At the ongoing Arcadia Conference, 26 nations sign the Declaration of the United Nations. Otherwise it is very much a week of motion and changes in motion: in the USSR the Soviets are on the move in the center and the Crimea, the Japanese are slowing their movement in China, the Americans are finishing their movement in the Philippines, and the Axis are moving backward in North Africa. The Luftwaffe also decides that Malta must be eliminated as a base for the Allies.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Mikolaj Uchman
Sources:
– Election1960 from Wikimedia
– Battleship by Anand Prahlad from the Noun Project
– Supermarine Spitfire by Joel Wisneski from the Noun Project
– Afrrs from Wikimedia
– National Portrait Gallery
– Bundesarchiv
James E. Hartley on why Koestler’s 1941 novel should be seen as a prescient guide to modern-day “wokeness”:
The puzzling thing about wokeness is not that it is fashionable among a small subset of the Campus Left. One should never be surprised by what is fashionable among college faculty and students. The curious question is how these ideas broke out of the academic asylum and met acquiescence among a large group of people who should have known better.
The answer is found in a book which should have never fallen off the radar: Arthur Koestler’s Darkness at Noon. First published in 1941, it was — along with 1984 — one of the great books about totalitarianism written in the 1940s. Widely praised when it was published, the book was enormously influential in fostering the consensus view of post-war anti-communism. In 1998, Modern Library published a list of the 100 best English novels of the 20th century; Darkness at Noon was ranked eighth, five places above 1984.
The plot of the novel itself is fairly simple. The story begins with the imprisonment of Nicholas Rubashov, one of the heroes of the communist revolution in a country which is clearly the Soviet Union. Decades after the revolution, Number 1 (read: Stalin) has assumed power. Rubashov is imprisoned on the absurdly false charges of plotting to kill Number 1. The entire novel takes place in prison, as Rubashov is interrogated and eventually comes to voluntarily confess at a public trial to crimes he did not commit. He is then shot.
The novel explores the philosophical puzzle of why Rubashov would join with what has obviously become a murderous cult run by a totalitarian who is solely interested in amassing enough power to stamp his will upon the whole country. Rubashov, a devoted communist to the end, abandons his principles and bit by bit comes to accede to demands of the new generation who are seeking scapegoats and ritualistic confessions of guilt.
What is the nature of the new generation? One of the Party officials interrogating Rubashov explains:
There are only two conceptions of human ethics, and they are at opposite poles. One of them is Christian and humane, declares the individual to be sacrosanct, and asserts that the rules of arithmetic are not to be applied to human units. The other starts from the basic principle that a collective aim justifies all means, and not only allows, but demands, that the individual should in every way be subordinated and sacrificed to the community — which may dispose of it as an experimentation rabbit or a sacrificial lamb.
The individual does not matter. The group matters. What is good for the group is by definition good, regardless of whether it is good for the individual. As the interrogators make abundantly clear, no individual has the right to stand in the way of the group. The Party represents the group, and thus no individual has the right to oppose the Party.
Comments Off on Arthur Koestler’s Darkness at Noon ranks with Orwell’s Nineteen Eighty-Four
The Japanese offensives and advances in Southeast Asia and the Pacific continue unabated and both Hong Kong and Wake Island fall. British and American leaders begin the Arcadia Conference to decide just how they are going to fight this war together, and there are more changes made in the German High Command on the Eastern Front, even as the Soviets make advances there.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
– IWM: FE 203
– Battleship by Anand Prahlad from the Noun Project
– Man by Milinda Courey from the Noun Project
– prisoner by Luis Prado from the Noun Project
– bockelsound from freesound.org
The Japanese make gains in Malaya, Burma, Hong Kong, Borneo, and the Philippines. The Allies also have trouble in the Atlantic and the Mediterranean, where they are beginning to seriously suffer from a lack of capital ships. The Soviet Red Army is advancing, though, and Stalin takes personal control of planning for the upcoming counteroffensive, while Adolf Hitler takes personal control of the German Army.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
IWM MH 26392, WPN 298, K 2204, FL 20432, A 12126, A 9257, FL 1203, E 3469E
Mil.ru
Narodowe Archiwum Cyfrowe
Picture of Mark Young, courtesy of National Portrait Gallery
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Skrya – “First Responders”
Hakan Eriksson – “Epic Adventure Theme 4”
Philip Ayers – “The Unexplored”
Max Anson – “Ancient Saga”
Rannar Sillard – “March Of The Brave 9”
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Last Point of Safe Return”
The NKVD started out as your regular old Ministry of the Interior. But over time, they grew out to a hugely influential and highly lethal weapon for some of the Soviet Union’s leaders.
