Quotulatiousness

January 27, 2021

Misunderstood Moments in History – The Spartan Myth

Filed under: Europe, Greece, History, Military — Tags: , , , , , , — Nicholas @ 02:00

Invicta
Published 27 Oct 2017

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The Spartans are immortalized in history as super soldiers bred for war. However most of what we think we know about them is a lie. Today we will unmask the truth behind the Spartan Myth.

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Documentary Credits:
Research: Dr Roel Konijnendijk
Script: Invicta
Artwork: Milek J
Editing: Invicta
Music: Total War OST, Soundnote

Documentary Bibliography:
Paul Anthony Cartledge, The Spartans: The World of the Warrior-heroes of Ancient Greece
Nigel Kennell, Spartans: A New History (2010)
S. Hodkinson, Property and Wealth in Classical Sparta (2000)
J. Ducat, Spartan Education: Youth and Society in the Classical Period (2006)
S.M. Rusch, Sparta at War: Strategy, Tactics and Campaigns, 550-362 BC (2011)
E. Rawson, The Spartan Tradition in European Thought (1969)
S. Hodkinson & I.M. Morris (eds.), Sparta in Modern Thought (2012)

January 26, 2021

QotD: “A world organized around institutional mass slavery”

Filed under: China, Economics, Europe, Greece, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

An example: We’ve discussed all the cool steampunk shit the Greeks could’ve had, if only Archimedes had … well, that’s just the thing, isn’t it? We look at the aeolipile and see a prototype steam engine; they looked at it and saw, as best we can tell, a party trick. Back when, I suggested, Marxist-style, that labor costs were a sufficient explanation for why nobody took the obvious-to-us next step of hooking the thing up to something productive and kicking off the Industrial Revolution. Machines are labor-saving devices; the ancient world had a gross excess of labor. Calling the aeolipile a steam engine, then, is a category error.

New hypothesis: It’s a category error, all right, but not because they didn’t think in terms of labor costs. It’s because they couldn’t think in terms of labor costs.

A world organized around institutional mass slavery is, in a very real sense, a timeless world. Herodotus (I think) actually says somewhere that nothing worth mentioning happened before him, and you can see echoes of this attitude even as late as the Antebellum South. You see their attitude described as “conservative,” but since that’s egghead shorthand for “evil” you can ignore it. They weren’t consciously backward-looking; rather, they were deeply rooted to their place and station. To the outsider, it looked like they were trying to hold time back, but to the insider, time — clock time, industrial time, the time of the Protestant work ethic — barely existed at all.

So with the Classical World. The Romans, for instance, are endlessly frustrating to their admirers (of which I am an ardent one). Their only economic fix, for instance, was debasing the currency, i.e. a primitive form of inflation. You guys could figure out how to hew an artificial harbor out of some desert rocks — a trick we’d have a hard time pulling off today — but you couldn’t figure out fiat currency? Or a better political system than the tetrarchy? Or that the forts-and-legions paradigm just isn’t cutting it? Or … etc.

Stuff like that is why Spengler said classical, Apollonian culture was fundamentally different from, and incompatible with, our Faustian culture. According to Spengler, the master metaphor for the Apollonian is the human body, which is beautiful but changeless (emphasis mine, not Spengler’s). You can improve your body somewhat, but only within certain tight limits, and the body’s fundamental form is always the same (we could time warp Julius Caesar into the Current Year and still recognize him as a fellow homo sap., no matter how different his mind might be).

The Faustian, though — that would be us — organizes his worldview around space, infinite space. Practically speaking, this results in our attitude of innovation-for-innovation’s sake. We send a man to the moon because we can, but such an idea would never occur to the Romans, for the same reason they didn’t apply all their awesome engineering knowledge to the problems of governance. Hacking a harbor out of the desert is a tremendous feat, but it’s a local feat — a one-shot deal, a very specific response to a very specific local problem, with no broader applications.

