Quotulatiousness

August 11, 2020

Egypt’s Colonial and Zionist Troubles | The Suez Crisis | Prelude 1

TimeGhost History
Published 10 Aug 2020

Recently independent Egypt, under President Gamal Abdel Nasser, navigates the turbulent waters of the Cold War, seeking national autonomy, while negotiating its relations with the British Empire, United States, and the Soviet Union. The question is, how will Egypt realize its self-determination with these powers vying for dominance in the region?

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Joram Appel and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Image Research: Ian Irungu, Shaun Harrison & Karolina Dołęga
Edited by: Karolina Dołęga
Sound design: Marek Kamiński

Colorizations:
Mikolaj Uchman

Visual Sources:
National Archives NARA
Library of Congress Geography and Maps Department
Tropenmuseum
Wellcome Images
National Army Museum of New Zealand
Imperial War Museum: HU70788,
National Photo Collection of Israel
Fortepan – ID 32790
Bibliotheca Alexandrina

Music:
“Descending Mount Everest” – Trailer Worx
“Dreamless Nights” – The New Fools
“March Of The Brave 10” – Rannar Sillard
“Break Free” – Fabien Tell
“The Unexplored” – Philip Ayers
“It’s Not a Game” – Philip Ayers
“Foreign Signs” – Philip Ayers

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
1 hour ago (edited)
Welcome to the first episode of our series on the Suez Crisis! It’s a 7-episode wild ride through secretive international collusion, clashing nations, and imperial anxieties. It’s a watershed moment in a variety of entangled histories: decolonization, the Arab-Israel Conflict, the rise of America as a superpower, the growing power of the UN, and much much more. It’s a lot to take in, but we hope that we’ve made this series as digestible (and enjoyable!) as possible. Thanks to our TimeGhost Army members for choosing this series. Want to be part of the effort that makes stuff like this happen? Join us at patreon.com/timeghosthistory or https://timeghost.tv.

Cheers,

Francis.

August 10, 2020

Russia in Asia (for now)

Filed under: Asia, China, Government, History, Russia — Tags: , , , — Nicholas @ 05:00

Ted Campbell looks at some long-frozen geopolitical forces that may become more active in coming years:

The Jamestown Foundation, which some experts describe as mainly non-partisan and relatively unbiased, has published an interesting article by Paul Goble in which he reminds us that “Russia east of the Urals comprises more than two-thirds of the Russian Federation but has only about one-fifth of that country’s population. It is where most of Russia’s natural resources are to be found, though the earnings from their extraction largely go to Moscow and not to local people. The region is located three to ten time zones east of Moscow and is linked to the center by few roads or rail lines. Its people are far closer to China and other Pacific rim countries — including the United States — than to the core of the Russian Federation. Because of their roots in explorers, those fleeing oppression, and those sent there by the state for punishment, eastern Russians have always been more independent minded and entrepreneurial than Russians in central and western Russia. Perhaps the most important measure of this cultural divide is that Protestant faiths dominate the religious scene there, not the Russian Orthodox Church of the Moscow Patriarchate.”

It is related to something I have been saying for a long time: Siberia (essentially everything East of the Yenisei River (some say everything East of the Urals) is Asia …

… while Russia, per se, is an Eastern European country.

[…]

A few years ago a couple of middle-ranked Chinese officials suggested to me that one of China’s long-term strategic plans was (and I’m guessing still is) to encourage separatist movements in Siberia which, they hoped, will succeed in creating three or four (maybe even five or six) “autonomous” states in Siberia which will, like Mongolia, look, primarily to China for trade and support.

China covets needs the resources, including water, that Siberia has. I have, in the past, forecast a Sino-Russian “Water War” in Siberia. But, speaking broadly and generally, the Chinese don’t like wars: they are expensive and unpredictable. They would much rather play a modest, behind the scenes role in creating a handful of weak, independent Siberian states with which they can trade to their advantage. They do not, I was told, wish to annex Siberia ~ some Chinese feel that the Qing Dynasty (1644 to 1912) went too far when it annexed what is now the Xinjiang Uyghur Autonomous Region (新疆维吾尔自治区) in 18th century.

