The usual argument in favour of union power and the right to strike and so on is that the workers have to be able to band together to beat back the concentrated power of the capitalists. I’m all in favour of the freedom of association, considering it just as important as the freedom of speech so unions themselves hold no terrors for me. But that standard case that labour must be protected, protect itself perhaps, from the profit gouging activities of the owners rather fails when there are no profits, are no owners trying to maximise them as they grind the workers into the dust. Which is what we see here at National Public Radio. There’s the threat of a strike in the air and yes, it’s about pay scales. But there just aren’t any greedy plutocrats to take the cash from, nor are there any taking anything at present. Thus we see the finances of an organisation in a rather more stark manner.
[…]
Which is where we get to see the pay deal matter in the raw. At the auto companies (well, absent those in and near bankruptcy problems) it was indeed possible to start shouting “But what about the workers?” Why should they get less generous pay or terms just so that the capitalists can make out like bandits? But here we’ve got exactly the same problem. And there are no capitalists, there are no profits. The income into NPR is pretty much exclusively used to pay the employees of NPR. There are no leakages to the capitalists so, in the absence of more money, what can be done?
[…]
You can see NPR’s finances here and it becomes obvious that they have available only two of the traditional three ways of dealing with a higher wage bill. In for profit companies there is that possibility of reducing the profit to pay the workers more. In the absence of profiteering this cannot of course happen. Thus, in order to accommodate higher wages they can either raise prices to stations which carry the programs or NPR can employ fewer people at those higher wages. They’re restricted to only two of those ways normally put forward. Something which does rather aid in highlighting why and how companies, for profit ones, react the way they do to forced pay rises.
That NPR is a non-profit aids in highlighting exactly the problems that all organisations have with demands for higher wages. With no profits to cut they can either charge more or employ fewer people, nothing else.
Tim Worstall, “NPR’s Problems – Isn’t It Fun When Workers At A Non-Profit Seek To Strike?”, Forbes, 2017-07-15.
August 24, 2019
QotD: Strikes at non-profit organizations
August 23, 2019
Reasons to expect an even weirder (and scarier) US election in 2020 than in 2016
At Rotten Chestnuts, Severian explains why the First World War was inevitable (because of the fecklessness of all the world leaders at the time) and then points out that the same sort of inevitability seems to be playing out in the run-up to the 2020 US elections:
Donald Trump addresses a rally in Nashville, TN in March 2017.
Photo released by the Office of the President of the United States via Wikimedia Commons.
In short, World War 1 was a massive, indescribably bloody dick-measuring contest between a few inbred yokels. To anyone who has met the Sons of Privilege,* or who is passingly familiar with the Peter Principle, this comes as no surprise. Hell, Lenin saw it, and a guy with his egg head further up his own ass you’ll never find.** All you have to do is look at the people, not the paper.
That’s where the modern political landscape gets so terrifying. Looking at the paper from the establishment Democrats’ point of view, their course of action seems obvious. And credit where it’s due, even Slow Joe Biden and Fauxcahontas are smart enough (or, more likely, have hired people who are smart enough) to see the obvious once it gets rubbed in their faces a few dozen times — Slow Joe is playing the above-it-all unifier, while Dances with Socialism has gone on a Hillary-esque “listening tour” for The Media’s benefit. Should they choose, The Media can now memory hole all the “fake Indian” stuff, and yell “racist!” at anyone who tries to dredge it back up …
… but I don’t think they’ll choose to. The human factor always wins, and the humans (using the term in its strictest biological sense) in The Media are fed up close to bursting. The mask is completely off “The Squad,” and The Media couldn’t be happier. I’m sure that, in their heart of hearts, Nancy Pelosi et al don’t have a problem with BDS, or the Green New Deal, or any of the rest of it. But flying to Israel on the taxpayer’s dime to support Palestinian terrorism just doesn’t play in Peoria, and the Establishment Dems know it. The Media, however, do not — just look at the coverage.
I’m also quite confident that Nancy et al are even, in their heart of hearts, ok with “Antifa” shooting at cops and firebombing ICE offices. Nancy, after all, came up in the heyday of Jim Jones’s San Francisco, so she’s no stranger to political violence. But The Media absolutely cream themselves over “revolutionaries.” They’ve kept this stuff under wraps so far — Nancy et al have convinced them it’ll hurt Donald Trump more than it will hurt them if they keep it bottled up — but every single person in The Media had xhzhyr first wet dream about Che Guevara. I doubt they can keep it in their pants too much longer, especially if — as seems all but certain — “Antifa” commits some gaudy, gross atrocity in the 2020 campaign season.