This, I suggest, is because the timeless world of institutional mass slavery naturally selects for the kind of man who is at home in the world of institutional mass slavery. It’s a world of very low future time orientation, because “time” hardly exists at all. Forget machinery for a sec; the Roman world was full of enormous problems that had teeny-tiny, head-slappingly obvious fixes. Julius Caesar, for instance, was considered some kind of prodigy because he could sight-read books. Which really was a noteworthy feat, because Romans didn’t even put spaces between their words, much less use any sort of punctuation marks. And they were radical innovators compared to the Ancient Egyptians, since at least Roman writing all ran left-to-right; hieroglyphics can be read in any direction, including vertically, and I’m pretty sure there are examples of them changing text orientations in the middle of the same inscription. It’s not hard to imagine some legion commander actually losing a battle because he had to stop and sound out an important communique from a subordinate …

… and yet the Romans, for all their technical skill, never even figured that tiny change out. See also: The Chinese doing fuck-all with movable type, vs. (Faustian) Europeans using it to conquer the world. China, too, was a timeless society. As Derb says somewhere, Classical Chinese isn’t even really writing; it’s more of an aide-memoire — designed to remind readers of stuff they already know, not to communicate new information.

Your post-Roman European, by contrast, lived in a world where high future time orientation was an absolute must. You don’t need hypotheses like the famous “lead in the drinking water pipes” to explain the seemingly bizarre things the Romans did, or didn’t do; all you need is time orientation, a fundamental attitude of “this is a variation on an old problem” vs. “this is an entirely new situation that requires a new response.” Life in the post-Roman world was solitary, poor, nasty, brutish, and short — every man for himself; think through the consequences of your actions very carefully before you do them, or die horribly. Those who failed to do so died. Bake that into the genetic cake for a few generations, and you get Renaissance Man, who’d see a million possible applications for the aeolipile.

Severian, “Bio-Marxism”, Rotten Chestnuts, 2020-09-24.

January 21, 2021

QotD: The Laurentian Elite and the “new Canada” of the 1960s

The Patriot Game captures a unique characteristic, and problem, with Canadian conservatism. Lots of Canadian conservatives really don’t like Canada all that much. Brimelow is right to suggest that the contemporary Canadian identity is very much a creation of the Liberals and the New Class, and this isn’t one that conservatives feel all that comfortable with. What this has done is create a powerful anti-Canadian impulse in portions of the conservative movement.

Because the Liberals were so successful in creating this new identity, conservatives, especially Western conservatives (understandably) felt alienated in this new Canada. Brimelow gave some intellectual heft and crafted a coherent theory around why conservatives felt this way.

The broader narrative Brimelow, and others, put forward is that Canada’s British heritage was central to our identity and sense of who we are, but that this identity was destroyed by the Liberals who then built a new one in their own image. In the 1960s, Canadian Liberalism became self-consciously post-British, and the 1960s really do represent an approximate decade in which the “old Canada” died and a “new Canada” was born. The 1960s weren’t just a time of social change, they marked the end of the British Empire, the start of the Quiet Revolution, and of course most symbolically saw the replacement of the Red Ensign with the Maple Leaf flag. The battles between Diefenbaker and Pearson (and Pierre Trudeau) work as a stand in for the divide between old British Canada and new Liberal Canada.

Ben Woodfinden, “True North Patriotism and a Distinctly Canadian Conservatism”, The Dominion, 2020-10-20.

January 12, 2021

QotD: The use and abuse of stigma

Filed under: Health, Quotations — Tags: , , — Nicholas @ 01:00

Let us first take stigma, something which in Dr. Volkow’s social philosophy is entirely harmful and should be abolished. There is no doubt that stigma can be cruel, unjust, and unfeeling. One of the most obvious examples of this was the stigma that attached to illegitimate children, as if they were responsible for the fact of their own illegitimacy.

But stigma, and hence the fear of stigma, can be beneficial in a social creature such as Man. I want the good opinion of my neighbours, I do not want them to think I am rude or dishonest. Fearing the stigma of being thought so, I try harder to be polite and honest.

Of course, wanting the good opinion of others may, in certain situations, have bad effects. Wanting the good opinion of my superior in the Nazi Party would be very bad. But that does not mean that desiring the good opinion of others is always intrinsically bad. In the same way, fear of stigmatization is not always bad (and there can be no fear of stigma without the existence of the thing itself). For example, it might be that people are discouraged from taking drugs, drinking too much, or stealing for fear of being stigmatized.

Theodore Dalrymple, “Stigma and Sympathy”, The Iconoclast, 2020-09-23.

January 11, 2021

QotD: Conspiracy theories

Filed under: Media, Politics, Quotations, USA — Tags: , , , , , — Nicholas @ 01:00

It is hard to know, but most likely the conspiracy theory is one of the oldest parts of human society. In fact, the popularity of conspiracy theories is probably a good measure of social trust. Low-trust societies, like you find in the Middle East, tend to be shot through with conspiracy theories. High trust societies in Northwest Europe tend to have less of it, but even they are prone to bouts of conspiracy mongering. The Great Fear that swept through rural France is a good example.

