Quotulatiousness

May 27, 2013

Kim Il Sung’s 1974 higher education management text is “a perfect book for our times”

Filed under: Books, Bureaucracy, Humour, Media — Tags: , , — Nicholas @ 09:45

Alex Usher can’t stop recommending On Improving Higher Education, by Kim Il Sung, going so far as to call it “a perfect book for our times”:

Pay raises, for instance are Right Out. “As long as you make an issue out of remuneration, you cannot be a revolutionary,” says Kim, righteously noting that nobody paid Marx to write Das Kapital (the fact that Marx died before completing it might have had something to do with that, but no matter). North Korean intellectuals had the privilege of giving lectures and writing books, “and yet they insist on receiving money for this wonderful task,” Kim splutters.

Work rules, too, come under serious scrutiny. Responding to complaints that “university and college professors lecture a thousand hours a year”, which some consider to be too much, Kim is clear: “You are wrong! Fundamentally speaking, calculating lecture hours is not the attitude of a revolutionary. If you are true revolutionaries who serve the people, you would never calculate the hours; you try hard by all means to work as much as you can”.

(I make the following offer to university administrations across Canada: if any of you decide to try to outflank your faculty union to the left by telling them their views are evidence of captiveness to bourgeois ideology, I’m buying the first round.)

May 22, 2013

Fan fiction goes mainstream with Amazon’s Kindle Worlds

Filed under: Books, Business, Media — Tags: , , — Nicholas @ 12:54

People tend to have strong opinions on fan fiction (well, people who know it exists, anyway). This development will polarize fan ficcers very quickly:

The Twitters are abuzz today about Amazon’s new “Kindle Worlds” program, in which people are allowed to write and then sell through Amazon their fan fiction for certain properties owned by Alloy Entertainment, including Vampire Diaries and Pretty Little Liars, with more licenses expected soon. I’ve had a quick look at the program on Amazon’s site, and I have a couple of immediate thoughts on it. Be aware that these thoughts are very preliminary, i.e., I reserve the right to have possibly contradictory thoughts about the program later, when I think (and read) about it more. Also note that these are my personal thoughts and do not reflect the positions or policies of SFWA, of which I am (still but not for much longer) president.

1. The main knock on fan fiction from the rights-holders point of view — i.e., people are using their characters and situations in ways that probably violate copyright — is apparently not at all a problem here, since Alloy Entertainment is on board for allowing people to write what they want (within specific guidelines — more on that in a bit). Since that’s the case, there’s probably a technical argument here about whether this is precisely “fan fiction” or if it’s actually media tie-in writing done with intentionally low bars to participation (the true answer, I suspect, is that it’s both). Either way, if Alloy Entertainment’s on board, everything’s on the level, so why not.

2. So, on one hand it offers people who write fan fiction a chance to get paid for their writing in a way that doesn’t make the rightsholders angry, which is nice for the fan ficcers. On the other hand, as a writer, there are a number of things about the deal Amazon/Alloy are offering that raise red flags for me.

[. . .]

4. This won’t spell the end of unauthorized fan fic, and I’m very sure of that. For one thing, the Kindle Worlds program says it won’t accept “pornography” which means all that slash out there will still be on the outside of the program; likewise crossover fan fic, so those “Vampire Diaries meet Dr Who” stories will be left out in the cold. And besides that, there will be people who a) have no interest in making money and/or b) don’t write well enough to be accepted into the Kindle Worlds program (there does seem that there will be some attempt at quality control, or at least, someone has to go through the stuff to make sure there’s nothing that’s contractually forbidden). So if this was an attempt to squash fan fic through other means, it’s doomed to failure. But I don’t suspect that’s the point.

Update:

Camille Paglia reviews recent academic works … on BDSM

Filed under: Books, Media, USA — Tags: , , , , — Nicholas @ 00:01

It’s cleverly entitled “Scholars in Bondage”:

Three books from university presses dramatize the degree to which once taboo sexual subjects have gained academic legitimacy. Margot Weiss’s Techniques of Pleasure: BDSM and the Circuits of Sexuality (Duke University Press, 2011) and Staci Newmahr’s Playing on the Edge: Sadomasochism, Risk, and Intimacy (Indiana University Press, 2011) record first-person ethnographic explorations of BDSM communities in two large American cities. (The relatively new abbreviation BDSM incorporates bondage and discipline, domination and submission, and sadomasochism.) Danielle J. Lindemann’s Dominatrix: Gender, Eroticism, and Control in the Dungeon (University of Chicago Press, 2012) documents the world of professional dominatrixes in New York and San Francisco.

