World War Two
Published 14 Jan 2021The early weeks of 1942 show how much of a global War Against Humanity this really is. People in occupied zones across the globe suffer under the boot of their tormentors. In Greece, thousands die in a famine, while repressive tactics claim the lives of many more in the Balkans. The Holocaust continues in cities and the extermination camp of Chełmno, while the Japanese army wreaks havoc in South-East Asia as they advance on Allied positions.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Valantis Athanasiou
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel WeissSources:
Yad Vashem 4147/72, 953, 4613/629, 85EO6
IWM KF 199, FE 255, SE 4819
Bundesarchiv
Narodowe Archiwum Cyfrowe
Museum of Yugoslavia
From the Noun Project: Skull by Muhamad UlumSoundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Peter Sandberg – “Document This 1”
Skrya – “First Responders”
Cobby Costa – “From the Past”
Farrell Wooten – “Blunt Object”
Gunnar Johnsen – “Not Safe Yet”
Cobby Costa – “Flight Path”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 15, 2021
Germany Bankrupts Greece – Countless Die in Famine – War Against Humanity 026 – January 1942, pt. 1
January 14, 2021
Frankenstein and the Socialist Origins of Electronic Music | B2W: ZEITGEIST! | E.09 – Harvest 1920
TimeGhost History
Published 13 Jan 2021There is a surprising connection between sci-fi films and the technological policies of Soviet Russia. Watch to find out …
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Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Image Research by: Daniel Weiss
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…Sources:
Some images from the Library of CongressFrom the Noun Project:
– Mansion By Shane Stieben
– signal by Adrien Coquet
– cowboy man by Adrien Coquet
– signal by Adrien Coquet
– room By Batibull, ESSoundtracks from Epidemic Sound
– “One More for the Road” – Golden Age Radio
– “Dark Shadow” – Etienne Roussel
– “The Inspector 4” – Johannes Bornlöf
– “The Inspector” – David Celeste
– “Wind Chimes” – Farrell Wooten
– “Last Point of Safe Return” – Fabien Tell
– “Puzzle Of Complexity” – Jo Wandrini
– “What Now” – Golden Age Radio
– “Out the Window” – Wendel Scherer
– “Symphony of the Cold-Blooded” – Christian AndersenArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
January 13, 2021
Semiauto DPM Light Machine Gun Review
Forgotten Weapons
Published 7 Mar 2017I have had a parts kit for a Soviet DPM light machine gun (actually a Polish one, but the design is identical) stashed away for many years now, with the hope to eventually have it built into a live gun. When I found out that SMG (makers of the sweet semiauto FG42 replicas) was making a new production run of DP and DPM barrels, receivers, and semiauto trigger conversions I jumped at my chance. I sent my kit to SMG, and they built it into this complete semiauto rifle.
The DP was introduced in 1928 as the standard Soviet light machine gun, and served through World War Two. In 1944, several defects were acknowledged and improved, notably the location of the recoil spring, the grip, and the bipod. This created the DPM, which did see some slight use at the very end of WW2, as well as use by several eastern bloc nations after the war (including in Korea). It would be updated again in 1946 with the RP46 conversion assembly to feed from Maxim belts instead of the distinctive pan magazines (and in fact, SMG is working on a reproduction of the RP46 conversion as well, although it is not yet ready).
Anyway, I took my new semiauto DPM out to the range and got a firsthand understanding of why these guns were so well liked by troops who used them. The design is nothing if not solid, rugged, and dependable. Like other iconic Soviet firearms, the DP/DPM is elegantly simple and bombproof. It is easy and comfortable to shoot, and SMG’s new and very clever linear hammer-fired semiauto conversion gives it a better trigger than any other semiauto machine gun conversion I have handled. Most such guns have really heavy and really creepy triggers, but this is about 8lb and very crisp – and that makes a huge difference in its shootability.
