Therein you have a microcosm of modern British aristocracy. A class system that used to distribute power and responsibility has collapsed into a source of therapeutic validation for the fragile individualism of its members. False merit thrives between narrow horizons — and few are narrower than the blue bloods of England. Enabling these delusions are the hangers-on who crowd Britain’s husks of aristocracy. It takes celebrities, journalists, and photographers to clothe their naked imperium and validate their feelings of uniqueness. And what does the intelligentsia get in return for this courtship? The answer, of course, is nothing. Because if Britain’s nobs know one thing, it is that they owe the world nothing. They have kept their noblesse but eschewed their oblige. In its place has come venality and codependence: rugged individualism without the actual ruggedness.
The historical way-markers to this implosion are well-documented. The First World War delivered a demographic and psychological blow of unprecedented proportion. Yet the next generation laughed into the void. The Roaring Twenties were a whirl of parties and bankruptcies. Only with the aid of married American fortunes did a carapace of their old values remain intact. The ’60s dissolved what remained of those values in a fug of dope and good tail. Those who didn’t succumb to the new addictions succumbed to old ones they could no longer afford. Titans of the British military like Sir David Stirling — cofounder of the SAS and a descendant of Charles II — gambled away their estates at the hands of unscrupulous Mayfair casino-owners who pretended to be their friends. The aristos were co-opted for their charm — read: money — by a new milieu that promoted the glamour of sexual and social transgression. Blinded by their inherited feelings of self-worth, they never realized they were being used by people who despised them. As a result, nowhere was Britain’s postwar political direction — dubbed “The Management of Decline” — internalized as effectively as among the people who had once driven its ascent.
[…]
How could a species that once steered Britain to greatness now claim the Darwin Award in every passing decade? The simple reason is that British aristocrats are the only people on earth among whom stupidity is not only accepted but prized. As the ultimate proof against meritocracy, it is the ultimate badge of honor. As Stendhal wrote in Le Rouge et Le Noir, “It is not doing something well or badly that is the crime: but doing it at all.”
“Bunky Mortimer III”, “Class Rejects: A Guide to the British Aristocracy”, Taki’s Magazine, 2018-03-02.
May 28, 2020
QotD: The decline and fall of the British aristocracy
May 27, 2020
The Battle to Crack Enigma – The real story of ‘The Imitation Game’ – WW2 Special
World War Two
Published 26 May 2020For the British, breaking the Germans’ seemingly unbreakable codes is one of the most vital battles of the war. If they fail, there is litte to stop the German U-Boats hunting down Allied shipping in the Atlantic.
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 23310, A 13709, A 23513
Picture of Enigma G model, courtesy Austin Mills https://flic.kr/p/2bQ9Q
reconstructed bombe machine at Bletchley Park, courtesy Gerald Massey
Picture of Enigma M4 model displayed at Bletchley Park, courtesy Magnus Manske
Picture of John Herivel, courtesy GCHQ
From the Noun Project: Letter by Mochammad Kafi, Desk by monkik, Phone by libertetstudio, person by Adrien Coquet, Letter by Bonegolem, Table by Creative Stall, documents by Johannes Hirsekorn, sitting at desk by IYIKON, Paper by James KopinaSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Hakan Eriksson – “Epic Adventure Theme 3”
Howard Harper-Barnes – “London”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago (edited)
Hopefully you’re all staying safe in these difficult times. We’re still marching on so that we can keep all of you entertained when you’re stuck at home. But we can only continue doing so thanks to your ongoing support. Ad revenue has dropped significantly because of COVID, and we rely on your support now more than ever. If you can, please support us on www.patreon.com/timeghosthistory or https://timeghost.tv.Please let us know what other specials you’d like to see. And if you would like to know something about a smaller topic, make sure to submit that as a question for our Q&A series, Out of the Foxholes. You can do that right here: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.
Cheers,
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Webley 1913 Semiauto Pistol: History and Disassembly
Forgotten Weapons
Published 25 May 2017William Whiting and the Webley company had high hopes for their self-loading pistols being adopted by the British military — but they never got the success they were hoping for.
After the poor performance of the Webley 1904 (https://www.youtube.com/watch?v=-hT38…) at trials, William Whiting decided to make sure his next attempt would be fully developed before he put it in the hands of the military. He did very well at that too, as the gun which would become the Model 1913 Webley did very well from its very first military tests. The Royal Navy was, in fact, quite enthusiastic about it, although the Army was not. The Navy would ultimately adopt the gun and purchase about 8,000 of them during World War One, while the Army acquired just a couple hundred and preferred to stick to its revolvers.
