Quotulatiousness

October 23, 2021

The English Statute of Monopolies gets far more credit than it actually deserves

The Statute of Monopolies (1624) is often said to have been critical in helping to start England on the road to the Industrial Revolution, but in the latest Age of Invention newsletter Anton Howes argues it is far more complicated than it seems:

Letters Patent Issued by Queen Victoria, 1839. On 15 June 1839 Captain William Hobson was officially appointed by Queen Victoria to be Lieutenant Governor General of New Zealand. Hobson (1792 – 1842) was thus the first Governor of New Zealand.
Constitutional Records group of Archives NZ via Wikimedia Commons.

One of the most frequently mentioned landmarks in the history of intellectual property is the Statute of Monopolies, passed by the English parliament in 1624. I’ve often seen it lauded as the beginning of the system of patents for invention, or the first patent law. I remember giving a talk a few years ago where I downplayed the role of formal institutions in encouraging the Industrial Revolution, prompting an outraged economist in the audience to point to the law as a sort of gotcha — “here’s a better explanation: with patents you incentivise invention, and the Brits had just invented patents”.

Which is all to illustrate that the Statute of Monopolies is often fundamentally misunderstood. So what, exactly, did it actually do? It’s a tale of opportunism, corruption, and court intrigue, with some actual innovation inbetween. The whole saga ended Francis Bacon’s political career, led to a major constitutional crisis, and set the scene for how inventors were to behave and act for well over a century. In this first part, I’ll give the context you’ll need to really appreciate what was going on, and I’ll publish the rest in the weeks to come.

First off, the Statute of Monopolies was certainly not the first patent law. Venice’s senate had enacted a law on monopolies for invention as early as 1474. But even then, we shouldn’t be looking for statutes at all. The history of patents does not begin in 1474, but much earlier, with plenty of monopolies over new inventions having already been granted by the ruling grand council of Venice, and by the authorities of other Italian cities like Florence. The key thing to recognise about early patents is that they were not a creation of parliaments or their statutes, but of those in charge. They were the creation of sovereigns, a creature of kings and queens (or in the case of republics like Venice, of governing councils).

As regular readers of this newsletter might remember, patent monopolies for invention had already had long history in England, well before 1624. Patents in general were a very ordinary tool of English monarchs, used to communicate their will. By issuing letters patent, monarchs essentially issued public orders, open for everyone to see. (Think “patently”, as in clearly or obvious, which comes from the same root.) Monarchs used letters patent to grant titles and lands, appoint or remove people as officials, extend royal protections to foreign immigrants, incorporate cities, guilds, even theatre troupes — in general, just to rule.

And, eventually, English monarchs copied the Venetians by issuing letters patent to grant temporary monopolies to particular people, to encourage them to make discoveries, publish books, or introduce new industries or inventions to the realm. It’s only over the passage of centuries that we’ve come to refer to patents for invention — a mere subset of letters patent, and really even a mere subset of patent monopolies for all sorts of other creative work — as simply patents. Intellectual property was thus a ruler-granted privilege, created in the same way that a town gains the official status of a city, or a commoner becomes a knight. English monarchs began granting monopolies for discovering new territories and trade routes from 1496, for printing certain books from 1512, and for introducing new industries or inventions from 1552 (with one weird isolated exception from as early as 1449).

Flower class corvettes – Guide 124

Filed under: Britain, Cancon, History, Military, WW2 — Tags: , , , , , — Nicholas @ 02:00

Drachinifel
Published 25 May 2019

The Flower class, ASW corvettes of the Royal Navy, are today’s subject.

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QotD: Patum Peperium, the Gentleman’s Relish

Filed under: Britain, Food, History, Quotations — Tags: , — Nicholas @ 01:00

… a word of warning, Gentleman’s Relish is an acquired taste. One look at the sludgy paste is enough to deter many. And then there is its pungent smell. Brave men have been known to blanch at it. Yet, once these initial reservations are overcome, you will discover a delicate paste that rivals Marmite in its deliciousness.