In modern times, the conspiracy theory has been formalized. The assassination of John Kennedy is probably when this formalization process began. For example, a conspiracy theory needs a series of hard to accept coincidences. In the case of Kennedy, we have the amazing marksmanship of the shooter and then his unlikely assassination at the hands of a Jewish gangster, while he was in police custody. The Jack Ruby part is what made the whole thing perfect for the conspiracy theorists.

The first step in a conspiracy theory is that the obvious answer or the official answer must be eliminated as a lie or implausible. In the case of the Kennedy assassination, the start of the conspiracy dynamic was the dismissal of Oswald as the lone actor. It is a variation on the old Sherlock Holmes line. Once you eliminate the parsimonious explanation, then the more complex and convoluted explanations become more plausible. That opens the door to endless speculation.

We see this with the QAnon cult on-line. All of it starts with the assumption that the obvious answer is wrong. For example, it is plainly obvious that Bill Barr is covering up the FBI spying scandal. He’s had years to do what should have taken a few months. Instead of accepting that rather obvious and plausible explanation, the QAnon people reject it and instead weave wildly complex theories about how half of Washington is about to be charged with crimes.

Another aspect of the formal conspiracy theory is the liberal use of the associative property to connect unrelated events. Person A knows Person B and Person B once had lunch at the same place as Person C. If any of these three people can be tied to the event in question, then it is assumed the other two are connected. The weakest associations are enough to assume a conspiracy. The associative property is an essential element of the modern conspiracy theory.

In the case of Kennedy, for example, organized crime is a popular player, because Jack Ruby was a minor criminal. His tenuous association with organized crime opens the door for linking any number of underworld characters with the assassination. It also opens the door for all sorts of theories about the Kennedy administration’s connections to organized crime. The associative property then ties communism, organized crime and the Cuba situation to the assassination.

The Z Man, “Conspiratorial Rule”, The Z Blog, 2020-10-01.

January 5, 2021

Lockdowns are inducing a kind of cultural autism (but especially among our self-imagined “betters”)

Last month, Douglas Murray looked at how the various shades and degrees of lockdown in most western nations have disrupted normal socialization patterns and created odd and unusual social feedback to various stimuli:

A building burning in Minneapolis following the death of George Floyd.
Photo by Hungryogrephotos via Wikipedia.

This year has seen a series of extraordinary events. First and foremost are the unprecedented lockdowns, which have removed from almost all our societies not just our ability to congregate, but also almost all of our social antennae. It is not just actors, comedians or public speakers who have lost that mechanism: we all have to some extent.

“Will this statement/opinion/joke go down well or badly?” is a fine judgement call. In public and relative private we all try things out and experiment all of the time. Take away all audiences beyond your immediate household and we must all subject ourselves to some other way of testing which way the wind is blowing. The only such device left is the online world, which — as should be obvious to all by now — has its own problems.

And so, during the middle of the oddest mass psychological experiment in history, came the death of George Floyd in May and the rapid escalation of the Black Lives Matter movement. A movement that attempted to push, inveigle and eventually intimidate itself into almost every walk of life inside America and beyond.

In Britain, institutions as far away from the scene of the crime as the British Library and Cambridge University seemed to think that the death of an unarmed black man at the hands of a Minnesota police officer (currently awaiting trial on a charge of murder) demanded some kind of response, lest they be accused of being insufficiently devout.

In ordinary times, people might have been able to get a sense of where other people stood on such a matter. Did users of the British Library really feel any culpability for events in Minnesota? Were things so bad in the state of race relations in America and across the western world (only the western world, naturally) that a stance was required — indeed demanded — of everyone? For a time, it seemed so. Almost every major British institution, including all its universities, issued statements about the death of a man in police custody on another continent, in a jurisdiction over which we have precisely zero control, and similar levels of influence.

“Taking the knee” became one of the emblems of obedience, or subservience, to the cause. Soon, even questioning the reverence of that hallowed, brand new tradition was cause to be pummelled online. And when all gatherings of more than six were banned by law, what other world mattered?

