IT’S HISTORY
Published on 22 Jul 2015The invention of script, paper and printing can be credited to the Chinese. It was in China that Cai Lun, in his emperor’s service, made the production of paper suitable for the masses. Originally planned as a means to wrap things in, it soon became obvious that paper was more suitable for writing than the common bamboo stick. Guy explains how the Chinese printed written pages long before Gutenberg was born, how Chinese writing actually works and how emperor Qin tried to establish the standardized Chinese Han Characters, or Hanzi, attempting to unify the writing symbols for his country.
» SOURCES
Videos: British Pathé (https://www.youtube.com/user/britishp…)
Pictures: mainly Picture Alliance
Content:
Faulmann, Carl (1995): Schriftzeichen und Alphabete aller Zeiten und Völker. Augsburg. Reprint der Originalausabe von 1880 Wien.
Pan, Jixing (1998): “On the origin of movable metal-types”. In: Chinese Science Bulletin 43 (20).
Wai Wong (2005): “Typesetting Chinese. A personal perspective”. In: TUGboat 26 (2) 111-114.
https://www.tug.org/TUGboat/tb26-2/wo…
Yan, Yangtse (2006): “New Evidence suggests longer paper making history in China”. http://news.xinhuanet.com/english/200…» ABOUT US
IT’S HISTORY is a ride through history – Join us discovering the world’s most important eras in IN TIME, BIOGRAPHIES of the GREATEST MINDS and the most important INVENTIONS.» HOW CAN I SUPPORT YOUR CHANNEL?
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Presented by: Guy Kiddey
Script by: Martin Haldenmair
Translated by: Guy Kiddey
Directed by: Daniel Czepelczauer
Director of Photography: Markus Kretzschmar
Music: Markus Kretzschmar
Sound Design: Bojan Novic
Editing: Markus KretzschmarA Mediakraft Networks original channel
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All rights reserved – © Mediakraft Networks GmbH, 2015
September 18, 2019
The invention of Writing, Paper and Print! l HISTORY OF CHINA
September 16, 2019
History-Makers: Herodotus
Overly Sarcastic Productions
Published on 13 Sep 2019Signup for your Free trial to The Great Courses Plus here: http://ow.ly/diiG30oC0Lk
There is much to do, and many unknowns on our horizon! — One of those unknowns is “How did Herodotus become the Father of History” and why is his book so confusingly organized? All that and more on this installment of History-Makers!
Let me know which History writer you’d like me to discuss next in the comments below!
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September 13, 2019
QotD: Orwell’s campaign against the jackboot
In spite of my campaign against the jackboot — in which I am not operating single-handed — I notice that jackboots are as common as ever in the columns of the newspapers. Even in the leading articles in the Evening Standard, I have come upon several of them lately. But I am still without any clear information as to what a jackboot is. It is a kind of boot that you put on when you want to behave tyrannically: that is as much as anyone seems to know.
Others besides myself have noted that war, when it gets into the leading articles, is apt to be waged with remarkably old-fashioned weapons. Planes and tanks do make occasional appearances, but as soon as an heroic attitude has to be struck, the only armaments mentioned are the sword (“We shall not sheathe the sword until”, etc., etc.), the spear, the shield, the buckler, the trident, the chariot and the clarion. All of these are hopelessly out of date (the chariot, for instance, has not been in effective use since about A.D. 50), and even the purpose of some of them has been forgotten. What is a buckler, for instance? One school of thought holds that it is a small round shield, but another school believes it to be a kind of belt. A clarion, I believe, is a trumpet, but most people imagine that a “clarion call” merely means a loud noise. One of the early Mass Observation reports, dealing with the coronation of George VI, pointed out that what are called “national occasions” always seem to cause a lapse into archaic language. The “ship of state”, for instance, when it makes one of its official appearances, has a prow and a helm instead of having a bow and a wheel, like modern ships. So far as it is applied to war, the motive for using this kind of language is probably a desire for euphemism. “We will not sheathe the sword” sounds a lot more gentlemanly than “We will keep on dropping block-busters”, though in effect it means the same.
One argument for Basic English is that by existing side by side with Standard English it can act as a sort of corrective to the oratory of statesmen and publicists. High-sounding phrases, when translated into Basic, are often deflated in a surprising way. For example, I presented to a Basic expert the sentence, “He little knew the fate that lay in store for him” — to be told that in Basic this would become “He was far from certain what was going to happen”. It sounds decidedly less impressive, but it means the same. In Basic, I am told, you cannot make a meaningless statement without its being apparent that it is meaningless — which is quite enough to explain why so many schoolmasters, editors, politicians and literary critics object to it.
