The Great War
Published 13 Jun 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
The last of the big peace treaties signed in Paris that finalized the borders in Europe was the Treaty of Trianon. Even at the time, Hungarians considered it a historic injustice while nations such as Czechoslovakia, Romania and Yugoslavia were quite happy with the result. We examine how the treaty was signed and negotiated.
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Isaiah Bowman, The New World-Problems in Political Geography, (Yonkers-on-Hudson: World Book Company, 1921)Francis Deák & Dezsó Ujváry, Paper and Documents Relating to the Foreign Relations of Hungary, Volume 1; 1919-1920, (Budapest: Royal Hungarian Ministry of Foreign Affairs, 1939)
Conan Fischer, Europe between democracy and dictatorship, 1900-1945, (Chichester: Malden, MA: Wiley-Blackwell, 2011)
Mike Gyula (ed.), Magyar Statisztikai Zsebkönyv, 1940 [Hungarian Statistical Pocket Book 1940], (Központi Statisztikai Hivatal: Budapest, 1940)
Róbert Győri & Charles W.J. Withers, “Trianon and its aftermath: British geography and
the ‘dismemberment’ of Hungary, c.1915-c.1922”, Scottish Geographical Journal, 135:1-2 (2019)Michael Károlyi, Memoirs of Michael Károlyi: Faith Without Illusion (London: Jonathan Cape, 1956)
Jörn Leonhard, Der überforderte Frieden: Versailles und die Welt 1918-1923, (Bonn: bpp, Bundeszentrale für Politische Bildung, 2019)
C.A. Macartney, Hungary and her successors: the treaty of Trianon and its consequences 1919-1937, (London: Oxford University Press, 1937)
Margaret MacMillan, Paris 1919: Six Months That Changed the World, (London: Macmillan, 2019)
Arnold Suppan, The Imperialist Peace Order in Central Europe: Saint-Germain and Trianon, 1919–1920, (Vienna: Austrian Academy of Sciences Press, 2019)
Miklós Zeidler; Thomas J. DeKornfeld; Helen DeKornfeld, “Ideas on Territorial Revision in Hungary, 1920-1945”, East European Monographs, 717, (2010)
Miklós Zeidler, Trianon, (Budapest, Osiris, 2003.)» SOCIAL MEDIA
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
June 14, 2020
The Treaty of Trianon – The Most Controversial of the Peace Treaties I THE GREAT WAR 1920
The Iconic American WW2 Thompson: the M1A1
Forgotten Weapons
Published 15 Oct 2018https://www.forgottenweapons.com/the-…
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While the US Army was satisfied with the Thompson as a fighting weapon in World War Two, it was most certainly not happy with the gun’s exorbitant price tag. The Thompson was a very expensive gun, and the Army wanted to see that change. In March of 1942, engineers at the Savage factory submitted a simplified version for Army consideration, and it was accepted and adopted the very next month. Savage would transition from M1928A1 production to the new M1 pattern in June and July of 1942.
This new M1 Thompson had eliminated at last the unique and unnecessary Blish lock system in favor of a simple blowback action delayed only by bolt mass. In addition to greatly simplifying the production of bolt components, this also allowed the receiver internal shape to be much simplified. A further simplification would follow shortly, as the hammer and floating firing pin were replaced by a fixed firing pin milled into the bolt face in October of 1942 – this new type being designated the M1A1. Another 715,000 M1 and M1A1 Thompsons would be produced by Savage and Auto-Ordnance by February of 1944, when the Thompson was finally replaced by the yet cheaper M3 “Grease Gun”.
This is the fourth in a 5-part series on the development of the Thompson…
Note: I refer to the M1A1 in this video as a transferrable gun; it is actually a pre-May dealer sample. Sorry!
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
June 13, 2020
“1648” Pt. 2 – War and Disease – Sabaton History 071 [Official]
Sabaton History
Published 12 Jun 2020War and Plague. Just two horsemen of the apocalypse but never really far away from each other. Where armies march, disease usually follows. From the earliest records of time to modern day, epidemics and contagious diseases are the cause of uncountable deaths. Pandemics like the Spanish Flu or the Bubonic Plague killed millions of people around the world. To survive, mankind had resort to quarantines and plague houses, and put its trust to physicians and the evolution of modern medicine.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “1648” on the album Carolus Rex:
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Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Ryan Weatherby, Karolina DołęgaEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Welcome Images
– National Library of Scotland
– IMW: Q 10378,
– National Museum of Health and Medicine
– National Archives
– Icons from The Noun Project by: Muhamad Ulum & Adrien CoquetAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
June 12, 2020
An unwelcome return to the 1960s
David Warren reflects on how many parallels we’re seeing in the current year to the worst aspects of the 1960s:

Young “hippie” standing in front of a row of National Guard soldiers, across the street from the Hilton Hotel at Grant Park, at the Democratic National Convention in Chicago, August 26, 1968. Photo by Warren K. Leffler for US News & World Report via Wikimedia Commons.
