Sabaton History
Published 26 Dec 2019An American-led coalition invaded Iraq in 2003. Sabaton’s song “Panzer Battalion” is about that attack and in this episode, Indy talks about the fight and its consequences.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Primo Victoria (where “Panzer Battalion” is featured):
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
December 27, 2019
“Panzer Battalion” – The Iraq War – Sabaton History 047 [Official]
Imagine John Lennon as a huge hypocrite
As Mark Steyn pointed out, it isn’t hard to do:
In his Christmas sermon five years ago, the Bishop of Shrewsbury described John Lennon’s ghastly dirge “Imagine” as “heart-chilling”. Here’s what I had to say about it, and about secularism and a common culture, in the Christmas issue of The Spectator a decade earlier:
At my daughter’s school this year, the holiday concert concluded with John Lennon’s “Imagine”. The school had thoughtfully printed the lyric on the program, and the teacher, inviting the parents to sing along, declared the number summed up what we were all “praying” for. Indeed. The droning vamp began, and John’s anthem for cotton-candy nihilists rent the air:
Imagine there’s no heaven
It’s easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today …Ah, that’s the message of the season, isn’t it? Back in the Sixties, John opined that the Beatles were bigger than Jesus Christ, which was a wee bit controversial in those unenlightened times but which appears to be no more than a prosaic statement of fact as far as the music department’s priorities are concerned. These days, “Imagine” has achieved the status of secular hymn, no doubt because of its inclusive message:
Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion, too …Hey, happy holidays!
You may say he’s a dreamer, but he’s not. A couple of years ago, it emerged that Lennon was a very generous contributor not just to organizations that support and fund the IRA, but to the IRA itself. He could certainly imagine there’s no countries, nothing to kill or die for and no religion, too, but until that blessed day he was quite happy to support a religiously discriminatory organization that blows up grannies at shopping centres in order to get out of one country and join another. How heartening to know that, though he grew rich peddling illusory pap to the masses, he didn’t fall for it himself.
“Imagine” didn’t go over wild with the parents, who mumbled along unenthusiastically. To be honest, I’d prefer John and Yoko’s peacenik dirge, “(Happy Xmas) War Is Over”, though that might be a little premature and anyway that song suffers from the disadvantage of mentioning Xmas. On the radio you can hear “Frosty” and “Rudolph” and James Taylor’s new post-9/11 version of “Have Yourself A Merry Little Christmas”, but anyone with young children finds themselves exposed to a strange alternative repertoire of unseasonal favourites. My friend Tammy emerged from her daughter’s kindergarten concert in a rage: not just no Christmas carols, but no “Jingle Bells”. The only song she recognized was Lionel Bart’s spectacular melisma pile-up from Oliver!, “Whe-e-e-e-ere Is Love?”, which is not designed to be sung en masse. “They sounded like they were dying,” she fumed, before going off to beard the school board, who explained that “Jingle Bells” had been given the heave-ho on the grounds that it might be insensitive to those of a non-jingly persuasion.
December 25, 2019
Repost – “Fairytale of New York”
Time:
“Fairytale of New York,” The Pogues featuring Kirsty MacColl
This song came into being after Elvis Costello bet The Pogues’ lead singer Shane MacGowan that he couldn’t write a decent Christmas duet. The outcome: a call-and-response between a bickering couple that’s just as sweet as it is salty.
December 23, 2019
Repost – Kate Bush – Christmas Special 1979 (Private Remaster)
Published on 5 Oct 2013
I know there’s a good few copies of this out on YouTube, but here it is, again! The other copies were either split up into individual tracks, the best complete one (from BBC Four’s rebroadcast in 2009) had the wrong aspect ratio, which annoyed the hell out of me! So, here this is…
Video and audio have been tidied up very slightly, not much was needed!
Kate Bush – Christmas Special
Tracklist:
(Intro) 00:00
Violin 00:29
(Gymnopédie No.1 – composed by Erik Satie) 03:44
Symphony In Blue 04:44
Them Heavy People 08:20
(Intro for Peter Gabriel) 12:52
Here Comes The Flood (Peter Gabriel) 13:22
Ran Tan Waltz 17:02
December Will Be Magic Again 19:43
The Wedding List 23:35
Another Day (with Peter Gabriel) 28:05
Egypt 31:41
The Man With The Child In His Eyes 36:21
Don’t Push Your Foot On The Heartbreak 39:24“I was recently asked about this BBC TV special and I thought I’d share my comments here. Kate: Kate Bush Christmas Special is a stage performance by Kate Bush with her special guest Peter Gabriel. Though most of the songs are not holiday ones, they come from Bush’s first three albums (Never for Ever her third album would be released in 1980 after this 1979 TV special was taped). The performances include costumes, choreographed dances and a wind machine, creating an eclectic music TV special to say the least.