George Orwell, “As I Please” Tribune, 1944-08-04.
August 29, 2019
August 15, 2019
QotD: Strong female characters in fiction
If you’d asked me at twelve, I’d have told you I had no idea why the story charmed me as it did. I only knew I liked re-reading it and it became one of my favorite books. It felt good and somehow “right” in a way that fairytales and romances didn’t.
Today, when I telling the kids about it, I realized why. It was because the character was a strong woman. Born with the ultimate disadvantage, the ultimate lack of support, she doesn’t – like fairytale princesses – either get rescued by a strong knight nor even by fate that reveals her to be a hidden princess. Also, she never complains; she never repines – she takes the situation she finds herself in and makes the best out of it, all the while looking out for those who are weaker or in more need than her. This last characteristic nets her the all-important recipe book (supposedly created by a medieval convent, which rings true for Portugal, and lost for centuries.) When her romance doesn’t work because her very conventional suitor wants a girl of suitable family, she doesn’t go into a decline, she just goes on with life.
She is, in fact, what editors so often say they want “a strong woman heroine, self sufficient, a good role model for growing girls.” Only, from my observation and reading, by this they usually mean mouthy, aggressive, foolhardy and complains a lot about men till one wonders if said character has an issue with being born female. There are exceptions, of course, but complaining about fate and men and being bitter seems to be obligatory.
And yet, it is true that this type of character is not only a great role model for young women, she is the type of role model we do need. Earth needs women (yes, and men, but we’re talking women here) who take care of the weak and helpless. Earth needs women who don’t whine. Earth needs women who cheerfully shoulder the burden of what needs to be done.
Earth does not need women who complain about men all the while neurotically obsessing on clothes and jewelry to attract said men and pursuing the highest-status males they can possibly get. There is nothing wrong with these activities, in moderation, but when they become the focus of existence they create a generation of infantile harpies. Now, I don’t think any women in real life are as bad as that, but almost all women characters in books and movies are just like that.
Young women who read/watch these characters end up feeling they must APPEAR like them or they’ll be thought weak. And this is wrong. Strength in women – and men – can be defined not as throwing weight around but in doing what must be done for oneself and those who depend on one.
Earth needs grown up women.
I very much hate to tell people what to do, much less what to be, but I wish we could set about writing – and living – role models for the women Earth needs.
Sarah Hoyt, “Earth Needs Women a blast from the past of November 2010”, According to Hoyt, 2017-07-13.
August 7, 2019
QotD: “Great” “Art”
If you still don’t think the myth of the unappreciated writer, who labors in extreme poverty but creates True Art™, is nonsense, let me explain.
How do we know it’s true art? And before you start making gestures and sputtering, to finally come back with “knowledgeable people know that,” let me cut through the fog. The answer is, we don’t. No, not even experts. If everyone knew what great art was, investment in art wouldn’t be such a risky business. Great art, great literature, any form of “greatness” in creative expression is ultimately “What future generations think is great.” And, like all speculation about the future, it’s difficult, if not impossible. In visual art, what is often the acclaimed taste of an era is the laughable, ridiculous pastiche of a later era. In literature … Do me a favor, let your fingers do the walking through Gutenberg, then look up the biographies of some of those authors. Many of the people who make you say “who?” and who in fact would make anyone but an expert in the literature of their time go “who?” were literary lions in their times, acclaimed by all and pronounced “the next Shakespeare.” (Who, like “the next Heinlein,” used to rise every generation until people got tired of it.)
If the art is so great, how come no one is buying it? Besides the artist who is spending way too much time with absinthe and way too little time with quill and paper, or brushes and canvas, that is?
Oh. I see. Because the general public is too stupid to appreciate the greatness of the artist. Because the artist is “ahead” of the public.
Yeah, if you believe that you probably also think that history comes with an arrow since obviously art does. That is, art moves from “primitive” to “exquisite and advanced.” If you truly believe this, I invite you to go through any local art museum and move through it from, say, Roman times till now. And then I invite you to think. The Denver Museum of Art has an installation that consists of a bunch of twisted-together kitchen implements, something that often happens in my house due to the habit of overfilling drawers and my tendency – pre-coffee – to think there is no problem brute force can’t solve.