Nor can we discount the human factor regarding Normals. Every day brings a new insult — Twitter colluding with China to suppress democratic protests in Hong Kong while all-but-openly banning anyone to the right of Mao; gender-and-race-swapping comic book characters; anything and everything to throw sand in Normals’ faces. If Trump’s victory in 2016 was The Great Fuck You, I can’t even imagine what it’ll look like in 2020, after four more years of this stuff ramped up way past 11.
It’s not looking good, but since the idiots in charge have never even thought about looking up from the paper, the whole thing is going to catch them completely unprepared. Forget “that’s how you got Trump;” this is how you get the Somme.
* they’re like the Sons of Anarchy, but effete and usually gay.
** though he basically just stole the idea from Hobson, who, though a goofy love-the-worlder, was actually a pretty smart guy.
Loving “science”
At Rotten Chestnuts, Severian explains the differences between how ordinary people view science and many progressives “f*cking love” science:
For the benefit of younger readers: If you think Lefties Fucking Love Science(TM) now, you have no idea of the torrid affair they carried on with it back when the USSR was still a going concern. Karl Marx, of course, pretended that his sub-Hegelian flatulence was the only truly scientific world view, and his disciples have been playing along ever since. “The facts have a liberal bias,” you’d routinely be informed, by people who spent $200 to have their chakras cleansed by a Navajo shaman once every two months.
I can’t think of a better illustration of what I call (for lack of a better term) the Left’s grammar problem. Lefties tend to get nouns and verbs mixed up. “Science,” for instance. I’m not going to go all Vox Day here and start making up words, but when normal people say “science,” we generally mean it as a verb:
“Science” is what scientists do; it’s shorthand for “applying the scientific method.”
This is why, when we’re presented with a startling new find from the white coat guys — that the polar ice caps have all melted, say — we ask to see the lab work. If it’s really science, then we should be able to replicate the experiment ourselves. Or, at the very least, you should be able to show us the satellite photos…
Which nicely highlights the Left’s notion of “science.” To them, it’s a noun:
“Science” is a fixed body of knowledge; upon which “scientists” operate the way theologians work on the Bible.
What “scientists” do in the Left’s world, then, is what normal people call “hermeneutics.” This is why the bizarre phrase “the science is settled!” makes sense to Leftists. You don’t get to see God’s lab work, after all, and you’re not allowed to make up new Scriptures. To them, an ordinary person challenging a “scientist” on a point of “science” is like a layman challenging the Pope on a point of theology.
August 22, 2019
QotD: Stars of the silver screen
Julie Burchill, “The Princess generation needs to grow up”, The Spectator, 2017-07-18.
August 21, 2019
Summer Stupidity: GLADIATOR (Media Review!)
Overly Sarcastic Productions
Published on 20 Aug 2019The first time I saw Gladiator (2000) was in Latin class, and I have maintained since that first viewing that this movie rules.
Just pretend it’s historical fiction and the emperors are named literally anything else, and you’re set.
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QotD: The cult of Japanese cultural superiority
That was a major blow to the Japan cult. Katanas are supposed to cut concrete blocks! At least that’s what they say in the Tokyo airport gift shop.
Why does aikido attract troubled people with unrealistic expectations? A high school friend of mine took up aikido. The Internet says he runs a dojo now. He gave his life to aikido. Unfortunately, aikido has a serious problem: it doesn’t work at all. Sure, you can twist people’s wrists and immobilize them if they are stupid enough to give you their hands, but everyone who has tried aikido in the ring has had his behind handed to him in individually wrapped slices. I can’t understand devoting your life to a martial art which can be defeated easily by 95% of angry untrained drunks. Would you open a store that only sold appliances that didn’t work?
Here are the words that start every single aikido demonstration: “Give me your hand.”
People are enchanted by Japan. They think the Japanese have deep wisdom we lack. They do, and here it is: do your job well and treat your elders and your boss with respect. That’s about it; the rest is hocus pocus. There are no Japanese superpowers. There is no chi. Steven Seagal has never once used magical Japanese aikido to fight a real fight because he knows he would experience humiliating losses.
Forged in Fire has its funny moments, but Knife or Die is a little too ridiculous to lampoon. It’s almost sad. It’s probably dangerous, too. Untrained eccentrics swinging razor-sharp knives of unknown quality in a timed test are a recipe for deep wounds and severe blood loss. I would hate to be in the studio when half of a knife goes flying off at 60 miles per hour.