Opinions differ as to how and when you should eat Gentleman’s Relish. According to the Ritz, breakfast is the time to enjoy its piquant flavour, preferably on thinly sliced, brown toast. I prefer to eat it for tea, on white toast with a little mustard and cress. Mrs Beeton suggests that anchovy paste is usually spread on toast as “an excellent bonne bouche which enables gentlemen at wine-parties to enjoy their port with redoubled gusto”.

It was originally created in 1828 by John Osborn, an English provision merchant in Paris. Like any good marketing man, he created a grandiose name from a fictitious fudge of Latin and Greek implying pepper paste, to tempt his fashion-conscious customers into buying it. It only became known as Gentleman’s Relish once his son brought the business to London. According to Elsenham, its current manufacturer, it is still made according to the original recipe. It imports the finest Spanish anchovy fillets, which have been packed in barrels of salt and left to mature for 18 months. Once suitably fruity, they are rinsed in brine and gently cooked before being cooled and blended with butter and rusk. A secret blend of spices and herbs is then added.

Sybil Kapoor, “Spreading the word”, The Guardian, 2001-02-18.

October 22, 2021

The Vehicle That Will Win World War Two – WW2 Special

Filed under: History, Military, Technology, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 21 Oct 2021

The Higgins Landing Craft, Higgins Boat, Landing Craft, or whatever you would like to call it, is one of the most important vehicles of the Second World War — perhaps just as much as tanks, planes, and warships. In a war full of amphibious invasions, landing on beaches in a safer and more efficient way is crucial to victory. So let’s find out the history of this war machine and its use by the World War Two allies.
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L-34 Sampo: Aimo Lahti’s Rejected Masterpiece

Filed under: Europe, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 30 Jun 2021

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Finland’s standard light machine gun going into the Winter War was the LS-26, a gun which did not succeed in field use. It was complex and cumbersome, and Finnish troops quickly replaced it with captured Russian DP-27 LMGs. Part of the problem of the LS-26 was its recoil-operated design. Finnish military authorities specified a recoil-operated mechanism for their LMG in light of the success of the recoil-operated heavy Maxim guns in Finnish service. Gas operation was quickly recognized as a superior system for light machine guns, but too late to stop adoption of the LS-26.

In the early 1930s, Aimo Lahti did design a gas-operated LMG, heavily influenced by the Czech ZB-26 system. A handful of prototypes were made by VKT, looking for both Finnish military acceptance and international sales. The gun was made in several calibers, most notably 7.62x54R for Finland and 7.92x57mm Mauser for export. However, bureaucratic issues prevented its consideration by the Finnish Army, and the timing was too late for exports. The L-34 was significantly lighter and simpler than the LS-26, and it was performed quite well in Finnish trials — which did not happen until the 1950s. By that time, the Finnish military was looking for an intermediate-caliber belt-fed gun, and the L-34 was not suitable regardless of its performance.

Many thanks to Sako for providing me access to film this L-34 from their reference collection!

Contact:
Forgotten Weapons
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QotD: Post-traumatic stress disorder (PTSD) in the ancient (or medieval) world

PTSD is more than feeling bad about being in a war, or grief at the loss of a buddy. Here are the diagnostic guidelines. Note how a diagnosis requires one intrusion symptom (involuntary and instrusive memories, dreams, flashbacks, marked physiological reactions) and persistent avoidance of stimuli associated with the trauma and two negative alterations in cognition and mood associated with the trauma and two marked alterations in arousal and reactivity associated with the trauma. A lot of the examples being cited in the comments do not come anywhere near meeting that criteria. As I read and understand that, an individual who is voluntarily recounting the trauma – much less re-exposing themselves to it by going out to fight again – without significant reactions (read the guidelines – these are really very significant reactions) doesn’t fit the criteria. They may well have another form of mental wound, mind you; grief, fear, loss, guilt and so on are all very real things. But they do not, by our current medical definition, have this wound. Specificity here is necessary because we aren’t asking a question about grief or loss or guilt – feelings which all humans feel at one point or another – but about a very specific mental wound that combat (or other trauma) may inflict.)

