In 1893, Finley Peter Dunne, a journalist-turned-humorist at the Chicago Evening Post, introduced Martin J. Dooley to the people of Chicago. Mr. Dooley, as he was best known, was a thick-accented bartender from Ireland who owned a tavern in the Bridgeport neighborhood. Mr. Dooley became popular among Chicagoans for his rich satire of politics and society. Of course, Mr. Dooley wasn’t real. He was a fictional character created by Dunne. His work included countless sketches and wide-ranging commentary, but he may be best known for his biting one-liner on newspapers, since reclaimed by journalists as central to the profession’s creed: “The job of the newspaper is to comfort the afflicted and afflict the comfortable.”
The original quote is from Observations by Mr. Dooley, one of several works Dunne produced as the character, in which Dunne specifically satirizes the press’s penchant for trial-by-media. He presented Mr. Dooley through Irish dialect pieces, hence the diction, so the “affliction” quote below has been lightly edited for comprehension:
When anything was wrote about a man ’twas put this way: “We understand on good authority that … is on trial before Judge G. on an accusation of larceny. But we don’t think it’s true.” Nowadays, the larceny is discovered by a newspaper. The lead pipe is dug up your backyard by a reporter who knew it was there because he helped you bury it. A man knocks at your door early one mornin’ an’ you answer in your nighty. “In name of the law, I arrest you,” says the man seizin’ you by the throat. “Who are you?” you cry. “I’m a reporter for The Daily Slooth,” says he. “Photographer, do your duty!” You’re hauled off in the circulation wagon to the newspaper office where a confession is ready for you to sign; you’re tried by a jury of the staff, sentenced by the editor-in-chief, and at ten o’clock Friday the fatal thrap is sprung by the fatal thrapper of the family journal. The newspaper does evrything for us. It runs the police force and the banks, commands the militia, controls the legislature, baptizes the young, marries the foolish, comforts the afflicted, afflicts the comfortable, buries the dead and roasts them aftherward.
That journalists of all stripes have touted a scathing critique of their profession and repurposed it as a mission statement is a textbook definition of irony that belongs on a Roman pedestal behind bulletproof glass in the Smithsonian. What is most vexing about the modern interpretation of Dunne’s quote is that its new meaning is implied to be synonymous with dispassionately seeking truth, which it necessarily is not.
Robert Showah, “Journalism Is Not Activism”, Quillette, 2018-07-05.
October 19, 2020
QotD: Afflicting the comfortable
October 18, 2020
Russian Civil War in Central Asia I THE GREAT WAR 1920
The Great War
Published 17 Oct 2020Sign up for Curiosity Stream and get Nebula bundled in: https://curiositystream.com/thegreatwar
By the fall of 1920, the Russian Civil War had unleashed three years of ethnic and internal conflict in Central Asia, and there was no end in sight. In this episode we’ll catch up on the dramatic events of the former Russian imperial lands in Central Asia from the revolution right up to the end of 1920, 100 years ago.
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Baumann, Robert F. Russian-Soviet Unconventional Wars in the Caucasus, Central Asia, and Afghanistan, Combat Studies Institute, 2010.Becker, Seymour. Russia’s Protectorates in Central Asia: Bukhara and Khiva, 1865-1924, RoutledgeCurzon, 2004.
Brower, Daniel R. Turkestan and the Fate of the Russian Empire, Routledge, 2010.
Buttino, M. “Study of the Economic Crisis and Depopulation in Turkestan, 1917–1920”, Central Asian Survey, no. 4, 1990, pp. 59-74, doi:10.1080/02634939008400725.
Campbell, Ian W. Knowledge and the Ends of Empire: Kazak Intermediaries and Russian Rule on the Steppe, 1731-1917, Cornell University Press, 2017.
Everett-Heath, Tom. Central Asia: Aspects of Transition, Routledge, 2003.
Hiro, D. Inside Central Asia, Abrams, 2011.
Keller, Shoshana. Russia and Central Asia: Coexistence, Conquest, Convergence, University of Toronto Press, 2020.