(Tibet is a different matter and most of the Chinese people I know who might wish that Xinjiang was a more autonomous place, more like Kyrgyzstan, for example, believe that Tibetans are Chinese (and Uighurs are not) and Tibet is a “natural” part of China.)

I said a couple of days ago, that “Russia is a pariah state that is flailing about as it withers and dies.” But Putin is flailing about in the wrong directions. The Chinese are, I believe, cultivating and fertilizing Siberian separatist movements with a view to dismembering Russia and “liberating” Siberia. When that happens, and I’m confident that it is NOT an IF, the world will be a much different place.

Donald MacLean: The First of the Cambridge Five

The Cold War
Published 22 Jun 2020

Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular — a real Cold War-era spy story

Support us on Patreon: https://www.patreon.com/thecoldwar or Paypal: http://paypal.me/TheColdWar

✔ Merch store ► https://teespring.com/stores/thecoldwar
✔ Instagram ► http://www.instagram.com/thecoldwartv

#ColdWar #Maclean #CambridgeFive

August 9, 2020

Tanks, but no Tanks – Hitler Hinders the Blitzkrieg – WW2 – 102 – August 8, 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 8 Aug 2020

In Japan those in power are divided as to what to do as war with the Western powers looks more and more likely. Meanwhile in the USSR the war gets deadlier and deadlier, but also more and more confusing with leadership conflicts on both sides of the front.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv
Check out our TimeGhost History YouTube Channel: https://www.youtube.com/c/timeghost?s…

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…

Sources:
– Mil.ru
– Narodowe Archiwum Cyfrowe
– FDR Presidential Library & Museum
– rgakfd.ru
– Yad Vashem: 10470_17, 5138_98
– Bundesarchiv, CC-BY-SA 3.0: Bild_101III-AhrensA-020-31A, Bild_101I-138-1091-07A
– papers icon by Pauline from the Noun Project

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago
This war is getting bigger and bigger, and bloodier and bloodier. When we started out on this mega project we already anticipated this, and immediately started to cover the war on multiple fronts to provide the fullest coverage possible,

As Indy says in the episode we publish an essential event of the war every day on our Instagram WW2 Day by Day feed. Often these are events that Indy might not have place to cover here in the weekly videos.

Likewise we cover the humanitarian crisis created deliberately, and by collateral effects that the war has on the world population in our War Against Humanity series that is now coming out every second week to keep up with the increasing pace of terror. So, to get the full experience of the chronological developments, follow those formats too:

WW2 Day by Day on Instagram: https://www.instagram.com/world_war_two_realtime/
War Against Humanity playlist: https://www.youtube.com/playlist?list=PLsIk0qF0R1j4cwI-ZuDoBLxVEV3egWKoM

August 8, 2020

The Cold War & Decolonization — History Summarized

Overly Sarcastic Productions
Published 7 Aug 2020

Keep safe and stylish with a Red-And-Blue facemask from Volante Design, or DONATE to help students in public schools receive high-quality masks for free — https://bit.ly/2DwE9O7

August of 2020 marks the 75th anniversary of the end of the Second World War. So I wanted to make a video about that. That was a bad idea…

What do you get when a Classically-Minded historian ventures about 2,000 years outside of their comfort zone? A mess. A well-intentioned mess is what you get. BUT a mess that we can learn from! So join me as we dig into the aftermath of the Second World War to analyze the origins of the Cold War and the decolonization of European Empires.

SOURCES & Further Reading: The Cold War by Gaddis, The Wars of French Decolonization by Clayton, British decolonization, 1946-1997 by McIntyre, The Cold War’s Killing Fields by Chamberlin, The Cold War: A Very Short Introduction by McMahon, and “Crash Course European History [Parts 42-47]” by Green.

