Quotulatiousness

June 3, 2023

Kids, obesity, and the woke agenda

Filed under: Education, Food, Health, Media, Politics, USA — Tags: , , , , — Nicholas @ 04:00

Elizabeth Nickson isn’t a fan of the “healthy at any size” mantra, especially when it comes to kids:

If I were a kid today I’d be out scouting the neighborhood for a home school or church to take me in as long and teach me latin and math and give me a reading list as long as I didn’t have to have someone’s jiggly bits pushed in my face or be shown diagrams of sexual positions, and asked ceaselessly about my food intake, my BMI measured (25 states mandate this) and no doubt entirely invasive questions about my family and father and weird uncles and so on. It would be like living in a perpetual inquisition, danger everywhere, with no privacy in any area of one’s life, with every sentence and expression evaluated on whether I am being a good member of the inclusive collective and will step aside so someone less privileged can have a chance.

But I am not nine and therefore spared all that, but God in heaven I feel sorry for them. Schools have stepped up to take the place of the at-home mother who had a relationship with her kids strong enough so that their emotional needs were being met and they didn’t have to stuff food down their throats for a relief from the ceaseless pressure to conform, and severe emotional loneliness from the absence of a family system.

Instead of your mind, the dominant focus seems to be your body, and at the most vulnerable time in your life. I know they think they are raising good little socialist citizens, who are acutely aware of the struggles of the less fortunate, but add in the bullying of Middle School and little wonder 49% of kids are overweight or obese, and the rest stuffing their feelings 24/7. Great for the food pushers, sucks for the medical system.

Virginia Sole-Smith who is the anointed high priestess of Fat Positivity Culture, has been pushing fat is AOK and in fact, possibly superior to thin-ness, which she never fails to excoriate, for the New York Times, Slate and Science and various other high-end publications for 20 years. Her latest book Fat Talk, which sits on the NYTimes bestseller list is about raising fat children, or not fat children, it’s kind of confusing. Ok, to be fat, but not obese, but you can’t put obese kids on a diet because that will make them fatter, and besides everyone is criticizing them and that has to stop.

Every leftie cliché is brought out of the barn and groomed within an inch of its life. White privilege, thin white privileged women, BIPOC exclusion, thin privilege in sport, entertainment, business, and so on, a system systematically prejudiced against fat people.

Basically, however, Sole-Smith is staking her ground and that is that “small fat”, which is how she defines herself, is normal and we should adjust our eyes to see pudgy tummies as “something to aim for” – as she states in her last chapter called “How to Have The Fat Talk”. We have to start “reclaiming (sic) fatness as a perfectly good way to have a body”.

June 2, 2023

A potential sign of resistance?

Filed under: Business, Health, Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

Severian on the odd phenomena of people who’ve begun to discover they didn’t need to accept the ever-more-woke products of the entertainment industry and, more recently, major retailers and brewers:

Bud Light’s latest brand ambassador, Dylan Mulvaney

The Third Law of SJW — “SJWs always double down” — is really going to get tested with these things [woke reboots/remakes of popular TV shows, movies, etc.], but we need to hope they keep the faith. We want them to double, triple, quadruple down. The material basis of Clown World is the assumption that people simply can’t live without iCrap. As I noted, lots of people did indeed seem to enjoy the Covid lockdowns, and they weren’t all aspiring Laptop Class leftoids, either. Lots of moms found out that they rather enjoyed spending time with their kids, rather than putting in an extra twenty hours a week down at the law firm. Lots of suburban dads found a new sense of accomplishment doing little projects around the house.

In other words, people found out that not only could they just “make do”, they actually kinda enjoyed “making do”. Lots of them went right back to their old ways the minute they could, of course, but not all of them … and now, #Woke Capital is basically doing the job for us. They’re daring us to not go to the movies, the same way Fox News is daring us to cut the cord entirely (they figure that hey, we get $x a month from the cable subscription fee regardless of whether anyone watches or not, so why not give in to our natural inclinations and become MSNBC Lite?).

They’re daring us to cut the cord, throw the Pocket Moloch in the nearest lake, and get what we need from local sources — including entertainment. And who knows what might happen if we start actually talking to our neighbors? If, as with the lockdowns, the guy who lives down the street ceases to be “the dude with the green Honda” and becomes Bob, a real person?

Challenge accepted, motherfuckers.

