The Cold War
Published 8 Aug 2020Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular – a real Cold War-era spy story
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November 8, 2020
Kim Philby: Soviet Spy in the West
November 7, 2020
History Summarized: Wales
Overly Sarcastic Productions
Published 6 Nove 2020Wale, Wale, Wale(s), what have we here? I’ll tell you! A look at the oft-forgotten history of Britain’s secret third country Wales, where the population is about 50% bards just by sheer cultural osmosis.
SOURCES & Further Reading: A Concise History of Wales by Jenkins, A History of Wales by Davies
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.
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Major Fosbery’s Breechloading Prototype Rifle
Forgotten Weapons
Published 5 Aug 2017http://www.patreon.com/ForgottenWeapons
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George Fosbery was the British officer (Major, at the time of this particular design) responsible for the quite famous Webley-Fosbery self-cocking revolver, as well as the Paradox system for shotgun slugs and many other lesser known firearms inventions. This rifle was his entry into British trials in the late 1860s for a cartridge firing rifle. Ultimately the Martini-Henry would be chosen, but nine different guns were put through testing including Fosbery’s.
One of the aspects that Fosbery’s design was particularly well suited for was the requirement that the gun be able to be loaded with a minimum amount of movement required that might interfere with men standing in close formation. Despite this, Fosbery only managed to come in 6th place in the trials, and only a small number of his guns were sold on the civilian market afterwards.
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
November 5, 2020
America on the Brink of Revolution? | BETWEEN 2 WARS: ZEITGEIST! | E.02 – Winter 1919
TimeGhost History
Published 4 Nov 2020There is revolution and fear of revolution throughout the world in the winter of 1919. But cultural and technological revolutions are also bringing hope to many. A new age of Jazz and Cinema is about to reach America and Europe.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Indy Neidell, Francis van Berkel, and Spartacus Olsson.
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell, Francis van Berkel, and Spartacus Olsson.
Archive Research: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…
Mikołaj Uchman
Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
From the Noun Project:
– Money by Gilberto
– lightbulb By Maxim KulikovSoundtracks from Epidemic Sound and ODJB:
– “One More for the Road” – Golden Age Radio
– “The Last Journey” – Line Neesgaard
– “Tiger_Rag” – ODJB
– “Not Safe Yet” – Gunnar Johnsen
– “Please Hear Me Out” – Philip Ayers
– “Dark Shadow” – Etienne Roussel
– “The Inspector 4” – Johannes Bornlöf
– “I Won’t Give You Up” – Almost Here
– “The Charleston” – Macy’s Voice
– “Defeated” – Wendel SchererArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
2 days ago (edited)
As in life, this series will always be a curious balance of light and dark. In the winter of 1919, one Parisian might have tickets to see the Original Dixieland Jass Band while their neighbour lies destitute after the war, and a well-to do man in Glasgow might be at the cinema while tanks rolls into his city to quell industrial unrest.Troubled and fascinating times then and troubled fascinating times now here in 2020. All of us here at TimeGhost hope that all of you are healthy and staying safe. And hey, if you need some entertainment to pass the time, you can find plenty of Between 2 Wars episodes alongside WW2 In Real Time and BIO Specials!
The Range Rover Story
Big Car old account
Published 26 Feb 2019To help me continue producing great content, please consider supporting me: https://www.patreon.com/bigcar
Help support my channel through these Amazon UK affiliate links:
Range Rover t-shirt: https://amzn.to/2WVHiLX
Land Rover baseball cap: https://amzn.to/2D4DP67
Range Rover diecast model car: https://amzn.to/2U3tTzk
Range Rover keyfob: https://amzn.to/2D4HmRQIf Maria Von Trapp had driven a Range Rover, she’d have climbed every mountain, forded every stream and driven to every Austrian folk festival with the entire Von Trapp family singers in the back. Her and the Captain would have been able to roll up to the fanciest Salzburg dinner party in their finest glad rags after a day yodeling sweet nothings to each other on top of a mountain.
The Range Rover is the ultimate go-anywhere luxury SUV. It was born out of Rover’s desire to sell more cars in the USA, and its design was a complete accident. So how did a company known for saloon cars and agricultural off-roaders invent a car that created a brand-new market segment?
Much credit for this video has to go to aronline.co.uk for their excellent articles.
#RangeRoverClassic
November 2, 2020
L1A1 SLR good and bad points
Bloke on the Range
Published 19 Oct 2017Sometimes Enfield does things right. Normally when they’re just polishing up an existing design. Like the L1A1 SLR, the British version of the FN FAL.
