In the aftermath of World War One, the Japanese military saw the utility of infantry-portable light grenade launchers instead of rifle grenades, and adopted the Type 10 in 1921 (Taisho 10). It went into production in 1923 at the Tokyo Army Arsenal, although the great Tokyo earthquake led to production being moved to Nagoya, where about 11,000 were made between 1925 and 1937. The Type 10 was a remarkably light and handy weapon, weighing just 5.5lb (2.5kg) and disassembling into a transport configuration the size of a wine bottle.
The larger Type 89 grenade launcher was adopted in 1929, which led to the older Type 10s being relegated to use for illumination and signaling, which they did through the end of World War Two.
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To western eyes, contemporary Japan has a kind of earnest childlike wackiness, all karaoke machines and manga cartoons and nuttily sadistic game shows. But, to us demography bores, it’s a sad place that seems to be turning into a theme park of P.D. James’ great dystopian novel The Children Of Men. Baroness James’ tale is set in Britain in the near future, in a world that is infertile: The last newborn babe emerged from the womb in 1995, and since then nothing. It was an unusual subject for the queen of the police procedural, and, indeed, she is the first baroness to write a book about barrenness. The Hollywood director Alfonso Cuarón took the broad theme and made a rather ordinary little film out of it. But the Japanese seem determined to live up to the book’s every telling detail.
In Lady James’ speculative fiction, pets are doted on as child-substitutes, and churches hold christening ceremonies for cats. In contemporary Japanese reality, Tokyo has some 40 “cat cafés” where lonely solitary citizens can while away an afternoon by renting a feline to touch and pet for a couple of companiable hours.
In Lady James’ speculative fiction, all the unneeded toys are burned, except for the dolls, which childless women seize on as the nearest thing to a baby and wheel through the streets. In contemporary Japanese reality, toy makers, their children’s market dwindling, have instead developed dolls for seniors to be the grandchildren they’ll never have: You can dress them up, and put them in a baby carriage, and the computer chip in the back has several dozen phrases of the kind a real grandchild might use to enable them to engage in rudimentary social pleasantries.
P.D. James’ most audacious fancy is that in a barren land sex itself becomes a bit of a chore. The authorities frantically sponsor state porn emporia promoting ever more recherché forms of erotic activity in an effort to reverse the populace’s flagging sexual desire just in case man’s seed should recover its potency. Alas, to no avail. As Lady James writes, “Women complain increasingly of what they describe as painful orgasms: the spasm achieved but not the pleasure. Pages are devoted to this common phenomenon in the women’s magazines.”
As I said, a bold conceit, at least to those who believe that shorn of all those boring procreation hang-ups we can finally be free to indulge our sexual appetites to the full. But it seems the Japanese have embraced the no-sex-please-we’re-dystopian-Brits plot angle, too. In October, Abigail Haworth of The Observer in London filed a story headlined “Why Have Young People in Japan Stopped Having Sex?” Not all young people but a whopping percentage: A survey by the Japan Family Planning Association reported that over a quarter of men aged 16–24 “were not interested in or despised sexual contact.” For women, it was 45 per cent.
Mark Steyn, The [Un]documented Mark Steyn, 2014.
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Don’t miss the special announcement of our new exciting collaboration at the end of this episode!
Register for free at World of Warships here: https://wo.ws/PearlHarbor and receive a special in-game package worth €25, including the ships USS St. Louis, Japanese Cruise Tenryū – and more bonuses.