June 1, 2023

Banning Roger Waters would be playing his game

Filed under: Britain, Germany, Media, Politics — Tags: , , , — Nicholas @ 03:00

In Spiked, Daniel Ben-Ami explains why we should reject the arguments about banning Roger Waters, formerly the frontman for Pink Floyd, and lately a pretty out-there antisemite:

Screencapture from a YouTube video.

Pressure is mounting to ban Roger Waters from performing in Britain. The former Pink Floyd frontman and veteran anti-Israel activist stands accused of anti-Semitism. But whatever one makes of Waters’s antics, his performances should not be cancelled.

Waters is set to perform his first UK show tonight in Birmingham, with further concerts scheduled for Glasgow, London and Manchester. These are part of his controversial “This Is Not a Drill” tour, which began its European leg a few months ago. The show contains a number of controversial elements, such as Waters dressing up in a Nazi-style uniform and brandishing a gun, while Anne Frank’s name is projected above the stage. In past tours, he has floated an inflatable pig with a Star of David on it above the stage.

The Waters row came to a head earlier this month, when local authorities in Frankfurt attempted to ban his concert. The ban was successfully challenged by Waters in court and the concert went ahead, despite protests. Waters is now being investigated by the German police for wearing a Nazi-style uniform on stage at his Berlin gig (the display of Nazi symbols is illegal in Germany, except for educational or artistic purposes). According to Waters, he donned the uniform not to endorse Nazism, but in order to make a “scathing critique” of it.

Jewish community organisations in the UK have condemned Waters, with some calling for him to be censored. The Board of Deputies of British Jews has argued that his concerts are probably better described as political rallies. The National Jewish Assembly has called on the UK government to condemn Waters. The Campaign Against Antisemitism, a volunteer-led charity, has not only launched a petition to stop venues hosting him – it has also written to cinema chains demanding they cancel film screenings of his concerts.

[…]

There are also more practical reasons to challenge these attempts to cancel Waters. The campaign against him, first in Germany and now in Britain, has allowed Waters to present himself as a free-speech martyr. To some, this will lend credence to his dubious claim that he is the victim of shadowy, covert forces determined to silence his advocacy for the oppressed.

Besides, banning displays of anti-Semitism does not make the problem go away. On the contrary, it only encourages anti-Semitism to take on more disguised forms. This often includes the demonisation of Israel or of Zionism, rather than Jews as such. Even those who do genuinely hate Jews will rarely admit to it openly. Instead, they typically use coded language, which is harder to challenge and confront.

By all means, protest outside Waters’s concerts and challenge his outrageous antics. But the attempts to ban his concerts are an affront to freedom. And they will do nothing to help the struggle against anti-Semitism. Roger Waters must have the right to perform.

May 31, 2023

The War Against The Patriarchy, updated

Filed under: Economics, Education, Government, Health, Law, Media, Politics — Tags: , , , , , , — Nicholas @ 05:00

Janice Fiamengo responds to a recent Joel Kotkin op-ed in the National Post discussing the “war of the sexes” and the long, long string of victories chalked up by the “weaker sex”:

    The war between the sexes has ended, and rather than a co-operative future that could benefit all, it has turned out to be more like a lopsided win for the female side.

So begins Joel Kotkin’s National Post op/ed “Women have won the ‘war between the sexes’, but at what cost?” It is a welcome but disappointing analysis that starts with a show of defiance and ends in quiet desperation. Of course, it’s good to find anyone in a major newspaper willing to cast a less-than-adulatory eye on “The Future [that] is Female” or to write sympathetically about men, and Kotkin, a prolific author on cities and technocracy, proves his good faith on the strength of that opening statement alone. Aside from the wishful thinking of believing feminism to be winding down (was #MeToo a prelude to ceasefire?) or ever having envisioned a co-operative future (he should take a look at Kate Millett’s incendiary “Theory of Sexual Politics“), Kotkin is to be commended for daring to name as a war the decades of post-1960s activism, in which all the decisive victories have been claimed by feminists against men.

Kotkin, however, isn’t able to continue in the take-no-prisoners style he chose for his opening salvo. He is prevented, either by his own prudence, his lack of deep knowledge, or the paper’s editorial insistence, from targeting feminist ideology and policies in the rest of the article. In fact, the article doesn’t name a single piece of debilitating feminist legislation or even make one reference to the many expressions of anti-male contempt that are now deeply embedded in our public culture. The result is a curiously disembodied discussion in which serious social problems linked to male decline are pointed to without any attempt made to say exactly how they came about or how they might be reversed.

