The Cold War
Published 22 Jun 2020Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular — a real Cold War-era spy story
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August 10, 2020
Donald MacLean: The First of the Cambridge Five
August 9, 2020
August 8, 2020
The Cold War & Decolonization — History Summarized
Overly Sarcastic Productions
Published 7 Aug 2020Keep safe and stylish with a Red-And-Blue facemask from Volante Design, or DONATE to help students in public schools receive high-quality masks for free — https://bit.ly/2DwE9O7
August of 2020 marks the 75th anniversary of the end of the Second World War. So I wanted to make a video about that. That was a bad idea…
What do you get when a Classically-Minded historian ventures about 2,000 years outside of their comfort zone? A mess. A well-intentioned mess is what you get. BUT a mess that we can learn from! So join me as we dig into the aftermath of the Second World War to analyze the origins of the Cold War and the decolonization of European Empires.
SOURCES & Further Reading: The Cold War by Gaddis, The Wars of French Decolonization by Clayton, British decolonization, 1946-1997 by McIntyre, The Cold War’s Killing Fields by Chamberlin, The Cold War: A Very Short Introduction by McMahon, and “Crash Course European History [Parts 42-47]” by Green.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.DISCORD: https://discord.gg/kguuvvq
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From the comments:
Overly Sarcastic Productions
1 hour ago (edited)
Some clarifications:
North Africa did of course see conflict, the Pacific did get occupied — even the places that didn’t (eg: India) still paid for the war. Damn double-negatives.That weird Romania-Hungary-Russia border is a holdover from WWII. The border lasted until 1946 and was changed in 1947. Later in the video you’ll see the more familiar borders.
Indonesia declared Independence in 1945 (Like Vietnam), but the Netherlands didn’t withdraw until 1949, hence my mention of ’49.
August 7, 2020
“40:1” Pt. 2 – Another Polish Last Stand – Sabaton History 079 [Official]
Sabaton History
Published 6 Aug 2020At the end of September 1939, Poland was burning. Trapped in an ever shrinking corridor between the Wehrmacht and the Red Army, the last remaining Polish forces were still holding out. Isolated, short of ammunition and supplies, and without hope for relief. The last Polish Army, the SGO Polesie, was making its way towards the Vistula, as it was cut off by German motorcycle troops. Determined to sell their lives dearly, the SGO Polesie dug in and prepared for a last stand.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “40:1” from the album The Art Of War:
https://music.sabaton.net/TheArtOfWarWatch the Official Music Video of “40:1” here:
https://www.youtube.com/watch?v=epeQw…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
Paul Otto courtesy Glenn Jewison
University of Wisconsin-Milwaukee Libraries
Bundesarchiv
Imperial War Museums: HU106375
Museum of Warsaw
Narodowe Archiwum Cyfrowe
Centralne Archiwum WojskoweAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Once again the time has come for the Polish people to show what they’re made of.This time they’re facing a gargantuan two-headed monster of an enemy and are outnumbered many many times over.
They may not win, they may not even live to see another day — but The Polish will not give up without giving their all.
Spirit of Spartans
Death and glory
Soldiers of Poland
Second to noneSo come, bring on all that you’ve got
Come hell, come high water — never stop!With the help of Indy and the TimeGhost team you can learn more about the Soviet invasion of Poland and the last days of The Polish Defensive War in these two episodes of the “World War Two In Real Time” series:
“The Russians are Coming! – The Soviet Invasion of Poland” – WW2 – 004 – September 22, 1939
https://youtu.be/8vjBp-qyNVE“Poland is Crushed” – WW2 – 005 – 29 September, 1939
https://youtu.be/OOPiUaakSXM
August 5, 2020
August 2, 2020
August 1, 2020
QotD: Voluntary self-censorship
Obviously it is not desirable that a Government department should have any power of censorship (except security censorship, which no one objects to in wartime) over books which are not officially sponsored. But the chief danger to freedom of thought and speech at this moment is not the direct interference of the M.O.I. [Ministry of Information] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country, intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.
Any fair‐minded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian “co-ordination” that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that “it wouldn’t do” to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right thinking people will accept without question. It not exactly forbidden to say this, that or the other but it is “not done” to say it, just as in mid‐Victorian times it was “not done” to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.
