Quotulatiousness

September 19, 2019

“[T]he Indian Act is a benign form of apartheid”

Filed under: Books, Cancon, History, Law, Liberty — Tags: , , — Nicholas @ 03:00

In the National Post, Barbara Kay discusses a recent book on the key legislation that regulates relations between the Canadian federal government and the various First Nations groups:

Few and far between are disinterested scholars of Canada’s Aboriginal history who have the tough hide and principled will to publicly depart from the approved Indigenous “nation-to-nation” narrative that keeps the guilt and money flowing, but perpetuates a dysfunctional status quo on many reserves. Most of the dissenters are university academics. But Best is simply an intelligent man with a passion for his subject, a deep impatience with political correctness, and unremitting determination to weather whatever storms afflict him as he shepherds his views to a public market.

I’ve written before in the National Post and elsewhere about Best’s lonely battles with our society’s forces of repression. There Is No Difference began its public life as a post on a dedicated online site in 2014, copied to his legal firm’s. Shortly afterward, complaints were filed against him with the Law Society of Upper Canada (now the Law Society of Ontario), asking that Best be “disbarred or suspended” and that he be forced to apologize for using his law practice “to disseminate racist materials.”

After two years of stressful limbo, the Law Society graciously allowed that the excerpts submitted by the (unnamed) complainant were “not enough to merit a finding of any form of professional misconduct on their face.” (The last three words telegraph the ardent wish that they had been; apart from a dissenting group of new benchers, the Law Society’s board has increasingly demonstrated worrying Thought Police tendencies.)

Best believes the Indian Act is a benign form of apartheid, and advocates for the integration model of equal citizenship for all, a model promoted, for example, by Pierre Elliott Trudeau (who called the system “apartheid”), and the late Aboriginal lawyer William Wuttunee, author of Ruffled Feathers, who was marginalized and discredited as an “apple,” red on the outside, white on the inside.

Best believes the federal government must be the ultimate master in its own house for Canada to function as a healthy nation. He is fiercely critical of the Supreme Court’s 2004 emphasis on the “honour of the Crown” concept in its Haida Nation vs. British Columbia ruling, with key words “to consult and where appropriate, accommodate the Aboriginal interest” virtually decreeing a devolution of Crown sovereignty to Aboriginals, and effectively turning Indigenous bands into a third order of government with the power arbitrarily to advance or restrict Canada’s economic fortunes.

It’s easy for Indigenous activists to bash a white historian, or even an Aboriginal dissident without special standing like Wuttunee. But it will be more difficult to dismiss the opinion of a former Supreme Court justice. Best just came in for an unexpected stroke of luck. Former Supreme Court justice Jack Major (1992-2005) has given the book his endorsement in a letter discussed in an article by the Frontier Centre for Public Policy (FCPP).

September 18, 2019

The invention of Writing, Paper and Print! l HISTORY OF CHINA

Filed under: Books, China, History, Technology — Tags: , , — Nicholas @ 04:00

IT’S HISTORY
Published on 22 Jul 2015

The invention of script, paper and printing can be credited to the Chinese. It was in China that Cai Lun, in his emperor’s service, made the production of paper suitable for the masses. Originally planned as a means to wrap things in, it soon became obvious that paper was more suitable for writing than the common bamboo stick. Guy explains how the Chinese printed written pages long before Gutenberg was born, how Chinese writing actually works and how emperor Qin tried to establish the standardized Chinese Han Characters, or Hanzi, attempting to unify the writing symbols for his country.

» SOURCES
Videos: British Pathé (https://www.youtube.com/user/britishp…)
Pictures: mainly Picture Alliance
Content:
Faulmann, Carl (1995): Schriftzeichen und Alphabete aller Zeiten und Völker. Augsburg. Reprint der Originalausabe von 1880 Wien.
Pan, Jixing (1998): “On the origin of movable metal-types”. In: Chinese Science Bulletin 43 (20).
Wai Wong (2005): “Typesetting Chinese. A personal perspective”. In: TUGboat 26 (2) 111-114.
https://www.tug.org/TUGboat/tb26-2/wo…
Yan, Yangtse (2006): “New Evidence suggests longer paper making history in China”. http://news.xinhuanet.com/english/200…

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September 16, 2019

History-Makers: Herodotus

Overly Sarcastic Productions
Published on 13 Sep 2019

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There is much to do, and many unknowns on our horizon! — One of those unknowns is “How did Herodotus become the Father of History” and why is his book so confusingly organized? All that and more on this installment of History-Makers!

