Quotulatiousness

November 3, 2019

Building Angkor – A Drowning City – Extra History – #4

Filed under: Architecture, Asia, History, Religion — Tags: , , , , , — Nicholas @ 06:00

Extra Credits
Published 2 Nov 2019

Join us on Patreon! http://bit.ly/EHPatreon

We’ve talked about the magnificence of Angkor at its peak, but how did this sprawling metropolis become a city of ruins? The city of Angkor depended on the reliability of the seasonal monsoon. Several decades of drought left them with little choice than to modify the whole water system. But when the waters returned, they returned in force. As did enemy forces. Thus begins the death spiral of the city of Angkor.

From the comments:

Extra Credits
1 day ago
Always 👏 maintain 👏 your 👏 water 👏 infrastructure !!!

Mussolini plays Hitler like a Fiddle – The Invasion of Greece – WW2 – 062 – November 2, 1940

Filed under: Europe, Germany, Greece, History, Italy, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 2 Nov 2019

A new front opens up in Greece as the Italians invade, while the Battle of Britain seems to come to an end.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Sources:
– IWM: HU 76031, E 15223, E 450, E 6661, A 22111
– killer by Arthur Shlain from the Noun Project
– National Portrait Gallery, London
– Torpedo body icon by Blaise Sewell from the Noun Project
– FDR Presidential Library & Museum

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 days ago (edited)
This week covers about two major events with effects that will ripple through the remainder of the war. Actually, both have been attributed by historians for being “the one event” that caused the war to end as it did. You’ll have to stick around to find out how and when that will be though. Though I can tell you one thing now. History is rarely that simple. If you like our series and want to enable us to cover the complex web of events, locations, individuals and techniques that changed the outcome of the war, please consider supporting us on https://www.patreon.com/timeghosthistory or on our own website at https://timeghost.tv. If you would like to make a one-time contribution, you can do so via PayPal to (paypal@timeghost.tv).
Cheers, Joram

Ross MkII: Sorry, We’ll Get it Right This Time

Filed under: Cancon, History, Military, Weapons, WW1 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 30 Oct 2019

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The many significant problems with the Model 1903 / MkI Ross rifle had quickly led to the development of the improved MkII design. This strengthened many parts, including the sights, nosecap, bolt latch, and more. The receiver was made thicker, and an extra set of cams added to make the bolt throw smoother. Primary extraction was added by way of angling the locking lugs. Mk II rifles began to come off the Ross Rifle Company production line in December of 1905.

Between its introduction and its replacement by the MkIII in 1912, the MkII Ross would undergo 5 changes in type, mostly involving different rear sights. However, a distinct “long” pattern was also made, designated the MkII**. This model had a longer barrel and some mechanical changes, and was also fitted with a rear aperture sight and stripper clip guide. These would be very successful in competition shooting at the time, and helped salvage the reputation of the Ross after the problems of the MkI.

Overall, 13,700 “long” MkII Rosses were made along with 124,000 of the “short” type. They did see use in World War One, as armament for Canadian artillery units. They were also used as training rifles by the military, and the US government also purchased 20,000 of the MkII3* pattern for use training the multitudes of new US soldiers joining up to fight in Europe.

Many thanks to the private collectors who allowed me access to their rifles to make this video!

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704

QotD: The theocratic Anabaptist State of MĂĽnster

Filed under: Europe, Germany, History, Quotations, Religion — Tags: , , , , — Nicholas @ 01:00

A crucial part of the Anabaptist reign of terror was their decision, again prefiguring that of the Khmer Rouge regime in Cambodia, to abolish all private ownership of money. With no money to purchase any good, the population became slavishly dependent on handouts or rations from the power elite. Accordingly, Matthys, Rothmann, and the rest launched a propaganda campaign that it was un-Christian to own money privately; and that all money should be held “in common,” which in practice meant that all money whatsoever must be handed over to Matthys and his ruling clique…

After two months of unremitting propaganda, combined with threats and terror against those who disobeyed, the private ownership of money was effectively abolished in MĂĽnster. The government seized all the money and used it to buy goods or hire workers from the outside world. Wages were doled out in kind by the only employer: the theocratic Anabaptist State.