Steve, “Knives for Knaves”, Tools of Renewal, 2018-05-31.
August 16, 2019
“White Death” – Finnish Sniper Simo Häyhä – Sabaton History 028 [Official]
Sabaton History
Published on 15 Aug 2019One of the deadliest snipers ever to roam the face of the earth was Simo Häyhä, who fought on the Finnish side during the Winter War in 1939 and 1940. He was also known as White Death, as he killed an estimated 500 Russians in the cold snowy winter.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Watch our episode on “Talvisota” here: https://youtu.be/6grVeu3EWis
Listen to Coat of Arms (where “White Death” is featured):
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources: SA-Kuva, Finish wartime archive.
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
This episode is one of the most frequently requested songs for Sabaton History. And while the story of Simo Häyhä is a compelling story, the Winter War was about much more than the deadliest sniper of World War Two. We have made an earlier episode about the Winter War, based on the Sabaton Song “Talvisota”, which is Finnish for Winter War. You can watch that right here: https://youtu.be/6grVeu3EWis. If after that, you’re keen to dive even deeper into the history of the Winter War, I suggest you check out Indy’s World War Two channel, where he covered the Winter War (and everything before and after that) week by week. You can check that out right here: https://www.youtube.com/c/worldwartwo
August 14, 2019
Summer Stupidity: Hercules 2014 (Media Review!)
Overly Sarcastic Productions
Published on 13 Aug 2019“I’ve seen The Rock act before and he’s really fun and charismatic! Surely this movie starring him will be a Good Time!” I thought, foolishly.
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August 12, 2019
News consumption in Canada according to a new report from the Digital Democracy Project
Ali Taghva summarizes some of the more interesting findings from a new study of how Canadians get their news in the internet age:
Earlier this month, the Digital Democracy Project (DDP), a joint initiative led by the Public Policy Forum and the Max Bell School of Public Policy at McGill University, published their first report in a series aimed at studying the Canadian media ecosystem in the lead up to the 2019 election.
The results are reaffirming for anyone who believes the nation’s media do not require ethically worrying government funds to continue operation.
In less than two years, The Post Millennial has become one of the largest media organizations in the country. According to DDP’s survey results, roughly 12% of respondents viewed our content in the last week.
The above chart indicates that our digital viewership equates roughly to one-fourth of the reach held by CBC.
While the CBC and others continue to spend hundreds of millions to compete, we continue to grow and remain cash-flow positive on a budget less than 1/100th the size of our mainstream competitors.
Another interesting graphic from the PDF research memo is this representation of the distribution of online link sharing by candidates of the major parties:
The following directed network graph shows the relative frequency of linked news sites among the six main parties. Each media outlet is represented by a circle, the size of which reflects the frequency at which candidates link to the site. A large circle thus indicates multiple parties frequently sharing content from that outlet. The width of the lines that the parties to the outlets is based on how often candidates from that party share content from that outlet.
August 10, 2019
Trump as the American Commodus
In the New York Review of Books, Tom Holland explains that America isn’t Rome, even if the current President does rather remind him of the Emperor Commodus:
The Course of Empire – Destruction by Thomas Cole, 1836.
From the New York Historical Society collection via Wikimedia Commons.
When Edward Gibbon embarked on his great history of the decline and fall of the Roman Empire, he began his narrative with the accession of Commodus. Marcus Aurelius, the father of the new emperor, was a man who, in the noblest traditions of the Roman people, had combined the attributes of a warrior, a statesman, and a philosopher; Commodus was none of these.
“The influence of a polite age, and the labour of an attentive education,” Gibbon wrote sternly, “had never been able to infuse into his rude and brutish mind, the least tincture of learning; and he was the first of the Roman emperors totally devoid of taste for the pleasures of the understanding.” Instead, Commodus delighted in trampling on the standards by which the Roman political class had traditionally comported themselves. Most shockingly of all — as everyone who has seen Gladiator will remember — he appeared in the arena. His reward for this spectacular breach of etiquette was the cheers of the plebs and the pursed-lipped horror of the senatorial elite. To fight before the gaze of the stinking masses was regarded by all decent upholders of Roman morality as the most scandalous thing that a citizen could possibly do — but Commodus reveled in it. So it was, as Gibbon put it, that he “attained the summit of vice and infamy.”
