The Great War
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While the Greco-Turkish War was still raging, the last of the peace treaties between the Allies and the Central Powers was finalized in Paris. But the Turkish Nationalist Movement under Mustafa Kemal would not accept the terms of the Treaty of Sèvres – even though the Ottoman government had signed it.
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Halide Edib Adivar, The Turkish Ordeal: Being the Further Memoirs of Halidé Edib, (Piscataway: Gorgias Press, 2012)John Darwin, Britain, Egypt and the Middle East, (London: Macmillan Press, 1981)
M.L. Dockrill and J. D. Goold, Peace Without Promise: Britain and the Peace Conferences, 1919-1923, (Connecticut: Hamden, 1981)
T G Fraser, Andrew Mango and Robert McNamara, The Makers of the Modern Middle East, (London: Gingko Library, 2015)
Phillip S Jowett, “Armies of the Greek-Turkish War: 1919-1922”, Men at Arms, no 501, (2015)
Michael Llewellyn Smith, Ionian Vision: Greece in Asia Minor 1919-1922, (London: Allen Lane, 1973)
Margaret Macmillan, Paris 1919: Six Months That Changed the World, (London: Macmillan, 2019)
A.E. Montgomery, “The Making of the Treaty of Sèvres of 10 August 1920”, The Historical Journal Vol. 15, No. 4 (December, 1972)
New York Times, “Turk Nationalists Capture Beicos” (July 6, 1920) https://timesmachine.nytimes.com/time…
George Riddell, Lord Riddell’s Intimate Diary of the Peace Conference and After: 1918-1923, (London: Victor Gollancz Ltd, 1933)
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
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Mixing, Mastering & Sound Design: http://above-zero.com
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Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Yves Thimian
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All rights reserved – Real Time History GmbH 2020
August 16, 2020
Greco-Turkish War – Treaty of Sèvres I THE GREAT WAR 1920
August 14, 2020
Warsaw, 1920 – “Smash a Bolshevik!”
Arthur Chrenkoff on the important but little-known Russo-Polish conflict a century ago:
The Polish-Russian war of 1919-20 was the last major conflict where massed cavalry played an important role. Unlike the static Western Front a few years earlier (but similarly to the much more mobile Eastern Front) it was a war of maneuver and speed, conducted over vast swathes of territory. While still fought in a pre-armour era, its conduct directly and indirectly inspired the major proponents of the future tank warfare and the doctrine of blitzkrieg, from the young De Gaulle (who was one of the official French Army observers in Poland at the time) through Tukhachevsky in the Soviet Union to Guderian in Germany. Two million troops from both sides took part in the conflict, making it the most significant foreign intervention against the newly installed Bolshevik regime over the course of the Russian Civil War. It might have even succeeded in strangling communism in its cradle; what prevented the cooperation with the counter-revolutionary White forces was their old imperial hostility to independent Poland (coincidentally, the anti-Hitler German opposition of 1944 was likewise unfriendly to the idea).
The basic story of the war is easily enough told. After 123 years of partition between Russia, Prussia and Austria-Hungary, Poland was recreated (or, really, recreated herself) among the chaos of the late 1918, with the collapse of all three of her occupying empires. The new “Versailles” Poland was smaller than in the past, which led the new government to try to restore by force what has been denied to her at the negotiating table (where Poles had no seat in any case). The Russian Revolution (or rather the Bolshevik coup d’etat) and the following civil war provided a perfect opportunity. Throughout 1919, the reconstituted Polish Army under the command of Marshall Jozef Pilsudski fought against and took over the briefly independent Western Ukraine republic and then marched on Kiev, this time in alliance with the forces of also briefly independent Eastern Ukraine republic (it was Pilsudski’s intention to recreate some form of an independent Ukrainian state – minus the predominantly Polish areas – as part of his larger project to create the Miedzymorze (Intermarum) Confederation of both anti-Russian and anti-German states stretching from the Baltic to the Black Sea).
But the Polish Army became overstretched and the Soviet government, now having defeated its major White opponents, found itself willing and able to stand up to and roll back what they saw as the Polish aggression against historically Russian territories. The Red Army, which sporadically skirmished with the Poles over the previous year, now counter-attacked across the whole wide front across what is now Belarus and Ukraine, driving the Polish Army back at an unprecedented pace of 30 kilometres a day. Soviet Marshall Tukhachevsky ordered his troops “To the West! Over the corpse of White Poland lies the road to worldwide conflagration. March on Vilno, Minsk, Warsaw!” and “onward to Berlin over the corpse of Poland!” Pravda newspaper echoed “Through the corpse of the White Poland lies the way to World Inferno. On bayonets we will carry happiness and peace to working humanity”. British Labour Party and French Socialists vowed not to support “reactionary” Poland; German and Czech unions sabotaged the delivery of crucial military supplies to the beleaguered Poland.