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September 15, 2019

QotD: “Whenever I hear the word ‘culture’ I reach for my Browning”

Filed under: Books, Britain, Humour, Quotations — Tags: , , , — Nicholas @ 01:00

This, attributed to Goering but rather indited by some other nutjob mediocrity, is among my favourite phrases. Often I cite it with glee. I know just what he meant; rarely has one the chance to empathize with Nazis. Monsters they were, but also human, and if we lose the means to recall what made them tick, we are disadvantaged against their successors.

Ditto with Islamic terrorists, incidentally. Unless we can see them, sometimes, from the angle that makes them most attractive, we miss the whole picture. Know the enemy, I say. The worst psychopath may offer to share some droll humour. It is my firm belief that even liberals and progressives can be charming, sometimes.

I wonder which part of Mr Browning’s works Herr Goering would reach for? Would it be an earlier work, as Paracelsus or Sordello? A later, such as Jocoseria or Asolando? Me, I think I would start with a dilatory romp through the Dramatic Idylls, then hunker down with The Ring and the Book.

David Warren, “Include me in”, Essays in Idleness, 2017-08-30.

September 12, 2019

Book Review: The Ross Rifle Story

Filed under: Books, Cancon, History, Military, Weapons, WW1 — Tags: , , , , — Nicholas @ 04:00

Forgotten Weapons
Published on 8 Sep 2019

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The Ross Rifle Story is the Bible of Ross rifle collecting — it is the only substantial reference work on the subject and it has a tremendous amount of information about the development of the Ross. However, it is also one of the worst-edited firearms reference books I am aware of. It has a second Table of Contents on page 85 — need I say more than that?

Well, I will. The photographs are black and white and often too dark or too light. Beyond it really being two separate manuscripts printed back to back, the organization is really lacking. Finding information in the book is sometimes very difficult, as the subject matter jumps around a lot. The story of the Ross — especially separating the civilian and military development — is a pretty complicated one, and even a well-edited book on the subject might be a bit difficult to parse. This book is really bad at times.

But for all that, it does have the information (with only a few errors), and it’s the only book that does. If you are interested in the Ross, this is a must-have book despite its problems.

A second printing was run in 2002, and not much effort was put into marketing it. Despite the online prices all being $300+, the seller still has a couple dozen copies remaining as of this writing. To order one (for $100 plus shipping, via PayPal) email him at ross.rifle.story@sympatico.ca .

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704

September 11, 2019

Margaret Atwood’s The Testaments

Filed under: Books, Cancon, Media, Politics, USA — Tags: , , , — Nicholas @ 03:00

Colby Cosh discusses the genesis of Atwood’s best-known work from 1984, The Handmaid’s Tale and the new sequel published this week, The Testaments:

In a CBS interview broadcast on Sunday, Atwood insisted again, as she always has, that her book wasn’t a prediction. People who read her book in a spirit of active dread, the kind of people who dress up as Handmaids and march on legislatures, will say that, well, dystopias are created specifically so that they won’t come true. What Atwood is trying to say goes deeper than that, and contradicts it. She won’t even insist that the book was intended as a warning. “I’m not a prophet,” she pleads, while everyone around her tells her what a terrific prophet she is.

What she means, but cannot say because it would sound arrogant, is: “I’m not a prophet, dammit, I’m an artist.” If tyrannies were easy to predict and prevent by spritzing around a bit of literary bug spray, they couldn’t come about in the first place. Atwood knows better than this; she knows that tragedies of this scale never take the form that an author might anticipate. Moreover, people who read The Handmaid’s Tale as a mere tract are deaf to its satirical elements — particularly those of the epilogue, in which the story is revealed to have been unearthed by scholars in a still-more-distant future.

These people are also failing to see that The Handmaid’s Tale is a book — researched, not merely imagined — about the past of humankind. The whole book is predicated on the observation (also made implicitly in Orwell’s Nineteen Eighty-Four) that totalitarian regimes are never libertine; they all police sexuality at least as strenuously as they do trade and creative activity, and always come with puritanical, sexually homogenizing features. The novel was heavily influenced by Ceausescu’s Romania and its pro-natalist Decree 770, which abolished contraception and imposed mass gynecological inspection on women of fertile age. Europeans and students (or veterans) of the Cold War will notice this, but how many of the young folk who dress up as Handmaids at protests have any idea? (Are some of them also cosplaying on Twitter as postmodern retro-communists?)