The crux of the problem,” Kotkin tells us to start off, “lies in the fact that as women rise, men seem to be falling.” Here we see him start to draw back from the attack, as if afraid to say what he really thinks. His phrasing makes male decline sound like a natural phenomenon, an illustration of the primordial principle of Yin and Yang. Or perhaps it is simply that men, with their allegedly fragile egos and hegemonic masculinity, haven’t been able to compete against all that female ability, once dammed up by the patriarchy, now finally being let loose on the world (though always with calls for more to be done to assist women).

[…]

Kotkin refers to men “left behind” in the economy, but he keeps mum about the decades of affirmative action in higher education and hiring (detailed by Paul Nathanson and Katherine Young in Legalizing Misandry, pp. 81-124) as well as draconian sexual harassment legislation that have made work life unrewarding and often punitive for men.

He stresses the loss of sexual amity and of willingness to marry, but avoids discussing the nightmare of family law that has made marriage or even cohabitation perilous for many men.

The sins of omission do not end there. Perhaps working on the assumption — not without basis — that any discussion of social problems will need to focus on women at least as much as on men, Kotkin proceeds to backtrack on his earlier claim about women’s victory in the sex war, outlining instead a downbeat portrait of women’s troubles. Citing research by Jonathan Haidt, he tells us that adolescent girls have been severely affected by depression and self-harm, that many young women, without reliable men to support them, have had to fend for themselves in a difficult economic climate, and that single mothers, left with few options, are unable to offer stability to their children. It looks as if the decline of men mentioned early in the article has mainly hurt women and their children.

What Kotkin neglects to mention — surely deliberately — is that adolescent boys commit suicide at 4 X the rate of girls, resolving their depression decisively enough that Haidt seems not to have felt the need to account for them; that women are the ones who choose divorce in approximately 70% of cases; and that divorced fathers are too often denied a real role in their children’s lives while being burdened past endurance by exorbitant support payments. In other words, for every sad woman held up for our concern, there is a plurality of equally sad men rendered invisible in the conventional reporting. The staggering statistics on male suicide provide a stark illustration of Kotkin’s initial contention about the casualties of the sex war — yet he leaves these aside, choosing instead to voice the now-obligatory concern about the trans threat to women’s sports.

Perhaps most importantly, Kotkin suggests through his word choice that the data he cites are simply “trends”, occurrences that came about through economic and demographic factors independent of the sex war initially evoked. But they aren’t. They flow directly from a feminist vision in which the family — explicitly understood by feminist leaders to be a source of abuse and oppression — must be transformed and women liberated from reliance on the fathers of their children. Under this vision, a more just and equitable world will be ushered in by women’s superior leadership once they are freed from their unpaid labor in the home and the many sexist barriers that hold them back. That freedom must be aided, according to conventional wisdom, through abundant contraception, unfettered abortion, collectivized child care, no-fault divorce, programs and propaganda to urge men to do more housework, and non-stop encouragement to women — in movies, sit-coms, advertising, articles, and government equity programs — to give up on their men.

Alvin Toffler may have been utterly wrong in Future Shock, but I suspect his huge royalty cheques helped soften the pain

Filed under: Books, Media, Technology, USA — Tags: , , , , , , — Nicholas @ 03:00

Ted Gioia on the huge bestseller by Alvin Toffler that got its predictions backwards:

Back in 1970, Alvin Toffler predicted the future. It was a disturbing forecast, and everybody paid attention.

People saw his book Future Shock everywhere. I was just a freshman in high school, but even I bought a copy (the purple version). And clearly I wasn’t alone — Clark Drugstore in my hometown had them piled high in the front of the store.

The book sold at least six million copies and maybe a lot more (Toffler’s website claims 15 million). It was reviewed, translated, and discussed endlessly. Future Shock turned Toffler — previously a freelance writer with an English degree from NYU — into a tech guru applauded by a devoted global audience.

Toffler showed up on the couch next to Johnny Carson on The Tonight Show. Other talk show hosts (Dick Cavett, Mike Douglas, etc.) invited him to their couches too. CBS featured Toffler alongside Arthur C. Clarke and Buckminster Fuller as trusted guides to the future. Playboy magazine gave him a thousand dollar award just for being so smart.

Toffler parlayed this pop culture stardom into a wide range of follow-up projects and businesses, from consulting to professorships. When he died in 2016, at age 87, obituaries praised Alvin Toffler as “the most influential futurist of the 20th century”.