[. . .]

Furthermore, Weiss is lured by the reflex Marxism of current academe into reducing everything to economics: “With its endless paraphernalia, BDSM is a prime example of late-capitalist sexuality”; BDSM is “a paradigmatic consumer sexuality.” Or this mind-boggling assertion: “Late capitalism itself produces the transgressiveness of sex ­— its fantasized location as outside of or compensatory for alienated labor.” Sex was never transgressive before capitalism? Tell that to the Hebrew captives in Babylon or to Roman moralists during the early Empire!

The constricted frame of reference of the gender-studies milieu from which Weiss emerged is shown by her repeated slighting references to “U.S. social hierarchies.” But without a comparative study of and allusion to non-American hierarchies, past and present, such remarks are facile and otiose. The collapse of scholarly standards in ideology-driven academe is sadly revealed by Weiss’s failure, in her list of the 18 books of anthropology that most strongly contributed to her project, to cite any work published before 1984 — as if the prior century of distinguished anthropology, with its bold documentation of transcultural sexual practices, did not exist. Gender-theory groupthink leads to bizarre formulations such as this, from Weiss’s introduction: “SM performances are deeply tied to capitalist cultural formations.” The preposterousness of that would have been obvious had Weiss ever dipped into the voluminous works of the Marquis de Sade, one of the most original and important writers of the past three centuries and a pivotal influence on Nietzsche. But incredibly, none of the three authors under review seem to have read a page of Sade. It is scandalous that the slick, game-playing Foucault (whose attempt to rival Nietzsche was an abysmal failure) has completely supplanted Sade, a mammoth cultural presence in the 1960s via Grove Press paperbacks that reprinted Simone de Beauvoir’s seminal essay, “Must We Burn Sade?”

[. . .]

What is to be done about the low scholarly standards in the analysis of sex? A map of reform is desperately needed. Current discourse in gender theory is amateurishly shot through with the logical fallacy of the appeal to authority, as if we have been flung back to medieval theology. For all their putative leftism, gender theorists routinely mimic and flatter academic power with the unctuous obsequiousness of flunk­ies in the Vatican Curia.

First of all, every gender studies curriculum must build biology into its program; without knowledge of biology, gender studies slides into propaganda. Second, the study of ancient tribal and agrarian cultures is crucial to end the present narrow focus on modern capitalist society. Third, the cynical disdain for religion that permeates high-level academe must end. (I am speaking as an atheist.) It is precisely the blindness to spiritual quest patterns that has most disabled the three books under review.

The exhausted poststructuralism pervading American universities is abject philistinism masquerading as advanced thought. Everywhere, young scholars labor in bondage to a corrupt and incestuous academic establishment. But these “mind-forg’d manacles” (in William Blake’s phrase) can be broken in an instant. All it takes is the will to be free.

May 19, 2013

IP lawyers whine about patents and 3D printing

Filed under: Books, Law, Media, Technology — Tags: , , , , — Nicholas @ 08:52

Cory Doctorow appears to have been plagiarized by real life:

Two minor characters from my novel Makers have apparently come to life and written an article for 3D Printing Industry. These two people are patent lawyers for Finnegan IP law firm, Washington, DC, which I don’t recall making up, but this is definitely a pair of Doctorow villains (though, thankfully, I had the good sense not to give them any lines in the book — they’re far too cliched in their anodyne evil for anyone to really believe in).

These patent lawyers are upset because the evil Makers (capital-M and all!) are working with the Electronic Frontier Foundation to examine bad 3D printing patents submitted to the US Patent and Trademark Office. The problem is that 3D printing is 30 years old, so nearly all the stuff that people want to patent and lock up and charge rent on for the next 20 years has already been invented, and the pesky Makers are insisting on pointing out this inconvenient fact to the USPTO.

This breaks the established order, which is much to be preferred: the UPSTO should grant all the bullshit patents that companies apply for. The big companies can pay firms like Finnegan to file patents on every trivial, stale, ancient idea and then cross-license them to each other, but use them to block disruptive new entrants to the marketplace. The old system also has the desirable feature of arming patent trolls with the same kind of bullshit patents so that they can sue giant companies and disruptive startups alike, and Finnegan can be there to soak up the tens of millions of dollars in legal fees generated by all this activity.