This is an “installation” worth 2 million and if you believe it is superior to Leonardo da Vinci’s Virgin of the Rocks, you should stop hitting the absinthe. No, wait. Have another cup. I have this installation …
Sarah Hoyt, “What Happens When the Artist Chides His Audience?”, PJ Media, 2017-07-13.
August 2, 2019
QotD: What we mean by “civilization”
… I floated that there might have been “civilizations” between the emergence of anatomically modern humans, and ya’ll objected because no signs of dentistry, no extensive mining operations and even the crab bucket, I thought “Well, absence of evidence is not evidence of absence.” It wasn’t till yesterday morning that I stopped and went “waitaminut, Czar Nicholas’ skeleton showed signs of prolonged and horrific abscesses. We only found out how extensive the Roman mining operation in the village was when it rained for a month and roads collapsed under cars. And even with the crab bucket and no Judeo-Christian ethic, ancient Asia had a lot of very advanced, flourishing civilizations.”
Which is when the dime dropped and I realized you guys immediately translated civilization to “as good as we have or better.” Which, of course, made me giggle. Because I’d have liked you to tell a Roman, with their world-bestriding empire that they weren’t civilized. Or, before that a classical Greek.
Understand I am not imagining others before us had the internal combustion engine, or steam, or trains, or … Sure, they might have, but that’s a heck of a coincidence, since those things usually come about by an individual stroke of genius, and even when they do they often aren’t used the way we did (Romans and their mechanical toys.)
To imagine other civilizations of which we’ve forgotten every trace followed exactly the same route we did to the same place we’re at requires believing that inventing steam and the internal combustion engine and harnessing electricity is as natural to humans as dams to beavers.
Now, maybe that’s true. It would certainly make for a very good science fiction story. (Short story, I think. Too much of a punchline thing for a novel.) BUT the odds defy rationality.
I was imagining, you know “builds houses of wood or stone. Domesticated SOME animals. Has villages and cities. Might have trade over long routes. MIGHT have had wheeled vehicles.” (The last, as we know, one can have quite sophisticated civilizations without.)
Look, it’s not your fault. Since the seventies, we’ve been bombarded by crazy BS about superior aliens or superior lost civilizations. (And before that, there was a trickle of it, too, going back I think to the eighteenth century, just couched in different terms.) You’ll get stuff about how the pyramids were built of stones that floated at the sound of a certain note. (A C note, or the equivalent, I bet. “Listen, Mac, you take this stone to the top of the pyramid, I give you a C Note. A hundred Amontheps in your pocket, bucko. Buys a lot of fish and falafel.”)
Part of this, and part of the reason it intensified since the seventies were the “unilateral disarmament people.” You know, those jokers who wanted us to get rid of our own nukes and stand disarmed in front of the USSR, who would then realize we were peaceful, and not attack, and everyone would live in peace and harmony with rainbows and farting unicorns. Yes, it was a stupid and crazy idea since the continued survival of the USSR depended on plunder and conquest. But I’ll remind you our last president still believes that bag of moonshine. All of it, including the unicorn farts.
Sarah Hoyt, “We Are The Superior Civilization”, According to Hoyt, 2017-05-15.
July 31, 2019
July 24, 2019
thoughts about writing
exurb1a
Published on 23 Jul 2019Apologies for the resolution in some places. Apologies for the words in all places.
Books I enjoyed while I was in creative pinches ►
Zen in the Art of Writing – Ray Bradbury
https://www.goodreads.com/book/show/1…What I Talk About When I Talk About Running – Haruki Murakami
https://www.goodreads.com/book/show/2…The Elements of Style – William Strunk Jr.
https://www.goodreads.com/book/show/3…On Writing – Sol Stein
https://www.goodreads.com/book/show/1…The Book of Five Rings – Miyamoto Musashi
https://www.goodreads.com/book/show/8…Why I Write – George Orwell
http://orwell.ru/library/essays/wiw/english/e_wiwMy stuff –
The Fifth Science Paperback ► https://tinyurl.com/y5zj33s5 (you may need to change your region accordingly: .co.uk, etc)
I also make horrendous music ► https://soundcloud.com/exurbia-1
Help me to do this full-time, if you’re deranged enough ► https://www.patreon.com/exurb1r?ty=h
The rest of my books ► https://tinyurl.com/ycnl5bo3
June 13, 2019
Americans “don’t really believe in foreigners”
A few days back, Sarah Hoyt wrote a long post about the actual differences between American culture and the many different cultures that most Americans have difficulty understanding:
I don’t think anyone who hasn’t actually acculturated between two countries understands how different cultures can be, deep down, at the bone level and the most basic reactions level, let alone what causes the difference, from inherited influences to just deep built in assumptions about climate/physical plant/fauna.