But did he deserve this notoriety and praise?

Future Shock is a 500 page book, but the premise is simple: Things are changing too damn fast.

Toffler opens an early chapter by telling the story of Ricky Gallant, a youngster in Eastern Canada who died of old age at just eleven. He was only a kid, but already suffered from “senility, hardened arteries, baldness, slack, and wrinkled skin. In effect, Ricky was an old man when he died.”

Toffler didn’t actually say that this was going to happen to all of us. But I’m sure more than a few readers of Future Shock ran to the mirror, trying to assess the tech-driven damage in their own faces.

“The future invades our lives”, he claims on page one. Our bodies and minds can’t cope with this. Future shock is a “real sickness”, he insists. “It is the disease of change.”

As if to prove this, Toffler’s publisher released the paperback edition of Future Shock with six different covers — each one a different color. The concept was brilliant. Not only did Future Shock say that things were constantly changing, but every time you saw somebody reading it, the book itself had changed.

Of course, if you really believed Future Shock was a disease, why would you aggravate it with a stunt like this? But nobody asked questions like that. Maybe they were too busy looking in the mirror for “baldness, slack, and wrinkled skin”.

Toffler worried about all kinds of change, but technological change was the main focus of his musings. When the New York Times reviewed his book, it announced in the opening sentence that “Technology is both hero and villain of Future Shock“.

During his brief stint at Fortune magazine, Toffler often wrote about tech, and warned about “information overload”. The implication was that human beings are a kind of data storage medium — and they’re running out of disk space.

May 29, 2023

“I’m starting to think that Just Stop Oil is a Big Oil plant”

Tom Slater on the amazing tone-deafness of the Just Stop Oil “activists”:

“Just Stop Oil Courtauld Gallery 30062022” by Just Stop Oil is licensed under CC BY-SA 4.0 .

I’m starting to think that Just Stop Oil is a Big Oil plant. What else could explain these campaigners’ phenomenal ability to turn the public against them and confirm their critics’ worst prejudices. Namely, that this environmental activism / amdram troupe is stuffed with upper-middle-class irritants who couldn’t give a damn about working-class people. Surely, this has got to be on purpose?

Take their recent “slow marches” through London, aimed at bringing traffic to a standstill. The whole point of these stunts seems to be to force cab drivers, delivery men and builders to sit in traffic so that these protesters can preach their miserable little gospel. And as Edred Whittingham‘s (don’t laugh) deranged antics at the Crucible recently showed us, you now can’t even escape these bourgeois millenarians during your leisure time.

That this new generation of environmentalists are almost uniformly posh is an established empirical fact. An academic survey of those involved in Extinction Rebellion – the mothership organisation from which Just Stop Oil and Insulate Britain were spawned – found, to the surprise of precisely no one, that they were overwhelmingly middle class, highly educated and from the south. A full 85 per cent of them have some form of university degree.

So what we have here is the comfortably off classes – those with sufficient free time to glue themselves to roads on a Wednesday mid-morning – forcing their weird hangups on everyone else. Time and again, when they are criticised for making people’s lives a misery, they offer only patronising lectures. “We’re so sorry that we have to disrupt the lives of ordinary people”, said Just Stop Oil’s Eben Lazarus (I know) to Vice last year, but “hopefully people will see, further down the line, that the disruption we’re causing is microscopic compared to the disruption that we’re going to face because of the climate crisis”. Translation: we know better, you cretins.

No wonder that so many now respond to these cunning stunts with instant, visceral fury. First there was the Battle of Canning Town in 2019, when east-London commuters pulled two Extinction Rebellion people down from the top of a Tube train. And as police have failed to deal with these protests – they now seem to escort rather than stop these “slow marches” – motorists have increasingly decided to take matters into their own hands. Several clips of workers clashing – sometimes physically – with Just Stop Oil activists have gone viral in the past week alone, including one of a man shoving JSOers on Blackfriars Bridge, before promptly being arrested.

The high-water mark of the Vegan cult?

Filed under: Food, Media, Politics — Tags: , , , , — Nicholas @ 03:00

In Spiked, Patrick West celebrates the passing of peak food puritanism:

“Welcome to Las Vegans and Vegetarian, Whole Foods fake meat section, Las Vegas, NV, USA” by gruntzooki is licensed under CC BY-SA 2.0 .