December 29, 2020

QotD: Alfred Hitchcock’s The Birds

Filed under: Media, Quotations — Tags: , , , — Nicholas @ 01:00

Electric Ghost Magazine: Your thesis that Hitchcock’s The Birds depicts recrudescent “angry nature” forcing civilization into regression is very pertinent at this particular time of COVID-19, as we make bunkers of our homes like those in the Brenner house against the birds. What does Hitchcock’s film teach us about our current moment?

Camille Paglia: The analogy to today’s global virus crisis is very compelling. The Birds demonstrates the fragility and folly of all human artifice. When omnipotent nature turns on mankind, everything falls to pieces — from protective dwellings to personal dignity and social cohesiveness. Unleashing the birds like a black plague, Hitchcock attacks the sentimental illusions that allow us to survive and thrive in our daily routines. The film has a metaphysical sweep, exposing the terrifying great unknowns at the heart of human existence.

As for the present time, Western developed nations have become too smugly complacent about their advanced technology and prosperity. Our electronic systems and intricate international supply and distribution network function so smoothly that they have become invisible to the affluent upper-middle-class, comfortably working from home via computer. These arrogant masters of the machine attribute all human ills to unjust society — from hurricanes to global warming, as if puny mankind is capable of such staggering power. Like Greek tragedy, The Birds shows the grim reality — human helplessness in the face of nature and fate, as commerce, schooling, hospitality, and the pretty dance of courtship are reduced to horror and squalor.

“David G. Hughes talks to Professor Camille Paglia about her work on Alfred Hitchcock’s The Birds (1963) and much more”, Electric Ghost, 2020-05-28.

December 18, 2020

QotD: Hunter S. Thompson’s view of humanity

Filed under: Media, Quotations, USA — Tags: , , , , — Nicholas @ 01:00

One interesting thing about Thompson […] is that much of his work could almost be assigned to the field of religious literature. This is not just because he suffered occasional demonic hallucinations under the influence of brown acid and ibogaine. Setting the drugs aside (“Not that which goeth into the mouth defileth a man; but that which cometh out of the mouth, this defileth a man”), there is a certain ascetic, unworldly quality to his work. He seems to have had a quasi-Augustinian horror of the greasy, hairy human body, and a strong distaste for squirming, brawling, lumpy, dumb man-apes in all their mass manifestations. His career-making Scanlan’s piece, “The Kentucky Derby Is Decadent and Depraved”, is really an indictment of humanity as decadent and depraved — and that remains true insofar as the subject of the piece is Thompson himself and his Hobbesian preoccupations.

Colby Cosh, “Q: Where’s Cosh?”, ColbyCosh.com, 2005-02-21

December 13, 2020

Islamism and the French Republic

Filed under: France, Politics, Religion — Tags: , , — Nicholas @ 03:00

Niccolo Soldo talks to Pascal-Emmanuel Gobry about the rise of Islamism in France and the dangers it poses:

Brigitte Macron and Emmanuel Macron, 11 November, 2018.
Photo from the office of the President of Ukraine via Wikimedia Commons, CC-BY-4.0.

Islamism presents an existential threat to the French Republic. Statements are being made, positions are being taken, and the smell of action is in the air to counter this threat. Will we see a follow through from Macron?

Your guess is as good as mine. Macron is hard to predict. Although there are many reasons to be pessimistic, from French elites’ general lack of follow-through to Macron’s own (I believe, sincere and deeply-held) commitment to so-called “liberal values”, I will note that it hasn’t been all talk. BarakaCity (the biggest Muslim NGO in France) whose leaders happen to think ISIS is misunderstood, was shut down by executive decree. CCIF, a prominent “anti-islamophobia” organization, dissolved itself after the government announced its intent to shut it down. So an important Rubicon has been crossed, at least in principle: the French government has rhetorically and legally committed itself to combating not just those who engage in Islamist violence, but those who engage in Islamist advocacy and activism.

Can France’s secularism hold on in light of this challenge? Islamism is rather dynamic, and secularism lacks the ingredients for fanaticism that only the irrational are able to muster. In many countries it seems that only the elites are strongly-wedded to secularism.

I’ll let you in on a little secret we don’t share with foreigners: nobody in France believes in “laïcité“, it’s all a code to say we don’t like Islam. We have a freaking concordat, for crying out loud!

The entire notion that there is this specific French culture of “laïcité” that goes beyond institutional separation of church and state was a retcon invented in the 1980s when the Muslim population became too big to ignore. Nobody — nobody — is fooled that banning the hijab in public schools as well as “large ostentatious crosses” is a neutral secularist measure.