At this moment what is demanded by the prevailing orthodoxy is an uncritical admiration of Soviet Russia. Everyone knows this, nearly everyone acts on it. Any serious criticism of the Soviet regime, any disclosure of facts which the Soviet Government would prefer to keep hidden, is next door to unprintable. And this nation-wide conspiracy to flatter our ally takes place, curiously enough, against a background of genuine intellectual tolerance. For though you are not allowed to criticize the Soviet Government, at least you are reasonably free to criticize our own. Hardly anyone will print an attack on Stalin, but it is quite safe to attack Churchill, at any rate in books and periodicals. And throughout five years of war, during two or three of which we were fighting for national survival, countless books, pamphlets and articles advocating a compromise peace have been published without interference. More, they have been published without exciting much disapproval. So long as the prestige of the U.S.S.R. is not involved, the principle of free speech has been reasonably well upheld. There are other forbidden topics […] but the prevailing attitude toward the U.S.S.R is much the most serious symptom. It is, as it were, spontaneous, and is not due to the action of any pressure group.
The servility with which the greater part of the English intelligentsia have swallowed and repeated Russian propaganda from 1941 onward would be quite astounding if it were not that they have behaved similarly on several earlier occasions. On one controversial issue after another the Russian viewpoint has been accepted without examination and then publicized with complete disregard to historical truth or intellectual decency. To name only one instance, the B.B.C. celebrated the twenty-fifth anniversary of the Red Army without mentioning Trotsky. This was about as accurate as commemorating the battle of Trafalgar with out mentioning Nelson, but evoked no protest from the English intelligentsia. In the internal struggles in the various occupied countries, the British press has in almost all cases sided with the faction favored by the Russians and libeled the opposing faction, sometimes suppressing material evidence in order to do so. A particularly glaring case was that of Colonel Mihailovich, the Jugoslav Chetnik leader. The Russians, who had their own Jugoslav protégé in Marshal Tito, accused Mihailovich of collaborating with the Germans. This accusation was promptly taken up by the British press: Mihailovich’s supporters were given no chance of answering it, and facts contradicting it were kept out of print. In July, 1943, the Germans offered a reward of 100,000 gold crowns for the capture of Tito, and a similar reward for the capture of Mihailovich. The British press “splashed” the reward for Tito, but only one paper mentioned (in small print) the reward for Mihailovich; and the charges of collaborating with the Germans continued. Very similar things happened during the Spanish civil war. Then, too, the factions on the Republican side which the Russians were determined to crush were recklessly libeled in the English leftwing press, and any statement in their defense, even in letter form, was refused publication. At present, not only is serious criticism of the U.S.S.R. considered reprehensible, but even the fact of the existence of such criticism is kept secret in some cases. For example, shortly before his death Trotsky had written a biography of Stalin. One may assume that it was not an altogether unbiased book, but obviously it was saleable. An American publisher had arranged to issue it and the book was in print — I believe the review copies had been sent out — when the U.S.S.R. entered the war. The book was immediately withdrawn. Not word about this has ever appeared in the British press, though clearly the existence of such a book, and its suppression, was a news item worth a few paragraphs.
George Orwell “The Freedom of the Press”, 1945 (written as the introduction to Animal Farm, but not published in Orwell’s lifetime).
July 31, 2020
July 29, 2020
What was TEKOI?
CGP Grey
Published 28 Jul 2020## Related Videos
Exploring Tekoi: https://www.youtube.com/watch?v=ABMV4…
Defeated by Tumbleweeds: https://www.youtube.com/watch?v=7FeXP…
## Special Thanks
Gregory Waltz
## Crowdfunders
Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12 , Chris Chapin, Richard Jenkins, Phil Gardner, Martin, Steven Grimm, سليمان العقل, Elliot Lepley, Colin Millions, David F Watson, Saki Comandao, Ben Schwab, Jason Lewandowski, Bobby, rictic, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Jeffrey Podis, Ben Delo, Henry Ng, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Derek Bonner, Derek Jackson, Mikko, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Andrew Bereza, Rebecca Wortham, Bryan McLemore, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, Essa omar, Ryan Richards, Alex Simonides, Felix Weis, John Lee, Maxime Zielony, Melvin Sowah, Elizabeth Keathley, Christopher Mutchler, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville, Kyle Wayman, Julien Dubois
## Music
David Rees: http://www.davidreesmusic.com
Update: CGP Grey posted a corrected version of this video here – https://www.youtube.com/watch?v=PCeMCwxayp0
He also posted the Director’s Commentary video (originally intended only for his Patrons) here – https://www.youtube.com/watch?v=ufsYK3Eecw4
There is also a video explaining how the whole process worked and how the error was missed, if you’re interested.
