Hard to refute xkcd on Christmas music:


Hard to refute xkcd on Christmas music:

Earlier this year, I had occasion to run a Google search for “Mr Gameway’s Ark” (it’s still almost unknown: the Googles, they do nothing). However, I did find a very early post on the old site that I thought deserved to be pulled out of the dusty archives, because it explains why — to this day — I can barely stand to listen to “Little Drummer Boy”:
James Lileks has a concern about Christmas music:
This isn’t to say all the classics are great, no matter who sings them. I can do without “The Little Drummer Boy,” for example.
It’s the “Bolero” of Christmas songs. It just goes on, and on, and on. Bara-pa-pa-pum, already. Plus, I understand it’s a sweet little story — all the kid had was a drum to play for the newborn infant — but for anyone who remembers what it was like when they had a baby, some kid showing up unannounced to stand around and beat on the skins would not exactly complete your mood. Happily, the song has not spawned a sequel like “The Somewhat Larger Cymbal Adolescent.”
This reminds me about my aversion to this particular song. It was so bad that I could not hear even three notes before starting to wince and/or growl.
Back in the early 1980’s, I was working in Toronto’s largest toy and game store, Mr Gameway’s Ark. It was a very odd store, and the owners were (to be polite) highly idiosyncratic types. They had a razor-thin profit margin, so any expenses that could be avoided, reduced, or eliminated were so treated. One thing that they didn’t want to pay for was Muzak (or the local equivalent), so one of the owners brought in his home stereo and another one put together a tape of Christmas music.
Note that singular. “Tape”.
Christmas season started somewhat later in those distant days, so that it was really only in December that we had to decorate the store and cope with the sudden influx of Christmas merchandise. Well, also, they couldn’t pay for the Christmas merchandise until sales started to pick up, so that kinda accounted for the delay in stocking-up the shelves as well …
So, Christmas season was officially open, and we decorated the store with the left-over krep from the owners’ various homes. It was, at best, kinda sad. But — we had Christmas music! And the tape was pretty eclectic: some typical 50’s stuff (White Christmas and the like), some medieval stuff, some Victorian stuff and that damned Drummer Boy song.
We were working ten- to twelve-hour shifts over the holidays (extra staff? you want Extra Staff, Mr. Cratchitt???), and the music played on. And on. And freaking on. Eternally. There was no way to escape it.
To top it all off, we were the exclusive distributor for a brand new game that suddenly was in high demand: Trivial Pursuit. We could not even get the truck unloaded safely without a cordon of employees to keep the random passers-by from snatching boxes of the damned game. When we tried to unpack the boxes on the sales floor, we had customers snatching them out of our hands and running (running!) to the cashier. Stress? It was like combat, except we couldn’t shoot back at the buggers.
Oh, and those were also the days that Ontario had a Sunday closing law, so we were violating all sorts of labour laws on top of the Sunday closing laws, so the Police were regular visitors. Given that some of our staff spent their spare time hiding from the Police, it just added immeasurably to the tension levels on the shop floor.
And all of this to the background soundtrack of Christmas music. One tape of Christmas music. Over and over and over and over and over and over and over again.
It’s been over 20 years 30 years now, and I still feel the hackles rise on the back of my neck with this song … but I’m over the worst of it now: I can actually listen to it without feeling that all-consuming desire to rip out the sound system and dance on the speakers. After two three decades.
Sabaton History
Published 12 Dec 2019As Germany invades France and the Benelux countries in May 1940, the main bulk of their panzers are heading towards the Ardennes and the Meuse River in an effort to cut the Allied forces in half. However, two small units of Belgian infantry are standing in their way. They are the Chasseurs Ardennais and have one objective: To delay the Germans by every means necessary…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Heroes (where “Resist And Bite” is featured):
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePWatch the official lyric video of “Resist And Bite” here:
https://www.youtube.com/watch?v=iGtEH…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Væver Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Today we again turn towards the Second World War — to be more specific the 1940 German invasion of France and the Benelux. Here two small Belgian units bravely attempted to delay the advance of the Wehrmacht. We hope you all appreciate this video! And much like the Chasseur Ardennais supported the war effort of the Belgians, our awesome Patrons support the war effort of us, the Sabaton History team! So if you haven’t, you most certainly should consider supporting us on https://www.patreon.com/sabatonhistory.Oh and if you’re interested in World War Two, you should definitely check out Indy’s World War Two Channel (http://www.youtube.com/c/worldwartwo) where he covers WW2 Week-by-week. Last May, he covered the invasion of the Benelux and France, which you can check out right here: https://youtu.be/DLN8NHXiMy0
Cheers, the Sabaton History team!