This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.

DISCORD: https://discord.gg/kguuvvq

PATREON: https://www.Patreon.com/OSP

MERCH LINKS: https://www.redbubble.com/people/OSPY…

OUR WEBSITE: https://www.OverlySarcasticProductions.com
Find us on Twitter https://www.Twitter.com/OSPYouTube
Find us on Reddit https://www.Reddit.com/r/OSP/

From the comments:

Overly Sarcastic Productions
1 hour ago (edited)
Some clarifications:
North Africa did of course see conflict, the Pacific did get occupied — even the places that didn’t (eg: India) still paid for the war. Damn double-negatives.

That weird Romania-Hungary-Russia border is a holdover from WWII. The border lasted until 1946 and was changed in 1947. Later in the video you’ll see the more familiar borders.

Indonesia declared Independence in 1945 (Like Vietnam), but the Netherlands didn’t withdraw until 1949, hence my mention of ’49.

August 7, 2020

“40:1” Pt. 2 – Another Polish Last Stand – Sabaton History 079 [Official]

Filed under: Europe, Germany, History, Media, Military, Russia, WW2 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 6 Aug 2020

At the end of September 1939, Poland was burning. Trapped in an ever shrinking corridor between the Wehrmacht and the Red Army, the last remaining Polish forces were still holding out. Isolated, short of ammunition and supplies, and without hope for relief. The last Polish Army, the SGO Polesie, was making its way towards the Vistula, as it was cut off by German motorcycle troops. Determined to sell their lives dearly, the SGO Polesie dug in and prepared for a last stand.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “40:1” from the album The Art Of War:
https://music.sabaton.net/TheArtOfWar

Watch the Official Music Video of “40:1” here:
https://www.youtube.com/watch?v=epeQw…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
Paul Otto courtesy Glenn Jewison
University of Wisconsin-Milwaukee Libraries
Bundesarchiv
Imperial War Museums: HU106375
Museum of Warsaw
Narodowe Archiwum Cyfrowe
Centralne Archiwum Wojskowe

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago (edited)
Once again the time has come for the Polish people to show what they’re made of.

This time they’re facing a gargantuan two-headed monster of an enemy and are outnumbered many many times over.

They may not win, they may not even live to see another day — but The Polish will not give up without giving their all.

Spirit of Spartans
Death and glory
Soldiers of Poland
Second to none

So come, bring on all that you’ve got
Come hell, come high water — never stop!

With the help of Indy and the TimeGhost team you can learn more about the Soviet invasion of Poland and the last days of The Polish Defensive War in these two episodes of the “World War Two In Real Time” series:

“The Russians are Coming! – The Soviet Invasion of Poland” – WW2 – 004 – September 22, 1939
https://youtu.be/8vjBp-qyNVE

“Poland is Crushed” – WW2 – 005 – 29 September, 1939
https://youtu.be/OOPiUaakSXM

August 5, 2020

Generalplan Ost, the Nazi plan to kill the Slavs – War Against Humanity 015 – July 1941, Part 02

Filed under: China, Europe, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 4 Aug 2020

In China, and the Soviet Union, all sides are causing widespread death to the local civilians. The defending forces are scorching the earth and plundering their own civilians, the attacking armed forces of Japan and Germany are executing planned genocide and mass destruction.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Spartacus Olsson and Joram Appel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel Weiss
Spartacus Olsson
Klimbim – https://www.flickr.com/photos/2215569…
Mikolaj Uchman

Sources:
Eesti Kirjandusmuuseum KM EKLA, A-3:107
Yad Vashem 55AO6, 74FO7,
Consiliul National pentru Studierea Arhivelor Securitatii (CNSAS)
USHMM
IWM NA 15129, N 530
from the Noun Project: Skull by Muhamad Ulum
Picture of a victim of starvation during the siege of Leningrad, courtesy George Shuklin
Portrait of Nikolai Moskvin, courtesy goskatalog.ru