May 17, 2013

Zoe Fairbairns’ Benefits

Filed under: Books, Britain, Media — Tags: , , , , — Nicholas @ 07:55

Neil Davenport talks about the recent re-publication of Zoe Fairbairns’ dystopian feminist novel, Benefits:

Written in the febrile political atmosphere of late-1970s Britain, Benefits is about a future state’s sinister attempts to control women’s fertility, and to encourage responsible parenting, through the introduction of a universal ‘wages for housework’ benefit.

Although rarely out of print since it first appeared in 1979, Benefits has recently been re-issued, with a new introduction by Fairbairns, for the e-reader age. It is now being marketed as a political attack on ‘anti-welfarist Tories’, yet as Fairbairns points out, anyone who views Benefits as simplistically ‘anti-Thatcherite’ is missing its key point: that welfare benefits can become a weapon of social engineering and control. On top of critiquing aspects of welfarism, Benefits lays into radical feminism’s self-defeating slogan, ‘The personal is political’, while passionately championing women’s liberation and equal rights — feminism’s one-time aims.

Like many dystopian novels, Benefits is rooted in the fears, the panics and the politics of the period it was written in. So although it is set in the dying days of the twentieth century, it rather charmingly echoes the late 1970s: all tower-block grime; politico slogans on walls; squats; communes; poorly designed radical pamphlets. It also speaks to the more alarmist rhetoric of that period of the mid- to late 1970s. From ecologists predicting Europe-wide famine to the New Right’s panic over single mothers to respectable racists complaining about ‘coloured immigration’, the political feeling in Benefits is unmistakably mid-Seventies.

[. . .]

Equally prescient in Benefits is the way its fictional state believes that ‘poor parenting’ can have a corrosive impact on the individual and society; this has become an unquestioned orthodoxy today.

Many dystopian novels hint at a future in which pornography has become staple entertainment. Benefits does that, too, and this also speaks to the reality of twenty-first-century life, especially to today’s increasing separation of sex from genuine intimacy (it talks about ‘all that sex and no babies’).

In Fairbairns’ nightmare vision, women who want to receive benefits must undergo ‘a programme of education for motherhood’. This sounds suspiciously like parenting classes, which are increasingly common today, especially for poorer families, or what David Cameron calls ‘chaotic families’. Also, in imagining a future in which parenting is redefined as a ‘national service’, Benefits hints at today’s creeping nationalisation of individual families. The novel even features a supra-sovereign state called Europea, where British politicians willingly offload their own parliamentary responsibilities. Sound familiar?

May 12, 2013

SF novels for economists

Filed under: Books, Economics, Media — Tags: — Nicholas @ 09:38

Noah Smith cobbles together a list of science fiction novels that might be of interest to economists:

Diane Coyle has a blog post called “Classics for economists,” and someone on Twitter requested that I do a companion piece called “Science fiction for economists”, so here it is.

Really, most science fiction is about economics. What makes most future visions interesting is not just the technical particulars of the cool new Stuff, but the social ramifications. Here are some of the sci-fi books that I thought dealt with important economic issues in the most insightful and interesting ways. I also chose only books that I think are well-written, with well-conceived characters, engaging plots, and skillful writing.

1. A Deepness in the Sky, by Vernor Vinge

2. Makers, by Cory Doctorow

3. The Dispossessed, by Ursula K. LeGuin

4. Down and Out in the Magic Kingdom, by Cory Doctorow

5. Rainbows End, by Vernor Vinge

6. Accelerando, by Charles Stross

7. Lucifer’s Hammer, by Larry Niven and Jerry Pournelle

8. The Windup Girl, by Paolo Bacigalupi

9. The Moon is a Harsh Mistress, by Robert Heinlein

10. Schismatrix, by Bruce Sterling

11. Permutation City, by Greg Egan

12. Reamde, by Neal Stephenson

13. The Game of Thrones series, by George R.R. Martin

In addition to the ones I’ve marked in boldface (that is, I’ve read them and agree they belong on this list), I suspect Stephenson’s Reamde would be worth reading, although I didn’t like Anathem and Smith lauds that as being Stephenson’s “#1 awesomest book”. The best comment on this post is the first one by Anonymous: “When Hari Seldon predicted his exclusion from this list a single tear rolled down his cheek.”