Today, when conservatives contemplate a leader who, far from being merely an enthusiast for World Wrestling Entertainment, has long been an active and flamboyant participant in it, they may experience a similar shudder. Donald Trump, the only president of the United States ever to have been inducted into the WWE Hall of Fame, boasted that he had won “the highest ratings, the highest pay-per-view in the history of wrestling of any kind.” The Battle of the Billionaires — a proxy wrestling match fought in 2007 between Trump and Vince McMahon, the owner of WWE — had culminated in a victorious Trump strapping McMahon to a barber’s chair and shaving him bald. A decade later, Trump made clear just how much of an influence the theatrical violence of WWE had had on his approach to politics when he tweeted a video of himself body-slamming and repeatedly punching McMahon.
It was in a similar spirit, perhaps, that Commodus might have posed after decapitating an ostrich. Trump, smacking home his point, made sure before he tweeted the video to specify who his real target was. Clumsily superimposed over McMahon’s face was the CNN logo. “FraudNewsCNN” ran the hashtag. “The speed with which we’re recapitulating the decline and fall of Rome is impressive,” the conservative intellectual and former editor of the Weekly Standard Bill Kristol tweeted in response. “What took Rome centuries we’re achieving in months.”
The conviction that Trump is single-handedly tipping the United States into a crisis worthy of the Roman Empire at its most decadent has been a staple of jeremiads ever since his election, but fretting whether it is the fate of the United States in the twenty-first century to ape Rome by subsiding into terminal decay did not begin with his presidency. A year before Trump’s election, the distinguished Harvard political scientist Joseph Nye was already glancing nervously over his shoulder at the vanished empire of the Caesars: “Rome rotted from within when people lost confidence in their culture and institutions, elites battled for control, corruption increased and the economy failed to grow adequately.” Doom-laden prophecies such as these, of decline and fall, are the somber counterpoint to the optimism of the American Dream.
H/T to Niall Ferguson for this and the preceding Roman-related link.
August 9, 2019
“Purple Heart” – US Military Decoration – Sabaton History 027 [Official]
Sabaton History
Published on 8 Aug 2019The Purple Heart is arguably one of the most iconic military decorations in the American military. The Sabaton Song “Purple Heart” is about the origins and story behind the famous medal.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Primo Victoria (where Purple Heart is featured):
CD: http://bit.ly/PrimoVictoriaStore
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Google Play: http://bit.ly/PrimoVictoriaGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Parks, Recreation and Historic Preservation
– U.S. Army Center of Military History
– identifymedals.com
– Medal of Honor, NHHC 1957-2-F, Naval History and Heritage Command, Washington, DC
– Civil War Campaign Medal – Naval History and Heritage Command, Washington, DC
– Photo of Elizabeth Will Courtesy of The Institute of Heraldry
– Reagan Library, National Archives Identifier: 5730544An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
August 7, 2019
QotD: “Great” “Art”
How do we know it’s true art? And before you start making gestures and sputtering, to finally come back with “knowledgeable people know that,” let me cut through the fog. The answer is, we don’t. No, not even experts. If everyone knew what great art was, investment in art wouldn’t be such a risky business. Great art, great literature, any form of “greatness” in creative expression is ultimately “What future generations think is great.” And, like all speculation about the future, it’s difficult, if not impossible. In visual art, what is often the acclaimed taste of an era is the laughable, ridiculous pastiche of a later era. In literature … Do me a favor, let your fingers do the walking through Gutenberg, then look up the biographies of some of those authors. Many of the people who make you say “who?” and who in fact would make anyone but an expert in the literature of their time go “who?” were literary lions in their times, acclaimed by all and pronounced “the next Shakespeare.” (Who, like “the next Heinlein,” used to rise every generation until people got tired of it.)
If the art is so great, how come no one is buying it? Besides the artist who is spending way too much time with absinthe and way too little time with quill and paper, or brushes and canvas, that is?
Oh. I see. Because the general public is too stupid to appreciate the greatness of the artist. Because the artist is “ahead” of the public.
Yeah, if you believe that you probably also think that history comes with an arrow since obviously art does. That is, art moves from “primitive” to “exquisite and advanced.” If you truly believe this, I invite you to go through any local art museum and move through it from, say, Roman times till now. And then I invite you to think. The Denver Museum of Art has an installation that consists of a bunch of twisted-together kitchen implements, something that often happens in my house due to the habit of overfilling drawers and my tendency – pre-coffee – to think there is no problem brute force can’t solve.