Today some people are claiming that wearing religious garb in the National Assembly is a breach of laïcité, but after the War the Canon Kir sat as a member of Parliament in his cassock for twenty years and nobody had any problem with it. (My favorite Kir story: during a late-night parliamentary session, a Communist deputy asked him “How come you believe in God, even though you’ve never seen him?” “What about my asshole? You’ve never seen it, yet you know it exists!”)

The fig leaf of laïcité was useful, and perhaps still is, as politically correct cover for defending French identity, but over time it will have to be discarded. There are signs that it’s beginning.

The bottom line is that France has always been assimilationist. The idea is that assimilation was invented by the Republic, but it’s not true. When Louis XIV invaded a province, he would create schools with scholarships for poor, talented youth from those places to “turn them into Frenchmen.” The self-conscious project of the French Kings was to restore the Roman Empire, and this bequeathed to us the Roman concept of citizenship: laws, language, and culture. This is what is behind “laïcité.” This assimilationism therefore has deep roots, and it is perfectly legitimate that we demand of immigrants that they assimilate into our culture, which is inescapably Judeo-Christian.

H/T to Colby Cosh for the link.

December 12, 2020

QotD: Modernism

Filed under: Architecture, Media, Quotations — Tags: , , , , — Nicholas @ 01:00

Don’t you think the whole effort of modernism — in architecture, in literature, in music, in painting — might have been a huge dead end, from which Western culture will painfully have to extricate itself?

Myron Magnet, “Free Speech in Peril: Trigger warning: may offend the illiberal or intolerant”, City Journal, 2015-04.

December 6, 2020

QotD: Mid-70s TV

Filed under: Media, Quotations, USA — Tags: , , — Nicholas @ 01:00

What was especially unfortunate (rather insidious really) about this moment was that the broadcast model of television distribution created a situation of artificial scarcity. It was not a proper competitive environment like we enjoy today. It truly was monopolistic, even if the snake did have three heads. Only a few huge corporations could afford the infrastructure for these national networks. Airspace was limited. Thus to make room for the new, the old had to be cast aside. As I happen to love all those new shows CBS introduced, I am glad they were brought into being. But how much better it would have been if the older shows could have been retained at the same time, because I also love those. TV variety, heir to vaudeville, was effectively killed dead by this historical moment, and that’s to be regretted.

[…]

But during the second half of the decade things changed. I have a good sense of when all the good shows started going wrong, but have had a harder time on figuring out why they did. As near as I can tell in most cases, the stars of the shows became too big for their britches. They won awards, they were on the covers of all the magazines, they got huge salary increases, and then they started getting creative control over their shows. I’m still somewhat at a loss as to why the actors’ mass madness took the same form all across the board, this humorless didacticism, the need to be “dramatic.” But it could be simply that there is a very funny elephant in the room. Because when I find myself asking the question, “Is it possible that actors are egotistical? Self-indulgent? Consumed with self-importance? Megalomaniacs?” Well, there’s your answer. Those qualifiers practically form part of the textbook definition of the word “actor”. They want to be taken seriously. And so, across the board, most of the stars of these shows started either transforming their characters into Christ-like saviors, or turning their programs into pulpits.

Also perhaps to a certain extent these new situation comedies attracted a different kind of star. The new breed were not the Buddy Ebsen/Lucille Ball/Jackie Gleason/Red Skelton type vaudeville clowns. Most of the new stars were college educated, had gone to drama school, been in improv and other theatre and sketch troupes, and appeared in lots of legit theatre. They didn’t just know who Shaw and Ibsen were, they had performed in such serious drama. They scorned old school comedy as “corny”; they were much more concerned with what they called “truth”. I remember reading interviews with Alan Alda in which he complained about episodes from the first season of M*A*S*H that had more farcical plots (e.g. “Tuttle” or the one where Frank Burns gets gold fever.) Fans happen to love these episodes; Alda however tends to favor dramatic episodes from the later years, but we’ll return to that.

Trav S.D., “The Insufferables, or Sanctimony in the Seventies: How Hollywood Helped Make Liberalism Unpopular”, Travalanche, 2018-03-12.

December 5, 2020

The “new normal” will, by definition not be “normal”

Filed under: Britain, Bureaucracy, Health — Tags: , , , — Nicholas @ 03:00

At Spiked, Brendan O’Neill cries “Down with the New Normal!”