July 26, 2020
July 25, 2020
“The Ballad of Bull” Pt.2 – Combat Medics – Sabaton History 077 [Official]
Sabaton History
Published 24 Jul 2020Sometimes war is killing, sometimes war is saving lives.
In the first episode we have seen Leslie “Bull” Allen become a hero, not through the death of his enemies, but by saving his comrades’ lives. And there were others like him. Soldiers and medics, whose first duty it was to preserve lives during war, even when it meant endangering their own safety. Here are three short stories of men and women, who served as medics at the front line of the Second World War, and became heroes to their country.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “The Ballad of Bull” on the album Heroes:
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by SabatonColorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/Sources:
– Photos of Desmond Doss Courtesy of the Desmond Doss Council
– Frame vector created by milano83 – www.freepik.com
– Arkiv i Nordland
– P.Fisxo from WikimediaAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
The medical staff in war — combat medics, field surgeons and nurses, ambulance drivers and medevac crews — are often the unsung heroes of war, literally and figuratively.That doesn’t mean that they don’t deserve to be remembered and their sacrifices honored. There are undoubtedly many instances of exceptional bravery among the medical staff of wars throughout history — for which they rightly should be praised. But they should also be remembered for their everyday work in trenches or field hospitals, in jungles and deserts, at sea or in mid-air. Treating a seemingly endless stream of incoming wounded, trying to give relief to those in pain, comfort to those in agony, and hope to to those who have lost theirs — day in and day out, for as long as the war will last.
If you missed part one of “The Ballad of Bull” you can see it right here.
Walter Duranty, Stalin’s tame “journalist”
Francis X. Maier makes the case that the Holodomor — the Soviet Union’s deliberate starvation of millions of its own people in Ukraine and surrounding regions — killed even more than the better-known Nazi Holocaust, then identifies one of the key apologists who lied serially and deliberately to hide the genocide:
[S.J.] Taylor’s 1990 article was timed to the release of Stalin’s Apologist, her withering biography of journalist Walter Duranty. A Pulitzer Prize winner, celebrated political analyst, and Moscow correspondent for the New York Times during the 1930s, Duranty interviewed Stalin twice. He also played a significant role in securing American diplomatic recognition for the Soviet regime. Less publicly, he was a prodigious womanizer, longtime opium buddy of Satanist Aleister Crowley, compulsive exploiter of friends, a spendthrift, occasional drunk, and an inventive, always-reliable flack for the Soviet regime.
One of Duranty’s lifelong memories involved his religious grandmother who, after catching the adolescent Duranty in a lie, had warned him that “liars go to hell.” He never forgot or forgave the correction. As an adult, he simply erased all family ties and falsely claimed in his autobiography that he’d been orphaned at age ten. Massaging the truth became one of his core skills. Brilliant, engaging, and widely respected at the time, he was, in the words of Malcolm Muggeridge, who also reported from Moscow and saw Duranty in action, “the greatest liar of any journalist I have met in 50 years of journalism.”
Committed to protecting his own influence and to a future “greater good” promised by the Soviet regime, Duranty at first dismissed rumors of the Ukrainian Famine. Then he downplayed them. Then he claimed that Ukraine’s “food shortages” were the result of local mismanagement and the work of “wreckers” and “spoilers” intent on undermining Soviet progress. He repeatedly denied the mass starvation in his reporting. But he did suggest that “you can’t make an omelet without breaking eggs” … especially when the omelet is the task of modernization, and the cooks are tough-minded Bolsheviks intent on a better tomorrow.
As Taylor notes in her book, Western powers struggling with the Great Depression and the rise of Hitler in Germany had little interest in rumors from Ukraine that might antagonize Stalin as a potential ally. Muggeridge had arrived in Russia in 1932 to string for the Manchester Guardian. A convinced socialist at the time, he intended to stay in Russia and renounce his British passport for Soviet citizenship. Reality interfered. By March 1933, he was reporting on Ukraine’s famine as “one of the most monstrous crimes in history,” and his disillusionment with the Soviet paradise was complete. But back in England, thanks in part to Duranty’s counter-reporting and Soviet propaganda, Muggeridge’s work was dismissed as “a hysterical tirade.” Muggeridge himself was slandered, vilified, and unable to find employment. And that might have buried the Holodomor story successfully, except for one man.