On 10 August, Cossack units of Tukhachevsky’s northern Army crossed the Vistula River north of Warsaw in at attempt to envelop the capital. This was a mistake, as the southern Army, under Budyonny, was still stuck around Lwow, three hundred kilometres to the south-east. For weeks preparing in secret, the last Polish reserves punched through the centre, first cutting off the two Soviet fronts from each other and then in a series of counter-enveloping maneuvers routing three Soviet armies. Now it was the Poles’ turn to advance 30 kilometres per day, as the Red Army collapsed and retreated in chaotic circumstances. The Polish counter-strike subsequently became known as “Cud nad Wisla” (Miracle of the Vistula), but it was less of a supernatural intervention and more a combination of several favourable factors: Soviet missteps, good Polish organisation, the growing hostility between Stalin and Trotsky as well as various military commanders, which hampered the cooperation between the Soviet fronts. Last but not least, and this was only revealed in 2004, Polish cryptographers had managed to break the Red Army codes – just as they would later be instrumental in breaking the German Enigma.
August 13, 2020
Warsaw, August 1920
Lawrence W. Reed discusses one of the most historically significant battles of the 20th century:
This month marks the 100th anniversary of one of the most important military engagements of the 20th Century. It will be celebrated in Poland, the country which won it decisively. The country which lost it, Vladimir Lenin’s nightmarish gulag known as the Soviet Union, is thankfully extinct. Free people everywhere should be grateful to the Poles for the victory.
From 1795 until 1918, Poland disappeared as Austria, Prussia, and Russia partitioned it into pieces for themselves. Upon its re-emergence as an independent nation (an outcome of World War I), a reconstituted Poland immediately faced an existential challenge from Moscow. Lenin’s Bolsheviks were still consolidating power at home but their territorial appetites were well known to Poles and their new Chief of State, Józef Piłsudski. The fateful Polish-Soviet War broke out in February 1919.
Making war on Poland was more than a local affair to the Soviets. They made it plain that the Poles were simply in the way of their larger goal: exporting communism to the rest of Western Europe. Germany, gripped by post-war economic and political chaos, seemed ripe for a Marxist revolution if only Soviet troops could move in and assist, but Poland would have to be disposed of first.
Nicknamed “the Red Napoleon,” Soviet commander Mikhail Tukhachevsky ordered, “To the West! Over the corpse of Poland lies the road to worldwide conflagration. March upon Vilnius, Minsk, Warsaw and onward to Berlin over the corpse of Poland!” Bolshevik theoretician and Lenin confidant Nikolai Bukharin publicly declared that the campaign would take communist forces “straight to London and Paris.” In a letter to Joseph Stalin, Lenin himself suggested the Red Army should attack Romania, Czechoslovakia, and Hungary for the purpose of provoking a communist revolution in Italy, to which Stalin replied in the affirmative.
Both Tukhachevsky and Bukharin, by the way, were executed during Stalin’s purges in 1938 but they were at Lenin’s side and at the pinnacle of Soviet power in 1920. Lenin died in 1924 and was eventually succeeded by Stalin.
Soviet victories in the summer of 1920 looked unstoppable, as Moscow’s Red Army pushed to within striking distance of the Polish capital. From August 12-25, the Battle of Warsaw raged. Foreign observers expected the imminent collapse of Poland. Then, the tactical brilliance of Pilsudski and his chief of staff Tadeusz Jordan-Rozwadowski plus the legendary courage of Polish fighters combined to produce what Poles call “the Miracle on the Vistula.” Author Michael Peck writes in The National Interest:
Just as all seemed lost, Marshal Pilsudski unleashed his masterstroke, a move worthy of Robert E. Lee or Rommel. While the central Russian armies were fixated on Warsaw, a Polish strike force side-slipped to the south of the city, and then turned north in a left hook into the exposed Russian flank. Surprised, demoralized, and outmaneuvered, the Russian armies disintegrated, with some retreating back to Russia and others fleeing to German territory to be interned. Pilsudski’s counteroffensive was assisted by the breaking of Russian codes, a Polish specialty that they later used to crack the Nazi Enigma machine.
August 11, 2020
The Vanishing Aral Sea
The History Guy: History Deserves to Be Remembered
Published 22 May 2017The History Guy examines the Aral Sea and the confluence of geography and history.
