many are not white.
Other than the dig about thinking “too many are not white”, that is a pretty good summary. (On the “not white” thing, I suspect it is more nuanced than that: more along the lines of the current Quebec government’s desire to preserve its culture in the face of immigration.)
December 29, 2019
QotD: Senate confirmation hearings
Senate confirmation hearings tend to follow a certain traditional format. Senators from the president’s party ask incisive, hard-hitting questions like, “Tell me, Mr. Smith, how is it that you have managed to singlehandedly save the auto industry, devote hours every week to your work rescuing orphans from house fires, and yet still remain so well-dressed, charming, and devastatingly handsome?” Opposition senators, meanwhile, pull out the howitzers.
Senator: “I have here a report from www.gruesomeliesaboutpublicfigures.com that says you like to puree puppies in a blender and drink them as a breakfast smoothie. Why do you do that, Mr. Smith?”
Mr. Smith: “I don’t drink pureed puppies for breakfast.”
Senator: “So you’ve stopped pureeing puppies for breakfast. Was that because you were afraid that it would become public and derail your nefarious secret plan to devastate the U.S. economy from your perch at the Department of Agriculture? Or did you just get tired of puppy blood?”
It’s entertaining viewing, but not really all that informative. And it has little impact when the nomination comes to a vote, which tends to break down on party lines. Mostly, it’s just a way for senators to get themselves on the teevee.
Megan McArdle, “Prescription Drug Imports Are Banned for a Reason”, Bloomberg View, 2017-12-01.
December 28, 2019
Star Wars and the First Xmas Film – December 27th – TimeGhost of Christmas DAY 4
TimeGhost History
Published 27 Dec 2019Did you go to the cinema this holiday? Or binge a bit of streaming? D’you feel modern about it? You’d be wrong… Holiday movies is a tradition that goes back almost 125 years!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Spartacus Olsson
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson
Edited by: Mikołaj Cackowski
Sound design: Marek KamińskiSources:
Mark Doliner https://flic.kr/p/oV46FY
Portrait of the Actress Carrie Fisher member of the jury in the 70 Edition of Venice International Film Festival 2013 by Riccardo GhilardiSoundtracks from Epidemic Sound:
Howard Harper-Barnes – “A Sleigh Ride Into Town”
Howard Harper-Barnes – “My Only Wish Is Love”
Mike Franklyn – “Christmas Bliss”
The Snowy Hill Singers – “It Was On A Christmas Night” (Instrumental Version)A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 27, 2019
“Panzer Battalion” – The Iraq War – Sabaton History 047 [Official]
Sabaton History
Published 26 Dec 2019An American-led coalition invaded Iraq in 2003. Sabaton’s song “Panzer Battalion” is about that attack and in this episode, Indy talks about the fight and its consequences.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Primo Victoria (where “Panzer Battalion” is featured):
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Imagine John Lennon as a huge hypocrite
As Mark Steyn pointed out, it isn’t hard to do:
In his Christmas sermon five years ago, the Bishop of Shrewsbury described John Lennon’s ghastly dirge “Imagine” as “heart-chilling”. Here’s what I had to say about it, and about secularism and a common culture, in the Christmas issue of The Spectator a decade earlier:
At my daughter’s school this year, the holiday concert concluded with John Lennon’s “Imagine”. The school had thoughtfully printed the lyric on the program, and the teacher, inviting the parents to sing along, declared the number summed up what we were all “praying” for. Indeed. The droning vamp began, and John’s anthem for cotton-candy nihilists rent the air:
Imagine there’s no heaven
It’s easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today …Ah, that’s the message of the season, isn’t it? Back in the Sixties, John opined that the Beatles were bigger than Jesus Christ, which was a wee bit controversial in those unenlightened times but which appears to be no more than a prosaic statement of fact as far as the music department’s priorities are concerned. These days, “Imagine” has achieved the status of secular hymn, no doubt because of its inclusive message:
Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion, too …Hey, happy holidays!
You may say he’s a dreamer, but he’s not. A couple of years ago, it emerged that Lennon was a very generous contributor not just to organizations that support and fund the IRA, but to the IRA itself. He could certainly imagine there’s no countries, nothing to kill or die for and no religion, too, but until that blessed day he was quite happy to support a religiously discriminatory organization that blows up grannies at shopping centres in order to get out of one country and join another. How heartening to know that, though he grew rich peddling illusory pap to the masses, he didn’t fall for it himself.