This is one of the programs that makes my research quite difficult — because it calls itself a Christmas Special yet it contains only one performance of a Christmas song “December Will Be Magic Again” (a song that wouldn’t be released as a single by Bush until the following year, in 1980). TV programming that calls itself a Christmas Special and yet contains little to no Christmas entertainment is actually quite common — especially on the BBC.
Between the end of November and the end of December each year, there is quite a bit of special programming on television. Remember Elvis’ 1968 Comeback Special — it aired in December that year and includes only one holiday song, a performance of “Blue Christmas.” Is it considered a Christmas special? No, not really. And so, despite its title, the lack of holiday programming in Kate Bush’s 1979 TV special means it shouldn’t be considered a Christmas special either. But the Kate Bush Christmas Special is certainly worth watching!”
H/T to Ghost of a Flea for the link.
December 21, 2019
Repost – The Monkees – “Riu Chiu”
Uploaded on 15 Dec 2015
The Monkees perform “Riu Chiu” from Episode 47, “The Monkees’ Christmas Show”.
H/T to Kathy Shaidle for the link.
December 20, 2019
“Seven Pillars of Wisdom” – T. E. Lawrence of Arabia – Sabaton History 046 [Official]
Sabaton History
Published 19 Dec 2019The British T.E. Lawrence played a major role in bringing together a coalition of Arab factions to rise up against the Ottoman Empire. Their efforts helped the British war effort in the Middle East, but the British-Arab coalition was not as stable as it might have seemed.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Great War (Where “Seven Pillars of Wisdom” is featured):
CD: http://nblast.de/SabatonTheGreatWar
Spotify: https://sabat.one/TheGreatWarSpotify
Apple Music: https://sabat.one/TheGreatWarAppleMusic
iTunes: https://sabat.one/TheGreatWarItunes
Amazon: https://sabat.one/TheGreatWarAmazon
Google Play: https://sabat.one/TheGreatWarGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Væver Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– National Portrait Gallery
– Boston Public Library
– IWM: Q 59294, Q 73536, Q 115096, Q 73535, Q 60212, Q 103747, Q 67234, Q 59703A, Q 59576, Q 58858A, Q 58861, Q 58863, Q 59193, Q 58823, Q 58938, Q 59078, Q 59190, Q 58841, Q 58704, Q 59422, Q 58891, Q 60035, Q 59073, Q 60102, Q 60096, HU 123936, Q 12629, Q 58752, Q 59314, Q 59314A, Q 58830, Q 58845, Q 12364, ART 3198, ART 2510, Q 105583, Q 103750, Q 59324, Q 59312, Q 12363, Q 103770, Q 86295, Q 59061, Q 72565, Q 12332An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Thats right, it’s Indy of Arabia! Even though “Seven Pillars of Wisdom” is a crew-favourite, we have waited with this episode until we could show off some exclusive material from the “Seven Pillars of Wisdom” music video. With none other than Indy Neidell in the role of Lawrence (or Peter O’Toole?). This episode sure is among our favourite episodes to this date — we hope you enjoy it as well. If you do (and you weren’t already convinced by Joakim’s awesome Call To Action (17:20), please consider supporting this project on Patreon. It is thanks to those who are already there that we’re able to keep making these episodes! -> https://www.patreon.com/sabatonhistoryCheers,
The Sabaton History Team
December 19, 2019
Repost – “An ‘American tradition’ is anything that happened to a baby boomer twice”
Hard to refute xkcd on Christmas music:

December 18, 2019
Repost – Induced aversion to a particular Christmas song
Earlier this year, I had occasion to run a Google search for “Mr Gameway’s Ark” (it’s still almost unknown: the Googles, they do nothing). However, I did find a very early post on the old site that I thought deserved to be pulled out of the dusty archives, because it explains why — to this day — I can barely stand to listen to “Little Drummer Boy”:
Seasonal Melodies
James Lileks has a concern about Christmas music:
This isn’t to say all the classics are great, no matter who sings them. I can do without “The Little Drummer Boy,” for example.
It’s the “Bolero” of Christmas songs. It just goes on, and on, and on. Bara-pa-pa-pum, already. Plus, I understand it’s a sweet little story — all the kid had was a drum to play for the newborn infant — but for anyone who remembers what it was like when they had a baby, some kid showing up unannounced to stand around and beat on the skins would not exactly complete your mood. Happily, the song has not spawned a sequel like “The Somewhat Larger Cymbal Adolescent.”
This reminds me about my aversion to this particular song. It was so bad that I could not hear even three notes before starting to wince and/or growl.
Back in the early 1980’s, I was working in Toronto’s largest toy and game store, Mr Gameway’s Ark. It was a very odd store, and the owners were (to be polite) highly idiosyncratic types. They had a razor-thin profit margin, so any expenses that could be avoided, reduced, or eliminated were so treated. One thing that they didn’t want to pay for was Muzak (or the local equivalent), so one of the owners brought in his home stereo and another one put together a tape of Christmas music.