As an old Cold Warrior, and once “science kid,” whose childhood developed through the 1960s, there is nothing that ought to surprise me. We have Antifa today; we had the Weather Underground then. We have parallels to every event I witnessed through the idiot box of adolescence, and vice versa. Even the destruction of American cities by riots and crime isn’t new; nor the supine response of our liberal leaders. The obvious left bias of news and entertainment was the same then as now, only less shrieking. The replacement of flatfoot journalists, with malicious ideological clowns from the universities, then a work in progress, was by the end of the last century, complete. The poison spread, through all media of information. We’ve reached an Age of Unreason to match Robespierre’s, and seem now to be waiting for a Napoleon.
Charlatans are the handmaids of paganry. That the charlatans slide into violent insurrection, even against the better pagan customs, is not something historically new.
The alternative is improbable: another Age of Faith. This would necessarily include a subsidiary restoration of faith in science — in the modest belief that if we follow the facts where they lead, as opposed to where we want them to go, a lost perception of cosmological order will also be, willy-nilly, restored. “Modern science” — an unambiguously Christian construct — depends entirely on one assumption. It is, that a universe God created will make sense. Logic, or the principle of non-contradiction, will hold up, and where it doesn’t seem to be doing so, it is not God, but we, who have got it wrong.
By the inversion of “values,” at the present day, the sane views are labelled as “psycho.” The truth is not the true, but what we (or our masters) want to call true. This “truth” is “settled,” from one moment to another; and is not to be discovered, but imposed.
History of Prussia | Animated History
The Armchair Historian
Published 14 Sep 2018Sign up for The Armchair Historian website today:
https://www.thearmchairhistorian.com/Our Twitter: https://twitter.com/ArmchairHist
Sources:
The Rise and Fall of Prussia, Sebastian Haffner
Germans and Slavs, Arno Lubos
Frederick the Great, Tim BlanningMusic:
“Hungarian Rhapsody” by Franz Liszt“Twenty six variations on La Folia de Spagna”, London Mozart Players
Matthias Bamert, conductor*Correction 1: In 1648, Brandenburg-Prussia also acquired parts of Pomerania, which isn’t shown in the video. Pomerania is a state directly above Brandenburg.
June 11, 2020
Are Bedrock planes really better? // Affordable handtool woodworking
Rex Krueger
Published 10 Jun 2020Does the rare and expensive Bedrock plane offer the bang for its buck? Watch and see!
More video and exclusive content: http://www.patreon.com/rexkrueger
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Black Death Mystery Solved – Not Bubonic Plague – Pandemic History 02
TimeGhost History
Published 10 Jun 2020From the day the Black Death starts to ravage humanity in 1347, there will be speculation about what it is. It will take until 2017 for science to give us a conclusive answer to the riddle how so many people could die so fast all over Europe, Africa, and Asia in only five years.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell and Spartacus Olsson
Written by: Indy Neidell and Spartacus Olsson
Directed by: Astrid Deinhard
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson, Indy Neidell, and James Currie
Edited by: Karolina Dołęga
Sound Engineer: Marek Kamiński
Graphic Design: Ryan WeatherbyVisual Sources:
Welcome Images
Mark and Delwen from Flickr: https://www.flickr.com/photos/markand…
Smarteeee from Wiki CommonsIcons from The Noun Project by: arif fajar yulianto, James, Maxim Kulikov, Jejen Juliansyah Nur Agung, Gan Khoon Lay, Alfonso Melolonta Urbán
Laymik, parkjisun, Eucalyp, Adrien Coquet & Mahmure Alp.Music:
“Barrel” – Christian Andersen
“Symphony of the Cold-Blooded” – Christian Andersen
“Potential Redemption” – Max Anson
“Moving to Disturbia” – Experia
“Superior” – Silver Maple
“Please Hear Me Out” – Philip Ayers
“Guilty Shadows 4” – Andreas Jamsheree
“Deadline” – Marten Moses
“Endlessness” – Flouw
“Moving to Disturbia” – ExperiaArchive by Screenocean/Reuters https://www.screenocean.com.