I am curious to see what the critics make of the sequel, because the act of writing one seems a bit cynical, and yet perhaps Atwood has found some clever way of making it work. Offred’s narrative in The Handmaid’s Tale is, as I say, unearthed in a later future; it is important to the functioning of the book that we come to see her as a figure from the past, a human voice whose plea from an obscure period has been flung forward into the hands of half-comprehending and unsympathetic scholarly boobs.

August 31, 2019

QotD: Thinning out the book collection

Filed under: Books, Humour, Quotations — Tags: , , — Nicholas @ 01:00

So out some stuff goes — including boxes and boxes of books. It feels wrong to get rid of books. It feels as though I’m shaving points off my IQ, such as it is. You’re supposed to keep books. You’re supposed to end your days surrounded with stacks and stacks of books, your rich old friends with whom you have spent so many golden hours. Well, most of the books hail from college era, and I really don’t need to keep my German post-war lit paperbacks, especially since most are from leftist authors with a grudging sympathy for the heaven on the other side of the wall. (The wall’s worst sin, if I remember, was aesthetic; its second fault, metaphysical.) Out. Ah: a collection of Tom Sharpe novels. He was a brilliant nasty British comic author who got a big push in the States in the early 80s. It didn’t work. Horrible cartoony covers. They stay. Someday I’ll read them again. The Hite Report: the world’s only Tolstoi-length Penthouse Forum letter. Out. Ah: all my Flashman novels, with the pages coming out. These I keep until they’re reissued. They were un-PC before there was such a thing as PC. I can quote from few novels, really, but I can always remember that line from the first book, in which Flashy recounts his cumulative sexual exploits: I have laid enough cane to build a banister around Hyde Park. Ah: here’s a box of books whose pages have all fused together. Whew. Out.

James Lileks, Bleat, 2004-07-06.

August 29, 2019

QotD: Imagining a world made up only of women

Filed under: Books, Politics, Quotations — Tags: , , , , , — Nicholas @ 01:00

If enough women decide to mob on some unfortunate outside their group, they may well turn physically violent and the beating will not stop once the point is made. It will stop when the target of their wrath is dead or nearly dead. Women don’t really have much of an “off switch” when we move into physical violence out of anger.

So what would a world made up totally of women really be like? It would be tyrannical beyond belief. No one would be willing to speak against the accepted narrative unless they were willing to be unpersoned or killed. Think of a mix between 1984, the very worst social aspects of socialist regimes, and the Borg. There would be constant pushing for position, usually by starting whisper campaigns or setting someone above oneself up to be badly embarrassed. Look at the SJWs of today’s world and see how they operate. That’s what it would look like, writ large across the entire planet. They attack anyone outside the group who doesn’t comply with their demands, and if someone inside the group says a single word out of line according to the ever-shifting standards the entire group turns on them without mercy. The only way to get back in their good graces is to loudly proclaim your “sin” and accept their abuse until they get bored of you. Even afterward, you’ll forever be “tainted” with the sin of noncompliance.

When you write your books and send them out into the world, please stop writing women as soft, cuddly pacifists. We aren’t. Kipling was completely right about the female of the species being the more dangerous sex. He was also right about the price of letting women control society. If any thinking individualist finds themselves in a society run by women, may God have mercy on their souls because those women will have none at all.

“outofthedarkness”, guest posting at According to Hoyt, 2017-08-09.

August 27, 2019

QotD: Salvador Dali and the “benefit of clergy”

Filed under: Books, Europe, History, Quotations — Tags: , , , , — Nicholas @ 01:00

Orwell’s press card portrait, 1943

Now, if you showed this book, with its illustrations, to Lord Elton, to Mr. Alfred Noyes, to The Times leader writers who exult over the “eclipse of the highbrow” — in fact, to any “sensible” art-hating English person — it is easy to imagine what kind of response you would get. They would flatly refuse to see any merit in Dali whatever. Such people are not only unable to admit that what is morally degraded can be aesthetically right, but their real demand of every artist is that he shall pat them on the back and tell them that thought is unnecessary. And they can be especially dangerous at a time like the present, when the Ministry of Information and the British Council put power into their hands. For their impulse is not only to crush every new talent as it appears, but to castrate the past as well. Witness the renewed highbrow-baiting that is now going on in this country and America, with its outcry not only against Joyce, Proust and Lawrence, but even against T. S. Eliot.