Over the past few years, there has been an explosion of vegan processed food appearing in supermarkets. A growing number of the population also claims to be vegan. But there are signs this trend could be going into reverse. Demand for animal-free food and drink products has collapsed over the past year. One casualty is Swedish oat-milk firm Oatly, which has recently withdrawn its dairy-free ice cream in the UK. Another is the Yorkshire sausage-making company, Heck, which has scaled-down its vegan-friendly range from 10 products to two. Smoothie-maker Innocent discontinued its dairy-free range earlier this year. Supermarket sales of meat-free products fell by £37.3million between September 2021 and September 2022, according to the consumer intelligence firm NielsenIQ.

There seems to be two main reasons. Rising inflation has been cited as one cause, as consumers have scaled back on branded and luxury eatables. Plant-based processed foods are generally more costly than the meat and dairy products they purport to replace. Another explanation is that producers of vegan food may have overestimated the size of the market for veganism, and now they are having to readjust to reality.

Whatever the reasons, we should welcome the retreat of the cult of veganism. And I use the word cult deliberately, because veganism greatly resembles not so much a lifestyle choice, but a way of life itself. It’s a faith that resonates with today’s puritanical and conformist mood.

And I should know, as someone who became a vegetarian in 1996 and has not eaten meat since. Sure, my decision aroused some mockery and derision back then, but vegetarianism had mostly stopped being regarded as weird by the mid-1990s. Ever since then, most of the opprobrium and scolding we vegetarians face comes from vegans, largely because we continue to eat eggs, cheese and milk.

For vegans, nothing must be consumed or worn that derives from animals or insects – even if there is no killing or discernible harm involved. Anything else is a feeble cop-out. Their way of thinking is absolute. In this respect, the best exemplars of the vegan movement are the animal-rights fundamentalists, PETA, whose members are well-known for their shrill, exhibitionist narcissism. Their message is simple: they are better people than you.

It’s no surprise that veganism was turbo-charged in the mid-2010s, when wokery captured the minds of so many – when absolutist, extreme thinking, and the competition to be purer than the next man or woman, took over. The trans movement echoes this rush to extremes. It demands the transformation of your entire body. Indeed, bodily self-mutilation and mortification of the flesh have long been practised by religious fundamentalists.

May 28, 2023

Musical copyrights – crazy as they are now – were far worse in history

Filed under: Britain, Economics, Europe, France, History, Law, Media — Tags: , , , , — Nicholas @ 03:00

Ted Gioia outlines just how the concept of musical copyrights produced even more distortions in the past than they do today:

Assignments of copyrights photostat copies by mollyali (CC BY-NC 2.0) https://flic.kr/p/5JbsPE

People tell me it was never this bad before. But they’re wrong. The music copyright situation was even crazier 500 years ago.

The Italians took the lead in this, and it all started with Ottaviano Petrucci gaining a patent from the Venetian Senate for publishing polyphonic music with a printing press back in 1498. Andrea Antico secured a similar privilege from Pope Leo X, which covered the Papal States.

It’s hard to imagine a Pope making decisions on music IP, but that was how the game was played back then. In 1516, Pope Leo actually took away Petrucci’s monopoly on organ music, and gave it to Antico instead. You had to please the pontiff to publish pieces for the pipes.

Over time, this practice spread elsewhere. In a famous case, the composer Lully was granted total control over all operas performed in France. He died a very wealthy man — with five houses in Paris and two in the country. His estate was valued at 800,000 livres—some 500 times the salary of a typical court musician.

But the most extreme case of music copyright comes from Elizabethan England. Here the Queen gave William Byrd and Thomas Tallis a patent covering all music publishing for a period of 21 years. Not only did the two composers secure a monopoly over English music, but they also could prevent retailers or other entrepreneurs in the country from selling “songs made and printed in any foreign country.”

If anybody violated this patent, the fine was 40 shillings. And the music itself was seized and given to Tallis and Byrd. They probably had quite a nice private library of scores by the time the patent expired.

But that’s not all. Byrd and Tallis’s stranglehold on music was so extreme it even covered the printing of blank music paper. That meant that other composers had to pay Tallis and Byrd even before they had written down a single note. Not even the Marvin Gaye estate makes those kinds of demands.

Tallis died a decade after the patent was granted—putting Byrd in sole charge of English music. I’d like to tell you that he exercised his monopoly with a fair and open mind—especially because I so greatly esteem Byrd’s music, and also I’d like to think that composers are better at arts management than profit-driven businesses. But the flourishing of music publishing in England after the expiration of the patent — when, for a brief spell, anybody could issue scores — makes clear that Byrd did more to constrain than empower other composers.

