Timeline – World History Documentaries
Published 29 May 2020The Roman Empire remains one of the most enduring and prolific civilisations of written history. Yet it, like all great civilisations, would eventually come to an end. Join Dan Snow as he speaks to historian Tom Holland about the many contributing factors that would bring this seismic and seemingly invincible empire to its knees.
#StayHome #WithMe #FallOfRome
Overly Sarcastic Productions
Published 19 Mar 2017JOURNEY TO THE WEST KAI, EPISODE 1: SKELE-FUN!
It’s the episode almost a year in the making! (sorry 🙊) The saga of the monk Tripitaka, his bodyguard the Monkey King, and the rest of his merry band of pilgrims continues in this dramatic episode! Friendships are tested! Unlikely heroes rise to the occasion! Somebody throws a punch!
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CGP Grey
Published 30 May 2020‣ Adapted largely from The Invisible Hook. It’s great, go read it: https://amzn.to/36PLKSE
‣ Thank you, my Patrons, for making this video possible: https://www.patreon.com/posts/37699725## Special Thanks
Peter T. Leeson for reviewing a draft of the script. Check out his newest book, WTF?!: An Economic Tour of the Weird: https://amzn.to/3eEMm09
## Crowdfunders
Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12, Chris Chapin, Richard Jenkins, Phil Gardner, Martin, سليمان العقل, Steven Grimm, Colin Millions, Saki Comandao, Jason Lewandowski, Andrea Di Biagio, David F Watson, Ben Schwab, Elliot Lepley, rictic, Bobby, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Henry Ng, Jeffrey Podis, Thunda Plum, Awoo, David Tyler, Derek Bonner, Derek Jackson, Fuesu, iulus, Jordan Earls, Joshua Jamison, Mikko, Nick Fish, Nick Gibson, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Kevin Costello, Ben Delo, Arctic May, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, Frederick The Great, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tijmen van Dien, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, John Lee, Maxime Zielony, Bryan McLemore, Elizabeth Keathley, Alex Simonides, Felix Weis, Melvin Sowah, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville
## Music
David Rees: http://www.davidreesmusic.com
Nigel Davies explains why even the greatest athletes and sportspersons of today are no match for the Greatest Of All Time – William the Marshal, 1st Earl of Pembroke:
Head of the effigy of William Marshal, 1st Earl of Pembroke, in Temple Church, London.
Photo by Kjetil Bjørnsrud via Wikimedia Commons.
William the Marshall is almost universally recognised as “the best knight that ever lived”, by all those who consider his extraordinary career as a fighter, warrior, war leader, political leader, guardian, and shining light of courtly and knightly achievements at the height of the chivalric and troubadouring shift (that moved culture from adoring thugs who hit hard, to adoring all round “renaissance men” who could dance, sing, write poetry, play chess, fight, and negotiate treaties that bought peace to generations). He was one of the men whom the word “paragon” — a person or thing regarded as a perfect example of a particular quality — was invented for.
But he was also the GOAT athlete and sportsman.
Tournament fighting and jousting were the Olympic Games of the medieval world, and — far from being an elitist sport, or an act of middle class pretention — tournament fighting in both its foot and horseback forms is a sport common to all classes from all cultures throughout most of human history … from the Olympics and gladiatorial combats, to the foot combat of Fencing and Kendo and Judo, to the horse archery of most of the nomadic tribes of Asia and Africa and even the American Indians: combat games are virtually the only universal human sport there has ever been.
William the Marshall was competing at a sport — armed combat — that is universal, worldwide, and largely classless. Admittedly he was competing at the most elite level (only the Samurai or Persian or Eastern Roman Cataphracts really come close to European kinghts for an equivalent dedication to a lifetime of training and specialist equipment and expense). But you can confidently say that here was a sport whose experts could face any other expert in any other combat sport in the world without confusion or fear.
And you could confidently predict that William the Marshall could defeat the equivalent character in any of those other combat sports … (As he apparently did when he fought Muslim horse archers or Mameluke foot soldiers in his brief years on Crusade.)