But if you talk to the kind of person who can see Dali’s merits, the response that you get is not as a rule very much better. If you say that Dali, though a brilliant draughtsman, is a dirty little scoundrel, you are looked upon as a savage. If you say that you don’t like rotting corpses, and that people who do like rotting corpses are mentally diseased, it is assumed that you lack the aesthetic sense. Since Mannequin rotting in a taxicab is a good composition. And between these two fallacies there is no middle position, but we seldom hear much about it. On the one side Kulturbolschevismus: on the other (though the phrase itself is out of fashion) “Art for Art’s sake.” Obscenity is a very difficult question to discuss honestly. People are too frightened either of seeming to be shocked or of seeming not to be shocked, to be able to define the relationship between art and morals.

It will be seen that what the defenders of Dali are claiming is a kind of benefit of clergy. The artist is to be exempt from the moral laws that are binding on ordinary people. Just pronounce the magic word “Art”, and everything is O.K.: kicking little girls in the head is O.K.; even a film like L’Age d’Or* is O.K. It is also O.K. that Dali should batten on France for years and then scuttle off like rat as soon as France is in danger. So long as you can paint well enough to pass the test, all shall be forgiven you.

One can see how false this is if one extends it to cover ordinary crime. In an age like our own, when the artist is an altogether exceptional person, he must be allowed a certain amount of irresponsibility, just as a pregnant woman is. Still, no one would say that a pregnant woman should be allowed to commit murder, nor would anyone make such a claim for the artist, however gifted. If Shakespeare returned to the earth to-morrow, and if it were found that his favourite recreation was raping little girls in railway carriages, we should not tell him to go ahead with it on the ground that he might write another King Lear. And, after all, the worst crimes are not always the punishable ones. By encouraging necrophilic reveries one probably does quite as much harm as by, say, picking pockets at the races. One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being. The one does not invalidate or, in a sense, affect the other. The first thing that we demand of a wall is that it shall stand up. If it stands up, it is a good wall, and the question of what purpose it serves is separable from that. And yet even the best wall in the world deserves to be pulled down if it surrounds a concentration camp. In the same way it should be possible to say, “This is a good book or a good picture, and it ought to be burned by the public hangman.” Unless one can say that, at least in imagination, one is shirking the implications of the fact that an artist is also a citizen and a human being.

* Dali mentions L’Age d’Or and adds that its first public showing was broken up by hooligans, but he does not say in detail what it was about. According to Henry Miller’s account of it, it showed among other things some fairly detailed shots of a woman defecating.

George Orwell, “Benefit of Clergy: Some Notes on Salvador Dali”, Saturday Book for 1944, 1944.

August 23, 2019

QotD: The ego of Salvador Dali

Filed under: Books, Europe, History, Quotations — Tags: , , , , , — Nicholas @ 01:00

Orwell’s press card portrait, 1943

[Dali’s] aberrations are partly explicable. Perhaps they are a way of assuring himself that he is not commonplace. The two qualities that Dali unquestionably possesses are a gift for drawing and an atrocious egoism. “At seven”, he says in the first paragraph of his book, “I wanted to be Napoleon. And my ambition has been growing steadily ever since.” This is worded in a deliberately startling way, but no doubt it is substantially true. Such feelings are common enough. “I knew I was a genius”, somebody once said to me, “long before I knew what I was going to be a genius about.” And suppose that you have nothing in you except your egoism and a dexterity that goes no higher than the elbow; suppose that your real gift is for a detailed, academic, representational style of drawing, your real métier to be an illustrator of scientific textbooks. How then do you become Napoleon?

There is always one escape: into wickedness. Always do the thing that will shock and wound people. At five, throw a little boy off a bridge, strike an old doctor across the face with a whip and break his spectacles — or, at any rate, dream about doing such things. Twenty years later, gouge the eyes out of dead donkeys with a pair of scissors. Along those lines you can always feel yourself original. And after all, it pays! It is much less dangerous than crime. Making all allowance for the probable suppressions in Dali’s autobiography, it is clear that he had not had to suffer for his eccentricities as he would have done in an earlier age. He grew up into the corrupt world of the nineteen-twenties, when sophistication was immensely widespread and every European capital swarmed with aristocrats and rentiers who had given up sport and politics and taken to patronising the arts. If you threw dead donkeys at people, they threw money back. A phobia for grasshoppers — which a few decades back would merely have provoked a snigger — was now an interesting “complex” which could be profitably exploited. And when that particular world collapsed before the German Army, America was waiting. You could even top it all up with religious conversion, moving at one hop and without a shadow of repentance from the fashionable salons of Paris to Abraham’s bosom.