May 26, 2023

The introduction of BBC Verify proves that Ben Rhodes was correct

Filed under: Britain, Media, Politics — Tags: , , , — Nicholas @ 05:00

Chris Bray on the BBC’s new effort to provide NPCs and would-be NPCs with the “correct” narratives:

I’ve spent a lot of time talking about things like this, breaking down the difference between what media and political figures perform and what they actually know and do, but it begins to feel like I’m telling you that another lump of shit is a lump of shit. “Chew it carefully, and you’ll see that this, too, has the distinct flavor of fecal matter.” It’s important to notice propaganda, and to say that hey, that’s propaganda!, but let’s not be tedious about it.

In other news, I was reminded this week about the Ben Rhodes interview in which he shrugged and told the New York Times that OF COURSE the Obama administration lied to the news media about the terms of the nuclear deal with Iran — because why on earth wouldn’t you lie to journalists, who have no ability to figure out that you’re lying? Actual quote from a person who worked in the White House:

    All these newspapers used to have foreign bureaus. Now they don’t. They call us to explain to them what’s happening in Moscow and Cairo. Most of the outlets are reporting on world events from Washington. The average reporter we talk to is 27 years old, and their only reporting experience consists of being around political campaigns. That’s a sea change. They literally know nothing.

Specifically, I was reminded of the image of 27 year-old journalists who literally know nothing because of this:

Paging Ben Rhodes: BBC has empowered an actual 27 year-old to tell the world what it may be permitted to perceive as truth. Marianna Spring has no discernible training or experience in law, history, economics, or science, but she’s been on television for, like, several years, now, so. She is the arbiter. Fall into line, everyone.

Overwhelmed by stupidity and falsehood, baffled by the social psychosis of major institutions, I need to spend a few days thinking about how I want to handle the growing schism between observable reality and, how can one say this, the metastasizing Marianna Springness of the world. We’re battered by madness, or rather by what seems to be a calculated effort to inculcate madness, all day and every day. Florida is a terrorist state, it’s very dangerous for people like me, I just went there for spring break. What can I say about that? What’s worth saying? So I’m going to take a few days to recalibrate and figure out a plan for the immediate future. I don’t think very often, but man, when I do, I really go for it.

Update: John Ellwood has more at The Conservative Woman:

TCW Defending Freedom has received the following press release from the BBC announcing the launch of BBC Vilify.

THE exponential growth of manipulated and distorted news reports and video means that seeing is no longer believing. Our dwindling number of consumers tell us they can no longer trust that the video in their news feeds is genuine. This is why we at the BBC must urgently begin to show and share the work we do behind the scenes, to check and vilify truthful but inconvenient information to ensure that it does not appear on our platforms.

To this end we have brought together journalists and expert talent from across the BBC. They including our analysis editor Ros Atkins, disinformation specialist Marianna Spring and their teams. In all, BBC Vilify comprises about 60 highly paid journalists who will form a specialised operation with a range of forensic investigative skills and open-source intelligence (Osint) capabilities at their fingertips. Key sources will include the Guardian, Washington Post, World Economic Forum and CNN.

BBC Vilify will fact-check disinformation and analyse data to explain complex stories and ensure that our ability to manipulate and propagandise is not impaired.

“Losing my Religion” – Bardcore (Medieval Style)

Filed under: Media — Tags: , — Nicholas @ 02:00

Algal the Bard
Published 17 Feb 2023

Song composed by R.E.M.

Instruments: Lute-guitar, zitherette, recorder and drums.
(more…)

May 25, 2023

Victoria’s housing market is Canada’s housing market in microcosm

Filed under: Bureaucracy, Cancon, Media, Politics — Tags: , , , , — Nicholas @ 05:00

Elizabeth Nickson explains some of the driving factors for ever-rising housing prices in Canada:

“Victoria, BC” by abdallahh is licensed under CC BY 2.0 .

A friend of mine is building four high-rise condo and rental towers in Victoria, the capital city of British Columbia, where I live. It is a charming city, founded in the 1840s, its core an almost classic English village around which a modern city was slowly built. Not so slow now. It’s the warmest, prettiest city in Canada, surrounded on three sides by ocean, and retirees are flooding the place. Young families are choosing the city to raise their children because it is still small, relatively crime-free and filled with charming neighborhoods.