Food was confiscated from private homes, and rationed according to the will of government deacons. Also, to accommodate the host of immigrants, all private homes were effectively communized, with everyone permitted to quarter themselves everywhere; it was now illegal to close, let alone lock, one’s doors. Compulsory communal dining halls were established, where people ate together to the readings from the Old Testament.

The compulsory communism and reign of terror was carried out in the name of community and Christian “love.” This communization was considered the first giant step toward egalitarian communism, where, as Rothmann put it, “all things were to be in common, there was to be no private property and nobody was to do any more work, but simply trust in God.” Somehow, the workless part never seemed to arrive.

[…]

Totalitarianism in MĂĽnster was now complete. Death was now the punishment for virtually every independent act. Capital punishment was decreed for the high crimes of murder, theft, lying, avarice, and quarrelling. Death was also decreed for every conceivable kind of insubordination: the young against the parents, wives against their husbands, and, of course, anyone at all against the chosen representative of God on earth, the government of MĂĽnster. Bernt Knipperdollinck was appointed high executioner to enforce the decrees.

The only aspect of life previously left untouched was sex, and this deficiency was now made up. The only sexual relation now permitted by the Bockelson regime was marriage between two Anabaptists. Sex in any other form, including marriage with one of the “godless,” was a capital crime.

But soon Bockelson went beyond this rather old-fashioned credo, and decided to enforce compulsory polygamy in MĂĽnster. Since many of the expellees had left their wives and daughters behind, MĂĽnster now had three times as many marriageable women as men, so that polygamy had become technically feasible. Bockelson convinced the other, rather startled preachers by citing polygamy among the patriarchs of Israel, reinforcing this method of persuasion by threatening any dissenters with death.

Compulsory polygamy was a bit much for many of the MĂĽnsterites, who launched a rebellion in protest. The rebellion, however, was quickly crushed and most of the rebels put to death […]

The rest of the male population also began to take enthusiastically to the new decree. Many of the women reacted differently, however, and so the Elders passed a law ordering compulsory marriage for every woman under (and presumably also over) a certain age, which usually meant becoming a compulsory third or fourth wife.

Since marriage among the godless was not only invalid but also illegal, the wives of the expellees became fair game, and they were forced to “marry” good Anabaptists. Refusal of the women to comply with the new law was punishable, of course, with death, and a number of women were actually executed as a result.

Murray N. Rothbard, “Karl Marx as Religious Eschatologist”, Mises Institute, 2009-10-09.

November 2, 2019

History of Space Travel – Looking to the Stars – Extra History – #1

Filed under: History, Science, Space — Tags: , , , — Nicholas @ 06:00

Extra Credits
Published 31 Oct 2019

Start your Warframe journey now and prepare to face your personal nemesis, the Kuva Lich — an enemy that only grows stronger with every defeat. Take down this deadly foe, then get ready to take flight in Empyrean! Coming soon! http://bit.ly/ECWarframe

What do Ptolemy and ancient Chinese rockets have in common? Without either of these things, space flight wouldn’t be possible! In order to understand how we started traveling amongst the stars, we have to talk about how we started studying stars in the first place. Since the very first civilizations we’ve always looked at the night sky with wonder & curiosity but also as a way to try and understand the future and time itself.

When entertainment morphs into propaganda

Filed under: History, Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

One of the key elements aiding Hitler and the NSDAP to take power and stay in power in Germany in the 1930s was the constant, ongoing propaganda campaign orchestrated by Joseph Goebbels. Hitler and the Nazi party were lauded as the perfect Germanic solution to every problem and Jews, socialists, homosexuals, and other undesireable elements were belittled and used as targets of hate. A big part of Goebbels’ propaganda revolved around one idea, the “Big Lie”:

Hitler, Göring, Goebbels and Hess.
Photo via Wikimedia Commons.