May 6, 2013

The Whole Earth Catalog was “the internet before the internet. It was the book of the future. It was a web in newsprint.”

Filed under: Books, Media, USA — Tags: , , — Nicholas @ 09:27

In the Guardian, Carole Cadwalladr profiles Stewart Brand and his early but vastly influential work, the Whole Earth Catalog:

Stewart Brand didn’t just happen to be around when the personal computer came into being; he’s the one who put “personal” and “computer” together in the same sentence and introduced the concept to the world. He wasn’t just a member of the world’s first open online community, the Well; he co-founded it. And he wasn’t just another of those 60s acid casualties; he was the definitive 60s acid casualty. Well, not casualty exactly, but he was there taking LSD in the days when it was still legal, with the most famous hipster of them all, Ken Kesey and his Merry Pranksters.

For nearly five decades, Stewart Brand has been hanging around the cutting edge of whatever is the most cutting thing of the day. Largely because he’s discovered it and become fascinated with it long before anyone else has even noticed it but, in retrospect, it does make him seem like the west coast’s answer to Zelig, the Woody Allen character who just happens to pop up at key moments in history. Because no one pops up like Stewart Brand pops up, right there, just on the cusp of something momentous.

[. . .]

This year marks its 45th anniversary. I have a slightly later, yellowing and decrepit edition, from 1971, though it’s the same oversized format. It’s the edition that sold 2m copies and won a US National Book award, and the tips on spot welding, home remedies for crabs (not the marine kind, I don’t think), dealing with drug busts, and building your own geodesic dome are rather delightfully quaint. (I especially like an extract from the underground guide to US colleges which states that, at the University of Illinois: “The hip chicks will do it. It is easier to find a chick who will have sex now than it was two years ago when things were extremely difficult.”) But it doesn’t even begin to convey the revolution that the Whole Earth Catalog represented.

But then, it’s almost impossible, to flick through the pages of the Catalog and recapture its newness and radicalism and potentialities. Not least because the very idea of a book changing the world is just so old-fashioned. Books don’t change anything these days. If you want to start a revolution, you’d do it on Facebook. And so many of the ideas that first reached a mainstream audience in the Catalog — organic farming, solar power, recycling, wind power, desktop publishing, mountain bikes, midwife-assisted birth, female masturbation, computers, electronic synthesizers — are now simply part of our world, that the ones that didn’t go mainstream (communes being a prime example) rather stand out.

May 3, 2013

Orwell’s Homage to Catalonia at 75

Filed under: Books, History, Media, Politics — Tags: , , , , , , — Nicholas @ 10:05

In the sp!ked review of books, Mick Hume looks at the book that got Orwell tossed out of the inner circle of leftist writers, not because it was bad, but because it was honest (and made Stalinism look too similar to Hitlerism):

George Orwell could have been killed twice in the Spanish Civil War. Once when he was shot in the throat by General Franco’s fascist forces; then when he was hunted by official Communist agents who, with the backing of Stalin’s Soviet Union, stabbed the revolution in the back and imprisoned, tortured and killed leading leftists and anarchists who were ostensibly on the same Republican side. Orwell learned the hardest way that the war against fascism in Spain was also a civil war against Stalinism.

Homage to Catalonia, Orwell’s famous account of his time in Spain from his arrival in Barcelona on Boxing Day 1936 to his escape in June 1937, has just reached its seventy-fifth anniversary. Like its author, the book almost didn’t make it either. The radical journalist and author’s usual publisher, Victor Gollancz, turned the book down without even seeing the manuscript, insisting that he would not publish anything ‘which could harm the fight against fascism’ by criticising the Communists.

Most of those from Britain and Europe who went to write about and fight in the Spanish Civil War took a similarly one-eyed view and followed the pro-Soviet line. What was unique about Orwell was that he hated fascism, but also stood apart from the official Stalinist-dominated left of his time. The radical maverick wrote about what he saw in Spain, rather than simply what he was told was true — although he also warned his readers to ‘beware my partisanship’ when seeking an objective account. He questioned the ‘official’ Stalinist-dictated account of events in Barcelona and elsewhere that was accepted around the world. This heresy made him the subject of a hate campaign when Homage to Catalonia was finally published in 1938, a campaign which continued well into the 1980s.

[. . .]

Orwell’s brilliant firsthand account of the conflict stands apart from and well above the I-was-there school of emotive, narcissistic war reporting we witness too often today. He also attempts to put his personal experiences into some proper political context, in two chapters now removed (at his request) from the narrative text and published at the end as appendices.