October 31, 2020
Atun-Shei’s Dracula
Atun-Shei Films
Published 30 Oct 2020🎃 Get 50% OFF 👉🏻 your first 6 months of Babbel 🕰 limited time only! HERE: http://bit.ly/AtunSheiFilms
An in-depth analysis of Dracula, the original 1897 book by Bram Stoker, possibly the most influential horror novel ever written. Why has the Count enjoyed such longevity in popular culture? What made Dracula so scary for Victorian readers? And what – pray tell – makes vampires so attractive?
Support Atun-Shei Films on Patreon ► https://www.patreon.com/atunsheifilms
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#BramStoker #Dracula #Analysis
Reddit ► https://www.reddit.com/r/atunsheifilms
Twitter ► https://twitter.com/atun_shei~REFERENCES~
[1] “Dracula Movies” (2016). IMDB https://www.imdb.com/list/ls058255047/
[2] Leslie S. Klinger. The New Annotated Dracula (2008). W.W. Norton & Company, Page xvi
[3] Klinger, Page xxi
[4] Dr. Andrzej Diniejko. “Slums and Slumming in Late-Victorian London.” The Victorian Web http://www.victorianweb.org/history/s…
[5] Gill Davies. “London in Dracula; Dracula in London” (2004). Literary London: Interdisciplinary Studies in the Representation of London, Volume 2 Number 1 http://www.literarylondon.org/london-…
[6] Klinger, xxxii-xli
[7] “An 1897 Review of Bram Stoker’s Dracula” (2019). Literary Hub https://bookmarks.reviews/an-1897-rev…
[8] “The Spectator‘s Review of Dracula, 1897″ (2012). The Spectator https://www.spectator.co.uk/article/t…
[9] olly Furneaux. “Victorian Se•ualities” (2014). British Library https://www.bl.uk/romantics-and-victo…
[10] Klinger, Page xvii-xviii
[11] Greg Buzwell. “Daughters of Decadence: The New Woman in the Victorian Fin De Siécle” (2014). British Library https://www.bl.uk/romantics-and-victo…
October 30, 2020
QotD: Artillery “duels”
Each afternoon we creep unostentatiously into subterranean burrows, while our respective gunners, from a safe position in the rear, indulge in what they humorously describe as “an artillery duel.” The humour arises from the fact that they fire, not at one another, but at us.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
October 29, 2020
The Legendary Scottish Infill Plane
Rex Krueger
Published 28 Oct 2020Learn about the famous infill planes of Scotland and England. Do they deliver on the hype?
More video and exclusive content: http://www.patreon.com/rexkrueger
(more…)
October 28, 2020
QotD: The Gurkhas
For 20 years between the wars [Field Marshal Viscount Slim] was a Gurkha officer, as so many of the 14th Army’s fighting generals were. Indeed, for a time, they were known on the front as the “Mongol Conspiracy.” Slim loves the Gurkhas, whose language he speaks. His favourite stories are of Gurkhas. He tells of the paratroopers who were to jump at 300 feet. As they had never jumped before, their Havildar [Sergeant] asked if they might go a little nearer the ground for their first jump. He was told that this was impossible because the parachutes would not have time to open. “Oh,” said the Gurkha, “so we get parachutes, eh?”
October 26, 2020
Classic Imperial British Revolvers: the Webley WG Army and Target
Forgotten Weapons
Published 19 Aug 2018http://www.patreon.com/ForgottenWeapons
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The Webley company used the “WG” (Webley Government) nomenclature in its literature starting in 1883, but the first revolver actually marketed as such was the WG Model of 1889. These revolvers were made primarily for the military market, as officers were responsible for supplying their own sidearms in the British military until 1915. The WG was a full size service revolver in .455 caliber (accepting a wide variety of .45 inch British cartridges, including the .450, .455, .476, Enfield Mk II, and Enfield MkIII). A series of refinements would be made to the design culminating in the generally-accepted standard WG pattern in 1896. These would be produced until 1902, when they were replaced by the Webley WS (Webley Service).
The two main variation of the WG were the Army and the Target. The Army typically had a bird’s-head grip and a 6 inch barrel, where the Target had a longer 7.5 inch barrel and a flared square-butt grip, as well as adjustable sights. However, Webley was happy to supply and mix of features to a customer, and many branded patterns exist. The Target pattern proved very successful for shooters at the Dublin, Glasgow, and Wimbledon matches of the period. A total of about 22,000 WG pattern revolvers were made, with the “standard” 1896 model appearing around s/n 10,000.