This is an “installation” worth 2 million and if you believe it is superior to Leonardo da Vinci’s Virgin of the Rocks, you should stop hitting the absinthe. No, wait. Have another cup. I have this installation …
Sarah Hoyt, “What Happens When the Artist Chides His Audience?”, PJ Media, 2017-07-13.
August 4, 2019
A sure-fire way to reduce monarchist sentiments – Royal celebrity slacktivism
Chris Selley offers some friendly advice to His Royal Highness the Duke of Sussex:
Prince Harry and Meghan Markle visit Titanic Belfast in March 2018.
Photo from the Northern Ireland Office via Wikimedia Commons.
Despite what some scandalized British headlines have suggested, Prince Harry, Duke of Sussex, has not claimed to be helping to save the world from climate change by only planning to get his 37-year-old wife pregnant one more time. “Two, maximum!” he tells primatologist Jane Goodall in an interview-cum-rambling discussion in the current edition of British Vogue, which was guest-edited by Meghan, Duchess of Sussex. It was in the context of some store-bought Harry musings about the perils facing planet Earth and its future inhabitants — “this place is borrowed,” etc. — but it was presented more as a half-joke than as an earnest plan to help out the biosphere.
Good thing, too, because not long after those headlines landed we learned Harry was off to Sicily for a massive Google-sponsored climate change celebrity gabfest. Needless to say, he didn’t row there. Italian media reported more than 100 private jets and several superyachts had delivered the actors, singers, supermodels and tech magnates. All reportedly had to sign non-disclosure agreements about what went on, which is a brilliant new innovation in climate-change slacktivism: “Our climate change discussions were not only important enough to justify heroic eruptions of carbon dioxide, but so important that we can’t tell you anything about them.”
Some think it’s petty to criticize climate activists for their own emissions. I was recently taken to task by myriad correspondents, many of whom were not Liberal partisans, for suggesting that a family long weekend surfing on Vancouver Island was a strange look for a prime minister trying to sell Canadians on a carbon tax with the very future of the planet, he argues, hanging in the balance. Honestly it baffles me. Is the idea that celebrity advocacy for decarbonized lifestyles will inspire so many other people to adopt them that we should forgive the celebrities’ own excesses? If people actually take their environmental cues from the likes of Leonardo DiCaprio, Harry Styles, Naomi Campbell and Orlando Bloom — all were reportedly in Sicily — then surely they would be far more inspired if the celebrities actually made half a personal effort.
But there will always be films, and they will always need actors, and there will always be pop music, and it will always need singers, and fame being what it is, a lot of the actors and singers will always end up being insufferable flakes. The monarchy Harry’s dad and brother are front of the line to lead isn’t nearly so immutable. No other Western royal family has managed to maintain such a conspicuously opulent lifestyle while maintaining head-of-state status and widespread affection not just on its home soil — where class remains a dominant social divider — but in many very different realms all over the world.
Whatever you think of the Royals, it’s quite an accomplishment. And a significant part of the recipe has been eschewing intellectualism and the unfortunate flights of fancy that can come with it. Prince Charles will be Britain’s (and Canada’s) first university-graduate monarch. In contrast, by some accounts, 10-year-old Elizabeth Windsor was home-schooled to the tune of just seven-and-a-half hours a week. As Ben Pimlott explains in his landmark biography of her, the goal was first and foremost to prevent her emerging as a “blue stocking” — i.e., as a female intellectual.
August 3, 2019
The unexpected rise of Tulsi Gabbard in the Democratic race
Brendan O’Neill says that Tulsi Gabbard is the Democratic candidate who is worth supporting:
Tulsi Gabbard speaks at the “People’s Rally” in Washington DC on 17 November, 2016.
Photo by Lorie Shaull via Wikimedia Commons.
The liberal establishment is so scared of Tulsi Gabbard that they’ve convinced themselves she’s an unwitting stooge of Russia, being pushed by Putin’s evil online robots to destroy America from within.
Yes, in the febrile, conspiracist, Russian-bot-obsessed brains of the increasingly unhinged liberal elite, Ms Gabbard, the Democratic congresswoman for Hawaii and easily the most impressive 2020 presidential candidate, is the fave of those dastardly bots whose ultimate aim is to screw over the USA. Following this week’s Democratic candidates’ debate in Detroit, in which Gabbard made mincemeat of the California Democrat Kamala Harris on the issue of judicial authoritarianism, an actual New York Times writer said: “Beware the Russian bots and their promotion of Tulsi Gabbard and sowing racial discord, especially around Kamala Harris.”