Khalid, A. “Central Asia Between the Ottoman and the Soviet Worlds”, Kritika: Explorations in Russian and Eurasian History, no. 2, 2011, pp. 451-76, doi:10.1353/kri.2011.0028.
Khalid, Adeeb. “The Bukharan People’s Soviet Republic in the Light of Muslim Sources”, Die Welt Des Islams, no. 3, 2010, pp. 335-61, doi:10.1163/157006010×544287.
Khalid, Adeeb. Making Uzbekistan: Nation, Empire, and Revolution in the Early USSR, Cornell University Press, 2019.
Khalid, Adeeb. The Politics of Muslim Cultural Reform: Jadidism in Central Asia, Oxford University Press, 2000.
Loring, B. “‘Colonizers With Party Cards’: Soviet Internal Colonialism in Central Asia, 1917–39”, Kritika: Explorations in Russian and Eurasian History, no. 1, 2014, pp. 77-102, doi:10.1353/kri.2014.0012.
Olcott, M. B. “The Basmachi or Freemen’s Revolt in Turkestan 1918–24”, Soviet Studies, no. 3, 1981, pp. 352-69, doi:10.1080/09668138108411365.
Poujol, Catherine. “Jews and Muslims in Central Asia”, A History of Jewish-Muslim Relations: From the Origins to the Present Day, edited by Abdelwahab Meddeb, Benjamin Stora, Jane Marie Todd and Michael B. Smith, Princeton University Press, Princeton; Oxford, 2013, pp. 258–268.
Sahadeo, Jeff. Russian Colonial Society in Tashkent: 1865-1923, Indiana University Press, 2010.
Sokol, Edward D. The Revolt of 1916 in Russian Central Asia, Johns Hopkins University Press, 2016.
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Panic in Moscow! The Germans are here! – WW2 – 112 – October 17, 1941
World War Two
Published 17 Oct 2020Moscow panics as the Germans edge closer and take prisoners by the hundreds of thousands, even as the temperature drops far below freezing. At home in Germany, Josef Goebbels has a problem – he’s promised victory too soon and too often. And in Japan, a government falls.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Monika Worona
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani
Daniel Weiss
Mikołaj Uchman
Carlos Ortega Pereira
Julius Jääskeläinen
Adrien Fillon
Norman StewartSources:
Bundesarchiv
Archive.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Japan’s immediate future seems decided with a new government that certainly has no issue with the war in China or with extending that war to the south, meanwhile Moscow panics as the Germans approach. What does all this mean for the men and women in the occupied territory? What does it mean for those at home?To learn more about that check out our sub-series “War Against Humanity” and “On the Homefront”:
War Against Humanity playlist: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM
On the Homefront playlist: https://www.youtube.com/playlist?list=PLsIk0qF0R1j5Ug9lCaxygenFf3lzuGXap
Miscellaneous Myths: Orion
Overly Sarcastic Productions
Published 10 Jul 2020Look! Up in the sky! It’s a giant! It’s a hunter! It’s Orion!
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From the comments:
Overly Sarcastic Productions
6 days ago
whoops, uh – YES, way back in my Endymion video I DID say that Artemis loved Orion, but in my defense, I was a much less diligent researcher back then, and that little nugget of “common knowledge” was EVERYWHERE I LOOKED. I had to do some serious digging this time to find where it came from and how unsupported it really was. I wasn’t kidding — that interpretation was so appealingly tropey that it eclipsed the MUCH larger body of work that completely contradicted it, and even completely unrelated articles and descriptions will mention “btw Artemis and Orion were totally smoochin” like it’s a Thing. Mythology is fun like that! 😅 -R
QotD: Nietzsche’s concept of “eternal recurrence”
This is exactly why he was not a militant atheist in the way we understand the expression today. He felt no need to concern himself with the veracity of Christianity’s claims about the afterlife, something we cannot be sure about. He seldom railed against the theological pretensions of Christianity or the absurdity of religion because to him the only thing that mattered was how religion affected us. He objected to Christianity because he saw it as nihilist and life-negating. It taught people to be meek, humble and to accept their lot. Nietzsche was an empiricist in that he wanted people to fulfil their life in the here and now, something that Christianity was hostile to.