Thanks to Mike Carrick of Arms Heritage magazine for loaning me these pistols to bring to you!
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QotD: “Hate speech” is the new secular heresy
Brendan O’Neill, “Why we must win the fight for free speech”, Spiked, 2020-02-26.
May 26, 2020
“No more pencils, no more books…”
In the latest edition of the Libertarian Enterprise, Sean Gabb considers the demands from the British government to quickly re-open the schools over the concerns of the educational unions and administrations:
The latest turn in an increasingly dull coverage of the Coronavirus panic is a proposed reopening of the schools. The Government wants them open as soon as possible for at least some of their students. The teaching unions are bleating that no one should go back until their members can be sure of not catching anything. The headmasters are worried about compliance with the social distancing rules. As a conservative of sorts, I think I am supposed to side with the Government and the pro-Conservative journalists — denouncing the teachers as a pack of idlers where not cowards, and insisting that those factories of essential skills must be set back in full production before the summer holidays. Of course, my settled view as a libertarian is that the teaching unions deserve all the support I have never so far given them. The schools must remain closed until no one is in any danger of so much as an attack of hay fever. The schools have been largely closed since the end of March. The longer they stay largely closed, the better. Best of all if they never reopen — or never reopen as they have been since attendance was made compulsory at the end of the nineteenth century.
I quote John Stuart Mill on compulsory schooling:
A general State education is a mere contrivance for moulding people to be exactly like one another: and as the mould in which it casts them is that which pleases the predominant power in the government, whether this be a monarch, a priesthood, an aristocracy, or the majority of the existing generation; in proportion as it is efficient and successful, it establishes a despotism over the mind, leading by natural tendency to one over the body.
(On Liberty, 1859, Chapter 5, “Applications.”)This has always been the case in some degree. The spread of state schooling in England after 1870, and particularly after it was made compulsory in 1880, and then extended in 1902, is probably inseparable from the nationalist hysteria that drove our participation in the Great War. It also may explain the perverse belief, general until the 1970s, in the unique goodness and honesty of our ruling class. This being said, reasonable patriotism is to be encouraged; and, compared with others, our ruling class was not until recently so bad. A further point is that compulsory state schooling used to be reasonably effective at giving the mass of people a basic education. By 1960, most people were literate and numerate. They could spell and write grammatical prose. They had some exposure to the English classics, and the means of exploring these to greater depth if they wished. They had some understanding of history and the sciences. You can tell much about the quality of a people by examining what is read and watched. Looking at the popular arts in England during much of the twentieth century explains why this passage in On Liberty was less often discussed than his arguments for freedom of speech. Mill was right in the abstract. He could be shown to be right in certain particulars. But the evils of compulsory state schooling were mostly potential.
All this, however, is in the past. Since about 1980, schooling of all kinds has been made into a concerted means of indoctrination. The cultural leftists have captured both the classrooms and the curriculum. I will not elaborate on this claim. Some will argue over terminology, some over the merits of the capture, but hardly anyone denies the broad fact. One of the main functions of modern schooling is to bring about and to protect a radical departure from the old intellectual culture of this country.
Much of this departure has been achieved by preaching in the classroom. But it is supplemented by a growing bureaucracy of surveillance. The teachers themselves are watched, and they can be punished for dissenting from the established discourse. There is, for example, the Government’s Prevent strategy, which applies to the whole state machinery. Its purpose is to identify and root out anyone defined as a “political extremist.” Anyone identified as such is effectively banned from working with children and young people, and probably in the state sector as a whole.
May 24, 2020
Invasion of Crete: a Bloody Mess – WW2 – 091 – May 23 1941
World War Two
Published 23 May 2020Operation Mercury commences as fallschirmjäger airborne troops land on the Greek island of Crete. A bloody and messy battle follows as it turns out to be costly in more ways than one.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Imperial War Museum: A 28473, E 3064E, A 4154, A 4153, A 4149, A 4144, E 3066E, E 3023E, A 4156, E 6066
– Archives municipales de Brest
– Museums Victoria
– Bundesarchiv, CC-BY-SA 3.0: Bild_141-0816, Bild_183-L04232, Bild_101I-166-0527-10A, Bild 101I-166-0527-22 / Weixler, Franz Peter, Bild_183-L19019, Bild 146-1977-115-04, Bild 141-0823, Bild_101I-166-0512-39, Bild_146-1981-159-22, Bild_146-1980-090-34, E 3022EArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 23, 2020
Failed Assassinations — History Hijinks
Overly Sarcastic Productions
Published 22 May 2020If videogames have taught me anything, it’s that an assassin can solve a lot of problems. But sometimes plans fall apart, and sometimes it’s for the absolute DUMBEST reasons.