And some of the people who have acculturated, at that, might not be self-aware enough to see the difference, and just replace one set of assumptions with another and roll with it. (Or get caught somewhere between. Well, to some extent we all get caught somewhere between. The question is, what percentage is in the new country. I’d say for me, after being in Portugal recently, probably 95% American. There are things trained in before the age of 3 which I’ll never let go of, though some got truly weird with the acculturation, like how I react to “shame.”)
That experience this weekend was the “clicking in” of something that’s been bothering me for a long time. In our writers’ group I used to run across people who projected modern AMERICAN female back into the time of pharaohs. One of my best friends refused to believe me when I told her there was zero chance of an alien race having the same university system as the US since even Portugal (avowedly human) doesn’t. There were other things. You guys have heard me rant about several “historical” books that make the past exactly like the future only with different tech. The fact that they don’t understand that tech affects not just how people live but how they think, feel and react is another of those things I don’t get, as I think even within living memory we should be able to see how different things have gotten. See for instance not wearing of aprons, because the clothes are cheap enough and abundant enough that ruining a shirt is not a big deal, unless it’s a very good shirt.
Technological shifts in living memory have made ordinary life from before the new technology (like cheap, dependable cell phones) almost unimaginable. How many movies and TV shows from before the mobile phone became widely available depended as a plot point on the characters being unable to communicate with one another at key moments? Many mystery novels of the pre-mobile-phone era probably make no sense at all to modern readers because instant communication has become “baked in” to our world.
The clothing aspect has been less obviously important, yet only a couple of generations back, most people owned perhaps three changes of clothing, including one “good” suit/dress for church-going or special occasions. We’ve become so wealthy as a culture that almost everyone has more than enough clothes for any imagined need … although church-going has become almost exotic to urban and even suburban folks, and formal attire is becoming more and more rare. (But everyone has more T-shirts and shorts than they know what to do with.)
But until this weekend I didn’t realize how prevalent and universal it is, since the clash took place between two people from native anglophone cultures, both of which are denizens of the net and contact people of other countries, regularly. Okay, one of them didn’t know she was dealing with a foreigner […] This weekend I realized people don’t really believe in foreign countries either. They’re willing to accept that some things (and those usually conform to their mental picture of the generic “culture” or “region”) are different, but that the fundamentals and the cherished unexamined assumptions might be different is unthinkable — literally. And if we can think of them, we still assume the other country is somehow “wrong” or worse “pretending” to be different to be contrary.
This means, ultimately, that even an era of instant all over the world communication, human tribalism still wins. And with it, I suppose, nationalism.
The wave of populism in the west that has taken the establishment and the mainstream media by surprise is a predictable response to the globalist attitudes of the elites. If you work hard enough at it, you can provoke unpleasant responses from those who don’t agree with your worldview, and the transnational elites have been working very hard indeed.
There are other implications: since it’s virtually impossible to avoid faster communication and more widespread travel in the future, this is going to make the next couple/three centuries a series of epic clashes, until either some sort of understanding emerges or polarized cultures can immigrate to the stars and far far away from each other.
Mass immigration is a REALLY bad idea (‘mkay) not that this is a surprise to any of you. People inhabiting enclaves of “their kind” are slow to acculturate (three generations, if it happens at all.) And the number of people coming over the Southern border is like nothing we’ve ever experienced before. And trust me, in terms of functionality, you do NOT want to import any culture descended from 17th century Spain. There is a reason that the American countries South of us are in crisis on a more or less permanent basis, and that Brazil, screwed up though it is, is more functional than the others. No, just no.
I’m certainly not against immigration, but I strongly believe it is possible to have too much immigration, as Europe and the United States are being forced to confront. When people leave their native land to go somewhere else, be it for economic or political reasons, there’s a natural expectation that they will at least attempt to acculturate to their new country. To western elites, this is wrong (or at least, misguided) and “we” should encourage new immigrants to avoid acculturation and to embrace and celebrate the culture they came from. Because reasons. And a lot of immigrants are happy to avoid the hard work of learning how to fit in to the foreign culture they find themselves in — and it is hard work — leading to second or third generations who still can’t or won’t fit in and adapt to the culture.
Let me just say that is one more proof of “people don’t really believe in foreigners.”