Here, Orwell closely interrogates and challenges the ‘official version’ of events in Barcelona, put about by the Communists and their many international apologists to justify their brutal repression of the non-Stalinist left. As he unravels the twisting of truth by propaganda organs such as the CPGB’s Daily Worker, you can almost see the ideas he was soon to express in his novels Animal Farm and Nineteen Eighty-Four. He is also cutting about the way that the Communists simply branded their opponents as ‘Social-fascists’ and ‘Trotsky-Fascists’ to avoid engaging in important political arguments. Many who express their admiration for Orwell today have yet to absorb his point that screaming ‘Fascists!’ in the faces of those you disagree with is not the same thing as making your case. ‘Libel’, as he concludes, ‘settles nothing’.

May 1, 2013

Charles Stross on how he conceived his Merchant Princes series

Filed under: Books, Media — Tags: — Nicholas @ 11:15

It’s all about the clichés, apparently:

I have a confession to make: I hate clichés. This is a problem, because a cliché is a good idea that has been re-used so often that it outstays its welcome.

Also, being a Brit of a certain outlook, I do not view monarchism or aristocracy with any degree of nostalgic fondness. The divine right of kings is a post-hoc justification for hereditary dictatorship (current poster-child: Kim Jong-Un) and the feudal age was one of total militarization of society, of petty lords with the right to hang any serf whose face they didn’t like, and of wars ravaging the land every generation.

Finally: I’m lazy and cynical, I get bored easily, and I have a warped sense of humour. Which is how I came up with this series. I grabbed hold of a bunch of clichés and rammed them together until I achieved fusion. And that’s how The Bloodline Feud starts.

Cliché #1: science fiction about people who can travel between different time-lines. The 500 kilo gorilla in this sub-genre is undoubtedly Roger Zelazny’s Amber series (if you count it as SF: I’d say the main protagonists’ outlook qualifies it as such), but honourable runners-up are numerous: Harry Turtledove, John Barnes, add to the list at your leisure. The ability to walk between worlds seems like a wonderful talent that can bring all sorts of benefits: but what if it wasn’t? What if you ran into all the same problems with earning a living, maintaining your personal safety and security, and staying out of trouble that you had in your home time-line? In fact, what if it made everything worse? It seemed to me that this was fertile territory to explore, so I stripped my world-walkers’ ability back to basics and put some onerous limitations on it. It’s not a get out of jail free card. And for added amusement, I decided to give them another handicap: a cultural one.

April 30, 2013

Another incident of hypersentimentality

Filed under: Books, Britain, Media — Tags: , , , , — Nicholas @ 09:45

In sp!ked, Brendan O’Neill discusses the latest opportunity for people to ostentatiously display their sentimentality:

I wish Scottish author Iain Banks had kept his cancer to himself. For in making it public, through a statement about being ‘Very Poorly’, he has unwittingly mobilised one of the ugliest mobs of modern times: the death-watchers, the ostentatious grievers, those who like nothing more than to read about another’s physical demise and advertise how moved they are by it.

Almost as soon as Banks announced earlier this month, through the publisher of his entertaining novels, that he was suffering from terminal gall bladder cancer, these professional proxy weepers were doing their thing. Premature mourning was rife. Twitter became a vast virtual pre-death condolences book, as everyone stopped what they were doing for 45 seconds to tweet about how torn apart they were by the news of Banks’ sickness. People seemed keen to out-lament each other. One said Banks’ cancer revelation hit her like ‘a chill blast of sorrow and grief’, which makes you wonder how she’ll cope when he dies.

Friends and fans of Banks set up a website where lovers of his novels can get updates on his condition and sign a ‘guest book’ that is really just another offensively early condolences book. Thousands of messages have been posted. It’s remarkable how many of the message writers admit they ‘don’t know what to say’ yet proceed to say it anyway, at length, clearly feeling weirdly compelled to sign up to the speedily constructed community of online mourners.

We’ve also had pre-death obituaries, articles assessing Banks’ life and work before either has come to an end: his next novel, The Quarry, will be published shortly. Even those who know nothing about Banks felt an urge to write about him, or rather about how they personally felt upon hearing he was sick. Simon Kelner at the Independent admitted ‘I haven’t read any of his books’, before producing a whole column on Banks’ cancer news. The macabre sense of anticipatory mourning is summed up in the way Banks’ wife is referred to on the tribute website: as his ‘chief widow-in-waiting’.