Sources:
Picture of Lavrentiy Beria in court, courtesy of Фотограф – Ист.доки https://commons.wikimedia.org/wiki/Fi…
Yad Vashem 1019-2, 143EO1, 55AO6
IWM HU 106212
USHMM
I.M. Bondarenko
from the Noun Project: border police by IcoLabs, fire building by dDara, Police by Cuputo, Skull by Muhamad Ulum
Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Farrell Wooten – “Blunt Object”
Andreas Jamsheree – “Guilty Shadows 4”
Fluow – “Endlessness”
Johannes Bornlof – “The Inspector 4”
Gunnar Johnsen – “Not Safe Yet”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 hours ago
We have been talking about the NKVD a lot in our War Against Humanity episodes and in several Between Two Wars episodes. If you found this video to be interesting, I can highly recommend you try our B2W episode on the Great Terror and Military Purges in 1938. It provides some crucial context that we couldn’t expand on in this special episode. You can find it right here: https://youtu.be/MNnK0LAoyMo
Cheers,
Joram
The Japanese launch attacks all over Southeast Asia and the Pacific, and launch a preemptive surprise attack on the American Pacific Fleet at Pearl Harbor. The war is suddenly much larger. In the USSR, the Germans find themselves now heavily on the defensive after the failure to take Moscow, while in North Africa, Erwin Rommel decides he must withdraw out of Cyrenaica to await reinforcements.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
IWM HU 56120, K 1385, HU 675, TR153, HU 81216, WPN 298
NARA
Bundesarchiv
Narodowe Archiwum Cyfrowe
Picture of a victim of starvation during the siege of Leningrad, courtesy of George Shuklin
Picture of Alfred Godwin-Austen, courtesy of Berserker276 https://commons.wikimedia.org/wiki/Fi…
Picture of Harold Cole, courtesy of Cumbria County Archives
Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Johan Hynynen – “Dark Beginning”
Rannar Sillard – “March Of The Brave 4”
Jo Wandrini – “To War!”
Reynard Seidel – “Deflection”
Wendel Scherer – “Defeated”
Johannes Bornlof – “Death And Glory 3”
Johannes Bornlof – “The Inspector 4”
Hakan Eriksson – “Epic Adventure Theme 3”
Skrya – “First Responders”
Bonnie Grace – “Imperious”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
Five days ago, we covered the Japanese attacks on Pearl Harbor minute by minute in real time over five hours. If you missed that, then check out episode one right here, you’ll love it: https://www.youtube.com/watch?v=Joh2BXPsrXs&t=4s
NOTE: An error snuck through our controls regarding the Japanese casualties at Wake, we are working with YouTube to have it fixed before the video goes public. We apologize for this inconvenience.
Japan attacked a whole variety of places that day, launching massive offensives all over SE Asia and the Pacific. I’ll be covering them here weekly, of course, but for even more coverage, check out our day by day Instagram coverage of the war: https://www.instagram.com/ww2_day_by_day
Comments Off on Hitler Declares War on the USA and the Jews – WW2 – 120 – December 12, 1941
The Wehrmacht is halted by the Red Army at the gates of Moscow. Not only that, but a Red Army counteroffensive begins pushing the Germans back decisively. The Germans are also beginning to withdraw from their siege of Tobruk in North Africa. Japan, however, is advancing all over the Pacific, sending troop transports into the South China Sea, though it is unclear just whom Japan plans to attack. The Japanese are also — in top secrecy — sending a force of aircraft carriers to soon attack the American Pacific fleet at anchor at Pearl Harbor.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
RIA Novosti #2410
Bundesarchiv
IWM A 10499, A 6784, CH 11140
Visuotinė-lietuvių-enciklopedija
Yad Vashem 5705/34
from the Noun Project: low temperature by The Icon Z, Skull by Muhamad Ulum
Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “Death And Glory 3”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Rannar Sillard – “March Of The Brave 4”
Fabien Tell – “Last Point of Safe Return”
Bonnie Grace – “Imperious”
Max Anson – “Maze Heist”
Gunnar Johnsen – “Not Safe Yet”
Jon Bjork – “Force Matrix”
The German advance has pushed within artillery range of Moscow, but can they reach it — and take it — before the Red Army and the murderously cold weather halt them? Meanwhile in North Africa, both Erwin Rommel and Claude Auchinleck make daring and brilliant moves that save the fight for their sides. A mighty Japanese fleet is now secretly heading for Hawaii to make a surprise attack on American territory while the US worries where in Southeast Asia the Japanese are planning to attack.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
IWM E 6661, WPN 298, E 446
Bletchley Park Trust
Mil.ru
RIA Novosti #303890, #2551
Yad Vashem 4562/3
Picture of Cordell Hull, courtesy of National Portrait Gallery
Soundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 10”
Johan Hynynen – “Dark Beginning”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 2”
Jo Wandrini – “To War!”