“Covid 19 Masks” by baldeaglebluff is licensed under CC BY-SA 2.0

Few phrases inspire more horror in me than “the new normal”. It is falling from the lips of public-health experts and lockdown-loving commentators everywhere. Forget the “old normal” of going maskless into the streets, or ramming yourself into a crowd of thirsty punters at the bar in a pub, or taking a lover without constantly worrying that he or she might make you ill with his or her breath. Such reckless libertinism was for the old world, apparently, the era BC (Before Covid). We are all now heading into the New Normal, a brave new world of forever social-distancing being built for us by a benevolent bureaucracy that simply wants to protect us from disease.

Everywhere you turn there is talk of the new normal. Out will go bare faces, hand-shaking, hugs and sweaty crowds, and in will come masks, elbow-bumping, and sitting six feet away from everyone else at concerts and shows. Bye bye, mosh pits. Yes, even when the vaccine comes, which is when many of us hoped we would see our freedoms restored, the uber-cautious habits we have developed during the Covid crisis should continue, experts say. Jonathan Van-Tam, England’s deputy chief medical officer, said this week that these “habits”, including face-covering, should continue for “many years”. Better safe than sorry, eh?

Van-Tam isn’t alone. Many experts and commentators are predicting, and even welcoming, a decline in social engagement and physical contact as we head into the new normal. “The Coronavirus killed the handshake and the hug — what will replace them?”, asks Time magazine, blissfully unaware of how mad it sounds. “Hugs, high fives, fist bumps, back pats [and] shoulder squeezes” could all disappear after 2020, Time predicts. And it talked to one of many experts who thinks that’s no bad thing. Dr Mark Sklansky, an American cardiologist, told Time he has always hated hand-shaking. “Hands are warm, they’re wet, and we know that they transmit disease very well”, he said. But where “being anti-handshake was fringe thinking” in the past — !! — it is now increasingly common to be handshakephobic, says the wise doctor. Put your wet, diseased paws away, everyone.

And the new normalists are not letting the imminent rolling-out of the vaccine puncture their dreams of a world without clammy handshakes and other forms of sickness-spreading human contact. People expecting to be “back to normal by spring” are “expecting too much” of the vaccine, said a British microbiologist a couple of weeks ago. Even with a vaccine, “we will not be returning to the old normal”, decrees the Lancet. No, apparently “physical distancing and hand hygiene must continue indefinitely”. Maybe these doom-mongers are keen on physical distancing because they know a lot of people would probably like to give them a clout for their miserabilism?

December 4, 2020

5 strange Canadian objects

Filed under: Cancon, Food, Football, History, Humour, Randomness — Tags: , , , — Nicholas @ 02:00

J.J. McCullough
Published 22 Jul 2017

Let’s take a look at a couple of weird things only Canadians will understand.

O Canada ending music care of SuperNIntendoGameboy, check out full version here: https://www.youtube.com/watch?v=b0qmP…

December 3, 2020

Modern narcissism

Filed under: Media, USA — Tags: , , , , , — Nicholas @ 03:00

In Quillette, Marilyn Simon discusses a song her daughters learned in school and what it reveals about modern thought:

There is a pop song by Canadian artist Alessia Cara that my daughters have learned to sing in their school choir. The song is “Scars to Your Beautiful.” It is a catchy, simple song. Many readers probably know it. The message it promotes is, by all accounts, a positive one, which is presumably why it’s being taught to children at school. The chorus goes like this:

There’s a hope that’s waiting for you in the dark,
You should know you’re beautiful just the way you are,
And you don’t have to change a thing,
The world could change its heart,
No scars to your beautiful,
We’re stars and we’re beautiful.

In spite of my girls’ sweet singing voices, and the intention of the lyrics, I think it is one of the most disturbing songs my kids have ever learned in school (right up there with Lennon’s insipid and juvenile “Imagine”). It is a narcissistic anthem painfully unaware of its hypocrisy. It reinforces the notion that beauty is rightfully a girl’s desirable goal, and that her aspiration to be “a star” is not only attainable — without any corresponding effort or talent on her part, naturally — but also the world’s ethical responsibility to ensure. In other words, there are no standards, ideals, nor any objectivity; instead the world needs to change its heart in order to conform to an individual’s subjective self-desiring.