That, perhaps is the essential outline of Dali’s history. But why his aberrations should be the particular ones they were, and why it should be so easy to “sell” such horrors as rotting corpses to a sophisticated public — those are questions for the psychologist and the sociological critic. Marxist criticism has a short way with such phenomena as Surrealism. They are “bourgeois decadence” (much play is made with the phrases “corpse poisons” and “decaying rentiers class”), and that is that. But though this probably states a fact, it does not establish a connection. One would still like to know why Dali’s leaning was towards necrophilia (and not, say, homosexuality), and why the rentiers and the aristocrats would buy his pictures instead of hunting and making love like their grandfathers. Mere moral disapproval does not get one any further. But neither ought one to pretend, in the name of “detachment”, that such pictures as Mannequin rotting in a taxicab are morally neutral. They are diseased and disgusting, and any investigation ought to start out from that fact.

George Orwell, “Benefit of Clergy: Some Notes on Salvador Dali”, Saturday Book for 1944, 1944.

August 20, 2019

QotD: Autobiography

Filed under: Books, Europe, History, Quotations — Tags: , , , — Nicholas @ 01:00

Orwell’s press card portrait, 1943

Autobiography is only to be trusted when it reveals something disgraceful. A man who gives a good account of himself is probably lying, since any life when viewed from the inside is simply a series of defeats. However, even the most flagrantly dishonest book (Frank Harris‘s autobiographical writings are an example) can without intending it give a true picture of its author. Dali’s recently published [The Secret Life of Salvador Dali] comes under this heading. Some of the incidents in it are flatly incredible, others have been rearranged and romanticised, and not merely the humiliation but the persistent ordinariness of everyday life has been cut out. Dali is even by his own diagnosis narcissistic, and his autobiography is simply a strip-tease act conducted in pink limelight. But as a record of fantasy, of the perversion of instinct that has been made possible by the machine age, it has great value.

George Orwell, “Benefit of Clergy: Some Notes on Salvador Dali”, Saturday Book for 1944, 1944.

August 17, 2019

The British Empire in retrospect

Filed under: Books, Britain, History, India — Tags: , , , — Nicholas @ 03:00

It’s been fashionable to dismiss the British Empire as a positive force in history for about 100 years (partly in reaction to the losses during the First World War), but Casey Chalk reviews a recent book that counter-cherry-picks the facts to show it wasn’t all an authoritarian dystopia and cultural wasteland:

… the central argument of University of Exeter professor of history Jeremy Black’s new book Imperial Legacies: The British Empire Around the World, which, according to the book jacket, is a “wide-ranging and vigorous assault on political correctness, its language, misuse of the past, and grasping of both present and future.” The imperial legacy of Great Britain is also, in a way, an instructional lesson for the United States, which, much like the British Empire of the early to mid-20th century, is experiencing a slow decline in influence.

As a former history teacher who has visited many former British colonies in Africa and Asia, I’ve been well catechized in how British imperialism is interpreted. The British, so we are told, were violent aggressors and expert political manipulators. Using their technological superiority and command of the seas, they subjugated cultures across the globe, applied the “divide and rule” policy to set ethnic and linguistic groups against one another, extracted resources for profit, and stole cultural artifacts that now collect dust in their museums. Thus, so the story goes, blame for many of the world’s current problems lies squarely at the feet of the British Empire, for which she should still be paying reparations.

Yet, Black notes, “there is sometimes a failure to appreciate the extent to which Britain generally was not the conqueror of native peoples ruling themselves in a democratic fashion, but, instead, overcame other imperial systems, and that the latter themselves rested on conquest.” Take, for example, the Indian subcontinent, which was a disparate collection of kingdoms and competing empires — including Mughals, Sikhs, Afghan Durranis — during the early centuries of British intervention. All of these were plenty brutal and intolerant towards those they subjugated. Moreover, Hinduism promoted not only the oppressive caste system, but also sati, or the ritual of widow burning, in which widows were either volitionally or forcibly placed upon the funeral pyres of their deceased husbands. It was the British who stopped this practice, and others, with such legislation as the Hindu Widows’ Remarriage Act of 1856, the Female Infanticide Prevention Act of 1870, and the Age of Consent Act of 1891.

