Extra Credits
Published on 16 Feb 2019The potato blight hit the United States first before it came to Ireland (and other countries). But what made it particularly devastating in Ireland was the factor of human influence — behind-the-scenes bureaucracy that prioritized economics over human lives.
The Irish Potato Famine ranks as one of Europe’s worst agricultural disasters — scattering a people to the winds.
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February 19, 2019
Irish Potato Famine – Isle of Blight – Extra History – #1
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February 18, 2019
Modernism as “architectural PTSD”
In Architect, the Journal of the American Institute of Architects, Witold Rybczynski reviews James Stevens Curl’s Making Dystopia: The Strange Rise and Survival of Architectural Barbarism:
The buildings in my neighborhood, Logan Square in downtown Philadelphia, fall roughly into two categories. There are those that offer visual pleasure, whether they are modest run-of-the-mill brick row houses or the rather grand Board of Education Building, an Art Deco-ish pile topped by busts of Sir Isaac Newton, Ben Franklin, and Alexander Graham Bell. “How nice that someone actually took the trouble,” I think as I walk by. And then there is the second category: utilitarian apartment slabs with unrelieved gridded façades, infill condo housing that looks as if it had been trucked in from the suburbs, a grim precast concrete retirement home that takes up a whole block. “I wish they hadn’t built that,” is my all too common reaction. The Board of Education Building dates from 1932. That’s the approximate cut-off date. Before the 1930s, the buildings are pretty good; after that, not so much. What happened?
The answer to that question is the subject of James Stevens Curl’s controversial new book, Making Dystopia: The Strange Rise and Survival of Architectural Barbarism (Oxford University Press, 2018). Curl is a British architectural historian, professor emeritus at De Montfort University in Leicester, and the author of more than 40 books, including the well-regarded The Victorian Celebration of Death (most recently updated in 2004) and The Oxford Dictionary of Architecture (1999). According to Curl, what happened was “architectural barbarism,” which is how he characterizes modern architecture. He does not mince words. Describing the emergence of the International Style in the 1920s, he writes: “It became apparent that something very strange had occurred: an aberration, something alien to the history of humanity, something destructive aesthetically and spiritually, something ugly and unpleasant, something that was inhumane and abnormal, yet something that was almost universally accepted in architectural circles, like some fundamentalist quasi-religious cult that demanded total allegiance, obedience, and subservience.”[…]
Buildings like PSFS were not the result of the First World War, of course, but it was the war that opened the door to radical change — whether it was political (Nazism), economic (the New Deal), or architectural (Modernism). This, rather than Curl’s theory of a quasi-religious cult, is a more convincing explanation for the “strange rise” of modern architecture. As the title of his book suggests, the author assumes malevolence on the part of Gropius, Le Corbusier, et al., but what if the International Style was instead the result of a sort of postwar architectural PTSD?
[…]
The ultimate failure of modern architecture is not that it was incapable of producing beautiful works of individual art. There have been plenty of those, pace Professor Curl. The real drawback is that while the Modern Movement effectively suppressed an architectural language that had taken hundreds of years to evolve, it proved incapable of developing a successful substitute, the weak-kneed antics of Postmodernism notwithstanding. The strength of pre-modern architecture was that it provided a rich variety of modes of expression. It permitted complicated things to be said in complicated ways, and simpler things in simpler ways, analogous to the spoken language, which can be used to write drama and poetry or instruction booklets.
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Mis-measuring inequality
Tim Worstall explains why any protest in a western country about “inequality” is probably bogus from the get-go:
Their opening line, their justification:
We live in an age of astonishing inequality.
No, we don’t. We live in an age of astonishing and increasing equality. Thus any set of policies, any series of analysis, that flows from this misunderstanding of reality is going to be wrong.
And that’s all we really need to know about it all.
The problem is that their measurements – the ones they’re paying attention to – of inequality just aren’t the useful ones, the ones we’re interested in. They’re usually pre-tax, pre-benefits. They’re always pre-government supplied services. And they never, ever, look at the thing we’re actually interested in, inequality of living standards.
To give an example, the Trades Union Congress did a calculation a few years back looking at top 10% households in the UK and bottom 10%. They took the average of each decile – so, the average of the top 10% households, the average of the bottom. Then they looked at the ratio between them.
The top 10% gain some 12 times the market income of the bottom 10%. Now take account of taxes and benefits. Then add in the effects of the NHS, free education for all children and so on. Government services. We end up with a ratio of 4 to 1. Life as it’s actually lived gives the top 10% four times the final income – income being defined by consumption of course – of the bottom 10%.
That’s not a high level of inequality.
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Forgotten history of India’s Thermopylae
The History Guy: History Deserves to Be Remembered
Published on 20 Jun 2017The History Guy tells the forgotten history of the World War II battle of Imphal also known as India’s Thermopylae.