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Yi Nantiro – “A Single Grain Of Rice”
Farell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Philip Ayers – “Under the Dome”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 hours ago (edited)
So here we are — it’s the end of July and the Nazi plan to ethnically cleanse Eastern Europe by genocide and forced migration is now in play, while the deliberate genocide of the Chinese has been in motion for more than three years. It’s easy to write off the massive death in both regions as collateral damage, the millions of PoWs that died as callous carelessness, the overall death toll as part of a desperate defense strategies. But that belies how planned, meticulous and specific both the genocides by Imperial Japan and by Nazi Germany were.

The sources detailing the execution and opposition to these plans in the Soviet Union are relatively easy to access. Already during the war the Allied intelligence services were intercepting most of the communication that outlined death tolls, policies, and events. After the war the comprehensive documentation by the Germans themselves was captured and compiled for the Nuremberg Trials. Although Russia under the current regime choose to obfuscate, and distort their side of the story, the decade after the collapse of the Soviet Union saw the release of enough classified material for us to know the big picture.

The sources on what happened in China are, on the other hand, harder to come by. Unlike Germany, Japan has not been forced to, and has been unwilling to reconcile with what their forefathers did. Historians unearthing these stories face massive opposition by interests that still try to maintain Japanese exceptionalism. In China, the Communist regime never collapsed, and continues to promote a propagandist historiography that distorts the events within a narrative of unilateral heroic struggle by the People’s Red Army against Imperialism. Therefore it’s all the more important that we try to see these events for what they were: a massive tragedy of human suffering caused by ideological chauvinism – there is nothing heroic here, only the sad reality of war, and the terror of hatred to the level of mass murder.

August 2, 2020

Japan is Getting Hungry, Barbarossa is Confused – WW2 – 101 – August 1, 1941

World War Two
Published 1 Aug 2020

Japan needs resources for its seemingly endless war in China, but where to look for them? And who might have a problem with it? Meanwhile in the Soviet Union, Hitler’s forces have been diverted from the Moscow Road, and are on the move in the north and the south.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel Weiss

Sources:
– Mil.ru
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0 – Bild_101I-265-0024-21A, Bild 146-1976-080-13A
– Yad Vashem 1295/1

Soundtracks from the Epidemic Sound:
Gunnar Johnsen – “Not Safe Yet”
Rannar Sillard – “Easy Target”
Johannes Bornlof – “Magnificent March 3”
Fabien Tell – “Break Free”
Brightarm Orchestra – “On the Edge of Change”
Wendel Scherer – “Growing Doubt”
Philip Ayers – “Under the Dome”
Philip Ayers – “Trapped in a Maze”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

August 1, 2020

QotD: Voluntary self-censorship

Obviously it is not desirable that a Government department should have any power of censorship (except security censorship, which no one objects to in wartime) over books which are not officially sponsored. But the chief danger to freedom of thought and speech at this moment is not the direct interference of the M.O.I. [Ministry of Information] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country, intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.

Any fair‐minded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian “co-ordination” that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that “it wouldn’t do” to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right thinking people will accept without question. It not exactly forbidden to say this, that or the other but it is “not done” to say it, just as in mid‐Victorian times it was “not done” to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.

At this moment what is demanded by the prevailing orthodoxy is an uncritical admiration of Soviet Russia. Everyone knows this, nearly everyone acts on it. Any serious criticism of the Soviet regime, any disclosure of facts which the Soviet Government would prefer to keep hidden, is next door to unprintable. And this nation-wide conspiracy to flatter our ally takes place, curiously enough, against a background of genuine intellectual tolerance. For though you are not allowed to criticize the Soviet Government, at least you are reasonably free to criticize our own. Hardly anyone will print an attack on Stalin, but it is quite safe to attack Churchill, at any rate in books and periodicals. And throughout five years of war, during two or three of which we were fighting for national survival, countless books, pamphlets and articles advocating a compromise peace have been published without interference. More, they have been published without exciting much disapproval. So long as the prestige of the U.S.S.R. is not involved, the principle of free speech has been reasonably well upheld. There are other forbidden topics […] but the prevailing attitude toward the U.S.S.R is much the most serious symptom. It is, as it were, spontaneous, and is not due to the action of any pressure group.