As a man whose prowess in his chosen field could adapt to all equivalent fields, he certainly outranks Muhammed Ali: who is the closest competitor on the above list to a world class showman and rough and tumble performer for the crowds.
As a person who statistically outperformed even Donald Bradman in comparison to his competition. He comes out in front there too.
As a winner above all others — his deathbed comment that he had bested more than 500 knights in hs career from all over Europe and the Middle East is not something that a squash player with 555 wins is likely to compare.
And as an athletic freak, even Usain Bolt or Michael Phelps — with their scant decade or so of dominance, could dream of competing with.
William the Marshall won his first international class tournaments in his teens, and was still winning them in his 60s. His unsurpassed competitiveness lasted not a few years, but several decades. He beat the GRANDCHILDREN of his previous conquests. And did so in a deadly serious full contact sport, not a namby pamby game like tennis or golf!
World War Two
Published 30 May 2020This week, the Battle of Crete continues as the Bismarck and Prinz Eugen set sail to the Atlantic, starting one of the most dramatic episodes in the histories of the Royal Navy and the Kriegsmarine.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: NN
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Daniel Weiss
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Imperial War Museum: A 6152, A 6155, A 3898, IWM A4057, HU 50190, HU 374, FL 2120, E 3464, E 450
– U.S. Naval History and Heritage Command Photograph
– Narodowe Archiwum Cyfrowe
– Drawing of Churchill from Museon
– Battlecruiser Renown shape by Emoscopes from WikimediaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
The Great War
Published 29 May 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
It was far deadlier than even the global war that had preceded it: The Influenza pandemic or Spanish Flu that hit the world between 1918 and 1920 in multiple waves.
» SUPPORT THE CHANNEL
Patreon: https://www.patreon.com/thegreatwar
Merchandise: https://shop.spreadshirt.de/thegreatwar/» SOURCES
Barry, John M. The Great Influenza: The Story of the Deadliest Pandemic in History, (New York : Penguin Books, 2018)
Byerly, Carol R. ‘The U.S. Military and the Influenza Pandemic of 1918–1919’ Public Health Reports; 125 Supplement 3 (Apr. 2010)
Crosby, Alfred W, America’s forgotten pandemic : the influenza of 1918, (Cambridge : Cambridge University Press, 2003)
Hoover, Irwin Hood, Forty-two years in the White House, (New York : Houghton Mifflin Co., 1934)
Killingray, David & Phillips, Howard, (eds.) The Spanish Influenza Pandemic of 1918-19: New Perspectives, (London : Routledge, 2011)
Johnson, NP & Mueller J, ‘Updating the accounts: global mortality of the 1918-1920 “Spanish” influenza pandemic’ Bulletin of the History of Medicine. 76(1) (Spring 2002)
Dock, Lavinia et al., History of American Red Cross Nursing (1922)
Macdonald L. The Roses of No Man’s Land. (London : Penguin Books, 1993)
Robertson, John Dill, ‘Spanish Influenza — The Flu’ The Public Health Journal Vol. 9, No. 10 (Oct 1918)
Rosner, David, ‘”Spanish flu, or whatever it is…”: The paradox of public health in a time of crisis’ Public Health Reports, 125 Supplement 3, (Apr. 2010)
Stanford University, ‘The Influenza Pandemic of 1918’ https://virus.stanford.edu/uda/
“Surgeon General’s Advice to Avoid Influenza”: Washington Evening Star, (Sept. 22, 1918)
Wever, Peter C & van Bergen, Leo, ‘Death from 1918 pandemic influenza during the First World War: a perspective from personal and anecdotal evidence’ Influenza Other Respiratory Viruses, 8(5), (Sept 2014)
https://www.lefigaro.fr/livres/2008/1…» SOCIAL MEDIA
Instagram: https://instagram.com/the_great_war
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdA Mediakraft Networks Original Channel
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
Forgotten Weapons
Published 12 Apr 2017Matrix Armory is a new gun display system developed by Jeff High (a long-time Forgotten Weapons supporter, incidentally) who wanted something that would really do justice to guns that you want to display and appreciate. The other sorts of display/racking systems out there are much more industrial in style, primarily to store guns. Matrix Armory was designed to make your guns look their best, because nothing is quite as sad as a great gun collection squashed into a safe and never actually seen (assuming one has a secure room for display, naturally).