Fabien Tell – “Weapon of Choice”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
– IMPORTANT NOTICE –
Since we’re all busy working on our minute-by-minute coverage of Pearl Harbor, which is edging ever closer, it has been an especially challenging task to follow Operation Crusader in all its complexity. This has resulted in an error on the animated map about which we want to be transparent and honest.
The current map suggests that the 2nd New Zealand Division links up with the Tobruk garrison from the south-east. In reality, it does so from the Via Balba running along the coast, along which it has advanced during the past days. Another thing to note is the position of the Allied 30th Corps, which has withdrawn further south after the Battle of Sidi Rezegh than the map shows. They are positioned near Gabr Saleh as the New Zealanders link up with Tobruk.
We apologize for this inaccuracy and are working to fix this error as soon as possible.
———-
It’s getting closer … 9 days from now is December 7th, and we will cover the Japanese attacks of that day right here in real time for FIVE HOURS. Pearl Harbor minute by minute will be the most exciting documentary series you’ve ever seen. https://youtu.be/5D8c7YvLBUc
Back in the Cold War, prudent Kremlinologists had to take the marked decline in the Politburo’s collective intelligence very seriously indeed (the old adage “never attribute to malice what is adequately explained by stupidity” is terrifying when the potentially malicious dumbasses have nuclear missiles).
There were two main reasons for the decline, both structural. The first, of course, is Communism itself. A totally ideologized society is a society totally committed to make-believe. You could fill a good-sized book listing the catastrophes make-believe caused the USSR. Just to take the most obvious: Hitler did everything but send the Goodyear Blimp over Moscow, towing a banner announcing his invasion plans. But since everyone who accurately reported the goings-on in Poland ended up in the Gulag, the Wehrmacht walked right on in.
The second has to do with the nature of totalitarian leadership. Obviously sharing power is out of the question, so every Boss who finally claws his way to the top ruthlessly purges everyone who could conceivably challenge him. The purged are replaced by yes-men and toadies, who immediately enact mini-purges of their own inside their new departments. It doesn’t take more than a few rounds of this for smarter functionaries to learn to dig themselves in very, very deep, disguising themselves in a kind of protective stupidity. A few more rounds, and “protective stupidity” drops the modifier, as anyone with anything on the ball has decamped for the safer — and, not coincidentally, very soon much more profitable — havens of technical management.
It doesn’t take long before your “leadership” is nothing but ideology-addled dimbulbs. Sound familiar?
»CREDITS
Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian Wittig
Channel Design: Alexander Clark
Original Logo: David van Stephold
Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
From the comments:
The Great War
2 days ago
Hope the new mic does its job and the audio is alright for all of you. We also got a lot of questions about the contents of Jesse’s bookshelf and the Emergency Lockdown Studio Also Known As Jesses Living Room (ELSAKAJLR™). Think we will film an extra video with Jesse (MTV Cribs?).
Comments Off on Our World 100 Years Ago – November 1920 I THE GREAT WAR
How did the non-German Axis fare against the Soviet Union? What was the intelligence agency of the Free French like? And what were the Louisiana Maneuvers? All these questions are answered in this edition of Out of the Foxholes.