In a nutshell, the gun zeroed easily and shot well, it had no malfuctions in my 3 or 4 pans of ammo expended (using Czech surplus steel-case ammo), and was really a joy to shoot. I would not hesitate to recommend them, and SMG is offered everything from individual parts for you to build yourself to kit build services, and turnkey complete guns.
http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
January 10, 2021
Washington DC Abandons The Troops in the Field – WW2 – 124 – January 9, 1942
World War Two
Published 9 Jan 2021The US government realizes that it cannot send help to relieve the US and Filipino forces in the Philippines, but it does not tell those forces. Meanwhile in the USSR, a huge Red Army offensive against entrenched German forces begins along the entire frontline. The Germans have pulled back in North Africa, though, to consolidate. The Japanese enter Manila and advance in Malaya, but are forced to withdraw in China.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Jaris Almazani (Artistic Man) – https://instagram.com/artistic.man?ig…
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Michał UchmanSources:
– IWM FE 239
– Supermarine Spitfire By Joel Wisneski from the Noun Project
– Container by Shocho from the Noun ProjectMusic from Epidemic Sound:
– “Easy Target” – Rannar Sillard
– “Deflection” – Reynard Seidel
– “Growing Doubt” – Wendel Scherer
– “Secret Cargo” – Craft Case
– “Trapped in a Maze” – Philip Ayers
– “Not Safe Yet” – Gunnar Johnsen
– “Underlying Truth” – Howard Harper-Barnes
– “Spellbound” – Edward Karl Hanson
– “On the Edge of Change” – Brightarm Orchestra
– “Split Decision” – Rannar Sillard
– “Out the Window” – Wendel SchererArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Light Machine Guns in Finland: DP-28 vs LS-26
Forgotten Weapons
Published 20 Jul 2017http://www.patreon.com/ForgottenWeapons
Before the Winter War, the standard light machine gun adopted by the Finnish military was the Lahti-Saloranta LS-26. This was a complex and finely built weapon, using a short recoil action and tilting bolt, chambered for the same 7.62x54mm rimmed cartridge as used by Finland’s Mosin-Nagant infantry rifles. The LS-26 fed from 20-round box magazines which are a bit unusual in having a single-feed presentation (which made them difficult to load without a tool, but also prevented potential problems from rimlock).
In total, about 5,000 LS26 machine guns were made for Finland (and an additional 1,200 sold to China in 8mm Mauser). They were apparently quite accurate, but highly prone to malfunctioning in the cold and dirty field conditions of Finnish combat. When the Winter War broke out and Finns began capturing Russian equipment, the Russian DP-28 light machine gun became a very popular alternative to the LS-26.
The Degtyarev DP-28 may not have been as refined of a weapon, but it was much better suited to real combat. It was simple and reliable, and the 47-round magazine capacity was certainly appreciated as well. By the end of the Continuation War, Finland had some 15,000 Degtyarev light machine guns in its inventory, far outnumbering the LS-26s.
Today Karl and I had a chance to fire both weapons side by side (unfortunately, my trigger time on the LS-26 was quite limited, and I was not able to film a full disassembly of it). We both found the LS-26 to be quite a challenging weapon to use effectively, even without any malfunctions. The Degtyarev was a much more usable machine gun.
One other interesting takeaway for us was the remarkable effectiveness of the semiautomatics DP/DPM made by SMG Guns here in the US. It delivered probably 90% of the utility of the original fully automatic version, which is quite impressive. After this comparison, I would recommend it even more heartily than before.
Special thanks to Varusteleka for arranging this shoot!