In this episode:
There is a lull now on the Eastern Front, and Adolf Hitler uses the time to plan another drive on Moscow and points beyond, but he’ll be facing a larger Red Army, as reinforcements and recruits hope to nearly double its size in a matter of weeks. The British are counting down the days to their upcoming North African offensive, and the Japanese are sending out orders that will change the world dramatically in a single morning.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
Arkiv i Nordland
Narodowe Archiwum Cyfrowe
IWM C 4748, E 6661, WPN 298, E 6724, MH 9292, E 3469E, E 7008, E 759C
Picture of Alfred Godwin-Austin, courtesy of Berserker276 https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: company soldiers by Andrei Yushchenko, Bell by wahyakup
Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Rannar Sillard – “March Of The Brave 4”
Bonnie Grace – “The Dominion”
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Hakan Eriksson – “Epic Adventure Theme 3”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
merdiolu81
22 hours ago (edited)
Meanwhile, on 30 October, Stalin had raised a casual question. “How are we going to do the military parade?” That was the great, traditional 7 November Red Square parade, the celebration of the 1917 “October” Revolution, which had taken place on 24-5 October, Old Style — 6-7 November, New Style. General Pavel Artem’ev, who had been commander of the Moscow Military District and had taken command of the Moscow defence zone as the critical phase began, on 12 October, said it could not happen. Yes, it would, said Stalin. If there was a German air raid, the dead and wounded should be removed quickly, he added. It would happen. The risk was considerable. The potential political response was devastatingly positive, and worth the risk. The “Boss” had his faults (aside being a brutal tyrant) , but this was the decision of a leader. The parade would take place, and the troops, guns and armoured vehicles would then proceed straight to the front. It was a stroke of genius. The military effect would be compounded by the media and political effect. As always, everything was kept secret until the last moment. The officers involved did not receive their final briefing until 02.00. Stalin liked surprises, as most dictators do.
On 7 November, at 08.00 hours, just after dawn, under a steely, overcast Russian sky, with rimy air on the brink of freezing and snow beginning to fall, the troops marched south-east down the “square”, towards St Basil’s Cathedral and the Moskva river, beyond. Red Square, which owes its name to the old Slavic word for “beautiful”, and not to communism at all, is not really a square, either. It is a wide cobbled boulevard, running past the north-east wall of the red-brick, triangular Renaissance fortress. St Basil’s Cathedral is the onion-domed fantasy built for Ivan the Terrible. He was so delighted with it that he had the architect’s eyes put out, so that he could not build for anybody else anything so whimsically fantastic and beautiful. Stalin admired Ivan. The Germans were coming from the north-north-west, so, once the troops, guns and armoured vehicles had passed Lenin’s Mausoleum and reached St Basil’s, they would turn smartly about and head in the opposite direction, up Gor’kiy Street, and then north-west, to face the Germans.
The stars of the show were the new T-34 and KV tanks. But one of the heavy KV tanks screeched to a halt and then turned the wrong way. Another followed. The tanks were all armed, ready for battle, and if anybody wanted to take out the Politburo standing on Lenin’s Mausoleum, that would have been an ideal opportunity. Given the paranoia which prevailed in Moscow at the time, overreaction might have been the order of the day. Artem’ev demanded to know what had happened. The first tank, it turned out, had suffered a mechanical problem, and its commander did not want to cause any embarrassment on the big parade, so he got out of the way. Following the standard operating procedures the newly trained crews had been taught, the second tank went to its aid. This was starting to look like a professional army. The boss classes gathered on the Mausoleum found it amusing, and no one was reprimanded. The big parade was an iconic image of the war, and a stroke of public-relations genius. And, that night, earlier than usual, the Russian winter snow really began to fall.
Absolute War, Soviet Russia in the Second World War – Chris Bellamy
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Hosted by: Indy Neidell
Written by: Francis van Berkel and James Newman
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: James Newman
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Naval History & Heritage Command http://maps.bpl.org
FDR Presidential Library & Museum
Picture of MS St. Louis in Hamburg, United States Holocaust Memorial Museum, courtesy of Herbert and Vera Karliner
from the Noun Project: Skull by Muhamad Ulum, Handshake by priyanka, Pickaxe by Luke Anthony Firth, oil barrel by BomSymbols
Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Johannes Bornlof – “The Inspector 4”
Farell Wooten – “Blunt Object”
Philip Ayers – “Trapped in a Maze”
Johannes Bornlof – “Deviation In Time”
A man who was both Japan’s War Minister and Prime Minister, who played a large role in escalating the already daunting scale of the war in China to a world war against multiple world powers. We learn about his life from his birth in Tokyo in 1884 to his execution at Sugamo prison in Tokyo in 1948.