Yet Nietzsche’s eternal recurrence belongs strangely to the realm of metaphysics and dualism. Its fatalism and determinism contradicts Nietzsche’s exhortation for each of us to become our own masters and to become who we truly are. While he did not believe in free will, he did believe that the Übermensch could harness and master the forces of his inner “will to power”. Contrarily, the eternal recurrence condemns us to history and supernatural fate. The notion of “eternal recurrence” reeks too much of his youthful dalliance with Schopenhauerian metaphysics.
This is perhaps why Nietzsche rarely mentioned it, and made even less effort to explain it in the books published in his lifetime. It seems too much of a flight of fancy, and the only time he spoke of it in all seriousness is when he recounted one day in August 1881, when walking in the Swiss mountains, when he had a kind of strange, rapturous religious experience – the day when the notion of “eternal recurrence” came to him in the first place.
Patrick West, “Nietzsche and the struggle against nihilism”, Spiked, 2018-08-03.
October 17, 2020
History Hijinks: Greek Wise Guys
Overly Sarcastic Productions
Published 16 Oct 2020When I first studied Ancient Philosophy in college I thought it was engaging and interesting to discuss and whatever, but only years later did I come to appreciate the true hilarity of these Wise-Guys.
SOURCES & Further Reading: Plato’s Dialogues (Apology & Republic), Aristotle’s Ethics, Gorgias’ Encomium of Helen, and when direct sources aren’t available, there’s a bucketload of great write-ups from Stanford: https://plato.stanford.edu/entries/pr…, https://plato.stanford.edu/entries/de…, https://plato.stanford.edu/entries/ar…, https://plato.stanford.edu/entries/pl…, https://plato.stanford.edu/entries/so…
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Winchester Lever Action Development: Model 1892
Forgotten Weapons
Published 15 Jun 2017As the Model 1873 began to show its age, Winchester wanted a new rifle to take its place in the company catalog. Scaling down the Model 1886 to the pistol cartridges of the 1873 seemed like a fine option, and Winchester executives approached John Browning, offering him $10,000 if he could produce such a gun within 3 months, or $15,000 if he could do the job in two months. Browning’s response was to say that he would take $20,000 and have the rifle in company hands within 30 days — or else he would give it to them for free.
The $20,000 that Winchester paid him for the new rifle was well worth it, as the 1892 would become the best-selling Winchester rifle to that date, selling more than a million guns by the 1930s. It used the stronger and more cost-effective locking system of the 1886, while being chambered for the same cartridges as the 1873 — the .44 WCF (.44-40), .38 WCF (.38-40), and .32 WCF (.32-20), as well as a few new cartridges added over time.
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October 16, 2020
The Wehrmacht is Not Clean! – War Against Humanity 020 – October 1941 Pt 1
World War Two
Published 15 Oct 2020The Wehrmacht is deeply involved with the Nazis’ War Against Humanity. They are complicit in the murder of thousands of Jews in the “Holocaust of Bullets”, and the severe treatment of Soviet Prisoners of War. In October 1941, Wehrmacht General Walther von Reichenau issues the “Severity Order”, taking away any ambiguity there may be as to the Wehrmacht‘s vision.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikolaj Uchman
Klimbim – https://www.flickr.com/photos/2215569…
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
Berkhoff, Karel (ed.), Basic Historical Narrative of the Babi Yar Holocaust Memorial Center (2018).
Desbois, Patrick, The Holocaust by Bullets: A Priest’s Journey to Uncover the Truth Behind the Murder of 1.5 Million Jews (2008).
Fox, Holquist and Martin, The Holocaust in the East: Local Perpetrators and Soviet Responses (2014).
Kay, Alex and David Stahel, Mass Violence in Nazi-Occupied Europe (2018).
Longerich, Peter, The Unwritten Order: Hitler’s Role in the Final Solution (2001)
Longerich, Peter, Holocaust: The Nazi Persecution and Murder of the Jews (2010).
Mitter, Rana, Forgotten Ally: China’s World War II, 1937-1945 (2013).