Contact:
Forgotten Weapons
6281 N Oracle #36270
Tucson, AZ 85704
October 24, 2020
QotD: Dealing with the Ordnance Office
For instance, in the case of the machine-gun washers — by the way, in applying for them, you must call them Gun, Machine, Light Vickers, Washers for lock of, two. That is the way we always talk at the Ordnance Office. An Ordnance officer refers to his wife’s mother as Law, Mother-in-, one — you should state when the old washers were lost, and by whom; also why they were lost, and where they are now. Then write a short history of the machine-gun from which they were lost, giving date and place of birth, together with a statement of the exact number of rounds which it has fired — a machine-gun fires about five hundred rounds a minute — adding the name and military record of the pack-animal which usually carries it. When you have filled up this document you forward it to the proper quarter and await results.
The game then proceeds on simple and automatic lines. If your application is referred back to you not more than five times, and if you get your washers within three months of the date of application, you are the winner. If you get something else instead — say an aeroplane, or a hundred wash-hand basins — it is a draw. But the chances are that you lose.
[…]
Olympus will not disgorge your washers until it has your receipt. On the other hand, if you send the receipt, Olympus can always win the game by losing the washers, and saying that you have got them. In the face of your own receipt you cannot very well deny this. So you lose your washers, and the game, and are also made liable for the misappropriation of two washers, for which Olympus holds your receipt.
Truly, the gods play with loaded dice.
On the whole, the simplest (and almost universal) plan is to convey a couple of washers from some one else’s gun.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
October 23, 2020
The EU’s sudden but inevitable betrayal on Brexit deal
After a long absence, Nigel Davies posts on the breakdown of the British talks with the EU:
… I suggested that the EU would finally have to face the fact that the failure of their system was nothing to do with xenophobic little countries in the Balkans, or corrupt east European dictatorships, or incompetent Mediterranean democracies in permanent crisis.
No this disaster — the disaster that finally reveals just how impossible the European “project” is — will be at the hands of the morally superior, self righteous goody two shoes of Europe … principally France and the Netherlands.
And it will be for the obviously domestic partisan, (and completely ethically unfathomable), reason, of protecting the unnatural rights of a few fisherman who have had the unlikely and unreasonable benefit of unfettered access to British fishing waters for the decades that Britain has been in the EU.
(An unwarranted privilege for which they probably should pay compensation … Certainly if Britain was an “unjustly persecuted” Asian or African country instead of an “obviously evil” European one, compensation for this unnatural practice would be a demand of every new age propagandist of any colour.)
Nonetheless I have been amazed at the number of column inches wasted in the last week as some journalists try and pretend that it must be the British who are being unreasonable. Or indeed that there is even a remote possibility that the EU could ever come to an agreement, no matter what the British do. (Short of the British admitting that it was all a ghastly mistake, and submitting to total and permanent subservience to the benign dictatorship of the Brussels bureaucrats of course.)
The truth is that the EU is completely incapable of accepting any agreement, because that presumes that 27 individual nations can agree to overcome the drag of their own domestic policies to agree on a common good. (Or on a common decency that would require even the slightest domestic discomfort in one or more of their members.)
The British Library goes “woke”
David Warren views this development with alarm and disdain:
Did you know? That, “Racism is the creation of white people”?
Of course you did, if you are young, woke, and poorly educated, like the white woman who is now the British Library’s Chief Librarian. (“Liz Jolly.”) Her statement, in a video to staff last summer, promoting her Decolonizing Working Group, though perfectly acceptable to Guardian subscribers, was mocked by several African and Asiatic scholars who have depended upon that library’s resources over the years. Noting that history is more complicated than Ms Jolly was ever told, they criticized her as “pig ignorant,” &c.
But her explicitly racist “anti-racist” programme proceeds, with aggressive “anti-racist” exhibitions, new “anti-racist” signage, and so forth. The demand to de-acquisition authors who do not reinforce the current ideological stereotypes has not yet gathered to full force, but has started.
The capture of essentially all major cultural institutions by unhinged political fanatics with daddy issues, is among the signs of our times. Those who resist are driven out of employment; those who accede have a lock on the splendidly-paid positions, for which beleaguered taxpayers are billed. The consequences to Western Civ are not trifling.
Perhaps I am unfair to single out just the one career arts bureaucrat, when there are thousands to choose from. I may even be prejudiced, not only against white people, but against those of the scheduled races who have cooperated in trashing the institutional heritage of the Big Wen.
For London was my Athens, back in the day, and I take these things personally. My British Museum Library ticket was among my most cherished possessions, and the old Reading Room among my favourite haunts. I am now so old that I can remember when such places were ruled, and staffed, by respectably boring establishment types with Oxbridge degrees.
In a different context, we’ve seen just how eager Oxbridge types of the 1930s were eager to join the Soviet spy networks, so the change in establishment staff at non-explicitly communist establishments was only a matter of time…
Tank Chats #83 Valiant | The Tank Museum
The Tank Museum
Published 30 Aug 2019Described by David Fletcher as the worst tank at The Tank Museum! Find out how the WW2 Valiant tank failed in quite so many areas.
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