One of the key elements aiding Hitler and the NSDAP to take power and stay in power in Germany in the 1930s was the constant, ongoing propaganda campaign orchestrated by Joseph Goebbels. Hitler and the Nazi party were lauded as the perfect Germanic solution to every problem and Jews, socialists, homosexuals, and other undesireable elements were belittled and used as targets of hate. A big part of Goebbels’ propaganda revolved around one idea, the “Big Lie”:
Hitler, Göring, Goebbels and Hess.
Photo via Wikimedia Commons.
If you tell a lie big enough and keep repeating it, people will eventually come to believe it. The lie can be maintained only for such time as the State can shield the people from the political, economic and/or military consequences of the lie. It thus becomes vitally important for the State to use all of its powers to repress dissent, for the truth is the mortal enemy of the lie, and thus by extension, the truth is the greatest enemy of the State.
By suppressing competing voices and having all the methods of reaching the people repeating the same story, the Nazis solidified their control on power in Germany that lasted until 1945, and was only demolished by massive military effort by the United States, the Soviet Union, and the British Commonwealth. Propaganda is a very powerful tool that works distressingly well to implant and nurture evil ideas in a subject population.
Modern propagandists in the west generally don’t have the power of the state aiding them, but if they get enough of the channels of communication — especially the entertainment channels — to co-ordinate the message, the effects can be very strong:
… I perfectly understand the legitimacy of feminist concerns regarding the portrayal of women in the media as consistently demure, retiring, and subservient to men. I grant that, in most of the action/adventure movies that I saw growing up, women would typically twist an ankle or get captured and then require rescuing by the swashbuckling male hero — and I realize how galling this must have been to generations of women. And therefore, a certain correction was undoubtedly in order. But what is problematic now is the Nietzschean quality of the reaction, by which I mean, the insistence that female power has to be asserted over and against males, that there is an either/or, zero-sum conflict between men and women. It is not enough, in a word, to show women as intelligent, savvy, and good; you have to portray men as stupid, witless, and irresponsible. That this savage contrast is having an effect especially on younger men is becoming increasingly apparent.
In the midst of a “you-go-girl” feminist culture, many boys and young men feel adrift, afraid that any expression of their own good qualities will be construed as aggressive or insensitive. If you want concrete proof of this, take a look at the statistics contrasting female and male success at the university level. And you can see the phenomenon in films such as Fight Club and The Intern. In the former, the Brad Pitt character turns to his friend and laments, “we’re thirty year old boys;” and in the latter, Robert De Niro’s classic male type tries to whip into shape a number of twenty-something male colleagues who are rumpled, unsure of themselves, without ambition — and of course under the dominance of an all conquering female.
It might be the case that, in regard to money, power, and honor, a zero-sum dynamic obtains, but it decidedly does not obtain in regard to real virtue. The truly courageous person is not threatened by another person’s courage; the truly temperate man is not intimidated by the temperance of someone else; the truly just person is not put off by the justice of a countryman; and authentic love positively rejoices in the love shown by another. And therefore, it should be altogether possible to hold up the virtue of a woman without denying virtue to a man. In point of fact, if we consult the “all conquering female” characters in films and TV, we see that they often exemplify the very worst of the traditional male qualities: aggression, suspicion, hyper-sensitivity, cruelty, etc. This is what happens when a Nietzschean framework has replaced a classical one.
My point is that it is altogether possible — and eminently desirable — to say “you go boy” with as much vigor as “you go girl.” And both the boys and the girls will be better for it.