“Imagine” didn’t go over wild with the parents, who mumbled along unenthusiastically. To be honest, I’d prefer John and Yoko’s peacenik dirge, “(Happy Xmas) War Is Over”, though that might be a little premature and anyway that song suffers from the disadvantage of mentioning Xmas. On the radio you can hear “Frosty” and “Rudolph” and James Taylor’s new post-9/11 version of “Have Yourself A Merry Little Christmas”, but anyone with young children finds themselves exposed to a strange alternative repertoire of unseasonal favourites. My friend Tammy emerged from her daughter’s kindergarten concert in a rage: not just no Christmas carols, but no “Jingle Bells”. The only song she recognized was Lionel Bart’s spectacular melisma pile-up from Oliver!, “Whe-e-e-e-ere Is Love?”, which is not designed to be sung en masse. “They sounded like they were dying,” she fumed, before going off to beard the school board, who explained that “Jingle Bells” had been given the heave-ho on the grounds that it might be insensitive to those of a non-jingly persuasion.
December 26, 2019
Top 12 Fictional Pseudo-Christmases
Overly Sarcastic Productions
Published 24 Dec 2019Happy holidays, one and all – even those of us from fictional universes where Christmas isn’t celebrated! Let’s celebrate by comparing twelve fictional Definitely Not Christmases and ranking them from lamest to best!
Our content is intended for teenage audiences and up.
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December 25, 2019
Repost – “Fairytale of New York”
Time:
“Fairytale of New York,” The Pogues featuring Kirsty MacColl
This song came into being after Elvis Costello bet The Pogues’ lead singer Shane MacGowan that he couldn’t write a decent Christmas duet. The outcome: a call-and-response between a bickering couple that’s just as sweet as it is salty.
December 23, 2019
Repost – Kate Bush – Christmas Special 1979 (Private Remaster)
Published on 5 Oct 2013
I know there’s a good few copies of this out on YouTube, but here it is, again! The other copies were either split up into individual tracks, the best complete one (from BBC Four’s rebroadcast in 2009) had the wrong aspect ratio, which annoyed the hell out of me! So, here this is…
Video and audio have been tidied up very slightly, not much was needed!
Kate Bush – Christmas Special
Tracklist:
(Intro) 00:00
Violin 00:29
(Gymnopédie No.1 – composed by Erik Satie) 03:44
Symphony In Blue 04:44
Them Heavy People 08:20
(Intro for Peter Gabriel) 12:52
Here Comes The Flood (Peter Gabriel) 13:22
Ran Tan Waltz 17:02
December Will Be Magic Again 19:43
The Wedding List 23:35
Another Day (with Peter Gabriel) 28:05
Egypt 31:41
The Man With The Child In His Eyes 36:21
Don’t Push Your Foot On The Heartbreak 39:24“I was recently asked about this BBC TV special and I thought I’d share my comments here. Kate: Kate Bush Christmas Special is a stage performance by Kate Bush with her special guest Peter Gabriel. Though most of the songs are not holiday ones, they come from Bush’s first three albums (Never for Ever her third album would be released in 1980 after this 1979 TV special was taped). The performances include costumes, choreographed dances and a wind machine, creating an eclectic music TV special to say the least.
This is one of the programs that makes my research quite difficult — because it calls itself a Christmas Special yet it contains only one performance of a Christmas song “December Will Be Magic Again” (a song that wouldn’t be released as a single by Bush until the following year, in 1980). TV programming that calls itself a Christmas Special and yet contains little to no Christmas entertainment is actually quite common — especially on the BBC.
Between the end of November and the end of December each year, there is quite a bit of special programming on television. Remember Elvis’ 1968 Comeback Special — it aired in December that year and includes only one holiday song, a performance of “Blue Christmas.” Is it considered a Christmas special? No, not really. And so, despite its title, the lack of holiday programming in Kate Bush’s 1979 TV special means it shouldn’t be considered a Christmas special either. But the Kate Bush Christmas Special is certainly worth watching!”
H/T to Ghost of a Flea for the link.
December 21, 2019
Repost – The Monkees – “Riu Chiu”
Uploaded on 15 Dec 2015
The Monkees perform “Riu Chiu” from Episode 47, “The Monkees’ Christmas Show”.