Sure, a lot of American culture is triumphant and imitated. Only it’s more “spoofed” because what they imitate is what they see in movies, and proving that humans prefer narrative to lack there of, even when it makes no sense, the bad parts are often picked up first. And they’re often bad parts only seen in movies, btw. Like certain underclass behaviors being seen as glamorous.
But it’s an overlay. At a deep down level, these people dressing in jeans and t-shirts are still foreign and — THIS IS VERY IMPORTANT — don’t believe Americans software-in-the-head is different, which leads to cargo-cultish attempts to import American successes without getting what brings them about, from innovation, to social mobility to freedom of speech. Not really, not at a deep level.
[…]
This means the left’s project of “fighting nationalism” is not just doomed, but it’s stupid as eating rocks, and will cause only unending misery suffering and war. (So, SOP for Marxists. In fact, chalk this whole internationalism bullshit as something else Marx was wrong about. Workers of the world unite, my little sore feet.)
June 11, 2019
QotD: Advice to young men
Since Philip Dormer Stanhope, Earl of Chesterfield, published his celebrated letters to his morganatic son, in 1744, there has been no adequate book, in English, of advice to young men. I say adequate, and the adjective tells the whole story. There is not, of course, a college president or a boss Y.M.C.A. secretary, or an uplifting preacher in the United States who has not written such a book, but all of them are alike filled with bilge. They depict and advocate a life that no normal young man wants to live, or could live without ruin if he wanted to. They are full of Sunday-school platitudes and Boy Scout snuffling. If they were swallowed by the youth of today the Republic of tomorrow would be a nation of idiots.H.L. Mencken, “Another Long-Awaited Book”, Chicago Tribune, 1926-09-12.
June 10, 2019
QotD: Robert Heinlein on “honest work”
The beginning of 1939 found me flat broke following a disastrous political campaign (I ran a strong second best, but in politics there are no prizes for place or show).
I was highly skilled in ordnance, gunnery, and fire control for Naval vessels, a skill for which there was no demand ashore — and I had a piece of paper from the Secretary of the Navy telling me that I was a waste of space — “totally and permanently disabled” was the phraseology. I “owned” a heavily-mortgaged house.
About then Thrilling Wonder Stories ran a house ad reading (more or less):
GIANT PRIZE CONTEST —
Amateur Writers!!!!!!
First Prize $50 Fifty Dollars $50In 1939 one could fill three station wagons with fifty dollars worth of groceries.
Today I can pick up fifty dollars in groceries unassisted — perhaps I’ve grown stronger.
So I wrote the story “Life-Line.” It took me four days — I am a slow typist. I did not send it to Thrilling Wonder; I sent it to Astounding, figuring they would not be so swamped with amateur short stories.
Astounding bought it… for $70, or $20 more than that “Grand Prize” — and there was never a chance that I would ever again look for honest work.
(“Honest work” — an euphemism for underpaid bodily exertion, done standing up or on your knees, often in bad weather or other nasty circumstances, and frequently involving shovels, picks, hoes, assembly lines, tractors, and unsympathetic supervisors. It has never appealed to me. Sitting at a typewriter in a nice warm room, with no boss, cannot possibly be described as “honest work.”)
Robert A. Heinlein, 1980.
June 9, 2019
The blog as a modern “commonplace book”
I’ve been blogging continuously for over fifteen years, but I’ve never found — or even considered — a single unifying theme for the blog. There are consistencies over the years, like the QotD posts, but in general the blog acts as a place for me to note things that interest, excite, or agitate me. After my grandfather died in 1979, I inherited a few of his notebooks, which included scores of lists on all kinds of things … my grandmother said it was all gathered to help with crossword puzzles, but the range of information was much wider than you’d normally find in crosswords. I think, had he lived long enough, my grandfather would have been a dedicated blogger. The blogging world has a lot of blogs like mine, where the blogger notes seemingly random bits of information, and this is far from new: they used to be called “commonplace books“:

Anonymous mid-17th century manuscript containing poems by various authors, in various hands, including Shakespeare’s second sonnet.
Wikimedia Commons.
Commonplace books (or commonplaces) are a way to compile knowledge, usually by writing information into books. They have been kept from antiquity, and were kept particularly during the Renaissance and in the nineteenth century. Such books are essentially scrapbooks filled with items of every kind: recipes, quotes, letters, poems, tables of weights and measures, proverbs, prayers, legal formulas. Commonplaces are used by readers, writers, students, and scholars as an aid for remembering useful concepts or facts. Each one is unique to its creator’s particular interests but they almost always include passages found in other texts, sometimes accompanied by the compiler’s responses. They became significant in Early Modern Europe.