Hosted by: Indy Neidell
Written by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Irungu, Shaun Harrison, Dennis Stepanov
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
– Bundesarchiv
– Library of Congress
– Imperial War Museums: MI 14/822/12
– The Icons from Noun Project: Letter by Mochammad Kafi, Headphones by Simon Child, Russian soldier by Wonmo Kang, Skull by Muhamad Ulum
Soundtrack from Epidemic Sound:
– “Break Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Other Sides of Glory” – Fabien Tell
– “Please Hear Me Out” – Philip Ayers
The British sink an entire convoy of supplies heading for Rommel in North Africa by using radar at night, something their opponents lack. In North Africa itself, the Allies are gearing up for a major offensive to begin in a few days. Meanwhile, the Germans are gearing up for a renewed drive on Moscow even as Georgy Zhukov launches small attacks there designed to spoil the larger German plans.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Visual Sources:
– Bundesarchiv
– Imperial War Museums: A 8158, FL 4822, A7266, G40, A 6329, A 6333, E 6724, WPN 298, IB2095, CM1725,
– Mil.ru
– Portrait of Alfred Godwin-Austen courtesy of Berserker276 from Wikimedia Commons
– Icons from Noun Project: boy by Mauro Lucchesi, Nick Novell, Calendar by Lorena Salagre, horse by Luis Prado, Gentleman by Samy Menai, man face by Nick Novell, Russian Russian soldier by Wonmo Kang
Soundtracks from Epidemic Sound:
– “March Of The Brave 10” – Rannar Sillard – Test
– “Last Point of Safe Return” – Fabien Tell
– “Weapon of Choice” – Fabien Tell
– “Please Hear Me Out” – Philip Ayers
– “Potential Redemption” – Max Anson
– “nBreak Free” – Fabien Tell
– “Moving to Disturbia” – Experia
– “The End Of The World 2” – Håkan Eriksson
– “Epic Adventure Theme 4” – Håkan Eriksson
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
Mark December 7th in your calendars, for that day we have five hours of material — ten half-hour episodes — coming out to tell you the story of Pearl Harbor minute by minute in real time, starting 0610 local Hawaiian time.
And in addition to specials like that and our regular week by week coverage here on YouTube, we also cover the war day by day on Instagram, filling in things we don’t have time to cover here. It’s a perfect complement to this. Check it out at: https://www.instagram.com/world_war_two_realtime/
Comments Off on Night Vision Brings Triumph to the British! – WW2 – 116 – November 14, 1941
As German troops pull into eastern Ukraine, locals fight back in any way they can. Some of them have been the target of Soviet brutalisation for decades. For many who are deemed ‘enemy of the Third Reich’, the first two weeks of November 1941 are their last, as the ‘Holocaust of Bullets’ continues.
Sources:
Yad Vashem 2725/6, 953, 145CO2, 2798-2, 48AO3, 2869/48, 4360/99, 83EO4, 2791/5, 4220/3, 48AO5, 3745/140, 48AO4, 95EO2, 142BO7, 3296/4, 4788/72, 4613/625,4788/73
Visuotinė lietuvių enciklopedija
Bundesarchiv
USHMM
Picture of Soviet POWs digging graves, courtesy of Max Peronius
from the Noun Project: Skull by Muhamad Ulum
Soundtracks from the Epidemic Sound:
Peter Sandberg – “Document This 1”
Gavin Luke – “Drifting Emotions 3”
Farrell Wooten – “Blunt Object”
Wendel Scherer – “Defeated”
Gunnar Johnsen – “Not Safe Yet”
Andreas Jamsheree – “Guilty Shadows 4”
Jon Bjork – “For the Many”
Jon Bjork – “Icicles”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 hour ago
You might have noticed how more and more of our War Against Humanity episodes are restricted by YouTube. For some, it might take up to three separate “warning” windows to see the video. Many don’t get the episodes in their subscription boxes or don’t receive notifications despite their settings having notifications turned on. The video might not be sharable on social media, or some might not be able to watch them at all because they don’t have an account, are deemed too young by YouTube or are in the wrong geographic location.
And that doesn’t even include the huge restrictions YouTube puts on the organic reach of these videos. If it weren’t for out loyal community and other social media channels, these War Against Humanity episodes would go virtually under the radar. Even though our episodes could be a remedy to the problems that YouTube and many societies are dealing with. Misinformation, ignorance, and the obliviousness to the horrors of our past are dangerous and the restriction of our educational, factual and academic coverage of these horrors adds insult to injury.
“The following content has been identified by the YouTube community as inappropriate or offensive to some audiences,” one of the warning says. And mind you that it’s not the facts that people find offensive. They’re facts. They are neutral. It is that we are showing them to the world that people find offensive.
We won’t change our content or our tone. To make sure to see our content no matter what, you can follow our other Social Media accounts and/or join the TimeGhost Army on https://www.patreon.com/TimeGhostHistory or https://timeghost.tv to ensure we stay financially independent.
Cheers,
Joram
Comments Off on How To Kill 15,000 People in One Day – War Against Humanity 022 – November 1941, Pt. 1
Although it was in every way more pardonable, the attitude of the Left towards the Russian régime has been distinctly similar to the attitude of the Tories towards Fascism. There has been the same tendency to excuse almost anything “because they’re on our side”. It is all very well to talk about Lady Chamberlain photographed shaking hands with Mussolini; the photograph of Stalin shaking hands with Ribbentrop is much more recent. On the whole, the intellectuals of the Left defended the Russo-German Pact. It was “realistic”, like Chamberlain’s appeasement policy, and with similar consequences. If there is a way out of the moral pigsty we are living in, the first step towards it is probably to grasp that “realism” does not pay, and that to sell out your friends and sit rubbing your hands while they are destroyed is not the last word in political wisdom.