It was David Lee Roth who ruined personal-appearance contracts for all time with his Brown M&M’s Clause in the ’80s. The story sounds apocryphal but it’s true: Any promoter hiring Van Halen for a concert was required to supply M&M’s in the band’s dressing room but “ABSOLUTELY NO BROWN ONES.”
In later years Roth would claim that this was not an example of spoiled rock star entitlement but a way to make sure that concert promoters read the entire contract and took care of other, more important provisions. I was actually buying this — promoters can be forgetful and dense at all levels of the business — until the Smoking Gun website tracked down the famous M&M’s rider so that we could read the rest of it. In order to “present to your customers the finest in contemporary entertainment,” Van Halen also needed two dozen English muffins, but not just any English muffins — they had to be Thomas brand English muffins — plus two cases of beer delivered precisely at 6 p.m., two more cases (one Budweiser and one Heineken) delivered to the stage manager at 7 p.m., different food menus for even and odd days, and, just to keep you on your toes in the implements department, “all forks must have four prongs.” Backstage the band also needed one case of Budweiser, four cases of Schlitz Malt Liquor (really?), one half case of Tab (perhaps even more shocking than the malt liquor), three fifths of Jack Daniels Black Label, two fifths of Stolichnaya, one pint of Southern Comfort, two bottles of Blue Nun white wine (whoever that was should lose his rock-star cred forever), three packs of Marlboros (these riders are for one day — is that guy dead yet?), and — the mind boggles — “one large tube of KY Jelly.”
The rider ran to eleven pages and is, in fact, ridiculously demanding. (“Any caterer not providing adequate condiments, utensils or ice will be subject to a $100.00 fine.”)
Joe Bob Briggs, “Travel by Luxury Donkey Cart”, Taki’s Magazine, 2019-10-10.
Sabaton History
Published 5 Dec 2019In 1527, a large Holy Roman army consisting of Germans, Spaniards and Italians march on Rome frustrated over unpaid wages and lacking supplies. Pope Clement VII seeks shelter as Rome is pillaged and burned while his brave Swiss Guard makes a heroic last stand.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Last Stand (where “The Last Stand” is featured):
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the official lyric video of “The Last Stand” here: https://www.youtube.com/watch?v=BwfJs…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Vaever Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Rijksmuseum
– Fondo Antiguo de la Biblioteca de la Universidad de Sevilla
– A massacre in a church during the Sack of Rome: a priest is about to be stabbed and another priest is lying dead on the floor before the altar. Wood engraving by R. Venturi after himself. Credit: Wellcome Collection. CC BY
– Guy de Chauliac bandaging the leg of Pope Clement VII at Avi. Oil painting by Ernest Board. Credit: Wellcome Collection. CC BY
– Photo of Sistine Chapel ceiling by Qypchak
– Photo of Arco delle Campane by Przemek PietrakAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Sabaton History
Published 28 Nov 2019After Saddam Hussein invaded Kuwait in 1990, most of the whole world gets together to avenge this attack. This will be the basis for Operation Desert Storm — one of the largest battles since the Second World War.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Primo Victoria (where “Reign of Terror” is featured):
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Sabaton History
Published 21 Nov 2019Join Indy and Joakim as they dive into the out-of-life story of Witold Pilecki during the Second World War, that has made for this awesome song.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Heroes (where Inmate 4859 is featured):
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
23 hours ago (edited)
Witold Pilecki is one of those larger-than-life characters, and listen to Joakim and Indy talk about this amazing song as well as the historical background behind it. Now thanks to all of you we have ben able to film the history part of this in a new studio which is both bigger and better. This is 100% thanks to the Patrons whose generous contributions made this possible. Do you want to be a part of this as well? Make sure to support us on Patreon: https://www.patreon.com/sabatonhistory
Cheers, The Sabaton History Team
Sabaton History
Published 14 Nov 2019The Battle of Thermopylae of 480 BCE may be one of the most famous battles in Ancient History. King Leonidas and his 300 Spartans were certainly not as alone in their last stand against the Persians, but are nevertheless remembered as being an underdog who would rather die than lose their freedom.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Last Stand (where “Sparta” is featured):
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the official lyric video of “Sparta” here: https://www.youtube.com/watch?v=hm-PT…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Photo of Persian warriors relief by Jakub Hałun from Wikimedia Commons
– Xerxes I by Mbmrock from Wikimedia Commons
– Bayerische State Painting Collections
– RijksmuseumAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Sabaton History
Published 7 Nov 2019Europe had grown weary of war by the summer of 1648 and after much deliberation, peace talks in Westphalia had reached their final stages. Warlords across the entire continent were preparing for peace but not all of them agreed. The exceptionally ruthless German-Swedish General Königsmarck advanced into Bohemia to lay siege to Prague.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Carolus Rex (Where “1648” is featured):
CD: http://bit.ly/CarolusRexStore
Spotify: http://bit.ly/CarolusRexSpotify
Apple Music: http://bit.ly/CarolusRexAppleMusic
iTunes: http://bit.ly/CarolusRexiTunes
Amazon: http://bit.ly/CarolusRexAmz
Google Play: http://bit.ly/CarolusRexGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Thumbnail image: Petri Krohn, CC BY-SA 3.0.