Nor has India been able to escape the same imperialist tendencies as the British. Just ask the Sikhs, whose demands to “free Khalistan” have gone unheeded by New Delhi, and who in 1984 suffered great atrocities at the hands of the Indian military and civilian mobs. Or ask Indian Muslims, of whom more than 1,000 died in the 2002 Gujarat riots and who suffer increasing persecution under the ruling Hindu nationalist party BJP. There’s also not a few folks in Kashmir who happen to call the Indians imperialists. One might note here that many of the problems in former European colonies are not solely, or even largely the result of European imperialism, but can be attributed to many other causes, population increase, modernization, and globalization among them. Corruption in some former colonies, including India, is almost certainly higher than it was during British rule.

India is only one such example where the modern narrative ignores both historical and contemporary realities, including, one might add, the fact that India as it now exists is largely a creation of British colonial efforts. It was Britain that united a disparate group of people into a single cohesive unit with a national identity. Indeed, as Black rightly notes, “modern concepts of nationality have generally been employed misleadingly to interpret the policies and politics of the past.”

This is further complicated by the fact that in many places, especially India, “alongside hostility, opposition and conflict,” between the imperialists and the colonized, “there was inter-marriage, intermixing, compromise, co-existence, and the process of negotiation that is sometimes referred to as the ‘middle-ground.'” One need look no further than the First and Second World Wars, in which more than 1.5 million and approximately 2.5 million Indians, respectively, fought willingly and bravely in the service of the British crown.

August 15, 2019

QotD: Strong female characters in fiction

Filed under: Books, Quotations — Tags: , , , , — Nicholas @ 01:00

If you’d asked me at twelve, I’d have told you I had no idea why the story charmed me as it did. I only knew I liked re-reading it and it became one of my favorite books. It felt good and somehow “right” in a way that fairytales and romances didn’t.

Today, when I telling the kids about it, I realized why. It was because the character was a strong woman. Born with the ultimate disadvantage, the ultimate lack of support, she doesn’t – like fairytale princesses – either get rescued by a strong knight nor even by fate that reveals her to be a hidden princess. Also, she never complains; she never repines – she takes the situation she finds herself in and makes the best out of it, all the while looking out for those who are weaker or in more need than her. This last characteristic nets her the all-important recipe book (supposedly created by a medieval convent, which rings true for Portugal, and lost for centuries.) When her romance doesn’t work because her very conventional suitor wants a girl of suitable family, she doesn’t go into a decline, she just goes on with life.

She is, in fact, what editors so often say they want “a strong woman heroine, self sufficient, a good role model for growing girls.” Only, from my observation and reading, by this they usually mean mouthy, aggressive, foolhardy and complains a lot about men till one wonders if said character has an issue with being born female. There are exceptions, of course, but complaining about fate and men and being bitter seems to be obligatory.

And yet, it is true that this type of character is not only a great role model for young women, she is the type of role model we do need. Earth needs women (yes, and men, but we’re talking women here) who take care of the weak and helpless. Earth needs women who don’t whine. Earth needs women who cheerfully shoulder the burden of what needs to be done.

Earth does not need women who complain about men all the while neurotically obsessing on clothes and jewelry to attract said men and pursuing the highest-status males they can possibly get. There is nothing wrong with these activities, in moderation, but when they become the focus of existence they create a generation of infantile harpies. Now, I don’t think any women in real life are as bad as that, but almost all women characters in books and movies are just like that.

Young women who read/watch these characters end up feeling they must APPEAR like them or they’ll be thought weak. And this is wrong. Strength in women – and men – can be defined not as throwing weight around but in doing what must be done for oneself and those who depend on one.

Earth needs grown up women.

I very much hate to tell people what to do, much less what to be, but I wish we could set about writing – and living – role models for the women Earth needs.

Sarah Hoyt, “Earth Needs Women a blast from the past of November 2010”, According to Hoyt, 2017-07-13.

August 13, 2019

QotD: Karl Popper on the paradox of tolerance

Filed under: Books, Liberty, Politics, Quotations — Tags: , , — Nicholas @ 01:00

It’s very unlikely that the violent communists using the paradox of tolerance as a defense have actually read what Karl Popper said in full. They will cite a general summary and ignore the full context of what was actually written.