Müller, “The Brutalisation of Warfare, Nazi Crimes and the Wehrmacht”, In: Erickson & Dilks, Barbarossa: The Axis and the Allies.
Paine, S. C. M., The Wars for Asia, 1911-1949 (2012).
Pieper, Henning, Fegelein’s Horsemen and Genocidal Warfare: The SS Cavalry Brigade in the Soviet Union (2015).
Rutherford, Jeff, Combat And Genocide on the Eastern Front: The German Infantry’s War, 1941-1944 (2014).
Snyder, Timothy, Bloodlands: Europe Between Hitler and Stalin (2010).
United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part A (2012).
United States Holocaust Memorial Museum, Encyclopaedia of Camps and Ghettos, 1933-1945, volume II, Part B (2012).
Porter, Thomas Earl, “Hitler’s Forgotten Genocides: The Fate of Soviet POWS”, in: Elon Law Review 5/259
Walter E. Grunden, “No retaliation in Kind: Japanese Chemical Warfare Policy in World War Two”, in: One Hundred Years of Chemical Warfare: Research, Deployment, Consequences (2017) 259-271.Visual sources:
Yad Vashem 4216/18, 4360/123, 7904/245, 143BO2, 6584677, 4147/65, 1044/148, 75FO4, 4220/2, 1249/67, 3745/140, 5705/34, 2725/23, 5705/47
USHMM
Bundesarchiv
www.auschwitz.org
FOTO:Fortepan — ID 73897, ID 28024
Picture of corpses of Auschwitz prisoners in Block 11 (Auschwitz I), courtesy of USHMM, Instytut Pamięci Narodowej
from the Noun Project: Skull by Muhamad Ulum, can by CCCHOI, gas bomb by Mete Eraydın from the Noun Project, Injury by Adriano EmerickSoundtracks from the Epidemic Sound:
Fabien Tell – “Never Forget”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “Icicles”
Farrell Wooten – “Blunt Object”
Peter Sandberg – “Document This 1”
Gunnar Johnsen – “Not Safe Yet”
Andreas Jamsheree – “Guilty Shadows 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
7 hours ago (edited)
Two years into the World War Two channel, we’re still often confronted with stubborn myths regarding the responsibility for the crimes committed against humanity during the Second World War. We have already seen time and time again how the Wehrmacht is actively and passively complicit to the harsh treatment of civilians, the mishandling and killing of PoWs, the murder of local non-combatants, and the genocides committed by Nazi Germany. Let this episode be nail in that myth’s coffin. There is, unambiguously and unequivocally, no doubt about the Wehrmacht‘s awareness, intentions, actions, effects and complicity in the War Against Humanity.For our Polish speakers: while Spartacus’ less than perfect pronounciation of Polish names is usually at least an attempt, the pronounciation of Belzec is on pupose the English way of saying it, since the Polish pronounciation is not familiar to almost all non-Polish speakers, and it needs to be clear of what place he is speaking of.
“The Art of War” – Wisdom of Sun Tzu – Sabaton History 089 [Official]
Sabaton History
Published 15 Oct 2020Sun Tzu says: “The Art of War is of vital importance to the state. It is a matter of life and death, a road either to safety or to ruin.” The Chinese Art of War by Sun Tzu is one of the most influential books in history. Throughout the centuries it would accompany generals, statesmen, and philosophers alike. Those who follow his teachings, who safeguard themselves against defeat and make sure of victory before the battle is fought, will triumph. Those who know everything about themselves and their enemies will achieve supreme excellence.