April 27, 2013

The misplaced outrage over Amazon’s tiny tax bill in the UK

Filed under: Books, Britain, Business, Economics, Europe, Media — Tags: , , , , — Nicholas @ 08:40

Tim Worstall explains that the current efforts by various campaigners including Stephen Fry are not only a waste of time and effort, but betray a fundamental misunderstanding of how the EU is set up:

There are several points that could be made. One being that selling to Brits from Luxembourg is not tax dodging, it’s exactly what the EU intends the Single Market should be. A, umm, single market across 27 countries. A second might be that even if we start to whine about UK warehouses, tax is still not due here. Our double taxation treaty with Luxembourg means that such warehouses do not lead to tax being due. And that’s from 1968 or so when Wilson ruled: it’s also a standard part of all double taxation treaties and for good reason.

(For example, the metals trade uses warehouses in Rotterdam as the point at which a contract is concluded. The cut flowers business warehouses in a small village near Schipol. Should Holland get all the tax from the world’s metals and flower businesses? Or should everyone be taxed where they really are, not the warehouses?)

But there’s much worse than this. We’ve had the Margaret Hodges screeching that we’re talking about immoral, not illegal. The TJN and other fools similarly scream about how awful it is that people can do business without paying tax. And it is precisely all of this activism that leads these gentle booksellers to spend their year collecting signatures. To absolutely no avail whatsoever.

For in the year they are complaining about, last year, 2012, Amazon did not make a profit. A $39 million loss in fact according to their accounts. It’s simply not true that “tax dodging” by Amazon is leading to the crucifixtion of the independent book shop. That’s a lie that’s been foisted upon people by the obfuscations of the campaigners.

April 24, 2013

Copyright terms are almost certainly too long already

Filed under: Books, Business, Economics, Law, Media — Tags: , , , — Nicholas @ 11:59

At Techdirt, Mike Masnick makes the case for reducing the swollen length of time current copyrights are protected:

We’ve pointed a few times in the past to a chart from William Patry’s book, looking at how frequently copyright was renewed at the 28 year mark back when copyright (a) required registration and (b) required a “renewal” at 28 years to keep it another 28 years. The data is somewhat amazing:

Copyright renewal rates 1958-59

As you can see, very few works are renewed after 28 years. Only movies, at 74% are over the 50% mark. Only 35% of music and only 7% of books tells quite a story. It makes it quite clear that even the copyright holders see almost no value in their copyrights after a short period of time. It appears that the Bureau of Economic Analysis is coming to the same conclusion from a different angle. As Matthew Yglesias notes, as part of its effort to recalibrate how it calculates GDP, the BEA is considering money spent on the creation of content an “investment” in a capital good, which needs to be depreciated over the time period in which it is valuable. Frankly, I’m not convinced this is the smartest way to account for money spent on the creation of content, but either way, the BEA’s analysis provides some insight into the standard “economic life” of various pieces of content, which match up with the chart above in many ways.

QotD: Welcoming the DSM-V appropriately

Filed under: Books, Health, Humour, Quotations, Science — Tags: , , — Nicholas @ 00:01

The much-awaited arrival of DSM-5 (the fifth edition of the American Psychiatric Association’s Diagnostic and Statistical Manual of Mental Disorders) should ensure that every human being is classed as insane. At this point we might be able to start again and consider what psychiatry is for. Genomics is keen to help in the effort by finding the loci that are associated with all sorts of mental disorders. Enter a huge population based study funded by the National Institute of Mental Health: “Our findings show that specific SNPs are associated with a range of psychiatric disorders of childhood onset or adult onset. In particular, variation in calcium-channel activity genes seems to have pleiotropic effects on psychopathology. These results provide evidence relevant to the goal of moving beyond descriptive syndromes in psychiatry, and towards a nosology informed by disease cause.” Hmm. I think that when authors have to use words like “pleiotropic” and “nosology” there is a high chance that they do not know what they are talking about. So before welcoming the marriage of genomics and psychiatry, let us remember that there is a strong history of madness on both sides.