SOURCES & Further Reading: A History of Venice by Norwich, Rebellion by Ackroyd, The Poison King by Mayor.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
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May 22, 2020
“Angels Calling” Pt. 2 – Guns, Gas and Steel – Sabaton History 068 [Official]
Sabaton History
Published 21 May 2020The shadow of trench warfare is a long one. In fact the soldiers at the front did not just rely on their guns and grenades alone, but on a wartime industry to keep them fighting. Everything had to be produced in the millions. Not only rifles, cartridges and shells, but boots, helmets, spades and everything else that was used on a daily basis. The Great War was a war that thrived on a nation-wide war-economy, the likes of which had never been seen or tried before.
We would like to thank the World of Tanks team for their contribution and help with the video filming. If you’re not yet a World of Tanks player, join the game and get your hands on cool in-game stuff for free via the link: https://redir.wargaming.net/w7fwclmx/…
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Listen to “Angels Calling” on the album Attero Dominatus:
CD: http://bit.ly/AtteroDominatusStore
Spotify: http://bit.ly/AtteroDominatusSpotify
Apple Music: http://bit.ly/AtteroDominatusAppleMusic
iTunes: http://bit.ly/AtteroDominatusiTunes
Amazon: http://bit.ly/AtteroDominatusAmzn
Google Play: http://bit.ly/AtteroDominatusGooglePlay
Drücken Sie zum Aktivieren des Screenreaders ⌘+Wahltaste+Z. Informationen zu Tastaturkürzeln erhalten Sie, indem Sie ⌘Schrägstrich drücken.Watch the Official Video of “Angels Calling” here:
https://www.youtube.com/watch?v=JyZ8w…Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
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Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
Imperial War Museum: (E(AUS) 1497),(Q 87945), (HU_91107), (Q 109611), (IWM Q 3001), (Q 69229), (Q 14945), (Q 5855), (Q 110355), (Q30009), (Q 9340), (Q 10450), (Q 70680)
Bundesarchive
National Archives NARA
Library of Scotland
Internet Archive Book Images
Bulgarian Archive State Agency
The icons from Noun Project by: Creative Mania, Chanut is Industries, Ben Davis, Vichanon Chaimsuk, Assyifa Art, chiccabubble, Nociconist, Vectors Marke, lastspark, faisal, Nun, Setyo Ari Wibowo, Mohamad Arif Prasetyo, Nibras@design,Creative Stall, Bruno Bosse, ghufronagustian, Karla Design,Gan Khoon Lay, Eucalyp, Anton, Marta Botter, Iconic, Daniel Turner, Naufal Hudallah, Phạm Thanh Lộc, Ruben Vh, Vectorstall, Icon Lauk, Mahmure Alp, Luke Anthony, Deemak Daksina, Sergey Krivoy, Andrejs Kirma, Rflor, Andrejs Kirma, Shovel by David, ProSymbols, Jake Dunham, noSimon Child, Wonmo Kang, Nubaia Karim Barsha, Nikita Kozin, Dolly Holmes, Collicon, Made by Made & Graphic Enginer
Flag of Spain recreated by HansenBCN and SanchoPanzaXXIAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
First War of Scottish Independence | 3 Minute History
Jabzy
Published 22 Jun 2015The First Scottish War of Independence
May 21, 2020
The Great Exhibition of 1851 also served (for some) as the 19th century equivalent of the “Missile Gap” controversy
In the latest edition of his Age of Invention newsletter, Anton Howes discusses the changing role of the British government and how the Great Exhibition was also useful as subtle domestic propaganda for a more active role for government in the British economy:
The Crystal Palace from the northeast during the Great Exhibition of 1851, image from the 1852 book Dickinsons’ comprehensive pictures of the Great Exhibition of 1851
Wikimedia Commons.