– Les misères et les malheurs de la guerre – The British Museum
– “Germania: dos mil años de historia alemana” series from Fondo Antiguo de la Biblioteca de la Universidad de Sevilla
– The peace of Munster painting courtesy of Amsterdam Museum
– RijksMuseumAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
This episode about “1648” is about peace and about a devastating and deadly siege to Prague. We enjoy doing these episodes as we usually only make episodes about more modern topics. Now, we have to do without film and photo material, and be creative with paintings and sketches. Kudos to the editor Iryna who makes that work brilliantly! If you agree and want to support our work, you can do so by going to our Patreon page: https://www.patreon.com/sabatonhistoryCheers, the Sabaton History team.
Sabaton History
Published 31 Oct 2019The exact topic of Sabaton’s song “Unbreakable” will forever be a mystery. But we do know that it has to do with guerrilla warfare, which is what Indy will dive into in this episode.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Art of War (where “Unbreakable” is featured):
CD: http://bit.ly/TheArtOfWarStore
Spotify: http://bit.ly/TheArtOfWarSpotify
Apple Music: http://bit.ly/TheArtOfWarAppleMusic
iTunes: http://bit.ly/TheArtOfWariTunes
Amazon: http://bit.ly/TheArtOfWarAmz
Google Play: http://bit.ly/TheArtOfWarGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Indy Neidell, Spartacus Olsson and Markus Linke
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– RIA Novosti archive
– Colorization of Mao Zedong by Olga Shirnina a.k.a. Klimbim
– IWM: NA 15129
– Water splash sound effect – littlerobotsoundfactoryAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
There are many examples where guerrilla warfare was used in an attempt to force out or at least harass a foreign invader or domestic military power. Partisan movements are almost always connected to a certain ideology or party — after all, they rebel against a power they disagree with. We haven’t mentioned a lot of different movements and causes in this episode, not because we don’t value or support them or their cause, but because we have a limited amount of time to cover a general topic in. As Indy also states in the video, we have picked several examples to describe what guerrilla warfare was. Please share any additional groups or events that are relevant for this episode, but keep it civil and keep your political thoughts to yourself.
Cheers, The Sabaton History team
“Jazz is for people who don’t like music,” says GQ‘s Deputy Editor; it must be fun to play, he says, because it sure ain’t fun to listen to. (“I remember this tune,” he’ll say, “which is more than the guy playing it does.”) It is, in the words of some forgotten Eighties comedian, six guys on stage playing different tunes. GQ even ran a joke about it a few years ago: “Q: Why do some people instantly hate jazz?” “A: It saves time in the long run.” Even my youngest daughter hated it at the time. Aged five, after being subjected to hours of Charlie Parker in the car one weekend, she said, “I don’t like this music. There are no songs for me to sing to.” (The only jazz tune she liked is “Everybody Want To Be A Cat” from Disney’s The Aristocats.) Unbeknown to her, she was echoing John Lennon’s little-known jibe: “Jazz never does anything.”
Some people’s innate hatred of jazz is simply the result of an unfortunate experience, but then anyone who’s witnessed Art Blakey performing a three-and-a-half hour drum solo is entitled to feel a little peeved (and I speak as someone who has seen one at close quarters). On top of this, some people just don’t get it. Like the later work of James Joyce, the films of Tarkovsky and “tax harmonisation”, the fact that some things will always lie just beyond the common understanding is something jazz enthusiasts must learn to live with.
Also, jazz has often been victim to the vagaries of fashion, destined to be revived at the most inappropriate moments. The last time jazz was really in the limelight was back in the mid-Eighties, when it became the soundtrack du jour in thousands of matt-black bachelor flats all over designer Britain and when every style magazine and beer ad seemed to look like a Blue Note album cover. Jazz went from being a visceral, corporeal music to a lifestyle soundtrack. This was the age of Style Council, of Absolute Beginners … of Sting. Buying into jazz was meant to lend your life a patina of exotic sophistication and was used to sell everything from Filofaxes and coffee machines to designer jeans and sports cars.
Dylan Jones, “The 100 best jazz albums you need in your collection”, GQ, 2019-08-25.