Research Sources:
Quinto Tiberio Angelerio and New Measures for Controlling Plague in 16th-Century Alghero, Sardinia, Raffaella Bianucci, Ole Jørgen Benedictow, Gino Fornaciari, and Valentina Giuffra
“The Path to Pistoia: Urban Hygiene Before the Black Death”, G. Geltner, Past & Present, Volume 246, Issue 1, February 2020, Pages 3–33
Encyclopedia of the Black Death, Joseph Patrick Byrne
“Epidemiological characteristics of an urban plague epidemic in Madagascar, August–November, 2017: an outbreak report”, The Lancet, Rindra Randremanana, PhD *Voahangy Andrianaivoarimanana, PhD Birgit Nikolay, PhD Beza Ramasindrazana, PhD Juliette Paireau, PhD, Quirine Astrid ten Bosch, PhD et al
“Yersinia pestis, the cause of plague, is a recently emerged clone of Yersinia pseudotuberculosis” Mark Achtman, Kerstin Zurth, Giovanna Morelli, Gabriela Torrea, Annie Guiyoule, and Elisabeth Carniel
“Insights into the evolution of Yersinia pestis through whole-genome comparison with Yersinia pseudotuberculosis“, P.S.G. Chain, E. Carniel, F.W. Larimer, J. Lamerdin, P.O. Stoutland, W.M. Regala, A.M. Georgescu, L.M. Vergez, M.L. Land, V.L. Motin, R.R. Brubaker, J. Fowler, J. Hinnebusch, M. Marceau, C. Medigue, M. Simonet, V. Chenal-Francisque, B. Souza, D. Dacheux, J.M. Elliott, A. Derbise, L.J. Hauser, and E. Garcia
“Distinct Clones of Yersinia pestis Caused the Black Death”, Stephanie Haensch, Raffaella Bianucci, Michel Signoli, Minoarisoa Rajerison, Michael Schultz, Sacha Kacki, Marco Vermunt, Darlene A. Weston, Derek Hurst, Mark Achtman, Elisabeth Carniel, Barbara BramantiA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago
There is much we can learn from history and as you will see in the next two episodes of our impromptu pandemics series it takes a long time for us to make these learnings. Many of the mistakes made during the outbreak of the Black Death are still an issue as we respond to COVID-19 almost 700 years later. This episode was also a very personal learning experience for us, Indy and Spartacus. Both of us read and studied a lot about the plague when we were younger in the 1980s, Indy even did his BA paper in history on the plague. Back then there was a lot of speculation about what the Black Death actually was (although the general consensus was that it must have been bubonic plague based on the findings made in the 20th century, after the discovery of the Yersinia Pestis bacteria). But that conclusion was a bit problematic — the Black Death was too lethal, spread too fast, and killed people too quickly for bubonic plague. Until we started researching these episodes we hadn’t spent much thought on the topic, so imagine our surprise when we discovered that bacteriologists, epidemiologists, and archeologists had come together to solve the mystery after two chance occurrences of unusual plague outbreaks in 2014 and 2017. To paraphrase Lord Marlborough: if you want to truly learn something about a topic, there’s no better way than to make a video about it.
World War Two Heats Up: The M1928A1 Thompson SMG
Forgotten Weapons
Published 11 Oct 2018https://www.forgottenweapons.com/worl…
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By 1939, Auto-Ordnance was thoroughly bankrupt, having about $400 in assets and a debt of more than $1.2 million to the estate of the late Thomas Ryan, it’s original financier. Ryan had died in 1929, but the company shareholders had prevented his estate from forcing the sale of the company for a decade. In 1939 they could hold out no longer, and the company was sold to one Russell Maguire, a high profile corporate raider.
Maguire, however, saw the potential of a submachine gun company on the brink of a new world war, and negotiated a contract with the Savage Arms Company to begin new production of Thompsons (the original Colt guns from 1921 having finally all sold). Orders began to come in from Europe, and new Model of 1928 Thompsons were sold to France, Sweden, and most substantially, the United Kingdom. The US military would also start buying Thompsons in quantity (designated the M1928A1), but the UK orders (paid for in bullion) were a massive source of profits for the company.