All photos in this video are courtesy of the excellent Finnish Defense Forces’ Photo Archive:
http://sa-kuva.fiCool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
January 3, 2021
The Formation of the United Nations! – WW2 – 123 – January 2, 1942
World War Two
Published 2 Jan 2021At the ongoing Arcadia Conference, 26 nations sign the Declaration of the United Nations. Otherwise it is very much a week of motion and changes in motion: in the USSR the Soviets are on the move in the center and the Crimea, the Japanese are slowing their movement in China, the Americans are finishing their movement in the Philippines, and the Axis are moving backward in North Africa. The Luftwaffe also decides that Malta must be eliminated as a base for the Allies.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Mikolaj UchmanSources:
– Election1960 from Wikimedia
– Battleship by Anand Prahlad from the Noun Project
– Supermarine Spitfire by Joel Wisneski from the Noun Project
– Afrrs from Wikimedia
– National Portrait Gallery
– BundesarchivArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Arthur Koestler’s Darkness at Noon ranks with Orwell’s Nineteen Eighty-Four
James E. Hartley on why Koestler’s 1941 novel should be seen as a prescient guide to modern-day “wokeness”:
The puzzling thing about wokeness is not that it is fashionable among a small subset of the Campus Left. One should never be surprised by what is fashionable among college faculty and students. The curious question is how these ideas broke out of the academic asylum and met acquiescence among a large group of people who should have known better.
The answer is found in a book which should have never fallen off the radar: Arthur Koestler’s Darkness at Noon. First published in 1941, it was — along with 1984 — one of the great books about totalitarianism written in the 1940s. Widely praised when it was published, the book was enormously influential in fostering the consensus view of post-war anti-communism. In 1998, Modern Library published a list of the 100 best English novels of the 20th century; Darkness at Noon was ranked eighth, five places above 1984.
The plot of the novel itself is fairly simple. The story begins with the imprisonment of Nicholas Rubashov, one of the heroes of the communist revolution in a country which is clearly the Soviet Union. Decades after the revolution, Number 1 (read: Stalin) has assumed power. Rubashov is imprisoned on the absurdly false charges of plotting to kill Number 1. The entire novel takes place in prison, as Rubashov is interrogated and eventually comes to voluntarily confess at a public trial to crimes he did not commit. He is then shot.
The novel explores the philosophical puzzle of why Rubashov would join with what has obviously become a murderous cult run by a totalitarian who is solely interested in amassing enough power to stamp his will upon the whole country. Rubashov, a devoted communist to the end, abandons his principles and bit by bit comes to accede to demands of the new generation who are seeking scapegoats and ritualistic confessions of guilt.
What is the nature of the new generation? One of the Party officials interrogating Rubashov explains:
There are only two conceptions of human ethics, and they are at opposite poles. One of them is Christian and humane, declares the individual to be sacrosanct, and asserts that the rules of arithmetic are not to be applied to human units. The other starts from the basic principle that a collective aim justifies all means, and not only allows, but demands, that the individual should in every way be subordinated and sacrificed to the community — which may dispose of it as an experimentation rabbit or a sacrificial lamb.
The individual does not matter. The group matters. What is good for the group is by definition good, regardless of whether it is good for the individual. As the interrogators make abundantly clear, no individual has the right to stand in the way of the group. The Party represents the group, and thus no individual has the right to oppose the Party.
December 27, 2020
Heinz Guderian’s Christmas and the fall of Hong Kong – WW2 – 122 – December 26, 1941
World War Two
Published 26 Dec 2020The Japanese offensives and advances in Southeast Asia and the Pacific continue unabated and both Hong Kong and Wake Island fall. British and American leaders begin the Arcadia Conference to decide just how they are going to fight this war together, and there are more changes made in the German High Command on the Eastern Front, even as the Soviets make advances there.