Sabaton History
Published 24 Oct 2019The Battle of Rorke’s Drift was the last stand for the British defenders, facing thousands of Zulu fighters with only a few hundred of their own.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Last Stand where “Rorke’s Drift” is featured):
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the official lyric video of “Rorke’s Drift” here: https://www.youtube.com/watch?v=i9Bup…
Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– The National Archives UK
– A group of Zulu men in war dress, a photograph by Robert Harris. Credit: Wellcome Collection.
– Episodes in the Zulu wars, Credit: Wellcome Collection
– Field ambience by dobroide from freesound.orgAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
One nation’s heroic history is another’s national tragedy. In academia, the horrors of imperialism get more and more attention each year. In this episode, besides covering the events that unfolded during the Battle of Rorke’s Drift, we try to capture the ambiguous nature of colonial history. Yes, the last stand of the British soldiers against an overwhelming Zulu force is impressive, but whether or not it should be celebrated is open for debate. We would like to have this conversation in the comments down below, but keep it civil. Any racist, apologist or revisionist comments can lead to a ban.
Cheers, The Sabaton History Team.
Sabaton History
Published 17 Oct 2019Trench Warfare was the reality for countless soldiers fighting on the the fronts of World War One. It was a hell on earth. Soldiers had to endure mud, cold, stench of decaying bodies, endless artillery and gas barrages and enemy raiding parties. The Sabaton Song “Angels Calling” is about daily life on the frontlines of The Great War.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Attero Dominatus (where “Angels Calling” is featured):
CD: http://bit.ly/AtteroDominatusStore
Spotify: http://bit.ly/AtteroDominatusSpotify
Apple Music: http://bit.ly/AtteroDominatusAppleMusic
iTunes: http://bit.ly/AtteroDominatusiTunes
Amazon: http://bit.ly/AtteroDominatusAmzn
Google Play: http://bit.ly/AtteroDominatusGooglePlayCheck out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
National Army Museum
National Library of Scotland
Bibliothèque nationale de France
Wellcome Images
Sleeping soldiers courtesy of FORTEPAN/Komlós Péter
Crosshair by DTDesign from the Noun Project
Colorized photos by Alexander Vedel Christensen
IWM: Q 69986, Q 45584, Q 6420, Q 6419, Q 33350, Q 745, Q 6421, Q 24579, Q 10685, Q 445, Q 32420, Q 517, Q 65065, Q 69983, Q 79501, Q 9333, E(AUS) 572, E(AUS) 1497, Q 6969An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
What? The Sabaton History special editions of EVERY album? Nooo.. Really? Sounds awesome! And.. How can I get those? … As a reward for supporting Sabaton History on Patreon? Get out of here! .. Oh.. I should head over to https://www.patreon.com/sabatonhistory to check it out? Gotcha! Cheers!
Sabaton History
Published 11 Oct 2019The Battle of Midway in June 1942 was one of the decisive battles on the Pacific front during World War Two. The Sabaton song “Midway” is about that battle and the men who sailed, flew, fought and died there.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Coat of Arms (where “Midway” is featured):
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlayWatch the Official Lyric Video of Midway here: https://www.youtube.com/watch?v=0WAfB…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
National Security Agency
Letter icon by Mochammad Kafi from the Noun Project
Ship icon by Edward Boatman from the Noun ProjectAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Sabaton History
Published 3 Oct 2019This is a little different from our usual videos. We dive into the Sabaton song “Metal Crüe”, an ode to the Metal Legends that inspired Sabaton. Indy gives his subjective take on the musicians that defined a genre.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Attero Dominatus (where “Metal Crüe” is featured):
CD: http://bit.ly/AtteroDominatusStore
Spotify: http://bit.ly/AtteroDominatusSpotify
Apple Music: http://bit.ly/AtteroDominatusAppleMusic
iTunes: http://bit.ly/AtteroDominatusiTunes
Amazon: http://bit.ly/AtteroDominatusAmzn
Google Play: http://bit.ly/AtteroDominatusGooglePlayWatch the Official Lyric Video of “Metal Crüe” here: https://www.youtube.com/watch?v=7Hd1Q…
Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– The Song Remains The Same movie courtesy of Warner Bros.
– Nazareth photo by Ken Papai
– Thin Lizzy photo courtessy of Beeld En Geluid Wiki
– Thin Lizzy by Richard Marchewka
– Tony Iommy by Ronald Ali-Khan
– Deep Purple concert by Friedrich Magnussen
– Blue Cheer by Jac. de Nijs
– Led Zeppelin by Heinrich Klaffs
– Led Zeppelin in Apollo by Harry (Howard) Potts
– Judas Priest, Rob Halford by Fernando Catalina Landa
– Mike “Ozzy” Gibbens
– Kiss by Carl Lender
– Lee Kerslake and Uriah Heep photos by Heinrich KlaffsAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
Powered by WordPress