I have gotten a lot of people asking to see my own personal collection, and so I figured this would be a cool way to do that; showing you some of the highlights of my collection in conjunction with the Matrix Armory wall we installed in my office. I have no financial stake in the product — I think the years of work Jeff has put into it have led to a really nice product that I think will be of interest to some of the folks who read Forgotten Weapons.
This popularization of German philosophy in the United States is of peculiar interest to me because I have watched it occur during my own intellectual lifetime, and I feel a little like someone who knew Napoleon when he was six. I have seen value relativism and its concomitants grow greater in the land than anyone imagined. Who in 1920 would have believed that Max Weber’s technical sociological terminology would someday be the everyday language of the United States, the land of the Philistines, itself in the meantime become the most powerful nation in the world? The self-understanding of hippies, yippies, yuppies, panthers, prelates and presidents has unconsciously been formed by German thought of a half-century earlier; Herbert Marcuse’s accent has been turned into a Middle Western twang; the echt Deutsch label has been replaced by a Made in America label; and the new American life-style has become a Disneyland version of the Weimar Republic for the whole family.
Allan Bloom, The Closing of the American Mind, 1987.
World War Two
Published 28 May 2020The Bismarck is without a doubt a force to be reckoned with. But with the Kriegsmarine experiencing an identity crisis throughout the 1930s, the Bismarck‘s design and strategic purpose foreshadow a dramatic ending.
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Check out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Ruffneck88, Wikimedia Commons
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Bundesarchiv
IWM HU 374, HU 67486, HU 1041, HU 108392, A 6155, D 2373, HU 55631
From the Noun Project: Game by Ecem Afacan, Shield by Nikita KozinSoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “March Of The Brave 10”
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Reynard Seidel – “Deflection”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Sabaton History
Published 28 May 2020Quarantined Sabaton History is back! And this week we talk about female badass warriors of the Second World War! From a Soviet sniper to a French resistance fighter, many women chose to volunteer for the front and fight alongside the men. These are some of their tales.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “Night Witches” on the album Heroes here:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Spartacus Olsson, substituting for Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory: https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Central Intelligence Agency
– Museum.ru
– Imperial War Museum:HU 66187
– Bundesarchiv, CC-BY-SA 3.0: Bild_101I-027-1477-24, 101I-301-1951-11, 101i-721-0395-22
– ETH-Bibliothek
– RIA Novosti archive, image #58861 / V. Krasutskiy / CC-BY-SA 3.0
– Crosshair by DTDesign from the Noun ProjectAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Set the Wayback Machine to the turn of the 20th century. Lenin’s great insight is that “the masses” will never achieve the proper revolutionary consciousness without a dedicated cadre of hardcore, professional revolutionaries to lead the way. Lenin recognized the prevalence of incipient rage heads in his society — how could he not? — but realized that, absent some guiding hand, they’d flounder around incoherently. At best (from the “furthering the Revolution” point of view), they’d do what his, Lenin’s, idiot brother did: Try to knock off the tsar, and get himself hung for it. Thus, the Bolsheviks.
The problem, though, is that rage heads by definition suffer from poor impulse control. The tiny subset of them that are pure sociopaths (like Lenin), and thus have the icy-veined self-control to hold their fire, have to maintain the very tightest discipline over the Party, or all hell breaks loose. See, for example, the massive street battles in Weimar Germany between the KPD (German Commies) and the SD. Hitler, like Lenin, had to get his rage heads on a tight leash, so he channeled the disciplined sociopaths from the SD into the SS, cooled out the coolable in the SD by buying them off, and shanked the incorrigible remainder. See also the almost-exactly-contemporary Moscow Show Trials.