The Art of War by Sun Tzu Text: https://www.gutenberg.org/files/132/1…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Art of War” on the album The Art of War:
https://music.sabaton.net/TheArtOfWarWatch the Official Live Clip of “The Art of War” here:
https://www.youtube.com/watch?v=aYoK1…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Brodén, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Community Manager: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Editor: Karolina Dołega
Sound Editor: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive: Reuters/Screenocean – https://www.screenocean.comVisual Sources:
– Pictures of Ming Dinasty courtesy of Yprpyqp from Wikimedia
– Pictures from the period of Opium War courtesy of Massachusetts Institute of Technology © 2010 Visualizing Cultures
– Wellcome Images
– Major National Historical and Cultural Site in China
– Pictures of The Art of War book courtesy of vlasta2, bluefootedbooby on flickr.com
– Metmuseum
– Picture of Eastern Han Calvary courtesy of GaryLee Todd from Wikimedia
– Granger Archive
– Hallwyl Museum
– Nomura Art Museum
– The icons from The Noun Project: Man by vanila, Asian woman by Jaime Serra, Wise Man by Éléonore SabatéAll music by: Sabaton
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Tank Chats #81 Goliath | The Tank Museum
The Tank Museum
Published 2 Aug 2019Curator David Willey talks through the aptly-named Goliath, a WW2 German tracked mine.
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QotD: The Law of Abrogation
Dr. Sookhdeo: “In fact the reverse is true. … All the peaceful passages that are enjoined on Muslims occur in the chapters written at Mecca. They are tolerant toward Jews and Christians. But when Muhammad gets to Medina and sets up his city/religious state, the tone towards other groups changes rapidly. The statements about slaying the pagans and killing the Jews and others occur there. Now in Islamic interpretation, all passages that are revealed later take precedence over those revealed earlier. This is known as the ‘law of abrogation’.”
David Warren, “Jihad Politics”, DavidWarrenOnline, 2005-08-03.
October 15, 2020
DicKtionary – L is for Lawman – Tom Horn
TimeGhost History
Published 14 Oct 2020Morally ambiguous guns for hire are a fantasy of old Western films, right? Well not in the case of Tom Horn! A lawman, a cowboy, a soldier, and ultimately: a dick.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Written and Hosted by Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Image Research by: Karolina Dołęga
Edited by: Karolina Dołęga
Sound design: Marek KamińskiSources:
– Pictures of Tom Horn courtesy of Wyoming State Archives Photo Collection
– Library of Congress
– National Archives NARA
– Picture of Valley RoadArizona courtesy ofThe Old Pueblo from Wikimedia
– Icons from The Noun Project: Child by Gan Khoon Lay, Cow by Alena Artemova, Cowboys by Simon Child, cowboy avatar by Silviu Ojog, Cowboy by Gan Khoon Lay, cowboy man Adrien Coquet, cowboy by Luis Prado, Cowboy Shoot by Gan Khoon Lay, Cowboy Shooting by Gan Khoon Lay, duel by Gan Khoon Lay, Dead Soldier by Gan Khoon Lay & Joab Penalva, Shootout by Gan Khoon Lay, Sheep by Pariphat Sinma.Music:
– “Ghosts of the Rail” – Gabriel Lewis
– “Miss Dynamite” – Walt Adams
– “Gone Surfing (Sting)” – Stefan Netsman
– “Run Dry River” – River Run DryArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
This is what happens when politicians delegate too much of their powers to the courts
At the Foundation for Economic Education, Lawrence W. Reed recounts the stunning injustice of Soviet “justice”, in the person of Nikolai Krylenko:
Panorama of the west facade of United States Supreme Court Building at dusk in Washington, D.C., 10 October, 2011.
Photo by Joe Ravi via Wikimedia Commons.
As I watched the first day of hearings on Judge Barrett’s nomination, I was reminded of a largely forgotten Soviet legal theoretician from decades ago. His name was Nikolai Krylenko. Judge Barrett is being given the Krylenko treatment by Democrat senators like Cory Booker and Kamala Harris, meaning this: The only thing that matters is whether she will vote their party line in future cases.
Under the communist dictatorship of Lenin and then Stalin, Krylenko (1885-1938) rose through the Soviet Union’s legal system to become People’s Commissar for Justice and a Prosecutor General. He was a leading practitioner of the theory of “socialist legality,” which held that an accused person’s innocence or guilt depended on that person’s politics (real or imagined). It sounds nuts and indeed, it was. It was the stuff of Orwell’s nightmare, and one of the reasons the Soviet Union thankfully perished of its own poison.