Check out Jean Paul’s museum here: https://www.romagne14-18.com/english-…
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources
—Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– IWM: FE 203
– Battleship by Anand Prahlad from the Noun Project
– Man by Milinda Courey from the Noun Project
– prisoner by Luis Prado from the Noun Project
– bockelsound from freesound.orgArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 20, 2020
The Japanese are unstoppable everywhere – WW2 – 121 – December 19, 1941
World War Two
Published 19 Dec 2020The Japanese make gains in Malaya, Burma, Hong Kong, Borneo, and the Philippines. The Allies also have trouble in the Atlantic and the Mediterranean, where they are beginning to seriously suffer from a lack of capital ships. The Soviet Red Army is advancing, though, and Stalin takes personal control of planning for the upcoming counteroffensive, while Adolf Hitler takes personal control of the German Army.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucolorizations
Spartacus Olsson
Daniel Weiss
Mikołaj UchmanSources:
Bundesarchiv
IWM MH 26392, WPN 298, K 2204, FL 20432, A 12126, A 9257, FL 1203, E 3469E
Mil.ru
Narodowe Archiwum Cyfrowe
Picture of Mark Young, courtesy of National Portrait GallerySoundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Skrya – “First Responders”
Hakan Eriksson – “Epic Adventure Theme 4”
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Rannar Sillard – “March Of The Brave 9”
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
December 16, 2020
The NKVD: from Pen-Pushers to Communist Hit Squads – WW2 Special
World War Two
Published 15 Dec 2020The NKVD started out as your regular old Ministry of the Interior. But over time, they grew out to a hugely influential and highly lethal weapon for some of the Soviet Union’s leaders.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Joram Appel and Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Klimbim – https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
Picture of Lavrentiy Beria in court, courtesy of Фотограф – Ист.доки https://commons.wikimedia.org/wiki/Fi…
Yad Vashem 1019-2, 143EO1, 55AO6
IWM HU 106212
USHMM
I.M. Bondarenko
from the Noun Project: border police by IcoLabs, fire building by dDara, Police by Cuputo, Skull by Muhamad UlumSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Farrell Wooten – “Blunt Object”
Andreas Jamsheree – “Guilty Shadows 4”
Fluow – “Endlessness”
Johannes Bornlof – “The Inspector 4”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 hours ago
We have been talking about the NKVD a lot in our War Against Humanity episodes and in several Between Two Wars episodes. If you found this video to be interesting, I can highly recommend you try our B2W episode on the Great Terror and Military Purges in 1938. It provides some crucial context that we couldn’t expand on in this special episode. You can find it right here: https://youtu.be/MNnK0LAoyMo
Cheers,
JoramOther videos about the NKVD we mentioned in this special are:
– War Against Humanity episode covering the Katyn Massacre: https://youtu.be/gd5YhhNcC44
– War Against Humanity episode covering the Great Prison Massacre: https://youtu.be/kykPusygzOw
– Biography episode on Richard Sorge: https://youtu.be/fn9NyRfbSOo
December 13, 2020
December 6, 2020
November 29, 2020
QotD: The succession problem of totalitarian leadership
Back in the Cold War, prudent Kremlinologists had to take the marked decline in the Politburo’s collective intelligence very seriously indeed (the old adage “never attribute to malice what is adequately explained by stupidity” is terrifying when the potentially malicious dumbasses have nuclear missiles).
There were two main reasons for the decline, both structural. The first, of course, is Communism itself. A totally ideologized society is a society totally committed to make-believe. You could fill a good-sized book listing the catastrophes make-believe caused the USSR. Just to take the most obvious: Hitler did everything but send the Goodyear Blimp over Moscow, towing a banner announcing his invasion plans. But since everyone who accurately reported the goings-on in Poland ended up in the Gulag, the Wehrmacht walked right on in.
The second has to do with the nature of totalitarian leadership. Obviously sharing power is out of the question, so every Boss who finally claws his way to the top ruthlessly purges everyone who could conceivably challenge him. The purged are replaced by yes-men and toadies, who immediately enact mini-purges of their own inside their new departments. It doesn’t take more than a few rounds of this for smarter functionaries to learn to dig themselves in very, very deep, disguising themselves in a kind of protective stupidity. A few more rounds, and “protective stupidity” drops the modifier, as anyone with anything on the ball has decamped for the safer — and, not coincidentally, very soon much more profitable — havens of technical management.
It doesn’t take long before your “leadership” is nothing but ideology-addled dimbulbs. Sound familiar?
Severian, “How Dumb Are Liberals?”, Rotten Chestnuts, 2020-07-31.
