The servility with which the greater part of the English intelligentsia have swallowed and repeated Russian propaganda from 1941 onward would be quite astounding if it were not that they have behaved similarly on several earlier occasions. On one controversial issue after another the Russian viewpoint has been accepted without examination and then publicized with complete disregard to historical truth or intellectual decency. To name only one instance, the B.B.C. celebrated the twenty-fifth anniversary of the Red Army without mentioning Trotsky. This was about as accurate as commemorating the battle of Trafalgar with out mentioning Nelson, but evoked no protest from the English intelligentsia. In the internal struggles in the various occupied countries, the British press has in almost all cases sided with the faction favored by the Russians and libeled the opposing faction, sometimes suppressing material evidence in order to do so. A particularly glaring case was that of Colonel Mihailovich, the Jugoslav Chetnik leader. The Russians, who had their own Jugoslav protégé in Marshal Tito, accused Mihailovich of collaborating with the Germans. This accusation was promptly taken up by the British press: Mihailovich’s supporters were given no chance of answering it, and facts contradicting it were kept out of print. In July, 1943, the Germans offered a reward of 100,000 gold crowns for the capture of Tito, and a similar reward for the capture of Mihailovich. The British press “splashed” the reward for Tito, but only one paper mentioned (in small print) the reward for Mihailovich; and the charges of collaborating with the Germans continued. Very similar things happened during the Spanish civil war. Then, too, the factions on the Republican side which the Russians were determined to crush were recklessly libeled in the English leftwing press, and any statement in their defense, even in letter form, was refused publication. At present, not only is serious criticism of the U.S.S.R. considered reprehensible, but even the fact of the existence of such criticism is kept secret in some cases. For example, shortly before his death Trotsky had written a biography of Stalin. One may assume that it was not an altogether unbiased book, but obviously it was saleable. An American publisher had arranged to issue it and the book was in print — I believe the review copies had been sent out — when the U.S.S.R. entered the war. The book was immediately withdrawn. Not word about this has ever appeared in the British press, though clearly the existence of such a book, and its suppression, was a news item worth a few paragraphs.

George Orwell “The Freedom of the Press”, 1945 (written as the introduction to Animal Farm, but not published in Orwell’s lifetime).

July 31, 2020

Operation Barbarossa – How much Intelligence do you need? – WW2 Special

Filed under: Germany, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published 30 Jul 2020

Josef Stalin was warned time and again from a variety of sources of the German plans for invading the Soviet Union, and yet, he did NOT heed those warnings.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Klimbim – https://www.flickr.com/photos/2215569…
Cassowary – https://www.flickr.com/photos/cassowa…

Sources:
Narodowe Archiwum Cyfrowe
Bundesarchiv
Archive of I.M. Bondarenko
Mil.ru
From the Noun Project: Letter by Mochammad Kafi

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Deviation In Time”
Max Anson – “Maze Heist”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Jon Bjork – “For the Many”
Philip Ayers – “Trapped in a Maze”
Skrya – “First Responders”
Trabant 33 – “When in Bavaria”
Howard Harper-Barnes – “London”
Mythical Score Society – “Infinity Pool & Pool Tables”
The Fly Guy Five – “Cocktail Hour”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 29, 2020

What was TEKOI?