Note please that this is your best-case scenario for a purely ideological revolution. From Robespierre to Kim Il Sung, the first step in consolidating the Revolution is killing off a large fraction of the original revolutionaries.
The worst-case scenario (again, from the “furthering the Revolution” standpoint) is what the American wannabe-bolshies did / are currently doing. Knowing that you can’t shank or show-trial the dreadlocked poetry majors that make up your goon squad, you try to channel them into academia, the Media, the “arts.” Which fails egregiously, because whatever tenuous contact with reality they once had gets completely severed by those institutions’ social bubbles. They never were very good at holding fire, and now they can’t, literally can’t, see any reason to — life is great here on campus, so why can’t it be that way everywhere?
Severian, “Living in End Times”, Rotten Chestnuts, 2020-02-28.
Military History not Visualized
Published 6 Jul 2018Disclaimer: I was invited to Tank Fest by the Tank Museum.
Why were half-tracks used in the first place? Why not trucks, fully-tracked vehicles or something else? Also, why after the Second World War did the half-track disappear? Why were there no new types produced by major powers?
Big thank you to green_goblin_z for sending me 2 books from my amazon wishlist!
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» shop – https://www.redbubble.com/people/mhvi…Military History not Visualized is a support channel to Military History Visualized with a focus personal accounts, answering questions that arose on the main channel and showcasing events like visiting museums, using equipment or military hardware.
» SOURCES «
Spielberger, Walter; Doyle, Hilary Lous, Jentz, Thomas L.: Halbkettenfahrzeuge des deutschen Heeres
Spielberger: Halftracked Vehicles of the German Army 1909-1945 (Spielberger German Armor and Military Vehicle)Zaloga, Steven J.: M3 Infantry Half-Track. 1940-73. Osprey Publishing: Oxford, UK (1992 / 2002).
Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich. University Press of Kansas: USA, 2005.
Krapke, Paul-Werner: Armor, in: Margiotta, Franklin D. (Executive Editor): Brassey’s Encyclopedia of Land Forces and Warfare. Brassey’s: Washington, USA (1996), p. 42-53
Pöhlmann, Markus: Der Panzer und die Mechanisierung des Krieges: Eine deutsche Geschichte 1890 bis 1945 (Zeitalter der Weltkriege)
Munzel, Oskar: Die deutschen gepanzerten Truppen bis 1945
Fleischer, Wolfgang: Die motorisierten Schützen und Panzergrenadiere des deutschen Heeres: 1935-1945 – Waffen, Fahrzeuge, Gliederung, Einsätze
Felberbauer, Franz: Waffentechnik I – Band 2: Geschütze, Waffen in Entwicklung, Nichttödliche Waffensysteme, Ballistik, Physikalische Grundlagen (Truppendienst)
https://www.truppendienst.com/td-buec…
The historical way-markers to this implosion are well-documented. The First World War delivered a demographic and psychological blow of unprecedented proportion. Yet the next generation laughed into the void. The Roaring Twenties were a whirl of parties and bankruptcies. Only with the aid of married American fortunes did a carapace of their old values remain intact. The ’60s dissolved what remained of those values in a fug of dope and good tail. Those who didn’t succumb to the new addictions succumbed to old ones they could no longer afford. Titans of the British military like Sir David Stirling — cofounder of the SAS and a descendant of Charles II — gambled away their estates at the hands of unscrupulous Mayfair casino-owners who pretended to be their friends. The aristos were co-opted for their charm — read: money — by a new milieu that promoted the glamour of sexual and social transgression. Blinded by their inherited feelings of self-worth, they never realized they were being used by people who despised them. As a result, nowhere was Britain’s postwar political direction — dubbed “The Management of Decline” — internalized as effectively as among the people who had once driven its ascent.