H/T to Kathy Shaidle for the link.
December 20, 2019
“Seven Pillars of Wisdom” – T. E. Lawrence of Arabia – Sabaton History 046 [Official]
Sabaton History
Published 19 Dec 2019The British T.E. Lawrence played a major role in bringing together a coalition of Arab factions to rise up against the Ottoman Empire. Their efforts helped the British war effort in the Middle East, but the British-Arab coalition was not as stable as it might have seemed.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Great War (Where “Seven Pillars of Wisdom” is featured):
CD: http://nblast.de/SabatonTheGreatWar
Spotify: https://sabat.one/TheGreatWarSpotify
Apple Music: https://sabat.one/TheGreatWarAppleMusic
iTunes: https://sabat.one/TheGreatWarItunes
Amazon: https://sabat.one/TheGreatWarAmazon
Google Play: https://sabat.one/TheGreatWarGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Væver Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– National Portrait Gallery
– Boston Public Library
– IWM: Q 59294, Q 73536, Q 115096, Q 73535, Q 60212, Q 103747, Q 67234, Q 59703A, Q 59576, Q 58858A, Q 58861, Q 58863, Q 59193, Q 58823, Q 58938, Q 59078, Q 59190, Q 58841, Q 58704, Q 59422, Q 58891, Q 60035, Q 59073, Q 60102, Q 60096, HU 123936, Q 12629, Q 58752, Q 59314, Q 59314A, Q 58830, Q 58845, Q 12364, ART 3198, ART 2510, Q 105583, Q 103750, Q 59324, Q 59312, Q 12363, Q 103770, Q 86295, Q 59061, Q 72565, Q 12332An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Thats right, it’s Indy of Arabia! Even though “Seven Pillars of Wisdom” is a crew-favourite, we have waited with this episode until we could show off some exclusive material from the “Seven Pillars of Wisdom” music video. With none other than Indy Neidell in the role of Lawrence (or Peter O’Toole?). This episode sure is among our favourite episodes to this date — we hope you enjoy it as well. If you do (and you weren’t already convinced by Joakim’s awesome Call To Action (17:20), please consider supporting this project on Patreon. It is thanks to those who are already there that we’re able to keep making these episodes! -> https://www.patreon.com/sabatonhistoryCheers,
The Sabaton History Team
December 19, 2019
Modern Classics Summarized: A Christmas Carol
Overly Sarcastic Productions
Published 21 Dec 2018Have a holly, jolly christmas! Spend time with your family, eat tons of good food, and don’t forget to ponder the looming specter of your mortality and the worth of how you’ve spent your fleeting existence!
PATREON: https://www.patreon.com/user?u=4664797
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All the other stuff – http://www.cafepress.com/OverlySarcas…Find us on Twitter @OSPYouTube!
Repost – “An ‘American tradition’ is anything that happened to a baby boomer twice”
Hard to refute xkcd on Christmas music:

December 18, 2019
Mark Steyn on what passes as “conservatism” these days
It’s certainly Conservative-In-Name-Only:
In 2000, when the Vermont Supreme Court mandated same-sex “civil unions”, American conservatives were outraged. By 2010, when the left had moved on to gay marriage, conservatives were supportive of civil unions but insisted marriage was an ancient institution between a man and a woman. Now, the left having won that one and moved on to transgenderism, conservatives profess to be a bit queasy about transitioning grade-schoolers.
So you can take it to the bank that by 2030 rock-ribbed Republicans will be on board with penises in the girls’ changing rooms, but determined to hold the line against whatever the left’s next cause du jour is: human cloning, the state appropriation of parenthood, voting rights for animals.
There really isn’t much point to conservatism that’s just leftism ten years late, is there? It’s like that ITV+1 satellite service they have in Britain that offers you the ITV schedule but an hour later, in case you were caught in traffic heading home. If you’re considering on which side to bestow your tribal loyalty, the left is right quicker; the right is left behind — but only for a few years until they throw in the towel. If you’re all headed to the same destination, why not ride first class on the TGV instead of the creaking, jerking stopping service? Justin Trudeau’s vapid modishness was perfectly distilled by his campaign catchphrase of four years ago: “Because it’s 2015.” But that beats waiting till 2025 to say “Because it’s 2015”.