The History Guy uses images that are in the Public Domain. As photographs of actual events are often not available, I will sometimes use photographs of similar events or objects for illustration.
Patreon: https://www.patreon.com/TheHistoryGuy
The History Guy: Five Minutes of History is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
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teespring.com/stores/the-history-guyThe episode is intended for educational purposes. All events are presented in historical context.
#history #thehistoryguy #worldhistory
Egypt’s Colonial and Zionist Troubles | The Suez Crisis | Prelude 1
TimeGhost History
Published 10 Aug 2020Recently independent Egypt, under President Gamal Abdel Nasser, navigates the turbulent waters of the Cold War, seeking national autonomy, while negotiating its relations with the British Empire, United States, and the Soviet Union. The question is, how will Egypt realize its self-determination with these powers vying for dominance in the region?
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Hosted by: Indy Neidell
Written by: Joram Appel and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Image Research: Ian Irungu, Shaun Harrison & Karolina Dołęga
Edited by: Karolina Dołęga
Sound design: Marek KamińskiColorizations:
Mikolaj UchmanVisual Sources:
National Archives NARA
Library of Congress Geography and Maps Department
Tropenmuseum
Wellcome Images
National Army Museum of New Zealand
Imperial War Museum: HU70788,
National Photo Collection of Israel
Fortepan – ID 32790
Bibliotheca AlexandrinaMusic:
“Descending Mount Everest” – Trailer Worx
“Dreamless Nights” – The New Fools
“March Of The Brave 10” – Rannar Sillard
“Break Free” – Fabien Tell
“The Unexplored” – Philip Ayers
“It’s Not a Game” – Philip Ayers
“Foreign Signs” – Philip AyersArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
TimeGhost History
1 hour ago (edited)
Welcome to the first episode of our series on the Suez Crisis! It’s a 7-episode wild ride through secretive international collusion, clashing nations, and imperial anxieties. It’s a watershed moment in a variety of entangled histories: decolonization, the Arab-Israel Conflict, the rise of America as a superpower, the growing power of the UN, and much much more. It’s a lot to take in, but we hope that we’ve made this series as digestible (and enjoyable!) as possible. Thanks to our TimeGhost Army members for choosing this series. Want to be part of the effort that makes stuff like this happen? Join us at patreon.com/timeghosthistory or https://timeghost.tv.Cheers,
Francis.
August 10, 2020
Donald MacLean: The First of the Cambridge Five
The Cold War
Published 22 Jun 2020Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular — a real Cold War-era spy story
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August 9, 2020
August 8, 2020
The Cold War & Decolonization — History Summarized
Overly Sarcastic Productions
Published 7 Aug 2020Keep safe and stylish with a Red-And-Blue facemask from Volante Design, or DONATE to help students in public schools receive high-quality masks for free — https://bit.ly/2DwE9O7
August of 2020 marks the 75th anniversary of the end of the Second World War. So I wanted to make a video about that. That was a bad idea…
What do you get when a Classically-Minded historian ventures about 2,000 years outside of their comfort zone? A mess. A well-intentioned mess is what you get. BUT a mess that we can learn from! So join me as we dig into the aftermath of the Second World War to analyze the origins of the Cold War and the decolonization of European Empires.
SOURCES & Further Reading: The Cold War by Gaddis, The Wars of French Decolonization by Clayton, British decolonization, 1946-1997 by McIntyre, The Cold War’s Killing Fields by Chamberlin, The Cold War: A Very Short Introduction by McMahon, and “Crash Course European History [Parts 42-47]” by Green.
This video was edited by Sophia Ricciardi AKA “Indigo”. https://www.sophiakricci.com/
Our content is intended for teenage audiences and up.DISCORD: https://discord.gg/kguuvvq
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From the comments:
Overly Sarcastic Productions
1 hour ago (edited)
Some clarifications:
North Africa did of course see conflict, the Pacific did get occupied — even the places that didn’t (eg: India) still paid for the war. Damn double-negatives.That weird Romania-Hungary-Russia border is a holdover from WWII. The border lasted until 1946 and was changed in 1947. Later in the video you’ll see the more familiar borders.
Indonesia declared Independence in 1945 (Like Vietnam), but the Netherlands didn’t withdraw until 1949, hence my mention of ’49.