Richard Lehman, “Richard Lehman’s journal review—22 April 2013”, BMJ Group blogs, 2013-04-22

April 19, 2013

Enviro-Apocalypse Now (or real soon, anyway)

Filed under: Books, Environment, Media — Tags: , , — Nicholas @ 09:17

At sp!ked, Tim Black reviews the latest environmental doom-mongering tome from Andrew Simms:

All of this ought to leave Simms & Co looking like the boys who cried climate catastrophe. Yet somehow, as Cancel the Apocalypse shows, they are continuing, unabashed, to preach environmental doom despite its palpable absence. In fact, the hyper-pessimism has even been ramped up a bit. ‘The horsemen are galloping and there are more than four of them’, Simms chirrups. ‘Climate change, financial meltdown, the global peak and decline of oil production, a mass extinction event of plant and animal species, overuse of fresh water supplies, soil loss, economic infrastructure increasingly vulnerable to external shocks — it’s the age of the complex super disaster.’ It seems devastating climate change is no longer enough for Simms; he wants to solicit a whole host of other unrelated, and highly debatable, phenomena for his narrative of woe. Cancelled? No way, Simms chortles: the apocalypse is back on.

So how is Simms able to maintain his unshakeable belief in our imminent destruction? What makes him and his tweedy, right-on puritan mates different to, say, William Miller, founder of the Second Adventists (later to become the Seventh Day Adventists), who, as Simms tells us, believed the day of reckoning would fall in 1843, 1845, 1846, 1849, 1851, 1874 and 1999?

The ostensible answer is that whereas previous doomsayers derived their predictions from ‘gobbledygook floating up from patterns of words and numbers dimly discerned in books about faith and belief’, Simms and his followers rely upon ‘verifiable scientific experiment’. Of course, The Science.

Which is funny, because Cancel the Apocalypse does not contain much in the way of ‘verifiable scientific experiment’. What it does feature, though, is a scientistic use of the authority of science to justify a whole range of dubious assertions. In Simms’ hands, science is no longer science. It is a metaphor, an authority-bolstering gloss, allowing him to talk, for example, of socio-historical phenomena such as the economy in terms of the laws of nature: ‘Just as physical laws constrain the maximum efficiency of a heat engine’, he writes, so ‘economic growth is constrained by the finite nature of our planet’s natural resources, the variable but ultimately bounded biocapacity of its oceans, fields, geology and atmosphere’; and later on, ‘the laws of physics mean it is not possible to create the order of such [economic] exchanges without a little something being lost [Simms is referring to the biosphere]’.

April 6, 2013

Emile Simpson hailed as “one of the greatest military historians of his generation”

Filed under: Books, History, Media, Military — Tags: , — Nicholas @ 00:01

In the Times Literary Supplement, Michael Howard is so impressed with Simpson’s book that he goes out on a limb to recommend it:

Some four decades ago, the TLS sent me a book to review by a young lecturer at Sandhurst entitled The Face of Battle. It impressed me so much that I described it as “one of the best half-dozen books on warfare to have appeared since the Second World War”. I wondered at the time if I had made a total fool of myself, but I need not have worried. The author, the late Sir John Keegan, proved to be one of the greatest military historians of his generation. It would be rash to put my money on such a dark horse again, but I shall. Emile Simpson’s War From the Ground Up is a work of such importance that it should be compulsory reading at every level in the military; from the most recently enlisted cadet to the Chief of the Defence Staff and, even more important, the members of the National Security Council who guide him.

Emile Simpson does not presume to show us how to conduct war, but he tells us how to think about it. He saw service in Afghanistan as a young officer in the Gurkhas, and his thinking is solidly rooted in that experience. Like Clausewitz 200 years earlier, Simpson found himself caught up in a campaign for whose conduct nothing in his training had prepared him; and like Clausewitz he realized that to understand why this was so he had to analyse the whole nature of war, from the top down as well as from the ground up. Afghanistan, he concluded, was only an extreme example of the transformation that war has undergone during his lifetime; and that itself is due to the transformation of the societies that fight it.

[. . .]

It is impossible to summarize Emile Simpson’s ideas without distorting them. His own style is so muscular and aphoristic that he can concentrate complex arguments into memorable sentences that will have a life of their own. His familiarity with the work of Aristotle and the history of the English Reformation enables him to explain the requirements of a strategic narrative as effectively as his experiences in Afghanistan illuminate his understanding of the relationship between operational requirements and political objectives. In short (and here I shall really go overboard) War From the Ground Up deserves to be seen as a coda to Clausewitz’s On War. But it has the advantage of being considerably shorter.

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