The History Guy uses images that are in the Public Domain. As photographs of actual events are often not available, I will sometimes use photographs of similar events or objects for illustration.
Patreon: https://www.patreon.com/TheHistoryGuy
The History Guy: Five Minutes of History is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
The episode is intended for educational purposes. All events are presented in historical context.
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February 17, 2019
Finland’s Desperate Fight – WW2 – 025 – February 16 1940
World War Two
Published on 16 Feb 2019After more than a week of preliminary bombardments and attacks, the Red Army finally attacks the Finnish defensive positions on the Karelian Isthmus en masse. They throw thousands of troops at the Finns at the entire width of their lines, even exceeding them. The Finns defend the best as they can, but their winning streak seems to come to an end.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: EastoryColorizations by Norman Stewart.
Thumbnail Colorization by Julius Jääskeläinen: https://www.flickr.com/photos/juliusjaa/Photos of the Winter War are mostly from the Finnish Wartime Photograph Archive (SA-Kuva).
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.comA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days agoMajor developments in the Winter War this week! The thumbnail (colorized by JuliusJaa – https://www.flickr.com/photos/juliusjaa/) depicts Aarne Juutilainen or the “The Terror of Morocco”. This particular photo was taken earlier in December 1939 during the battle of Kollaa, where he acquired a hero status. He owed his name to his service in the French Foreign Legion in Morocco, where he served from 1930 to 1935. By 1940, he commanded his own ‘Moroccan company’, a unit made out of decorated soldiers known for their superior skills.
We sincerely hope that you enjoy the videos we put out for you all! As Indy notes at the end of the video, especially important for today’s episode (there are 14 maps in this) is Eastory, who researches and animates our maps for us. Check out his channel as well! It’s really good -> https://www.youtube.com/channel/UCElybFZ60Hk1NSjgCf7I2sg
Please do consider supporting us on Patreon. That allows us to keep working with awesome people like Eastory and will help us create even more content for you all to enjoy.
Cheers,
Joram
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Tank Chats #42 Elefant | The Tank Museum
The Tank Museum
Published on 18 Aug 2017Originally known as the Ferdinand, then later renamed Elefant, 90 of this heavily armed and armoured vehicle were built, seeing service in the Soviet Union, Italy and Germany.
Although deployed as a tank destroyer, the Elefant had its origins in Ferdinand Porsche’s attempt to build what became the Tiger tank.
This particular Elefant is part of The Tiger Collection at The Tank Museum, Bovington, on loan from the US Army Ordnance Training and Heritage Center, VA.
Support the work of The Tank Museum on Patreon: ► https://www.patreon.com/tankmuseum
Or donate http://tankmuseum.org/support-us/donateTwitter: ► https://twitter.com/TankMuseum
Tiger Tank Blog: ► http://blog.tiger-tank.com/
Tank 100 First World War Centenary Blog: ► http://tank100.com/ #tankmuseum #tanks #tigertank tiger tanks tank chat
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February 15, 2019
“Blood of Bannockburn” – Sabaton History 002
Sabaton History
Published on 14 Feb 2019Sabaton’s song “Blood of Bannockburn” is about the First War of Scottish Independence and one of its key figures, Robert the Bruce. He fought the English King Edward who invaded Scotland when Bruce’s revolutionary force forced all Scottish nobles to join his cause or lose their lands. Edward moved on Bruce’s army while they were besieging Stirling Castle, but his plans to overwhelm the Scottish was opposed by Bruce.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Watch the official lyric video for Blood of Bannockburn here: https://www.youtube.com/watch?v=Xp-Rk…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Wieke Kapteijns
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton‘Photo young Sabaton’ ©Dalarnas museum, foto: Susanne Nyhlén – The National Portrait Gallery https://www.npg.org.uk
An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
1 day ago (edited)Hey!! We’re leaving the modern times (which instantly that answers a frequently asked question about if we’re just sticking to WW2) and will enter the Medieval Era. The 3d animated maps are made and researched by Eastory (check his channel here: https://www.youtube.com/channel/UCElybFZ60Hk1NSjgCf7I2sg). As the battle took place long ago, there is little documentation about it and there are several possible reconstructions of the events of the battle available. We had to prefer one version and proponents of others may criticise it. The most risky decision was to add the effects of land rise and make the Forth river larger as a result. This is absent from most of reconstructions, but Eastory studied some old maps and according to them the sea level in 15th and 16th centuries was far higher in the region.