A spy who is famous for warning Stalin about Hitler’s plan to invade the Soviet Union. But he was so much more than that. His fascinating life begins in the Caucasus and eventually leads him to Tokyo.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Monika Worona
Sound design: Marek Kamiński
Colorizations by:
Carlos Ortega Pereira
Daniel Weiss
Mikołaj Uchman
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
16 hours ago (edited)
More fascinating World War Two spy stuff we know you love. We’ve already spoken about Popov, Enigma, and much more, but what makes Sorge particularly stand out is the amount of praise he has consistently received. Both Tom Clancy and Ian Fleming have said they consider him one of the world’s greatest spies, and other espionage workers, including ones who worked on the opposing side to him, have admitted their admiration for the man.
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Moscow panics as the Germans edge closer and take prisoners by the hundreds of thousands, even as the temperature drops far below freezing. At home in Germany, Josef Goebbels has a problem – he’s promised victory too soon and too often. And in Japan, a government falls.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Japan’s immediate future seems decided with a new government that certainly has no issue with the war in China or with extending that war to the south, meanwhile Moscow panics as the Germans approach. What does all this mean for the men and women in the occupied territory? What does it mean for those at home?
To learn more about that check out our sub-series “War Against Humanity” and “On the Homefront”:
Adolf Hitler’s renewed drive on Moscow, the Soviet capital, begins this week, even as the Japanese drive on Changsha ends. But major news this week is the colossal amount of equipment, arms, and ammunition that Britain and the neutral USA plan to ship to the beleaguered Soviet Union.
Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
RIA Novosti archive, image #585208
Yad Vashem 3725/4
Picture of Lord Beaverbrook, courtesy Yousuf Karsh, Dutch National Archives
Graphics of Hawker Hurricane, courtesy Martin Čížek https://en.wikipedia.org/wiki/File:Hu…
Graphic of P-39Q Airacobra, courtesy Martin Čížek https://commons.wikimedia.org/wiki/Fi…
From the Noun Project: Skull by Muhamad Ulum, Radar by Econceptive, Mining by Pham Duy Phuong Hung, golds by iconsphere, Diamond by IconMark, puncture by supalerk laipawat, tire by Juan León, wool ball by IconMark, Boots by Atif Arshad, Oil by TTHNga, Needle by artworkbean, Gloves by Berkah Icon, Knife by Vladimir Belochkin, saw by Stepan Voevodin, forceps by IcoLabs, Chest X-ray by Turkkub, pills by Komkrit Noenpoempisut, antibiotics by UNiCORN, Roll by rivercon
Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “Death And Glory 3”
Jon Bjork – “For the Many”
Johannes Bornlof – “Last Man Standing 3”
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Bonnie Grace – “The Dominion”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Rannar Sillard – “March Of The Brave 10”
In former Yugoslavia, the Republic of Uzice breaks free from the German occupation, even as the Germans are mopping up the masses of shattered Soviet Armies after last week’s capture of Kiev. In the north, it really looks as if Leningrad will hold out for the time being, and German troops from both north and south converge on the center for the coming drive on Moscow.
Favourite of [Field Marshal Viscount] Slim’s tales of these wonderful little fighters from the Himalayas is that of the Gurkha who met a Japanese in No Man’s Land. Jap and Gurkha decided to have it out in a duel, each using his own chosen steel. The Jap swiped at his opponent with his two handed sword, which the Gurkha avoided. Then, the Gurkha slashed with his kukri, the broad, curved knife which is his traditional weapon. “So, you missed, eh?” jeered the Jap. “You just sneeze,” said the Gurkha, “and see what happens to your head.”
»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig
Channel Design: Alexander Clark
Original Logo: David van Stephold
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
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Kiev falls to the Germans, yielding hundreds of thousands of prisoners as whole armies are surrounded, but behind the lines all over German-occupied territories, partisan movements are gaining steam. Meanwhile, in China, Japan launches another campaign against Changsha.