If you tell a lie big enough and keep repeating it, people will eventually come to believe it. The lie can be maintained only for such time as the State can shield the people from the political, economic and/or military consequences of the lie. It thus becomes vitally important for the State to use all of its powers to repress dissent, for the truth is the mortal enemy of the lie, and thus by extension, the truth is the greatest enemy of the State.

By suppressing competing voices and having all the methods of reaching the people repeating the same story, the Nazis solidified their control on power in Germany that lasted until 1945, and was only demolished by massive military effort by the United States, the Soviet Union, and the British Commonwealth. Propaganda is a very powerful tool that works distressingly well to implant and nurture evil ideas in a subject population.

Modern propagandists in the west generally don’t have the power of the state aiding them, but if they get enough of the channels of communication — especially the entertainment channels — to co-ordinate the message, the effects can be very strong:

… I perfectly understand the legitimacy of feminist concerns regarding the portrayal of women in the media as consistently demure, retiring, and subservient to men. I grant that, in most of the action/adventure movies that I saw growing up, women would typically twist an ankle or get captured and then require rescuing by the swashbuckling male hero — and I realize how galling this must have been to generations of women. And therefore, a certain correction was undoubtedly in order. But what is problematic now is the Nietzschean quality of the reaction, by which I mean, the insistence that female power has to be asserted over and against males, that there is an either/or, zero-sum conflict between men and women. It is not enough, in a word, to show women as intelligent, savvy, and good; you have to portray men as stupid, witless, and irresponsible. That this savage contrast is having an effect especially on younger men is becoming increasingly apparent.

In the midst of a “you-go-girl” feminist culture, many boys and young men feel adrift, afraid that any expression of their own good qualities will be construed as aggressive or insensitive. If you want concrete proof of this, take a look at the statistics contrasting female and male success at the university level. And you can see the phenomenon in films such as Fight Club and The Intern. In the former, the Brad Pitt character turns to his friend and laments, “we’re thirty year old boys;” and in the latter, Robert De Niro’s classic male type tries to whip into shape a number of twenty-something male colleagues who are rumpled, unsure of themselves, without ambition — and of course under the dominance of an all conquering female.

It might be the case that, in regard to money, power, and honor, a zero-sum dynamic obtains, but it decidedly does not obtain in regard to real virtue. The truly courageous person is not threatened by another person’s courage; the truly temperate man is not intimidated by the temperance of someone else; the truly just person is not put off by the justice of a countryman; and authentic love positively rejoices in the love shown by another. And therefore, it should be altogether possible to hold up the virtue of a woman without denying virtue to a man. In point of fact, if we consult the “all conquering female” characters in films and TV, we see that they often exemplify the very worst of the traditional male qualities: aggression, suspicion, hyper-sensitivity, cruelty, etc. This is what happens when a Nietzschean framework has replaced a classical one.

My point is that it is altogether possible — and eminently desirable — to say “you go boy” with as much vigor as “you go girl.” And both the boys and the girls will be better for it.

Sir Charles Ross was a Jerk: The Martello Tower

Filed under: Cancon, History, Military, Weapons, WW1 — Tags: , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 29 Oct 2019

Note: These towers were built by the British, not the French. Sorry!

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Sir Charles Ross was really a jerk sometimes. Not the sort of guy you would want to go into business with.

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704

Here are the Wikipedia pages on Sir Charles Ross, Bart. and Martello towers.