Welshman Gareth Jones was a young Russian Studies graduate of Cambridge and a former secretary to British Prime Minister Lloyd George. Stringing for the same Manchester Guardian as Muggeridge, he eluded Soviet press controls and spent three weeks on his own, walking through the hellish conditions of a starvation-ravaged Ukraine. Then he wrote about it in the spring of 1933, confirming and compounding the impact of Muggeridge’s recent work. Walter Duranty led the ferocious, Soviet-prodded attack on Jones’s credibility. He also bullied most other Moscow-based Western journalists — to their enduring disgrace — into doing the same, lest they lose their visas. Jones, however, had a spine. He did not back off. He continued writing and speaking about the famine in Ukraine with lasting effect, until his death under suspicious circumstances two years later.
July 24, 2020
War Diplomats, Japanese/Soviet Neutrality, and why not Sweden? – WW2 – OOTF 015
World War Two
Published 23 Jul 2020What happened to Allied ambassadors? And how did Hitler react to the Soviet-Japanese Neutrality Pact? And why didn’t he invade Sweden? Once again, Indy is in the Chair of Infinite Knowledge answering all your exciting questions about World War Two!
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_two_realtime
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Rune Væver Hartvig
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Rune Væver Hartvig
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Daniel WeissSources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
Portrait of Charles Howard Smith, courtesy National Portrait GallerySoundtracks from the Epidemic Sound:
Howard Harper-Barnes – “London”
Fabien Tell – “Other Sides of Glory”
Johannes Bornlof – “The Inspector 4”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
July 22, 2020
July 21, 2020
Ship command in the People’s Liberation Army Navy
China has been quickly adding capabilities and hulls to the PLAN, but a relatively recent change to how larger naval ship command is structured may be a throwback to Soviet Union practices:
When dealing with Chinese navy or coast guard ships, foreign naval commanders have learned to take into account the dual command structure of Chinese crews. In effect, Chinese warships except for smaller (less than 2,000 tons) ones, have dual commanders and a naval command system that is more premeditated and slower to respond to unexpected conditions.
This comes as a surprise to many Western naval officers. Although the Chinese military has achieved many visible signs of modernizing, like new weapons, equipment, uniforms, tactics and officer training, it is still having problems in several key areas. When it comes to leadership there are problems with the political officers.
The Chinese long ago borrowed the concept of the political officer (“Zampolit“) from the Soviet Union. The political officer represents the Communist Party and has the authority to overrule any order a military commander gives. In reality, the political officer usually acts as a combined morale and special events officer. The political officers are primarily responsible for preventing anything happening in their unit that would embarrass the party. For naval zampolits that meant watching out for signs of mutiny or sailors planning to seek asylum in a foreign port.
Unlike the Russian naval zampolit, the Chinese counterpart, called a political commissar is considered the equal of the regular naval commander and his superior when it comes to a “special mission”, like deliberately harassing foreign warships or opening fire on anyone. The political commissar is the same rank as the ship captain and can overrule the ship commander at any time and in any situation. It was not always that way.
An important change took place in 2018 when naval political commissars were given equal authority with the captain as “mission commander” and is expected to replace the captain if the captain is disabled by injury or sickness. The normal second-in-command (the XO or executive officer) becomes the XO for the political commissar and the captain and third, not second, in command. The practical problem with this is that the captain and XO have spent their entire careers (fifteen or more years) learning how to run a ship and supervise the crew. In contrast, the political commissar learned enough tech stuff to be more annoying. The political commissar was a professional busybody, scold and snitch. The political commissar can end the career of the captain, XO or any other officer by simply making a series of uncomplimentary reports.
The 2018 change was part of a program that began in 2016 throughout the military as the CCP (Chinese Communist Party) sought to improve its control over the military. In the navy that meant the political commissar had the ultimate responsibility for achieving goals assigned to a ship. The captain is not the true commander of the ship in the Western sense. He is there to see that technical details are well taken care of and that would include taking change during very bad weather or some kind of technical (fire, explosion) problem aboard ship. The political commissar is expected to personally undertake particularly dangerous leadership missions, although only those he is qualified to deal with. That means political commissars have led boarding parties in dangerous situations but not entrusted with command during damage control situations.
The full impact of the 2016-18 “reforms” to improve CCP control of the military are still working themselves out in the navy. Western, especially American, captains are being warned that their Chinese counterparts will probably not react as quickly to an emergency or unexpected situation that that should be taken into account, or taken advantage of.

