Enjoy and STAY AWESOME! 🤘🤘
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European-style passenger railways don’t scale to North American distances
At PJ Media, Charlie Martin does a good job of showing why the fast, efficient passenger railways of Europe are not replicated in the US and Canada:
… the usual story is something like “the United States should have a world-class passenger train system, with high-speed rail like the French and Japanese have.” @AOC’s official-no-fake-no-just-a-draft-Republican-conspiracy-theory-why-are-you-all-being-mean? Green New Deal FAQ wanted one so good that air travel would become “unnecessary.”
Sounds great, and I love the covert “MAGA” aspect of the pitch, but it has one great big, pretty much insurmountable problem: America.
Not the country, the geography. People living on the coasts just don’t realize how big this country is. I was discussing it on Twitter with a Swiss who lives in Zürich who was telling me how great the Europeans trains are — and they really are comfortable, pretty fast, have great scenery to look at — but, well, let’s compare Colorado and Switzerland. Similar climate, mountains, pretty scenery, cranky natives who are suspicious of newcomers. But let’s go to the maps:
Colorado is 6.5 times as big, has 60 percent of the population — and, it happens, about two-thirds of the gross “national” product per capita.
Compare the lower 48 states with all of Western Europe:
The truth is, we’re in flyover country out here. The coastal clerisy don’t realize that on their five-hour flight from LAX to LGA they’re traveling 2,500 miles. Now, back in the days of the Super Chief and the 20th Century Limited, you could make that trip by train in only 76 hours, not counting changing trains in Chicago. (It takes longer on Amtrak.)
So, let’s say we could get high-speed trains for the whole trip that averaged 200 miles per hour, and could travel as the crow flies: that’s 12.5 hours.
Except of course you couldn’t because the crow is flying over some of the highest mountains in the country. You’re going to need rights of way, and you can’t use the rights of way that exist because they’re not suited for that kind of speed and they’re pretty full anyway. Also, it wouldn’t do to interrupt the existing freight lines, which actually are about as good as anywhere in the world.
Introducing the Baroque Theorbo
Orchestra of the Age of Enlightenment
Published on Jan 11, 2019“People complain a lot about the space that I take up”.
Lutenist Elizabeth Kenny explains how and why the theorbo was developed in the 17th century, what it was used for, and what it’s like to carry it around on the train.
Website: http://oae.co.uk
Twitter: https://twitter.com/theoae
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February 14, 2019
Macedonian Wars | 3 Minute History
Jabzy
Published on 28 Mar 2015Roman-Macedonian Wars
I will gradually continue to make episodes on Rome somewhat chronologically.
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February 13, 2019
The origins of the word “loot”
William Dalrymple wrote about the Honourable East India Company for the Guardian a few years back, including the way the word “loot” entered common English usage:
The Mughal emperor Shah Alam hands a scroll to Robert Clive, the governor of Bengal, which transferred tax collecting rights in Bengal, Bihar and Orissa to the East India Company, August 1765.
Oil painting by Benjamin West (1738-1820) via Wikimedia Commons.
One of the very first Indian words to enter the English language was the Hindustani slang for plunder: “loot”. According to the Oxford English Dictionary, this word was rarely heard outside the plains of north India until the late 18th century, when it suddenly became a common term across Britain. To understand how and why it took root and flourished in so distant a landscape, one need only visit Powis Castle.
The last hereditary Welsh prince, Owain Gruffydd ap Gwenwynwyn, built Powis castle as a craggy fort in the 13th century; the estate was his reward for abandoning Wales to the rule of the English monarchy. But its most spectacular treasures date from a much later period of English conquest and appropriation: Powis is simply awash with loot from India, room after room of imperial plunder, extracted by the East India Company in the 18th century.
There are more Mughal artefacts stacked in this private house in the Welsh countryside than are on display at any one place in India – even the National Museum in Delhi. The riches include hookahs of burnished gold inlaid with empurpled ebony; superbly inscribed spinels and jewelled daggers; gleaming rubies the colour of pigeon’s blood and scatterings of lizard-green emeralds. There are talwars set with yellow topaz, ornaments of jade and ivory; silken hangings, statues of Hindu gods and coats of elephant armour.
Such is the dazzle of these treasures that, as a visitor last summer, I nearly missed the huge framed canvas that explains how they came to be here. The picture hangs in the shadows at the top of a dark, oak-panelled staircase. It is not a masterpiece, but it does repay close study. An effete Indian prince, wearing cloth of gold, sits high on his throne under a silken canopy. On his left stand scimitar and spear carrying officers from his own army; to his right, a group of powdered and periwigged Georgian gentlemen. The prince is eagerly thrusting a scroll into the hands of a statesmanlike, slightly overweight Englishman in a red frock coat.