August 7, 2020
“40:1” Pt. 2 – Another Polish Last Stand – Sabaton History 079 [Official]
Sabaton History
Published 6 Aug 2020At the end of September 1939, Poland was burning. Trapped in an ever shrinking corridor between the Wehrmacht and the Red Army, the last remaining Polish forces were still holding out. Isolated, short of ammunition and supplies, and without hope for relief. The last Polish Army, the SGO Polesie, was making its way towards the Vistula, as it was cut off by German motorcycle troops. Determined to sell their lives dearly, the SGO Polesie dug in and prepared for a last stand.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to “40:1” from the album The Art Of War:
https://music.sabaton.net/TheArtOfWarWatch the Official Music Video of “40:1” here:
https://www.youtube.com/watch?v=epeQw…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Community Manager: Maria Kyhle
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
Paul Otto courtesy Glenn Jewison
University of Wisconsin-Milwaukee Libraries
Bundesarchiv
Imperial War Museums: HU106375
Museum of Warsaw
Narodowe Archiwum Cyfrowe
Centralne Archiwum WojskoweAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Once again the time has come for the Polish people to show what they’re made of.This time they’re facing a gargantuan two-headed monster of an enemy and are outnumbered many many times over.
They may not win, they may not even live to see another day — but The Polish will not give up without giving their all.
Spirit of Spartans
Death and glory
Soldiers of Poland
Second to noneSo come, bring on all that you’ve got
Come hell, come high water — never stop!With the help of Indy and the TimeGhost team you can learn more about the Soviet invasion of Poland and the last days of The Polish Defensive War in these two episodes of the “World War Two In Real Time” series:
“The Russians are Coming! – The Soviet Invasion of Poland” – WW2 – 004 – September 22, 1939
https://youtu.be/8vjBp-qyNVE“Poland is Crushed” – WW2 – 005 – 29 September, 1939
https://youtu.be/OOPiUaakSXM
August 5, 2020
August 2, 2020
August 1, 2020
QotD: Voluntary self-censorship
Obviously it is not desirable that a Government department should have any power of censorship (except security censorship, which no one objects to in wartime) over books which are not officially sponsored. But the chief danger to freedom of thought and speech at this moment is not the direct interference of the M.O.I. [Ministry of Information] or any official body. If publishers and editors exert themselves to keep certain topics out of print, it is not because they are frightened of prosecution but because they are frightened of public opinion. In this country, intellectual cowardice is the worst enemy a writer or journalist has to face, and that fact does not seem to me to have had the discussion it deserves.
Any fair‐minded person with journalistic experience will admit that during this war official censorship has not been particularly irksome. We have not been subjected to the kind of totalitarian “co-ordination” that it might have been reasonable to expect. The press has some justified grievances, but on the whole the Government has behaved well and and has been surprisingly tolerant of minority opinions. The sinister fact about literary censorship in England is that it is largely voluntary. Unpopular ideas can be silenced, and inconvenient facts kept dark, without the need for any official ban. Anyone who has lived long in a foreign country will know of instances of sensational items of news — things which on their own merits would get the big headlines — being kept right out of the British press, not because the Government intervened but because of a general tacit agreement that “it wouldn’t do” to mention that particular fact. So far as the daily newspapers go, this is easy to understand. The British press is extremely centralized, and most of it is owned by wealthy men who have every motive to be dishonest on certain important topics. But the same kind of veiled censorship also operates in books and periodicals, as well as in plays, films and radio. At any given moment there is an orthodoxy, a body of ideas which it is assumed that all right thinking people will accept without question. It not exactly forbidden to say this, that or the other but it is “not done” to say it, just as in mid‐Victorian times it was “not done” to mention trousers in the presence of a lady. Anyone who challenges the prevailing orthodoxy finds himself silenced with surprising effectiveness. A genuinely unfashionable opinion is almost never given a fair hearing, either in the popular press or in the highbrow periodicals.
At this moment what is demanded by the prevailing orthodoxy is an uncritical admiration of Soviet Russia. Everyone knows this, nearly everyone acts on it. Any serious criticism of the Soviet regime, any disclosure of facts which the Soviet Government would prefer to keep hidden, is next door to unprintable. And this nation-wide conspiracy to flatter our ally takes place, curiously enough, against a background of genuine intellectual tolerance. For though you are not allowed to criticize the Soviet Government, at least you are reasonably free to criticize our own. Hardly anyone will print an attack on Stalin, but it is quite safe to attack Churchill, at any rate in books and periodicals. And throughout five years of war, during two or three of which we were fighting for national survival, countless books, pamphlets and articles advocating a compromise peace have been published without interference. More, they have been published without exciting much disapproval. So long as the prestige of the U.S.S.R. is not involved, the principle of free speech has been reasonably well upheld. There are other forbidden topics […] but the prevailing attitude toward the U.S.S.R is much the most serious symptom. It is, as it were, spontaneous, and is not due to the action of any pressure group.