Narcissism isn’t merely an issue of having an inflated ego. It is the condition of being enamored with one’s idealized projection of oneself to the exclusion of reality and of one’s real self. This occurs not because one is vain, but because one is too fragile to admit failings or fault. It has nothing to do with self-love, but rather with being locked in a solipsistic gaze with a fantasy of one’s self. Contemporary culture has taken classic narcissism and turned it into a new moralism. What we deem goodness now is that everyone else affirms the delusions of one’s wishful thinking as objective truth. Cara’s song, for instance, first reinforces the fantasy that each one of us is equally beautiful, and then makes the claim that the world must “change its heart” and endorse the image of oneself that is, in the first place, a self-interested desire. In other words, the mythology of “Scars to Your Beautiful,” and of our self-positive, identity-affirming culture as a whole, would suggest that not only is Narcissus correct in falling in love with a projection, an unreal and unreachable image of himself in a pond — something the Greeks thought was quite bad enough — but also that the rest of world must affirm his reflection as the real thing and celebrate his dead-end obsession with it.

So, positive reinforcement of self delusion is now a social good. The individual and society reject what is objectively real and instead embrace infantile narcissism, where the self’s fantasy of its own perfection is reaffirmed by the uncritical and unconditional love of a universal parent. Cara’s song intends to be encouraging, and in some ways it is (I’m not entirely deaf to my pre-teens’ rebuttals of “Mommm! You’re so depressing. It’s just a song to make us feel good!” and I will assent to the wisdom of my 12-year-old that healthy self-esteem is a good thing). But at its core, the song is self-delusion dressed in the garb of pop psychology. This is an accurate picture of our contemporary moral code: Everyone’s ideal projection of her or himself must be coddled and adored by a soft and nurturing world. Only a bad person would suggest that not everyone is equally beautiful, that not everyone is the “star” she imagines herself to be. (And only a monster would suggest that some people don’t even have inner beauty, either.)

“Competitive individualism,” writes Christopher Lasch, has channeled “the pursuit of happiness to the dead end of a narcissistic preoccupation with the self. Strategies of narcissistic survival now present themselves as emancipation from the repressive conditions of the past, thus giving rise to a ‘cultural revolution’ that reproduces the worst features of the collapsing civilization it claims to criticize.” Lasch’s words, written in 1979, predict so much of our contemporary upheaval — in our efforts to overcome racism, we have fallen into the trap of making (almost) everything about race. In our efforts to end sexual harassment, we have traded natural, often playful, interactions between women and men for institutional policies, while simultaneously treating women as somehow less than fully human, incapable of deceit and of misreading situations, and incapable of deftly handling sexual innuendo and sexual tension. The same thing has occurred with our culture’s criticism of our esteem for idealized physical beauty, particularly female beauty, while we make the contradictory insistence that we are all ideally beautiful, and should be admired accordingly. Beauty, we say, shouldn’t be venerated. That’s shallow. But we should also all believe that “we’re stars, and we’re beautiful.” That’s virtue.

November 27, 2020

QotD: Popular music and survivorship bias

Filed under: Humour, Media, Quotations — Tags: , , , — Nicholas @ 01:00

What brought this to mind was a discussion on Facebook, prompted by my quipping about music:

    Man, I just {LISTENED_TO_ALBUM/WENT_TO_CONCERT} by {$GROUP_FROM_MY_TEENS/EARLY_TWENTIES} and they still kicked ass just like they did when they were new.

    {$GROUP_LIKED_BY_KIDS_WHO_SHOULD_GET_OFF_MY_LAWN} just won’t have that same kind of staying power.”

Part of that phenomenon is that we’re less likely to form strong emotional connections to specific pieces of music the way we were when we were younger, and part of it is that the music that gets remembered from the good ol’ days is just the good stuff. The year 1968, for instance, had huge chart hits from The Beatles and The Rolling Stones, but also from 1910 Fruitgum Company and Tiny Tim.

The airwaves had plenty of crap in my teens and early twenties, but I prefer to forget that. Say what you will about the Kids These Days, but they aren’t listening to Milli Vanilli … of course, as it turned out, neither were kids back then.

Survivorship Bias is baked right into a lot of hobbies that interface with older things. “Man, they really knew how to build [cameras/pocket knives/watches/revolvers] in the old days!” is skewed by the fact that only the well-built stuff has survived. The handgun counter at the hardware store in a hypothetical Old West town had Colts and Smith & Wessons and Remingtons, and plenty of cheaply-made Victorian equivalents of Hi Points and Jennings, too.

Tamara Keel, “Survivorship Bias”, View From The Porch, 2020-08-24.

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