Auto-Ordnance would roll some of these profits back into the company, buying an old automotive brake factory in Bridgeport Connecticut and tooling up their own production of receivers and trigger frames to supplement Savage’s production. A number of changes were progressively made to the guns to simplify and speed up their manufacture, including smooth barrels, stamped ejectors, vastly simplified rear sights, and horizontal front grips. By the time the M1928A1 was replaced by the M1 Thompson, more than 1.1 million had been made by AO and Savage combined. The Thompson had at last found it’s purpose!
This is the third of a 5-part series on the development of the Thompson…
Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
June 10, 2020
US Racism Against Germans, South African Neutrality and the Occupation of the Maginot – OOTF 013
World War Two
Published 9 Jun 2020Did the neutral US discriminate against German- and Italian-Americans? And exactly how pro-Axis was South Africa? And what happened to the Maginot Line after the Fall of France? Find out as Indy answers three more of your interesting questions in this episode of Out of the Foxholes!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Albert Einstein by Wayne DeganSources:
IWM Q 101768, TR 1262, Q 72178
Narodowe Archiwum Cyfrowe
Bundesarchiv
Les Bergers des Pierres – Moselle Association
from the Noun Project: id by Flatart, Fingerprint Recognition by Olena Panasovska, people by ProSymbolsSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Fabien Tell – “Last Point of Safe Return”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “The Inspector 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Tank Chats #72 M3A1 Stuart | The Tank Museum
The Tank Museum
Published 13 Apr 2019David Fletcher talks through the next Stuart in the series and explains the differences between the variants.
The Stuart is an Second World War American light tank and was supplied to Britain and other Commonwealth countries during WW2 under lend-lease.Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
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Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tankchats
QotD: “God is Dead”
We have this articulated space that we can all discuss. Outside of that we have something that’s more akin to a dream that we’re embedded in. It’s an emotional dream that we’re embedded in, and that’s based, at least in part, on our actions. […] What’s outside of that is what we don’t know anything about at all. The dream is where the mystics and artists live. They’re the mediators between the absolutely unknown and the things we know for sure. What that means is that what we know is established on a form of knowledge that we don’t really understand. If those two things are out of sync — if our articulated knowledge is out of sync with our dream — then we become dissociated internally. We think things we don’t act out and we act out things we don’t dream. That produces a kind of sickness of the spirit. Its cure is something like an integrated system of belief and representation.
People turn to things like ideologies, which I regard as parasites on an underlying religious substructure, to try to organize their thinking. That’s a catastrophe and what Nietzsche foresaw. He knew that, when we knocked the slats out of the base of Western civilization by destroying this representation, this God ideal, we would destabilize and move back and forth violently between nihilism and the extremes of ideology. He was particularly concerned about radical left ideology and believed — and predicted this in the late 1800s, which is really an absolute intellectual tour de force of staggering magnitude — that in the 20th century hundreds of millions of people would die because of the replacement of these underlying dream-like structures with this rational, but deeply incorrect, representation of the world. We’ve been oscillating back and forth between left and right ever since, with some good sprinkling of nihilism and despair. In some sense, that’s the situation of the modern Western person, and increasingly of people in general.
Jordan B. Peterson, “Biblical Series I: Introduction to the Idea of God” {transcript], jordanbpeterson.com, 2018-03-12.
June 9, 2020
Gunnery, Guns & Ammo in the Age of Sail (1650 -1815)
Military History Visualized
Published 4 Nov 2016» HOW YOU CAN SUPPORT MILITARY HISTORY VISUALIZED «
(A) You can support my channel on Patreon: https://www.patreon.com/join/mhv(B) Alternatively, you can also buy “Spoils of War” (merchandise) in my online shop: https://www.redbubble.com/people/mhvi…
» SOCIAL MEDIA LINKS «
twitter: https://twitter.com/MilHiVisualized
tumblr: http://militaryhistoryvisualized.tumb…» SOURCES & LINKS «
Gardiner, Robert: “Guns and Gunnery”, in: Gardiner, Robert; Lavery, Brian: The Line of Battle – The Sailing Warship 1650-1840, p. 146-161
Tracy, Nicholas: “Naval Tactics in the Age of Sail”, in: Stilwell, Alexander: The Trafalgar Companion.
» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”The Counter-Design is heavily inspired by Black ICE Mod for the game Hearts of Iron 3 by Paradox Interactive
https://forum.paradoxplaza.com/forum/…