The servility with which the greater part of the English intelligentsia have swallowed and repeated Russian propaganda from 1941 onward would be quite astounding if it were not that they have behaved similarly on several earlier occasions. On one controversial issue after another the Russian viewpoint has been accepted without examination and then publicized with complete disregard to historical truth or intellectual decency. To name only one instance, the B.B.C. celebrated the twenty-fifth anniversary of the Red Army without mentioning Trotsky. This was about as accurate as commemorating the battle of Trafalgar with out mentioning Nelson, but evoked no protest from the English intelligentsia. In the internal struggles in the various occupied countries, the British press has in almost all cases sided with the faction favored by the Russians and libeled the opposing faction, sometimes suppressing material evidence in order to do so. A particularly glaring case was that of Colonel Mihailovich, the Jugoslav Chetnik leader. The Russians, who had their own Jugoslav protégé in Marshal Tito, accused Mihailovich of collaborating with the Germans. This accusation was promptly taken up by the British press: Mihailovich’s supporters were given no chance of answering it, and facts contradicting it were kept out of print. In July, 1943, the Germans offered a reward of 100,000 gold crowns for the capture of Tito, and a similar reward for the capture of Mihailovich. The British press “splashed” the reward for Tito, but only one paper mentioned (in small print) the reward for Mihailovich; and the charges of collaborating with the Germans continued. Very similar things happened during the Spanish civil war. Then, too, the factions on the Republican side which the Russians were determined to crush were recklessly libeled in the English leftwing press, and any statement in their defense, even in letter form, was refused publication. At present, not only is serious criticism of the U.S.S.R. considered reprehensible, but even the fact of the existence of such criticism is kept secret in some cases. For example, shortly before his death Trotsky had written a biography of Stalin. One may assume that it was not an altogether unbiased book, but obviously it was saleable. An American publisher had arranged to issue it and the book was in print — I believe the review copies had been sent out — when the U.S.S.R. entered the war. The book was immediately withdrawn. Not word about this has ever appeared in the British press, though clearly the existence of such a book, and its suppression, was a news item worth a few paragraphs.
George Orwell “The Freedom of the Press”, 1945 (written as the introduction to Animal Farm, but not published in Orwell’s lifetime).
July 31, 2020
July 29, 2020
What was TEKOI?
CGP Grey
Published 28 Jul 2020## Related Videos
Exploring Tekoi: https://www.youtube.com/watch?v=ABMV4…
Defeated by Tumbleweeds: https://www.youtube.com/watch?v=7FeXP…
## Special Thanks
Gregory Waltz
## Crowdfunders
Steven Snow, Bob Kunz, John Buchan, Nevin Spoljaric, Donal Botkin, BN-12 , Chris Chapin, Richard Jenkins, Phil Gardner, Martin, Steven Grimm, سليمان العقل, Elliot Lepley, Colin Millions, David F Watson, Saki Comandao, Ben Schwab, Jason Lewandowski, Bobby, rictic, Marco Arment, Shallon Brown, Shantanu Raj, emptymachine, George Lin, Jeffrey Podis, Ben Delo, Henry Ng, Thunda Plum, Awoo, David Tyler, Fuesu, iulus, Jordan Earls, Joshua Jamison, Nick Fish, Nick Gibson, Tyler Bryant, Zach Whittle, Oliver Steele, Kermit Norlund, Derek Bonner, Derek Jackson, Mikko, Orbit_Junkie, Ron Bowes, Tómas Árni Jónasson, Andrew Bereza, Rebecca Wortham, Bryan McLemore, Bear, chrysilis, David Palomares, Emil, Erik Parasiuk, Esteban Santana Santana, Freddi Hørlyck, John Rogers, ken mcfarlane, Leon, Maarten van der Blij, Peter Lomax, Rhys Parry, ShiroiYami, Tristan Watts-Willis, Veronica Peshterianu, Dag Viggo Lokøen, Essa omar, Ryan Richards, Alex Simonides, Felix Weis, John Lee, Maxime Zielony, Melvin Sowah, Elizabeth Keathley, Christopher Mutchler, Giulio Bontadini, Paul Alom, Ryan Tripicchio, Scot Melville, Kyle Wayman, Julien Dubois
## Music
David Rees: http://www.davidreesmusic.com
Update: CGP Grey posted a corrected version of this video here – https://www.youtube.com/watch?v=PCeMCwxayp0
He also posted the Director’s Commentary video (originally intended only for his Patrons) here – https://www.youtube.com/watch?v=ufsYK3Eecw4
There is also a video explaining how the whole process worked and how the error was missed, if you’re interested.