The painting shows a scene from August 1765, when the young Mughal emperor Shah Alam, exiled from Delhi and defeated by East India Company troops, was forced into what we would now call an act of involuntary privatisation. The scroll is an order to dismiss his own Mughal revenue officials in Bengal, Bihar and Orissa, and replace them with a set of English traders appointed by Robert Clive – the new governor of Bengal – and the directors of the EIC, who the document describes as “the high and mighty, the noblest of exalted nobles, the chief of illustrious warriors, our faithful servants and sincere well-wishers, worthy of our royal favours, the English Company”. The collecting of Mughal taxes was henceforth subcontracted to a powerful multinational corporation – whose revenue-collecting operations were protected by its own private army.
It was at this moment that the East India Company (EIC) ceased to be a conventional corporation, trading and silks and spices, and became something much more unusual. Within a few years, 250 company clerks backed by the military force of 20,000 locally recruited Indian soldiers had become the effective rulers of Bengal. An international corporation was transforming itself into an aggressive colonial power.
Using its rapidly growing security force – its army had grown to 260,000 men by 1803 – it swiftly subdued and seized an entire subcontinent. Astonishingly, this took less than half a century. The first serious territorial conquests began in Bengal in 1756; 47 years later, the company’s reach extended as far north as the Mughal capital of Delhi, and almost all of India south of that city was by then effectively ruled from a boardroom in the City of London. “What honour is left to us?” asked a Mughal official named Narayan Singh, shortly after 1765, “when we have to take orders from a handful of traders who have not yet learned to wash their bottoms?”
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QotD: The goose-step
One rapid but fairly sure guide to the social atmosphere of a country is the parade-step of its army. A military parade is really a kind of ritual dance, something like a ballet, expressing a certain philosophy of life. The goose-step, for instance, is one of the most horrible sights in the world, far more terrifying than a dive-bomber. It is simply an affirmation of naked power; contained in it, quite consciously and intentionally, is the vision of a boot crashing down on a face. Its ugliness is part of its essence, for what it is saying is “Yes, I am ugly, and you daren’t laugh at me”, like the bully who makes faces at his victim. Why is the goose-step not used in England? There are, heaven knows, plenty of army officers who would be only too glad to introduce some such thing. It is not used because the people in the street would laugh. Beyond a certain point, military display is only possible in countries where the common people dare not laugh at the army. The Italians adopted the goose-step at about the time when Italy passed definitely under German control, and, as one would expect, they do it less well than the Germans. The Vichy government, if it survives, is bound to introduce a stiffer parade-ground discipline into what is left of the French army. In the British army the drill is rigid and complicated, full of memories of the eighteenth century, but without definite swagger; the march is merely a formalized walk. It belongs to a society which is ruled by the sword, no doubt, but a sword which must never be taken out of the scabbard.
George Orwell, “The Lion And The Unicorn: Socialism and the English Genius”, 1941-02-19.
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February 12, 2019
History Summarized: Iroquois Native Americans
Overly Sarcastic Productions
Published on 7 Aug 2017There’s a fascinating history from just northwest of American history that is too often ignored. But that’s a damn shame, because it’s a damn cool history, and I’m going to talk about it dammit!
No, I didn’t accidentally misspell the title of this video when I sleepily uploaded this after I woke up. That’s absurd.
EXTRA CREDITS: HIAWATHA: https://youtu.be/79RApCgwZFw
This video was produced with assistance from the Boston University Undergraduate Research Opportunities Program.
PATREON: http://www.patreon.com/OSP
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February 10, 2019
Stalemate in China, Bombs over Finland – WW2 – 024 – February 9 1940
World War Two
Published on 9 Feb 2019While the Winter War rages on in Finland, Japan is confronted with a dilemma. Keep fighting the Chinese and face huge problems feeding the populace in Japan and their newly conquered territories or withdraw and face your own populace to whom you’ve promised a glorious victory.
Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvBetween 2 Wars: https://www.youtube.com/playlist?list…
Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: EastoryColorizations by Norman Stewart.
Thumbnail Colorization by Olga Shirnina aka Klimbim.Photos of the Winter War are mostly from the Finnish Wartime Photograph Archive (SA-Kuva).
Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.comA TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
New week, new video. A special one, since this one covers my birthday. Well, it would have if i were 54 years older… Anyhow, the Japanese are in trouble this week. At the same time, the Finnish are not as much in trouble as the Soviets would like them to be, but the pressure of the Soviet attacks is building up. Meanwhile, the Allied forces present a plan to actually intervene in the Winter War, in favour of Finland. A – for the Allies not at all unconvenient, side-effect would be an extra bonus. Talking about a convenient side-effect: If you support us on Patreon, we will be able to create ever more content. Right now, we’re working on the first biographies and more specials. We love to be able to bring those to you weekly, but we’re not there yet. Check out or Patreon page on https://www.patreon.com/TimeGhostHistory.Cheers,
Joram
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