[…]
How could a species that once steered Britain to greatness now claim the Darwin Award in every passing decade? The simple reason is that British aristocrats are the only people on earth among whom stupidity is not only accepted but prized. As the ultimate proof against meritocracy, it is the ultimate badge of honor. As Stendhal wrote in Le Rouge et Le Noir, “It is not doing something well or badly that is the crime: but doing it at all.”
“Bunky Mortimer III”, “Class Rejects: A Guide to the British Aristocracy”, Taki’s Magazine, 2018-03-02.
World War Two
Published 26 May 2020For the British, breaking the Germans’ seemingly unbreakable codes is one of the most vital battles of the war. If they fail, there is litte to stop the German U-Boats hunting down Allied shipping in the Atlantic.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 23310, A 13709, A 23513
Picture of Enigma G model, courtesy Austin Mills https://flic.kr/p/2bQ9Q
reconstructed bombe machine at Bletchley Park, courtesy Gerald Massey
Picture of Enigma M4 model displayed at Bletchley Park, courtesy Magnus Manske
Picture of John Herivel, courtesy GCHQ
From the Noun Project: Letter by Mochammad Kafi, Desk by monkik, Phone by libertetstudio, person by Adrien Coquet, Letter by Bonegolem, Table by Creative Stall, documents by Johannes Hirsekorn, sitting at desk by IYIKON, Paper by James KopinaSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Hakan Eriksson – “Epic Adventure Theme 3”
Howard Harper-Barnes – “London”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago (edited)
Hopefully you’re all staying safe in these difficult times. We’re still marching on so that we can keep all of you entertained when you’re stuck at home. But we can only continue doing so thanks to your ongoing support. Ad revenue has dropped significantly because of COVID, and we rely on your support now more than ever. If you can, please support us on www.patreon.com/timeghosthistory or https://timeghost.tv.Please let us know what other specials you’d like to see. And if you would like to know something about a smaller topic, make sure to submit that as a question for our Q&A series, Out of the Foxholes. You can do that right here: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.
Cheers,
Francis
George Hamlin reflects on the state of the US passenger rail system before the formation of Amtrak in 1971:
… non-commuter U.S. passenger trains can be said to have been under siege essentially for my entire lifetime, beginning not long after the end of World War II. Many railroads spent large sums to re-equip with streamlined lightweight equipment after the war, only to see what was originally couched as an investment turn into essentially a drain on their companies’ treasuries.
And the “rewards” for this? Passengers decamped to the rapidly-expanding airlines, and their personal automobiles. The decisive blow came in 1956, with the passage of the Federal Aid Highway Act, which led to the Interstate Highway System.
Quoting from Joe Welsh’s Pennsy Streamliners, The Blue Ribbon Fleet (page 138), “Referring to the challenge, [PRR President] Symes wrote ‘There is such a thing as planning an orderly retreat in the face of superior forces.’ Clearly, the bugle had been sounded.”
In 1958, an Interstate Commerce Commission Hearing Examiner predicted that there would be no intercity passenger trains by 1970; he only missed by four months, effectively (and didn’t count on the Southern Railway, Rio Grande and Rock Island shying away from the government’s largesse). In 1959, TRAINS magazine devoted an entire issue to what was now clearly a crisis; the cover bore the legend “Who Shot the Passenger Train?”, complete with simulated bullet hole.
The 1960s in the U.S. could well be described as the “train-off” decade from a transportation history perspective; get, and read, Fred Frailey’s Twilight of the Great Trains, for a blow-by-blow analysis. The 1970s quickly produced the Penn Central bankruptcy, which proved to be the catalyst for government intervention; less than a year later, Amtrak was on the scene.
And since, it has frequently found itself in a “Perils of Pauline” existence, ranging from lack of funding to buy equipment, in many cases, to several bouts of route eliminations, to micro-management by politicians that don’t seem to be willing to provide consistent operational funding so that the company can make reasonable plans.
PRR E8A 5803 with Train 72, The Red Bird, passing the Hartsdale, Indiana tower and crossing the NYC and EJ&E on November 26, 1965.
Photo from the Roger Puta collection via Wikimedia Commons.
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