That is often not the impression that you would get from a quick google search (though it does seem to be the general consensus of the range of ancient military historians I know) and that goes back to arguments ex silentio. A quick google search will turn up any number of articles written by folks who are generally not professional historians declaring that PTSD was an observed phenomenon in the deep past, citing the same small handful of debatable examples. But one thing you learn very rapidly as a historian is that if you go into a large evidence-base looking for something, you will find it.

That’s not a species of research positivity – it’s a warning about confirmation bias, especially if you do not establish a standard of proof before your investigation. It is all too easy to define down your definition of “proof” until the general noise of the source-base looks like proof. In this case, we have to ask – before we go looking – what would evidence of PTSD in ancient societies (I’m going to start there because it is where I am best informed) look like?

Well, ancient societies engaged in a lot of warfare. Among the citizenry – the sort of fellows who write to us and are written about in our sources – combat experience was almost ubiquitous. That only really changes as we get into the Roman Empire, as violence levels both decline generally and are pushed to the frontier via a professional army. The percentage of veterans in the citizen population (again, citizen here is an important caveat, but then those fellows basically are our primary source base) probably equaled that of the WWI generation in Britain or France, except all the time (there’s a point in the Second Punic War where the Roman censors went through the entire rolls, checking to see how many had managed to avoid military service and found only a few thousand in a citizen body of c. 150,000 adult males). So what ought we expect from our sources? We should expect to see signs of PTSD everywhere. It should be absolutely pervasive in a source-base produced almost entirely by, for and about combat veterans, in societies where military mortality exceeded modern rates by a robust margin.

And it simply isn’t there. There is one very frequently cited account in Herodotus (Hdt. 6.117) of a man named Epizelos experiencing what is generally understood as “conversion disorder” (which used to be badly labeled “hysterical blindness”) in combat. Without being wounded he went blind at a sudden terror in battle and never recovered his sight. Herodotus terms it a θῶμα – a “wonder” or “marvel”, a word that explicitly implies the strange uncommonness of the tale. Herodotus is concerned enough about how exceptional this sounds that he is quick not to vouch for its veracity – he brackets the story (beginning and end) noting that it was what he was told (by someone else) that Epizelos used to say happened to him. In short, this was uncommon enough that Herodotus distances himself from it, so as not to be thought as a teller of tall-tales (though Herodotus is, in fact, a teller of tall tales).

This one example – cited endlessly and breathlessly in internet articles – is remarkable not because it is typical, but because it is apparently very unusual (also, it is my understanding – with the necessary caveat that I am not an expert – that while conversion disorder is a consequence of emotional trauma, it is not clear that it is associated with PTSD more generally). Meanwhile, in the war literature of the Romans, in their poetry (including that by folks like Horace, who fought in quite terrible battles), in the military literature of the Greeks, in the reflections of Xenophon (both on his campaigns and his commands), in the body of Greek lyric poetry … all of it – nothing. It is simply not there – not as a concern that such a condition might befall someone, nor a report that it had done so. Nothing. The lacuna baffled me for years.

My impression is that the medieval literature looks much the same: a few scattered passages that, if you squint hard enough, might be PTSD set against a vast backdrop of nothing in a society where literature was dominated by the war-fighting class. More examples than in the classical corpus (but then the medieval corpus is much larger; oddly, the examples I’ve seen all seem to concern crusading particularly), but nothing close to what we would expect given a literary tradition absolutely dominated by military aristocrats and their (often clerical) families. I call this my impression, because the medieval corpus is both much larger and I have read much less of it; but if there is a hidden reservoir of accounts showing clear symptoms of PTSD, I have not found it yet. I was always struck that – despite the fact that monastic life was often a destination for medieval military aristocrats troubled by their life of violence – none of the monastic rules I have read (admittedly, not all of them), which often have guidelines for abbots to deal with difficult monks, have had anything about how to deal with the symptoms of PTSD.