Don’t miss the special announcement of our new exciting collaboration at the end of this episode!
Register for free at World of Warships here: https://wo.ws/PearlHarbor and receive a special in-game package worth €25, including the ships USS St. Louis, Japanese Cruise Tenryū – and more bonuses.
In this episode:
There is a lull now on the Eastern Front, and Adolf Hitler uses the time to plan another drive on Moscow and points beyond, but he’ll be facing a larger Red Army, as reinforcements and recruits hope to nearly double its size in a matter of weeks. The British are counting down the days to their upcoming North African offensive, and the Japanese are sending out orders that will change the world dramatically in a single morning.
Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)
Sources:
Bundesarchiv
Arkiv i Nordland
Narodowe Archiwum Cyfrowe
IWM C 4748, E 6661, WPN 298, E 6724, MH 9292, E 3469E, E 7008, E 759C
Picture of Alfred Godwin-Austin, courtesy of Berserker276 https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: company soldiers by Andrei Yushchenko, Bell by wahyakup
Soundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Rannar Sillard – “March Of The Brave 4”
Bonnie Grace – “The Dominion”
Johan Hynynen – “Dark Beginning”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Hakan Eriksson – “Epic Adventure Theme 3”
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
merdiolu81
22 hours ago (edited)
Meanwhile, on 30 October, Stalin had raised a casual question. “How are we going to do the military parade?” That was the great, traditional 7 November Red Square parade, the celebration of the 1917 “October” Revolution, which had taken place on 24-5 October, Old Style — 6-7 November, New Style. General Pavel Artem’ev, who had been commander of the Moscow Military District and had taken command of the Moscow defence zone as the critical phase began, on 12 October, said it could not happen. Yes, it would, said Stalin. If there was a German air raid, the dead and wounded should be removed quickly, he added. It would happen. The risk was considerable. The potential political response was devastatingly positive, and worth the risk. The “Boss” had his faults (aside being a brutal tyrant) , but this was the decision of a leader. The parade would take place, and the troops, guns and armoured vehicles would then proceed straight to the front. It was a stroke of genius. The military effect would be compounded by the media and political effect. As always, everything was kept secret until the last moment. The officers involved did not receive their final briefing until 02.00. Stalin liked surprises, as most dictators do.
On 7 November, at 08.00 hours, just after dawn, under a steely, overcast Russian sky, with rimy air on the brink of freezing and snow beginning to fall, the troops marched south-east down the “square”, towards St Basil’s Cathedral and the Moskva river, beyond. Red Square, which owes its name to the old Slavic word for “beautiful”, and not to communism at all, is not really a square, either. It is a wide cobbled boulevard, running past the north-east wall of the red-brick, triangular Renaissance fortress. St Basil’s Cathedral is the onion-domed fantasy built for Ivan the Terrible. He was so delighted with it that he had the architect’s eyes put out, so that he could not build for anybody else anything so whimsically fantastic and beautiful. Stalin admired Ivan. The Germans were coming from the north-north-west, so, once the troops, guns and armoured vehicles had passed Lenin’s Mausoleum and reached St Basil’s, they would turn smartly about and head in the opposite direction, up Gor’kiy Street, and then north-west, to face the Germans.
The stars of the show were the new T-34 and KV tanks. But one of the heavy KV tanks screeched to a halt and then turned the wrong way. Another followed. The tanks were all armed, ready for battle, and if anybody wanted to take out the Politburo standing on Lenin’s Mausoleum, that would have been an ideal opportunity. Given the paranoia which prevailed in Moscow at the time, overreaction might have been the order of the day. Artem’ev demanded to know what had happened. The first tank, it turned out, had suffered a mechanical problem, and its commander did not want to cause any embarrassment on the big parade, so he got out of the way. Following the standard operating procedures the newly trained crews had been taught, the second tank went to its aid. This was starting to look like a professional army. The boss classes gathered on the Mausoleum found it amusing, and no one was reprimanded. The big parade was an iconic image of the war, and a stroke of public-relations genius. And, that night, earlier than usual, the Russian winter snow really began to fall.
Absolute War, Soviet Russia in the Second World War – Chris Bellamy
Comments Off on The Red Army must double in size… and now! – WW2 – 115 – November 7, 1941