In note 4 of volume 1, chapter 7, of Popper’s The Open Society and Its Enemies, he clarifies his position on how best to deal with intolerant philosophies:

    … I do not imply, for instance, that we should always suppress the utterance of intolerant philosophies; as long as we can counter them by rational argument and keep them in check by public opinion, suppression would certainly be unwise. But we should claim the right to suppress them if necessary even by force; for it may easily turn out that they are not prepared to meet us on the level of rational argument, but begin by denouncing all argument; they may forbid their followers to listen to rational argument, because it is deceptive, and teach them to answer arguments by the use of their fists or pistols. We should therefore claim, in the name of tolerance, the right not to tolerate the intolerant.

It is clear from Popper’s writing that it would be unwise to resort to violence against an intolerant group that is willing to discuss and debate their ideas. So long as the intolerant group is tolerant enough to agree to debate and discuss their intolerant ideas rather than resort to violence, it is better to handle them with words.

The problem is, some groups, like Antifa, respond to arguments with violence. And it is these sorts of groups that Popper claims must not be tolerated. If a group is so intolerant that they are unwilling to discuss ideas and instead rely entirely on violence, then they must be met with violence. In other words, Popper is simply saying that a nonviolent society must, at the very least, believe in a right to use violence as a form of self-defense.

Nathan Kreider, “Misconceptions of the Paradox of Tolerance”, Being Libertarian, 2019-05-31.

August 12, 2019

QotD: The “lost technological developments” of the Great Library

Filed under: Books, History, Quotations, Science, Technology — Tags: , , , , — Nicholas @ 01:00

… the largely unempirical and abstract nature of Greek natural philosophy and the fact that it was generally socially divorced from the practical arts of engineering and architecture meant that most Greek and Roman scientists did little to advance technology, and the idea that the Great Library would have been filled with men excitedly sketching flying machines or submarines is, once again, a fantasy. When all this is pointed out some New Atheists try to invoke counter-evidence. They often claim, for example, that Hero of Alexandria worked at the Great Library and that he invented the steam engine. Even a scientist who has not studied history past high school (i.e. most of them) will have dim memories of the history of the Industrial Revolution and would therefore know it had something to do with the invention of steam engines, so surely Hero brought the ancient world to the brink of industrial transformation. Well, actually, no.

Hero does seem to have been another exception to the rule when it comes to philosophers tinkering with gadgets and it’s possible (though far from certain) that he worked in the Mouseion. But the practical applications of his study of pneumatics and dynamics were more toys and curiosities than any great leaps forward in technology. He famously made an aeolipile, though he didn’t actually invent it, given that it had already been described by the Roman engineer and architect Vitruvius, but this can only be called a “steam engine” in the loosest sense of the term. Hero’s little device was not capable of doing anything more than spinning in place and Roman technology lacked the high tensile metallurgy, the mathematics or the precision tooling that would be required to make a true steam engine. The other technological wonder that is often invoked here is the Antikythera mechanism. Exactly how this intricate mechanical orrery based on a geocentric model is supposed to indicate some nascent Industrial or Scientific Revolution is never made clear, but not only did it have no connection to the Great Library, it was a kind of instrument known since the third century BC. If it is evidence that the Greco-Roman world was on the brink of a technological revolution and was only stymied by the rise of Christianity, one has to wonder what kept them from achieving this wondrous thing for the 600 years between its invention and the conversion of Constantine.

The New Atheist mythic conception of the “Great Library of Alexandria” bears very little resemblance to any historical actuality. It was a shrine with scholars attached to it, not a secular university. Its scholars were far more concerned with poetry, textual analysis, grammar, lexicography and rhetoric than anything we would see as “science”. The proto-science they did do was mainly of a highly abstract and often metaphysical nature rather than anything like modern science. And it was also generally divorced from technical innovation and what little practical application it was given did not much at all to advance technology. The idea that if the Great Library had not been burned down by wicked Christians we’d all be living in gleaming space cities on Europa or Callisto is, therefore, a silly fantasy. And not least because the Great Library … wasn’t burned down by wicked Christians.

Tim O’Neill, “The Great Myths 5: The Destruction Of The Great Library Of Alexandria”, History for Atheists, 2017-07-02.

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