… a whole new opportunity for reform was provided by the Great Exhibition of 1851. As I explained in the previous newsletter, an international exhibition of industry functioned as an audit of the world’s industries. It, and its successors, the world’s fairs, gave some indication of how Britain stood relative to rival nations, especially France, Prussia, and the United States. And whereas some people saw the Great Exhibition as a clear mark of Britain’s superiority, for would-be reformers it was a chance to expose worrying weaknesses. Thus, Henry Cole and the other original organisers of the exhibition at the Society of Arts exacerbated fears of Britain’s impending decline, giving them an excuse to create the systems they desired.
They identified two areas of worry: science and design. Britain of course had many eminent scientists and artists — some of the best in the world — but other countries seemed to have become better at diffusing scientific training and superior taste throughout the workforce as a whole. Design skills were an issue because France appeared to be catching up with Britain when it came to the mechanisation of industry; if it caught up on machinery while maintaining its lead in fashion, then Britain would not be able to compete. And scientific training appeared more useful than ever, with the latest scientific advances “influencing production to an extent never before dreamt of”. Visitors to the Great Exhibition had marvelled at the recent inventions of artificial dyes, a method of processing beetroot sugar, and the latest improvements to photography and the electric telegraph. Thus, for Britain to maintain its lead, it would need to improve the education of its workers.
The reformers’ scare tactics worked. The aftermath of the Great Exhibition saw the creation of a government Department of Science and Art under the direction of Henry Cole, who in turn oversaw the agglomeration of various museums, design schools, and other cultural institutions to what is now the “Museum Mile” in South Kensington. (Curiously, the area was originally called Brompton, but when Cole opened a museum of design and industry there, he named it the South Kensington Museum. Kensington was a much more aristocratic area nearby, though it had no “south” at the time. The museum evolved, rather complicatedly, into what is now the Victoria & Albert Museum. But unlike so many top-down area re-brands, the name South Kensington stuck.)
And that was just the beginning. Cole and his allies then oversaw a dramatic expansion of the state into education, largely through the use of examinations. Although state-funding for education had initially centred on building new schools, getting any more involved was a highly contentious issue. Most schools were controlled and funded by religious organisations, but were split between the established Anglican church and dissenters. When the government first became involved in schools, it was thus bitterly opposed by many dissenters as they feared that their children might become indoctrinated to Anglicanism. And naturally, the government could not teach dissenting religions. Yet the proposed compromise of teaching no religion at all was unacceptable to both sides. Schools were crucial, the groups believed, to keeping religion alive.
So the utilitarians came up with a workaround. Rather than getting the state too involved directly in managing the schools themselves, it would instead influence the curriculum. By holding examinations, and then paying teachers based on the outcomes of the tests, they could incentivise the teaching of certain subjects and leave the schools free to teach whatever religious beliefs they pleased. Indeed, by diverting more and more time towards teaching particular subjects, the reformers saw it as a secularising blow “against parsonic influence”. The tactic was initially applied to adult education. The Society of Arts would first trial out examinations without payments, to test their viability. Then Cole would have his department take over the examinations, first for drawing, and later for science, using his budget to fund payment-by-results. The effects were dramatic. The Society’s relatively popular examinations in chemistry, for example, rarely had more than a hundred candidates a year. But when the department instituted its payments, it soon drew in thousands. By 1862, when the government wanted to improve the teaching of reading, writing, and arithmetic in schools, they adopted Cole’s suggestion that they also use payment-by-results.
Tank Chats #70 Sherman M4A4 | The Tank Museum
The Tank Museum
Published 23 Mar 2019In Tank Chat #70, David Fletcher talks through the Sherman M4A4. The M4A4 is a relatively new addition to The Tank Museum, which is on long term loan.
Used and loved by the British, find out what makes this tank different from other types of Sherman in The Tank Museum.
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May 20, 2020
Roald Dahl – Pilot, Seducer and Author – WW2 Biography Special
World War Two
Published 19 May 2020Roald Dahl is not just a beloved author, he is also a wartime adventurer. He saw plenty of action in North Africa and Greece, where he got the inspiration for many of his work to come.