Here is a view from the marketplace by someone who borrowed $150 million to build housing for the newcomers:

    Green energy policies have added maybe $700 a month to the cost of a one bedroom rental unit. It takes over two years to get approval for a rental building in Victoria. Then, another year after initial approval to final approval. That adds another sum. Maybe $300? So rents in theory could be $1000 a month less. That is $1,000 that could go to piano lessons, hockey gear. Private school? And so on. Then Justin let in ONE MILLION people last year into Canada. All unvetted. Canada builds various amounts of housing each year. But 275,000 units is a reasonable average. One million people require 350,000 or so housing units. You want to see upward price pressure on rents? You have not seen anything yet

In fact, “we are two to three million houses short”, says Wendell Cox of Demographia, which has been tracking housing affordability for 25 years across the world. Canada’s two principal cities, Toronto and Vancouver, are among the top four most unaffordable cities in the world, Hong Kong and Sydney being the other two. In my region, everywhere you look, we have tent cities and trailers parked by the side of the road; our economy has been strangled by Covid, debt, inflation, and regulatory madness, so like nearly everywhere, we have a substantial complement of the desperate, despite living among a stunning abundance of resources and talent. Throw in the sharp rise in interest rates and the solution moves from difficult to impossible.

Despite the almost preposterous costs added by “green” energy, “green” land use is the greater reason housing is so constrained in every western democracy. Here’s the crux of the matter: construction costs are only 20 percent lower in a smaller city, but the land in a smaller city would run $90K, while in Toronto or Vancouver or San Francisco or Dublin, it would be upwards of one million dollars.

A green belt is wrapped around every major and minor city. They are called Urban Containment Zones. Much of that land is conserved, in principle to save agricultural land, but in Canada, as elsewhere, urban areas only use 2.5 percent of arable land. World Economic Forum/U.N. rules concerning land use have been adopted by every western democracy, and these rules are disseminated across the world through planning associations. The planner cult is messianic. It hates sprawl, suburbs and cars and while the obvious solution is to build on green belts, the PR unleashed against the idea is vituperative in the extreme. Ontario premier Rob Ford has managed to swap out some green belt land, and is building 50,000 new houses. The press’s reaction against the plan has been vicious, accusing Ford of bribery and paying off his funders.

Yet, there is a ten-year waiting list for public housing in Toronto. British Columbia, like all regions run by the Left, is committed to subsidized housing. But there is a five-year waitlist for any current family housing, and rents for a one bedroom, are almost exactly $1,000 less than in the private sector, meaning that without the green-energy rules, which are ridiculous in such a cold country, private-sector housing could accommodate the less privileged without any cost to the taxpayer, who as it is now pays twice.

Further, the buildings assigned to low-income housing are built to lower standards. There is a happy dancing peasant communitarian aspect to these complexes, but that can degrade very quickly, as Chicago, Detroit, London, have proved. Almost all such complexes end in drug trafficking, single motherhood and kids running wild. The most recent B.C. government failed its promise to build more by 75 percent and its administering agency was found to be corrupt.

QotD: How long does “celebrity” last?

Filed under: History, Media, Quotations, USA — Tags: , , — Nicholas @ 01:00

The first warning sign was when they renamed Bob Hope Airport.

Back in the 1940s, Bob Hope was the most popular comedian in the world. He was a radio star. He was a movie star. He would later become a TV star at NBC.

When Hope died in 2003, it made perfect sense to name the Burbank airport after him. After all, his longtime employer NBC was the best known company in Burbank, and Bob Hope had spent a half-century on the network — usually at the top of the ratings.

So the local airport got renamed.

But the only thing that lasts forever in pop culture is the fact that nothing last forever. By 2017, Bob Hope was only a dim memory at NBC, and young passengers flying to SoCal had no idea who he was. So they changed the name to the Hollywood Burbank Airport.

By coincidence this happened almost exactly 80 years after Hope rose to fame — when Paramount signed him to star in the film The Big Broadcast of 1938. In that hit movie, he sang his charming theme song “Thanks for the Memories” — which he kept singing until the end of the 20th century. Not long ago, everybody knew that song.

But then the memories ran dry.

I’ve long believed that 80 years is a typical span of pop culture fame for superstars. I’m referring to the biggest names — the lesser stars burn out in 80 months or 80 weeks or 80 days. But the top draws retain their fame for the entire lifetime of their youngest fans — and given current life expectancies of the US audience, that can’t be much more than 80 years.