Filed under: History, Military, Russia, USA, Weapons — Tags: , , , , — Nicholas @ 04:00

CGP Grey
Published 28 Jul 2020

## Related Videos

Exploring Tekoi: https://www.youtube.com/watch?v=ABMV4…

Defeated by Tumbleweeds: https://www.youtube.com/watch?v=7FeXP…

## Special Thanks

Gregory Waltz

## Crowdfunders

Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12 , Chris Chapin, Richard Jenkins, Phil Gardner, Martin, Steven Grimm, سليمان العقل, Elliot Lepley, Colin Millions, David F Watson, Saki Comandao, Ben Schwab, Jason Lewandowski, Bobby, rictic, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Jeffrey Podis, Ben Delo, Henry Ng, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Derek Bonner, Derek Jackson, Mikko, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Andrew Bereza, Rebecca Wortham, Bryan McLemore, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, Essa omar, Ryan Richards, Alex Simonides, Felix Weis, John Lee, Maxime Zielony, Melvin Sowah, Elizabeth Keathley, Christopher Mutchler, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville, Kyle Wayman, Julien Dubois

## Music

David Rees: http://www.davidreesmusic.com

Update: CGP Grey posted a corrected version of this video here – https://www.youtube.com/watch?v=PCeMCwxayp0
He also posted the Director’s Commentary video (originally intended only for his Patrons) here – https://www.youtube.com/watch?v=ufsYK3Eecw4
There is also a video explaining how the whole process worked and how the error was missed, if you’re interested.

July 26, 2020

The Wehrmacht – an Army on Horseback – WW2 – 100 – July 25 1941

Filed under: China, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 25 Jul 2020

Although we may picture panzers when we think of the German Army in WW2, it was very much an army that relied on horses — especially in the east — for a large part of its supplies and logistics, and the horse situation on the Eastern Front has grown dire. Japan’s economic situation has also grown dire and they are now looking south for new sources of raw materials.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Cassowary Colorizations – https://www.cassowarycolor.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild_183-L24469, B_145_Bild-F016202-15A, Bild_101I-695-0424-07A, Bild_183-L19885
– Imperial War Museum: Art.IWM PST 16102, C 2228
– Archives municipales de Brest

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

July 25, 2020

“The Ballad of Bull” Pt.2 – Combat Medics – Sabaton History 077 [Official]

Sabaton History
Published 24 Jul 2020

Sometimes war is killing, sometimes war is saving lives.

In the first episode we have seen Leslie “Bull” Allen become a hero, not through the death of his enemies, but by saving his comrades’ lives. And there were others like him. Soldiers and medics, whose first duty it was to preserve lives during war, even when it meant endangering their own safety. Here are three short stories of men and women, who served as medics at the front line of the Second World War, and became heroes to their country.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “The Ballad of Bull” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGoogleP

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton

Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– Photos of Desmond Doss Courtesy of the Desmond Doss Council
– Frame vector created by milano83 – www.freepik.com
– Arkiv i Nordland
– P.Fisxo from Wikimedia

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

From the comments:

Sabaton History
2 days ago
The medical staff in war — combat medics, field surgeons and nurses, ambulance drivers and medevac crews — are often the unsung heroes of war, literally and figuratively.

That doesn’t mean that they don’t deserve to be remembered and their sacrifices honored. There are undoubtedly many instances of exceptional bravery among the medical staff of wars throughout history — for which they rightly should be praised. But they should also be remembered for their everyday work in trenches or field hospitals, in jungles and deserts, at sea or in mid-air. Treating a seemingly endless stream of incoming wounded, trying to give relief to those in pain, comfort to those in agony, and hope to to those who have lost theirs — day in and day out, for as long as the war will last.

If you missed part one of “The Ballad of Bull” you can see it right here.

Walter Duranty, Stalin’s tame “journalist”

Filed under: History, Media, Russia, USA — Tags: , , , , , , — Nicholas @ 03:00

Francis X. Maier makes the case that the Holodomor — the Soviet Union’s deliberate starvation of millions of its own people in Ukraine and surrounding regions — killed even more than the better-known Nazi Holocaust, then identifies one of the key apologists who lied serially and deliberately to hide the genocide:

A page from the Chicago Herald and Examiner from 3 March, 1935.
Wikimedia Commons.