Now that’s not to say there isn’t grief at loss, mind you! The lamentations of defeat, the sorrow of losing a loved one (even in victory), the misery of war – that you find in the ancient texts in abundance. It occupies literary topoi, it is depicted in artwork, it gets entire tragedies to stretch out in, it is addressed by great big political speeches, it sits at the cornerstone of the Iliad‘s narrative (one reason, no doubt, that the Iliad remains a useful text for soldiers working through their experiences). But the persistent symptoms of PTSD, no. I haven’t been able to find one “flashback” or combat-memory related dissociative episode in ancient literature. You might argue that they simply weren’t recorded, but that strikes me as unlikely in societies where other forms of war-damage were so fiercely valorized and which would have often seen – as with Epizalos – such symptoms as divine omens. There should be dozens and dozens of them. These are societies with active medical literature, after all!

I think the evidence strongly suggests that ancient combatants did not experience PTSD as we do now. The problem is that the evidence of silence leads us with few tools with which to answer why. One answer might be that it existed and they do not tell us – because it was considered shameful or cowardly, perhaps. Except that they do tell us about other cowardly or shameful things. And the loss and damage of war – death, captivity, refugees, wounds, the lot of it – are prominent motifs in Greek, Roman and European Medieval literature. War is not uniformly white-washed in these texts – not every medieval writer is Bertran. We can’t rule out some lacuna in the tradition, but given just how many wails and moans of grief and loss there are in the corpus it seems profoundly unlikely. I think we have to assume that it isn’t in the sources because they did not experience it or at least did not recognize the experience of it.

Bret Devereaux, “Fireside Friday”, A Collection of Unmitigated Pedantry, 2020-04-24.

October 21, 2021

Tank Chats #129 | Marmon-Herrington Mk. IV | The Tank Museum

Filed under: Africa, Britain, History, Military, Weapons, WW2 — Tags: , , — Nicholas @ 02:00

The Tank Museum
Published 11 Jun 2021

David Fletcher examines the Marmon-Herrington Mk IV, an armoured car produced by South Africa and used by the British, among others, during the Second World War.
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October 20, 2021

Praise the Lord and Pass the Ammunition – Music of World War Two – WW2 – On the Homefront 011

Filed under: Britain, History, Media, Military, Russia, USA, WW2 — Tags: , , , — Nicholas @ 04:00

World War Two
Published 19 Oct 2021

With the ascent of the radio, popular music became an important cultural phenomenon for the masses throughout the world. Therefore, it is the perfect mouthpiece for Allied war propaganda during the Second World War.
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Chocolate | British Pathé

Filed under: Britain, Food, History — Tags: , , , — Nicholas @ 02:00

British Pathé
Published 22 Sep 2016

BON APPETIT – FOOD MONTH ON BRITISH PATHÉ (SEPTEMBER 2016): Chocolate.

We all love a bit of chocolate, so have a watch of these vintage films which show different chocolates being made, as well as the celebrations when sweet rationing came to an end.

(Film Ids: 1601.11, 313.13, 1108.14, 1401.17)

Music:
The Show Must Be Go (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/b…

A NEW THEME EVERY MONTH!
Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you’d like to see by leaving us a comment or connecting with us on social media.

BRITISH PATHÉ’S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.

Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.

ALL RIGHTS RESERVED

A VIDEO FROM BRITISH PATHÉ. EXPLORE OUR ONLINE CHANNEL, BRITISH PATHÉ TV. IT’S FULL OF GREAT DOCUMENTARIES, FASCINATING INTERVIEWS, AND CLASSIC MOVIES. http://www.britishpathe.tv/

FOR LICENSING ENQUIRIES VISIT http://www.britishpathe.com/

British Pathé also represents the Reuters historical collection, which includes more than 136,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1984. All footage can be viewed on the British Pathé website. https://www.britishpathe.com/

October 19, 2021

Places – Lost in Time: The Crystal Palace

Ruairidh MacVeigh
Published 1 Jun 2020

This is a reupload of my original Crystal Palace video, which I had to take down and do some amendments to in order to fix some technical issues.

Hello! 😀

Not to change the format so early in it’s conception, but here I present an idea I’ve had for several years now, but am proud to finally bring to fruition.