November 1, 2019

“Unbreakable” – Guerrilla Warfare – Sabaton History 039 [Official]

Filed under: China, History, Media, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 06:00

Sabaton History
Published 31 Oct 2019

The exact topic of Sabaton’s song “Unbreakable” will forever be a mystery. But we do know that it has to do with guerrilla warfare, which is what Indy will dive into in this episode.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to The Art of War (where “Unbreakable” is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlay

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Indy Neidell, Spartacus Olsson and Markus Linke
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski

Eastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– RIA Novosti archive
– Colorization of Mao Zedong by Olga Shirnina a.k.a. Klimbim
– IWM: NA 15129
– Water splash sound effect – littlerobotsoundfactory

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
There are many examples where guerrilla warfare was used in an attempt to force out or at least harass a foreign invader or domestic military power. Partisan movements are almost always connected to a certain ideology or party — after all, they rebel against a power they disagree with. We haven’t mentioned a lot of different movements and causes in this episode, not because we don’t value or support them or their cause, but because we have a limited amount of time to cover a general topic in. As Indy also states in the video, we have picked several examples to describe what guerrilla warfare was. Please share any additional groups or events that are relevant for this episode, but keep it civil and keep your political thoughts to yourself.
Cheers, The Sabaton History team

Why All Germans Were Nazis – How Hitler Created the Third Reich | BETWEEN 2 WARS I 1934 Part 1 of 4

TimeGhost History
Published 31 Oct 2019

After Hitler seized power in Germany in January 1933, he rapidly transformed the Democratic Weimar Republic into a repressive, totalitarian and racist state. In 1934, Germany became Nazi Germany.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Subscribe to our World War Two series: https://www.youtube.com/c/worldwartwo…

Hosted by: Indy Neidell
Written by: Spartacus Olsson and Francis van Berkel
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel and Spartacus Olsson
Edited by: Wieke Kapteijns
Sound design: Marek Kamiński

Image sources: Bundesarchiv, Bundesarchiv, Bild 102-15282A / Georg Pahl, Heinz Bergschicker Deutsche Chronik 1933-1945 – Ein Zeitbild der faschistischen Diktatur

Icons from the Noun Project: Police by IconTrack, soldier by Simon Child, police man by Gregor Cresnar, hello by Universal Icons.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

Spartacus Olsson
2 hours ago
Now, this episode explains the measures that the Nazis used to gain control over the German people. It is not an attempt to justify, or be apologetic of the responsibility for the horrors committed during the Nazi regime. But it is also not a blanket condemnation of Germans. What happened in Germany starting in 1933 should serve us all as a warning to what can happen when you let loose authoritarian power, normalize lies as an acceptable part of political discourse, and make mainstream the disregard of basic human values. We should all think of that although the Nazis were especially efficient in their implementation of an authoritarian system, they are by far not the only ones that have succeeded in seducing whole a nation into blind hatred and acceptance of the suffering and death of others to forward an ideology. We should remember that freedom and democracy is essential, but also that words matters. The beginning of oppression starts with an endless stream of lies that confuse public discourse to the point that facts don’t matter anymore and truth becomes fiction. This video shows us what can happen next. Our mantra as a channel is to focus on the facts, not our opinions, not our ‘truth’ — just the facts m’am — and that is what we have presented here, for better or worse.

Ross MkI: Canada’s First Battle Rifle

Filed under: Cancon, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 28 Oct 2019

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Sir Charles Ross was heir to a very wealthy Scottish family, and was a talented if temperamental engineer. He took an interest in firearms and their design, and worked with American and English connections to produce a line of his own straight-pull sporting rifles. Upon returning from the Boer War he looked to expand into the military market.

At this same time, the Canadian government was looking to replenish its arms supplies after the war, and requested Enfield rifles form the British. The request was turned down, as Britain did not have enough supply to spare any for the Canadians. The Canadians were expected to construct their own factory to make rifles of he standard British pattern. Well, the Canadian government was not eager to invest that sort of capital into the project. They investigated buying arms elsewhere, but the consensus was that Canada’s armaments should come from either Britain or from within Canada itself. No good solution was apparent until Sir Charles Ross stepped in.

Ross offered to fund the construction of a factory himself, and use Canadian labor and industry to manufacture Ross rifles for the military. This seemed like an excellent solution — for zero initial cash outlay, the Canadian government would get rifles both designed and produced domestically! The rifles would be chambered for the standard .303 British cartridge, thus handling the British objections about arms compatibility (Ross pointed out that the British themselves used something like 7 different patterns of rifle at the time).