This idea that Gabbard – the most principled critic of military interventionism to have emerged in the US mainstream in decades – is in the ascendant because Russian bots and other evil online forces are doing her bidding is becoming widespread among centrists. Newsweek columnist Seth Abramson says “there’s a concerted far-right effort (possibly involving foreign actors) to bolster Tulsi Gabbard”. He based this nuts claim on the fact that, during the Detroit debate, Ms Gabbard was the most-searched name online in every state in the US. Erm, isn’t it possible that viewers who weren’t entirely sure who Ms Gabbard is, but who were impressed by her articulate takedown of Harris and other candidates, took to the web to find out more? Surely that’s a more rational explanation than the idea that a Russian troll army and loads of fascists are on the web promoting Gabbard as chief wrecker of the United States.
It’s ceaseless. “Russia’s propaganda machine discovers 2020 Democratic candidate Tulsi Gabbard”, declares NBC News. What all this nonsense reveals is that Russophobic conspiracy theories play a really important role for dazed Hillary-era centrists. They are now the main means through which these people try to make sense of a political world that no longer conforms to their tastes or their ideology. So just as they used the Russian-bots rubbish to explain why Trump beat Hillary, now they use it to explain why a candidate who, horror of horrors, is opposed to US military intervention overseas is proving popular with viewers and voters. Given that Gabbard’s worldview runs so counter to theirs – on war, on free speech, even on identity politics – the only way they can explain her presence in politics is as a result of foreign, fascistic meddling. That tells us far more about their own political arrogance than it does about Gabbard’s Russian fanbase.
In a sense, they’re right to be scared of Gabbard. She feels like a genuinely fresh force in Democratic politics. A former soldier who served in Iraq, and now the Democratic member of the House of Representatives for the 2nd congressional district of Hawaii, she represents a challenge both to the old militaristic US establishment and to the newer, more woke wing of the establishment.
We finally get an explanation for Justin Trudeau’s diplomatically catastrophic India tour
A few days ago, I noted on social media:
This is exactly the sort of suave, diplomatic polish that will smooth over all the damage in the Canada-India relationship. This is a quote from PM Trudeau’s right-hand man in John Ivison’s new book:
“We walked into a buzzsaw — (Narendra) Modi and his government were out to screw us and were throwing tacks under our tires to help Canadian conservatives, who did a good job of embarrassing us,”
http://thepostmillennial.com/out-to-screw-us-butts-blames-indian-pm-for-trudeaus-disastrous-trip/ #JustinTrudeau #India #fiasco #books #GeraldButts #NarendraModi #diplomacy
I figured this had to be some kind of new variant of the old “modifed limited hangout“, but it’s so potentially damaging to an already badly frayed relationship that there had to be more to it … possibly a lot more to it. No rational senior official would say something like that unless there was a much worse revelation that it was intended to camouflage. But whatever it was would have to be “recall the High Commissioner” bad to justify that kind of self-inflicted diplomatic wound.
Justin Trudeau and family during India visit
Image via NDTV, originally tweeted by @vijayrupanibjp
Brian Lilley is similarly puzzled, but he has a simpler explanation: it’s that familiar combination of the Trudeau unwillingness to take responsibility, an over-developed blame-casting habit, and Trudeau’s own frequently demonstrated love of wearing costumes:
It’s one thing for Butts to think those things, another to voice them in a way that he knows will be made public. It’s also the most tone-deaf assessment of the trip I’ve seen since Sophie Trudeau went on TV and blamed the staff for those outfits.
I mean think about that trip, the two things that got Trudeau in trouble were the invite of the terrorist to dinner and the outrageous outfits. Both of those amount to self-inflicted wounds.
At least Butts admits the photos of Trudeau and his family were a problem.
“Nobody would remember any of that had it not been for the photographs. We should have known this better than anybody — in many ways we’d used this to get elected. The picture will overwhelm words. We did the count — we did forty-eight meetings and he was dressed in a suit for forty-five of them. But give people that picture and it’s the only one they’ll remember,” Butts told Ivison.
[…]
The simple fact of the matter is that the trip to India was a disaster, the kind Trudeau and his team weren’t used to dealing with. So now a year and half later they are still looking to lay the blame anywhere but where it belongs.
With themselves.