For as long as I can remember I have been fascinated by places that have either been abandoned or destroyed, not so much out of interest for how they were lost, but more the microcosm of society that revolved around them — how people interacted with them and made them more human. Specifically, places which existed in living memory or photographic record are the ones that have captured my imagination the most, as you can see how people did interact with these wondrous locations and almost put yourself in their shoes.

Therefore, without further ado, I present Episode 1 of Places — Lost in Time, with my first feature being the lavish and opulent Crystal Palace in London. This video follows the history of the two structures to share this iconic name, and how both were created through Victorian engineering feats, how they became icons of British culture, and how they eventually met their end.

All video content and images in this production have been provided with permission wherever possible. While I endeavour to ensure that all accreditations properly name the original creator, some of my sources do not list them as they are usually provided by other, unrelated YouTubers. Therefore, if I have mistakenly put the accreditation of “Unknown”, and you are aware of the original creator, please send me a personal message at my Gmail (this is more effective than comments as I am often unable to read all of them): rorymacveigh@gmail.com

The views and opinions expressed in this video are my personal appraisal and are not the views and opinions of any of these individuals or bodies who have kindly supplied me with footage and images.

If you enjoyed this video, why not leave a like, and consider subscribing for more great content coming soon.

Thanks again, everyone, and enjoy! 😀

References:
– British Library (and their respective references)
– Victoria and Albert Museum (and their respective references)
– Wikipedia (and its respective references)

Music – YouTube Audio Library

Semiauto FAMAS F1 Rifle

Filed under: France, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 9 Aug 2016

http://www.patreon.com/ForgottenWeapons

The French FAMAS was one of the first bullpup rifles to be adopted and built in large numbers by a military power. It was adopted by France in 1978 at right about the same time as the Steyr AUG was being adopted by the Austrian military. Bullpup rifles offered a short overall length without sacrificing barrel length, an advantage that seemed quite valuable for troops who were to spend significant amounts of time in vehicles, where space is at a premium. In French service, the FAMAS was also made the formal replacement for both the MAS-49/56 rifle and the MAT-49 submachine gun, thanks to its compact nature.

The FAMAS is interesting mechanically, as it is one of very few production delayed-blowback rifle designs (the other common one being the CETME/HK series). The FAMAS uses a lever-delaying system, which allows a very simple bolt and action mechanism. The F1 model (adopted by the French Army and still in use today, making up the bulk of FAMAS production) has a 1:12″ twist to its rifling, effectively limiting it to 55 grain projectiles — and it also requires steel-cased ammunition to run reliably. The G2 variant (adopted in 1995 by the French Navy) changed to a 1:9″ twist, introduced a full-hand trigger guard, and also uses NATO standard AR15 magazines instead of the proprietary 25-round magazine of the F1.

In the late 1980s a small number of semiauto FAMAS rifles were made by St Etienne and imported into the US by Century. Most people say 100-125 rifles, although serial number suggest this may have actually been 225-250 rifles. Regardless, they are quite scarce and expensive today.

QotD: Slaves and indentured servants in early Virginia

Filed under: Americas, Britain, History, Law, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

I saw from the start that some of Nikole [Hannah-Jones]’s 1619 rubbish merely exposed her utter ignorance of her subject. The blacks whom the Virginians bought from a Portuguese slave trader in 1619 were treated like whites – that is, they were treated as indentured servants who after 10 years were freed, given some farm tools, pointed at a plot of land and left to get on with it. (Some of them got on so well that before mid-century they were buying white and black indentured servants themselves to work their expanding acreages.)

One could justly say these early-arriving blacks were not treated exactly like poor English whites who – unless convicted of a crime – had always chosen to sign their ten-year indenture, to pay for transport across the Atlantic and survival while they found their feet. The closer analogy is to some Scottish whites. More than one clan chief sold some clansmen on indentures across the Atlantic when funds were low, and in 1707 a leading Scottish parliamentarian informed his peers that there was no need for them to fix the disastrous financial situation by accepting the English payment and voting their own abolition – Scotland’s elite could keep their separate parliament and avoid national bankruptcy by selling enough poor Scots to the Americas instead.