[S.J.] Taylor’s 1990 article was timed to the release of Stalin’s Apologist, her withering biography of journalist Walter Duranty. A Pulitzer Prize winner, celebrated political analyst, and Moscow correspondent for the New York Times during the 1930s, Duranty interviewed Stalin twice. He also played a significant role in securing American diplomatic recognition for the Soviet regime. Less publicly, he was a prodigious womanizer, longtime opium buddy of Satanist Aleister Crowley, compulsive exploiter of friends, a spendthrift, occasional drunk, and an inventive, always-reliable flack for the Soviet regime.

One of Duranty’s lifelong memories involved his religious grandmother who, after catching the adolescent Duranty in a lie, had warned him that “liars go to hell.” He never forgot or forgave the correction. As an adult, he simply erased all family ties and falsely claimed in his autobiography that he’d been orphaned at age ten. Massaging the truth became one of his core skills. Brilliant, engaging, and widely respected at the time, he was, in the words of Malcolm Muggeridge, who also reported from Moscow and saw Duranty in action, “the greatest liar of any journalist I have met in 50 years of journalism.”

Committed to protecting his own influence and to a future “greater good” promised by the Soviet regime, Duranty at first dismissed rumors of the Ukrainian Famine. Then he downplayed them. Then he claimed that Ukraine’s “food shortages” were the result of local mismanagement and the work of “wreckers” and “spoilers” intent on undermining Soviet progress. He repeatedly denied the mass starvation in his reporting. But he did suggest that “you can’t make an omelet without breaking eggs” … especially when the omelet is the task of modernization, and the cooks are tough-minded Bolsheviks intent on a better tomorrow.

As Taylor notes in her book, Western powers struggling with the Great Depression and the rise of Hitler in Germany had little interest in rumors from Ukraine that might antagonize Stalin as a potential ally. Muggeridge had arrived in Russia in 1932 to string for the Manchester Guardian. A convinced socialist at the time, he intended to stay in Russia and renounce his British passport for Soviet citizenship. Reality interfered. By March 1933, he was reporting on Ukraine’s famine as “one of the most monstrous crimes in history,” and his disillusionment with the Soviet paradise was complete. But back in England, thanks in part to Duranty’s counter-reporting and Soviet propaganda, Muggeridge’s work was dismissed as “a hysterical tirade.” Muggeridge himself was slandered, vilified, and unable to find employment. And that might have buried the Holodomor story successfully, except for one man.

Welshman Gareth Jones was a young Russian Studies graduate of Cambridge and a former secretary to British Prime Minister Lloyd George. Stringing for the same Manchester Guardian as Muggeridge, he eluded Soviet press controls and spent three weeks on his own, walking through the hellish conditions of a starvation-ravaged Ukraine. Then he wrote about it in the spring of 1933, confirming and compounding the impact of Muggeridge’s recent work. Walter Duranty led the ferocious, Soviet-prodded attack on Jones’s credibility. He also bullied most other Moscow-based Western journalists — to their enduring disgrace — into doing the same, lest they lose their visas. Jones, however, had a spine. He did not back off. He continued writing and speaking about the famine in Ukraine with lasting effect, until his death under suspicious circumstances two years later.

July 24, 2020

War Diplomats, Japanese/Soviet Neutrality, and why not Sweden? – WW2 – OOTF 015

Filed under: Britain, Europe, Germany, History, Japan, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 23 Jul 2020

What happened to Allied ambassadors? And how did Hitler react to the Soviet-Japanese Neutrality Pact? And why didn’t he invade Sweden? Once again, Indy is in the Chair of Infinite Knowledge answering all your exciting questions about World War Two!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel Weiss

Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Portrait of Charles Howard Smith, courtesy National Portrait Gallery

Soundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Fabien Tell – “Other Sides of Glory”
Johannes Bornlof – “The Inspector 4”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

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