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Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Isabel Wilson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Isabel Wilson
Edited by: Mikołaj Cackowski
Sound design: Marek KamińskiColorizations by:
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
IWM K 8588, CH 2377, ZZZ 11729, CM 1725, CM 354, CM 358, CM 43, CH 13555, CM 131, CH 1500, CH 1431, CM 2527, CM 1353
Portrait of Roald Dahl, courtesy Royal Air Force Benevolent Fund
“Shot Down over Libya”, courtesy The Saturday Evening Post
Portrait of Walt Disney, courtesy of Disney Archive
Bundesarchiv
USHMMJohannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “Death And Glory 2”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 19, 2020
Some changes to the working world … when the world gets back to working
Sean Gabb has some thoughts on the post-lockdown return so … well, not normal, but as the economy reaches toward a new working equilibrium:
Kensington High Street at the intersection with Kensington Church Street. Kensington, London, England.
Photo by Ghouston via Wikimedia Commons.
The Coronavirus and its aftermath of lingering paranoia are the perfect excuse. Decentralisation and homeworking must be done. They must be done for the duration. They must be continued after that to maintain social distancing. No one will think ill of Barclays and WPP for taking the leap. No one will blame them for taking the leap in a way that involves a few deviations from course and a less than elegant landing. A year from now, these organisations will be making measurably larger profits than they would be otherwise. The mistakes will have been ignored.
And other organisations will follow. Whether the present crash will bring on a depression shaped like a V or an L, there is no doubt that, even if slowly at first, the wheels of commerce will continue turning. But they will be turning on different rails. As with any change of course, there will be winners and losers. I have already discussed how I can expect to be among the winners. I will leave that as said for the other winners — these being anyone who can find a market for doing from home what was previously required by custom and lack of imagination to be done somewhere else. I will instead mention the losers.
Most obvious among these will be anyone involved in commercial property. Landlords will find themselves with many more square feet to fill than prospective tenants want to fill. Rental and freehold values will crumble. Bearing in mind how much debt is carried by commercial landlords, there will be some interesting business failures in the next few years. Then there are the ancillary sectors — property management companies, commercial estate agents, maintenance companies. These employ swarms of architects and surveyors and lawyers and negotiators, of builders, plumbers, electricians, of drivers and cleaners. If the humbler workers will eventually find other markets, many with degrees and professional qualifications can look to a future of straitened circumstances.
The lush residential estates in and about Central London will follow. I think particularly of the aristocratic residential holdings in Kensington. Houses here go for tens of thousands a week to senior bank workers from abroad. If the City and Canary Wharf are emptied out, who needs to live in a place like Kensington? It has poor Underground connections. It is close by places like Grenfell Tower. Its residents keep predators at bay only by heavy investment of their own in security and by suspecting every knock on the door and every sound in the night. Many of the shops and eateries that make its High Street an enjoyable place to be will not reopen. Those that do reopen will be hobbled by continuing formal and informal rules on social distancing.
As a result, restaurants and pubs and coffee bars will begin to disappear. All but a few of these were barely making normal profit before they were closed last month. So few are in liquidation as yet only because so few petitions have been lodged in the courts. Most of them will now be surplus to requirement. The same can be said of hotels. Speaking for myself, I used to visit Cambridge twice a year on examinations business. I was always put up there for a couple of nights. I shall now do from home all that I did in Cambridge. I doubt I am alone. Zoom will destroy business travel. In the same way, bigger televisions plus continued social distancing will finish off the theatres and cinemas — also in decline before last month.
May 18, 2020
The British Tank Meme
Potential History
Published 1 Dec 2018A look at British tanks and why they are what they are.
Music Used: https://www.youtube.com/watch?v=WSo_d…
https://www.youtube.com/watch?v=PGrxH…End Song: https://www.youtube.com/watch?v=99LRv…
P.O.Box:
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May 17, 2020
Nazi Nuts Trading Places & Victory for the Commonwealth – WW2 – 090 – May 16, 1941
World War Two
Published 16 May 2020In the week that Rudolf Hess makes his flight to Britain, the Luftwaffe prepares for theirs to Crete. The British utilise their code-breaking methods and prepare for defence.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel Weiss
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Imperial War Museum: E2623, E 3222, E 3237, E 3233, E 3238, E 3228,
– Bundesarchiv, CC-BY-SA 3.0: Bild 183-R14128A, B 145 Bild-F016230-00007, Bild 141-0864, Bild 183-L19017
– National Portrait Gallery
– Artillery by Creative Mania from the Noun Project
– Oil barrel by Musmellow from the Noun Project
– Narodowe Archiwum Cyfrowe
– Photo from Bletchley Park, Sourse: Bletchley Park Trust
– Photo of Battista Volpini courtesy La StampaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