While we’re on the subject of the northern Tories: Because the late unlamented Andrew Scheer finessed his views on same-sex nuptials as lethargically as did Barack Obama, he was flayed by the Canadian media as some fire-and-brimstone social conservative of televangical inflexibility. I wish. As I wrote the other day, he’s as unmoored from principle as Boris Johnson, but without the countervailing strengths of being able to stick it to the other guy and to pass himself off as a human being. He was particularly contemptible in the hours before my appearance at the House of Commons Justice Committee, as I may discuss in detail one of these days. Yet the never-learn Conservatives are minded to replace an entirely hollow man with someone just like him, only more so.
It is surely telling that the only issues on which the right has made any progress at all in moving the ball in its direction — Brexit in the UK; illegal immigration and a belated honesty about the rise of China in the US — had to be injected into public discourse by two outsiders, Nigel Farage and Donald Trump. And indeed in the teeth of opposition by the establishment’s catch-up conservatives.
Catch-up conservatism gives the game away: The right has lost the knack of persuasion, and increasingly doesn’t even bother to try.
Repost – Induced aversion to a particular Christmas song
Earlier this year, I had occasion to run a Google search for “Mr Gameway’s Ark” (it’s still almost unknown: the Googles, they do nothing). However, I did find a very early post on the old site that I thought deserved to be pulled out of the dusty archives, because it explains why — to this day — I can barely stand to listen to “Little Drummer Boy”:
Seasonal Melodies
James Lileks has a concern about Christmas music:
This isn’t to say all the classics are great, no matter who sings them. I can do without “The Little Drummer Boy,” for example.
It’s the “Bolero” of Christmas songs. It just goes on, and on, and on. Bara-pa-pa-pum, already. Plus, I understand it’s a sweet little story — all the kid had was a drum to play for the newborn infant — but for anyone who remembers what it was like when they had a baby, some kid showing up unannounced to stand around and beat on the skins would not exactly complete your mood. Happily, the song has not spawned a sequel like “The Somewhat Larger Cymbal Adolescent.”
This reminds me about my aversion to this particular song. It was so bad that I could not hear even three notes before starting to wince and/or growl.
Back in the early 1980’s, I was working in Toronto’s largest toy and game store, Mr Gameway’s Ark. It was a very odd store, and the owners were (to be polite) highly idiosyncratic types. They had a razor-thin profit margin, so any expenses that could be avoided, reduced, or eliminated were so treated. One thing that they didn’t want to pay for was Muzak (or the local equivalent), so one of the owners brought in his home stereo and another one put together a tape of Christmas music.
Note that singular. “Tape”.
Christmas season started somewhat later in those distant days, so that it was really only in December that we had to decorate the store and cope with the sudden influx of Christmas merchandise. Well, also, they couldn’t pay for the Christmas merchandise until sales started to pick up, so that kinda accounted for the delay in stocking-up the shelves as well …
So, Christmas season was officially open, and we decorated the store with the left-over krep from the owners’ various homes. It was, at best, kinda sad. But — we had Christmas music! And the tape was pretty eclectic: some typical 50’s stuff (White Christmas and the like), some medieval stuff, some Victorian stuff and that damned Drummer Boy song.
We were working ten- to twelve-hour shifts over the holidays (extra staff? you want Extra Staff, Mr. Cratchitt???), and the music played on. And on. And freaking on. Eternally. There was no way to escape it.
To top it all off, we were the exclusive distributor for a brand new game that suddenly was in high demand: Trivial Pursuit. We could not even get the truck unloaded safely without a cordon of employees to keep the random passers-by from snatching boxes of the damned game. When we tried to unpack the boxes on the sales floor, we had customers snatching them out of our hands and running (running!) to the cashier. Stress? It was like combat, except we couldn’t shoot back at the buggers.
Oh, and those were also the days that Ontario had a Sunday closing law, so we were violating all sorts of labour laws on top of the Sunday closing laws, so the Police were regular visitors. Given that some of our staff spent their spare time hiding from the Police, it just added immeasurably to the tension levels on the shop floor.
And all of this to the background soundtrack of Christmas music. One tape of Christmas music. Over and over and over and over and over and over and over again.
It’s been over 20 years 30 years now, and I still feel the hackles rise on the back of my neck with this song … but I’m over the worst of it now: I can actually listen to it without feeling that all-consuming desire to rip out the sound system and dance on the speakers. After two three decades.