“Commonplace” is a translation of the Latin term locus communis (from Greek tópos koinós, see literary topos) which means “a general or common topic”, such as a statement of proverbial wisdom. In this original sense, commonplace books were collections of such sayings, such as John Milton’s example. Scholars now understand them to include manuscripts in which an individual collects material which have a common theme, such as ethics, or exploring several themes in one volume. Commonplace books are private collections of information, but they are not diaries or travelogues.
In 1685 the English Enlightenment philosopher John Locke wrote a treatise in French on commonplace books, translated into English in 1706 as A New Method of Making Common-Place-Books, “in which techniques for entering proverbs, quotations, ideas, speeches were formulated. Locke gave specific advice on how to arrange material by subject and category, using such key topics as love, politics, or religion. Commonplace books, it must be stressed, are not journals, which are chronological and introspective.”
By the early eighteenth century they had become an information management device in which a note-taker stored quotations, observations and definitions. They were used in private households to collate ethical or informative texts, sometimes alongside recipes or medical formulae. For women, who were excluded from formal higher education, the commonplace book could be a repository of intellectual references. The gentlewoman Elizabeth Lyttelton kept one from the 1670s to 1713 and a typical example was published by Mrs Anna Jameson in 1855, including headings such as Ethical Fragments; Theological; Literature and Art. Commonplace books were used by scientists and other thinkers in the same way that a database might now be used: Carl Linnaeus, for instance, used commonplacing techniques to invent and arrange the nomenclature of his Systema Naturae (which is the basis for the system used by scientists today). The commonplace book was often a lifelong habit: for example the English-Australian artist Georgina McCrae kept a commonplace book from 1828-1865.
May 26, 2019
QotD: Maurice Sendak on childhood
We’ll begin our tribute to Maurice Sendak with an excerpt of our 1986 interview, in which he told me that when he was a child, adults looked big and grotesque to him, and he couldn’t imagine ever becoming one.
MAURICE SENDAK: It was inconceivable to me as a child that I would be an adult. I mean, one assumed that it would happen, but obviously it didn’t happen, or if it did, it happened when your back was turned, and then suddenly you were there. So I couldn’t have thought about it much.
TERRY GROSS: Because adults seemed really big and different, you couldn’t imagine becoming one?
SENDAK: And awful. Yeah. I mean they were mostly dreadful, and if the option were to become an adult was to become another dreadful creature, then best not, although I think there had to be a kind of normal anticipation of that moment happening because being a child was even worse.
I mean, being a child was being a child — was being a creature without power, without pocket money, without escape routes of any kind. So I didn’t want to be a child.
I remember how much — when I was a small boy I was taken to see a version of Peter Pan. I detested it. I mean the sentimental idea that anybody would want to remain a boy, I don’t — I couldn’t have thought it out then, but I did later, certainly, that this was a conceit that could only occur in the mind of a very sentimental writer, that any child would want to remain in childhood. It’s not possible. The wish is to get out.
“‘Fresh Air’ Remembers Author Maurice Sendak”, NPR Books, 2012-05-08.
May 10, 2019
Microsoft can’t get worse than old Clippy? “Hold my non-alcoholic beer”
Libby Emmons reports on a new Microsoft Word plugin that puts Clippy into the history books:
Coming soon to a word processing app you probably already subscribe to is Microsoft’s new Ideas plugin. This leap forward in the predictive text trend will endeavor to help you be less offensive. Worried you might be a little bit racist? A little gender confused? Not sure about the difference between disabled persons and persons who are disabled? Never fear, Microsoft will fix your language for you.
Using machine learning and AI, Microsoft’s Ideas in Word will help writers be their least offensive, most milquetoast selves. Just like spell check and grammar check function, Ideas will make suggestions as to how to improve your text to be more inclusive. On the surface, this seems like a terrible idea, but when we dig further beneath the impulse, and the functionality of the program, it gets even worse. What’s happening is that AI and machine learning are going to be the background of pretty much every application, learning from our behaviours not only how we’d like to format our PowerPoint presentations, but learning, across platforms, how best to construct language so that we say what we are wanted to say as opposed to what we really mean.
There is an essential component of honest communication, namely that a person express themselves using their own words. When children are learning to talk and to articulate themselves, they are told to “use your words.” Microsoft will give writers the option of using someone else’s words, some amalgamation of users’ words across the platform, and the result will be that the ideas exhibited will not be the writer’s own.