In 1902, Ross and the Canadian government signed a contract for 12,000 rifles to be made in 1903 and 10,000 per year thereafter, at the price of $25 each. In addition to the Canadian military, the Royal North West Mounted Police also adopted the new Ross rifle. Deliveries did not actually begin until 1905, and when they did plenty of disturbing problems arose. The rifles proved fragile and unreliable — and a weak bolt latch periodically allowed the bolt to fall completely out of the rifle on parade drill — not a good start!

Only 10,000 of the Mark I Ross rifles were made, and an improved Mark II pattern would follow as quickly as Ross could make it a reality.

Many thanks to the private collectors who allowed me access to their rifles to make this video!

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704

October 31, 2019

The Graveyard of Empires Strikes Back – The British-Afghan War of 1919 I THE GREAT WAR 1919

Filed under: Asia, Britain, History, India, Military — Tags: — Nicholas @ 04:00

The Great War
Published 30 Oct 2019

Get 70% off NordVPN! Only $3.49/mo, plus you get two additional months FREE at https://nordvpn.com/thegreatwar and use code thegreatwar
Thanks to NordVPN for sponsoring this video – sponsorships allow us to make this show better and keep it free.

» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/

» BUY OUR SOURCES IN OUR AMAZON STORES
Our Amazon US Store: https://www.amazon.com/shop/influence…
Our Amazon CA Store: https://www.amazon.ca/shop/influencer…
Our Amazon UK Store: https://www.amazon.co.uk/shop/influen…

» SOURCES
Adamec, L.W. Afghanistan, 1900-1923: A Diplomatic History, Berkley, 1967
Barthorp, Michael (2002) [1982]. Afghan Wars and the North-West Frontier 1839–1947. London: Cassell.
Beattie, Hugh: “Afghanistan”, in: 1914-1918-online. International Encyclopedia of the First World War, ed. by Ute Daniel, Peter Gatrell, Oliver Janz, Heather Jones, Jennifer Keene, Alan Kramer, and Bill Nasson, issued by Freie Universität Berlin, Berlin 2016-09-02
Heathcote, TA. The Afghan Wars (Spellmount, 2003).
Jacobsen, M H. The Third Afghan War and the External Position of India, 1919-1924. Defense Technical Information Center Archive report ADA195401, 1988.
Monro, Charles. “Despatch from His Excellency the Commander-in-Chief in India regarding the operations against Afghanistan, to the Secretary to the Government of India, Army Department”. Second Supplement to the London Gazette, 15 March 1920 https://www.thegazette.co.uk/London/i…
Molesworth, George (1962). Afghanistan 1919 — An Account of Operations in the Third Afghan War. New York: Asia Publishing House
Robson, Brian (2007). Crisis on the Frontier: The Third Afghan War and the Campaign in Waziristan 1919–1920. The History Press.
Sykes, Percy. A History of Afghanistan vol II. (London Macmillan 1940)
Wyatt, Christopher M. “Change and Discontinuity: War and Afghanistan 1904-1924,” Asian Affairs, 01 September 2016, Vol.47(3): 366-385.

» SOCIAL MEDIA
Instagram: https://instagram.com/the_great_war
Twitter: https://twitter.com/WW1_Series
Reddit: https://reddit.com/r/TheGreatWarChannel

»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig

Channel Design: Alexander Clark
Original Logo: David van Stephold

A Mediakraft Networks Original Channel

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2019

I don’t normally comment on sponsors of the various videos I post, but NordVPN has been very recently in the news, should you be interested in their services.

A mathematical revolution in late medieval English ship design and construction

Filed under: Britain, History, Technology, Woodworking — Tags: , , , , — Nicholas @ 03:00

In the latest installment of Anton Howes’ newsletter on the Age of Invention, he discusses how geometry and mathematics helped transform late Medieval English shipbuilding:

An English ship of a slightly later period: this is a replica of the Susan Constant at the Jamestown Settlement in Virginia. The original ship was built sometime before 1607 and rented by the Virginia Company of London to transport the original settlers to Jamestown.
Photo by Nicholas Russon, March 2004.