The German invasion of the Soviet Union has taken enormous amounts of territory, but this week the Red Army not only stops the Germans, they score a ringing victory. However, Leningrad comes under siege and Kiev is in great danger, and Adolf Hitler is issuing directives for the next phase of the operation.
At open-house of the Japan Maritime Self-Defense Force Yokosuka Naval Base.
On June 11, 2016.
#JMSDF #MSDF
From the Wikipedia entry:
JS Izumo (DDH-183) is a helicopter carrier with a planned future conversion into an aircraft carrier. Officially classified as a multi-purpose operation destroyer, she is the lead ship in the Izumo class of the Japan Maritime Self-Defense Force (JMSDF). She is the second warship to be named for Izumo Province, with the previous ship being the armoured cruiser Izumo (1898).
The ruling Liberal Democrat Party announced in May 2018 that it favours converting Izumo to operate fixed-wing aircraft. The conversion was confirmed in December 2018 when Japan announced the change of its defense guidelines. Upon the completion of the process, Izumo will be the first Japanese aircraft carrier since World War II.
Kapil Komireddi on the achievements of Shinzō Abe, “the man who saved Japan”, who served four non-consecutive terms as Prime Minister between 2006 and 2020:
Shinzō Abe, Prime Minister of Japan, 2006-7 and 2012-20. Official portrait from the Government of Japan under Government of Japan Standard Terms of Use (Ver. 2.0)
To appreciate the achievement of Shinzo Abe, who on Friday announced his decision to resign as Japan’s prime minister because of faltering health, consider the state of the country he inherited. Between 2007, the year Abe vacated the prime minister’s office after serving exactly for a year, and 2012 — when Abe staged a spectacular comeback — Japan had seen off five prime ministers in rapid succession. In fact, with the exception of Junichiro Koizumi, no Japanese prime minister had completed the full four-year term since 1987. A debilitating fatalism had seized Japan: a nation that had risen from the ashes of World War II to become the richest economy on earth after the United States was becoming reconciled to the prospect of irretrievable decline.
Such a posture may have struck some as virtuous. To Abe, it was sacrilegious. The scion of a storied political dynasty, he wanted Japan to become a “nation which can withstand the raging waves for the next 50 to 100 years to come”. Abe nursed a lifelong grievance against what he described as the “terrible” Constitution drafted by the Allied forces after Japan’s decimation in 1945. His greatest political aspiration was to revoke the clause that shackled Tokyo to pacifism as a form of punishment for the sins of imperial Japan. In a land where singing the national anthem with enthusiasm can be seen as a symptom of hawkishness, Abe approached voters with a pledge to “take back Japan”. As a campaigner, he was a populist before the word entered common usage. Once in office, however, he evolved into something altogether different.
The ideological passions that animated his politics were almost instantly subordinated to the higher cause of dispassionate service to Japan. As democracy after democracy fell to populists, Abe, the original populist, travelled in the opposite direction: a rare leader in the democratic world who did not allow partisanship to consume him. Abe did not disavow his conservatism: he aligned it to the challenges before him. The upshot? In the eight years since his return to power in 2012, he presided over the longest period of economic expansion in Japan’s post-war history and the lowest unemployment rate in at least a quarter century. He introduced free preschool and day care for children between the ages of 3 and 5 and created the conditions for the entry of a record number of women into the workforce.
Imparting stability to Japan was the preliminary act. As Tobias Harris reminds us in his important and outstanding new biography of Japan’s outgoing prime minister, The Iconoclast, Abe did not hesitate to dispute and dismantle the dogmas of his own side to pursue policies — such as the guest worker programme — he believed were imperative to securing Japan’s future. He deployed, Harris writes, “his power to defy his conservative allies and open Japan to the world”. At the same time, he strove to be conciliatory with all those who did not vote for him, regarded him with implacable suspicion, and marched against his “militarism” on the streets. This perhaps explains why, despite protests, criticism and scandal, he was able to lead his conservative Liberal Democratic Party to a series of comfortable victories at the ballot box and cement its position effectively as the default party of government in Japan.