We already see the price of Elvis Presley memorabilia starting to drop. The recent Elvis biopic might slow the erosion, but will never bring back the King’s red hot fame of the 1950s. By my measure, Elvismania will be officially dead in the year 2034. That will be the 80th anniversary of his first hit single “That’s All Right”. Almost none of his original audience will still be around to celebrate the anniversary, and that can’t bode well, even for the nostalgia crowd.

Some reputations do flourish after 80 years, but only because the entertainers somehow found an audience outside of pop culture. Louis Armstrong was famous as an entertainer during his lifetime, but enjoys posthumous renown as an artistic and cultural figure. Back in the 1920s, Rudy Vallée sold more records than Armstrong, but never made the transition outside of pop culture.

Ted Gioia, “How Long Does Pop Culture Stardom Last?”, The Honest Broker, 2023-02-23.

May 23, 2023

QotD: Cavalry operations in Rings of Power versus cavalry operations in history

Filed under: History, Media, Military, Quotations — Tags: , , , , — Nicholas @ 01:00

Now before I lay into this, fair is fair: Peter Jackson’s The Lord of the Rings had a real habit of having the horses almost always move at the trot or the canter when they ought to have been walking (horses have four “gaits” – patterns of moving – which, in escalating speed are the walk, the trot, the canter and the gallop). Horses can walk or trot for long periods, but canters and gallops can only be maintained in short bursts before the horse wears itself out. So for instance when Théoden leads the Rohirrim from Edoras in Return of the King the horses are walking in the city but by the time they’re in column out of the city the whole column is moving at a canter (interestingly, you can hear the three-beat pattern of the canter in the foley, which is some attention to detail), which is not realistic – they have a long way to go and they won’t be able to maintain this gait the whole way – but fits the forward momentum of the scene. Likewise most of the horses look to be at a canter when his army leaves Dunharrow for Gondor; again this is a bit silly, but on roughly the level of silly of having Aragorn, Legolas and Gimli pursue a band of orcs by jogging for three days and nights without rest.

By contrast [in Rings of Power], the Númenóreans rush to the battle at a full gallop, apparently the whole way or at the very least for hours through the morning. Horses will be vary, but generally two to three miles is the maximum distance most horses can gallop before fatigue sets in (for most horses this distance is going to be shorter), which they’re going to cover in about six minutes. The gallop is a very fast (25-30mph), very short sprint, yet Galadriel has this whole formation at full gallop even before she can see their destination. And I just want to remember here the absurdity that these horsemen do not even know there is a battle to ride to; for all they know this is a basic scouting effort (which might be better accomplished slowly and without wearing down all of the horses). Théoden at least has the excuse that he’s on the clock and knows it!

The way we are then shown the cavalry arriving is very confusing to me. The speed of their arrival makes at least some sense. We have already established that both Arondir and Adar are incompetent commanders so the fact that they have set no scouts or lookouts checks out. Pre-modern and early-modern cavalry could effectively out-ride news of their coming, and so show up unexpectedly in places with very little warning. Not this little warning, mind you – the time from the first sound of hoof-falls (heard by Elves – the orcs evidently hear nothing) to the cavalry deluging the village is just about fifteen seconds; horses move fast but they do not move that fast (at full gallop a horse might cover 150-200 meters in those fifteen seconds and the orcs would absolutely hear them coming before they saw them). But the idea in general that the Númenórean cavalry could appear as if out of nowhere to the orcs checks out – that was one of the major advantages of cavalry operations.

Bret Devereaux, “Collections: The Nitpicks of Power, Part III: That Númenórean Charge”, A Collection of Unmitigated Pedantry, 2023-02-03.

May 22, 2023

Dire Straits – “Sultans Of Swing” (Old Grey Whistle Test, 16th May 1978)

Filed under: Britain, Media — Tags: , , — Nicholas @ 02:00

Dire Straits
Published 21 Oct 2022

Dire Straits performing “Sultans Of Swing” in their first ever TV performance live on BBC’s The Old Grey Whistle Test in May, 1978. This performance took place three days before the UK release of their debut single of the same name.
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May 19, 2023

They made a MOVIE about the discovery of Richard III’s remains!!!

Filed under: Britain, History, Media — Tags: , , , , — Nicholas @ 02:00

Vlogging Through History
Published 16 Sept 2022

Here’s a fantastic hour-long breakdown of the entire search and discovery process – https://www.youtube.com/watch?v=dsTyG…
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