Since about 1500, an Italian and Portuguese method of making ships had come into ever wider use in northern Europe. This was to construct the ship’s skeleton first, and then lay the planking around it. This contrasted with the older “clinker” method, by which the planks were laid from the keel upwards, with each plank slightly overlapping the one below – the rest of the skeleton was filled in later to strengthen it. The new “carvel” method, instead of having overlapping planks, allowed for a smooth hull. But it also required more planning.

The master shipwright had to first design full-sized templates, or frames, which were placed along the keel to determine the width and height of the hull, like cross-sections up and down the length of the ship. To the edges of these frames were then fixed ribbands — long, pliable boards running down the ship’s length. Altogether, the frames and ribbands formed a temporary, basket-like structure, to guide the moulding of the ship’s permanent hull around it.

But calculating the size of the frames at each point was tricky. After the placement of the first few, which might be pre-specified in size, the next ones along were typically determined according to the curve of the ribbands. Calculation was certainly involved, but it took place in the form or marking and adjusting the wood itself. Design and construction both took place in the shipyard, and through the medium of wood.

What Matthew Baker did in the 1570s was to take the design process out of the shipyard, and onto paper. He drew his ships, to scale. And by using pen and paper, with geometry to make such drawings possible, he opened up grand new possibilities for design. His process allowed him to jot down the latest innovations from the Mediterranean, to speculate about the designs of Noah’s ark and the ships of the ancient world, and to cheaply conduct his own experiments. He drew out new designs for frames, using geometry to work out how any variation would affect the overall shape of the hull, as well as its weight and carrying capacity – all at the cost of only time, ink, and paper, and avoiding the huge potential waste of conducting experiments at full scale in wood. His process allowed him to innovate more easily, and even to design new measuring instruments.

The Legend of Vlad the Impaler

Filed under: Europe, History, Military — Tags: , , , , , — Nicholas @ 02:00

Royal Armouries
Published 31 Oct 2017

Hear the story of the infamous tyrant Vlad Tepes, notorious for the grisly way in which he killed his enemies.

Where to find us:

⚔Website: https://royalarmouries.org/home
⚔Blog: https://blog.royalarmouries.org/
⚔Twitter: https://twitter.com/Royal_Armouries

October 30, 2019

Homer, the Trojan War & the Late Bronze Age Collapse

Filed under: Europe, Greece, History, Middle East, Military — Tags: , , , , , , — Nicholas @ 05:00

History Time
Published 20 Mar 2018

This is the first in a new series I will be producing on the Late Bronze Age Collapse.

If you enjoyed this video and would like to see more then please consider supporting me on Patreon:-
https://www.patreon.com/historytimeUK (every dollar helps)

Are you a budding artist, illustrator, cartographer, or music producer? Send me a message at petekellywriter@gmail.com No matter how professional you are or even if you’re just starting out, I can always use new music and images in my videos. Get in touch! I’d love to hear from you.

I’ve compiled a reading list of my favourite history books via the Amazon influencer program. If you do choose to purchase any of these incredible sources of information then Amazon will send me a tiny fraction of the earnings (as long as you do it through the link) (this means more and better content in the future) I’ll keep adding to and updating the list as time goes on:-
https://www.amazon.com/shop/historytime

I try to use copyright free images at all times. However if I have used any of your artwork or maps then please don’t hesitate to contact me and I’ll be more than happy to give the appropriate credit.

Shakespeare Summarized: Julius Caesar

Overly Sarcastic Productions
Published 1 Dec 2013

Here we go again! It’s only taken me several months…

Sarcastified Shakespeare returns, this time with a look at that historical tragedy we all love to write essays about, Julius Caesar!

I think the real main character here was Brutus’s crippling self-esteem issues…

« Newer PostsOlder Posts »

Powered by WordPress