When the Portuguese offered to sell black slaves, those 1619 Virginians could only buy them as ten-year-indentured servants. They were still wholly under English common law and Lord Mansfield’s 1770s ruling merely echoed a two-centuries earlier ruling of Elizabethan judges that English common law knew no such state as slavery. It took the Virginians decades to start even questioning this and almost a century to unlearn it fully. As late as the 1690s, a black man who petitioned the Virginia council that his white master had made him serve not for ten years but for twelve “contrarie to all right and justice“, was freed by their order. If Nikole had called it the 1705 project, I’d have thought she at least knew something about the actual faults of the country whose history she was travestying. Only positive statute law can override English common law’s aversion to slavery, said Lord Mansfield – and 1705 was the year the Virginia legislature completed providing it. I knew from the start that Nikole was not just lying about all that, not just indifferent to the truth of all that – she was also pretty clueless about it.

Niall Kilmartin, “Critical Race Theorist literally knows nothing”, Samizdata, 2021-07-16.

October 18, 2021

Strategikon – Army Manual of the Eastern Roman Empire

Filed under: Books, History, Middle East, Military — Tags: , , , , — Nicholas @ 04:00

Kings and Generals
Published 30 Mar 2021

The Kings and Generals animated historical documentary series on the evolution of the Roman Army continues with the second episode of the series on the Army of the Eastern Roman Empire – the Byzantine Empire. In this episode, we’ll focus on Strategikon of Maurice – the army manual that defined the structure, training and tactics of the Byzantine army.

Support us on Patreon: http://www.patreon.com/KingsandGenerals or Paypal: http://paypal.me/kingsandgeneral

We are grateful to our patrons and sponsors, who made this video possible: https://docs.google.com/document/d/1o…

The video was made by Arb Paninken http://bit.ly/2Ow3oC8, while the script was developed by Matt Hollis. This video was narrated by Officially Devin (https://www.youtube.com/user/OfficiallyDevin)

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Production Music courtesy of Epidemic Sound: http://www.epidemicsound.com

#Documentary #Byzantines #Romans

Look at Life — The Rocket Age Lancers (1961)

Filed under: Britain, History, Military — Tags: , , , , — Nicholas @ 02:00

PauliosVids
Published 20 Nov 2018

Looking to the future with the 9th Queen’s Royal Lancers.

QotD: Harold Macmillan’s “Gold Pass” on British Railways

Filed under: Britain, History, Media, Quotations, Railways — Tags: , , — Nicholas @ 01:00

One of my worst and most embarrassing failures as a journalist was my attempt to interview Harold Macmillan, the former British prime minister. It happened on a train near Cambridge. He was 83. I was 26. He physically fought me off, declaring in a quavering voice, “I don’t want to be interviewed; I’m much too old for that sort of thing,” as he jabbed fiercely (and quite painfully) at me with his gnarled walking stick.

Too old? Just a few years later that same wily showman drove a memorable stiletto into Margaret Thatcher’s ribs, using the same falsely quavering voice to attack her policy of selling off national assets. But I remember the humiliating occasion of my failed interview for another reason. Macmillan was able to drive me away partly because he was occupying an entire first-class compartment, reserved for him personally, on the London express. Compartments — oh, how I miss them — had sliding doors, which cut them off from the rest of the train. You could even pull the blinds down between you and the corridor. They could be marvelous private spaces for all kinds of purposes on long journeys. But you had to be lucky to get one to yourself. Once the ex-premier had driven me out, he was safe.

But Macmillan (who in those days had not given into vanity and accepted a peerage) did not have to be lucky. He had once been a director of the Great Western Railway, which had been taken into state ownership in the 1940s. So to the end of his life (in compensation for his lost power) he possessed a magical shiny token called a Gold Pass. This entitled him to free first-class travel, without limit, on any train in Great Britain. It was even rumored that it gave him the power to have trains stopped for him at stations where they did not normally halt. I often thought I would rather have such a pass than be prime minister.

Peter Hitchens, “Why I Love Trains”, First Things, 2020-07-16.

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