In The Gulag Archipelago, the famous Soviet dissident and Nobel laureate Aleksandr Solzhenitsyn recounted an episode involving Krylenko. Shortly after Lenin’s Bolsheviks assumed power in 1917, an admiral named Shchastny was sentenced by one of the regime’s judges “to be shot within 24 hours.” When some in the courtroom expressed shock, it was Krylenko who responded thusly: “What are you worrying about? Executions have been abolished. But Shchastny is not being executed; he is being shot.”
To Krylenko, the only morality was what served the Party and the State, which of course in the Soviet Union were one and the same. If your politics were not correct, you would be “corrected,” one way or the other. In Richard Pipes’ authoritative book, The Russian Revolution, Krylenko is quoted as exclaiming, “We must execute not only the guilty. Execution of the innocent will impress the masses even more.”
At the Senate hearings for the Barrett nomination, it was apparent the first day that the Judge was being Krylenkoed. Hostile senators pronounced their verdicts before she had uttered a word, and those verdicts had nothing to do with Barrett’s stellar qualifications or keen legal mind. Legal analyst and George Washington University Law School professor Jonathan Turley commented,
What they were suggesting is that they will be voting against her because of what they expected her vote would be in a pending case, and that is a conditional confirmation … Here, the senators seem to be saying, “I’m not even going to listen; I’m going to vote against you because I don’t think you’re going to vote the right way …”
Judge Barrett clearly articulated her judicial philosophy, borne out by the way she has ruled at the US Court of Appeals for the Seventh Circuit: She believes the role of a judge or justice is to follow the Constitution and the law as written, not make stuff up in the service of a political agenda. How ironic that this is a point of fiery contention. Senators who swore an oath to uphold the Constitution and the law hate the guts of a judge who does just that!
October 14, 2020
Wolfpack Killers – U-Boat Tactics – WW2 Special
World War Two
Published 13 Oct 2020German U-Boats were a big threat to Allied shipping across the Atlantic. New inventions and tactics triggered a race to outsmart the opponent, dramatically changing the tides of the Battle of the Atlantic every few months.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
Pugsley, William H./Library and Archives Canada/PA-139273
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM CH 15219, A 31092, FL 3259
Bletchley Park Trust
from the Noun Project: Cargo Ship by Locad, explosion by Nico TzogalisSoundtrack from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 3”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago
The episode covers some of Otto Kretschmer’s 11 Points of Submarine Warfare. Here’s the full list:1. Efficient lookouts are of prime importance.
2. It is essential not simply to spot the target, but to spot it in good time.
3. Lone ships should be attacked on the surface with gunfire in order to save expensive torpedoes.
4. Survivors should be assisted where possible.
5. Convoys should only be attacked in daylight if it is not feasible to wait for nightfall.
6. Attack at night from the dark side of the convoy, so that the target is silhouetted and the submarine is in shadow.
7. When there is little or no moonlight, attack from the windward side [to avoid a visible white bow-wave when motoring into the wind].
8. Fire one torpedo per target, not fanned salvoes.
9. Fire at close range.
10. Once the attack is launched, do not submerge except in circumstances of dire necessity. Remember that on the surface it is easier for you to spot the enemy than for the enemy to spot you.
11. Dive only for two hours before dawn each day, to rest the crew, sweep with the sound detection equipment, etc.; otherwise, remain on the surface.
Winchester Lever Action Development: Model 1886
Forgotten Weapons
Published 13 Jun 2017The Model 1886 was the first Winchester repeating rifle to improve on the original toggle locking system of the 1860 Henry, and it is also the first of John Moses Browning’s lever action designs. Browning met with Winchester executives to sell them his design for the Winchester 1885 single shot rifle, and mentioned that he was also working on a lever action repeating rifle that would be much stronger than the existing Model 1876. This was very interesting to Winchester, and they agreed to buy that design as well.
The new rifle used a pair of vertically sliding blocks to lock the bolt into the receiver upon firing, and allowed the weapon to safely chamber much more powerful rounds, up to and including the .50-100 Express. This rifle superseded the Model 1876 almost overnight, as it finally allowed a single rifle to have the power of the single shot buffalo rifles and the rapid firepower of the smaller caliber Winchesters.
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