Note that singular. “Tape”.
Christmas season started somewhat later in those distant days, so that it was really only in December that we had to decorate the store and cope with the sudden influx of Christmas merchandise. Well, also, they couldn’t pay for the Christmas merchandise until sales started to pick up, so that kinda accounted for the delay in stocking-up the shelves as well …
So, Christmas season was officially open, and we decorated the store with the left-over krep from the owners’ various homes. It was, at best, kinda sad. But — we had Christmas music! And the tape was pretty eclectic: some typical 50’s stuff (White Christmas and the like), some medieval stuff, some Victorian stuff and that damned Drummer Boy song.
We were working ten- to twelve-hour shifts over the holidays (extra staff? you want Extra Staff, Mr. Cratchitt???), and the music played on. And on. And freaking on. Eternally. There was no way to escape it.
To top it all off, we were the exclusive distributor for a brand new game that suddenly was in high demand: Trivial Pursuit. We could not even get the truck unloaded safely without a cordon of employees to keep the random passers-by from snatching boxes of the damned game. When we tried to unpack the boxes on the sales floor, we had customers snatching them out of our hands and running (running!) to the cashier. Stress? It was like combat, except we couldn’t shoot back at the buggers.
Oh, and those were also the days that Ontario had a Sunday closing law, so we were violating all sorts of labour laws on top of the Sunday closing laws, so the Police were regular visitors. Given that some of our staff spent their spare time hiding from the Police, it just added immeasurably to the tension levels on the shop floor.
And all of this to the background soundtrack of Christmas music. One tape of Christmas music. Over and over and over and over and over and over and over again.
It’s been over 20 years 30 years now, and I still feel the hackles rise on the back of my neck with this song … but I’m over the worst of it now: I can actually listen to it without feeling that all-consuming desire to rip out the sound system and dance on the speakers. After two three decades.
December 13, 2019
“Resist And Bite” – Chasseurs Ardennais – Battle of Belgium – Sabaton History 045 [Official]
Sabaton History
Published 12 Dec 2019As Germany invades France and the Benelux countries in May 1940, the main bulk of their panzers are heading towards the Ardennes and the Meuse River in an effort to cut the Allied forces in half. However, two small units of Belgian infantry are standing in their way. They are the Chasseurs Ardennais and have one objective: To delay the Germans by every means necessary…
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Heroes (where “Resist And Bite” is featured):
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePWatch the official lyric video of “Resist And Bite” here:
https://www.youtube.com/watch?v=iGtEH…Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Væver Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Colorizations:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago (edited)
Today we again turn towards the Second World War — to be more specific the 1940 German invasion of France and the Benelux. Here two small Belgian units bravely attempted to delay the advance of the Wehrmacht. We hope you all appreciate this video! And much like the Chasseur Ardennais supported the war effort of the Belgians, our awesome Patrons support the war effort of us, the Sabaton History team! So if you haven’t, you most certainly should consider supporting us on https://www.patreon.com/sabatonhistory.Oh and if you’re interested in World War Two, you should definitely check out Indy’s World War Two Channel (http://www.youtube.com/c/worldwartwo) where he covers WW2 Week-by-week. Last May, he covered the invasion of the Benelux and France, which you can check out right here: https://youtu.be/DLN8NHXiMy0
Cheers, the Sabaton History team!
December 9, 2019
QotD: The Brown M&M’s clause
It was David Lee Roth who ruined personal-appearance contracts for all time with his Brown M&M’s Clause in the ’80s. The story sounds apocryphal but it’s true: Any promoter hiring Van Halen for a concert was required to supply M&M’s in the band’s dressing room but “ABSOLUTELY NO BROWN ONES.”
In later years Roth would claim that this was not an example of spoiled rock star entitlement but a way to make sure that concert promoters read the entire contract and took care of other, more important provisions. I was actually buying this — promoters can be forgetful and dense at all levels of the business — until the Smoking Gun website tracked down the famous M&M’s rider so that we could read the rest of it. In order to “present to your customers the finest in contemporary entertainment,” Van Halen also needed two dozen English muffins, but not just any English muffins — they had to be Thomas brand English muffins — plus two cases of beer delivered precisely at 6 p.m., two more cases (one Budweiser and one Heineken) delivered to the stage manager at 7 p.m., different food menus for even and odd days, and, just to keep you on your toes in the implements department, “all forks must have four prongs.” Backstage the band also needed one case of Budweiser, four cases of Schlitz Malt Liquor (really?), one half case of Tab (perhaps even more shocking than the malt liquor), three fifths of Jack Daniels Black Label, two fifths of Stolichnaya, one pint of Southern Comfort, two bottles of Blue Nun white wine (whoever that was should lose his rock-star cred forever), three packs of Marlboros (these riders are for one day — is that guy dead yet?), and — the mind boggles — “one large tube of KY Jelly.”
The rider ran to eleven pages and is, in fact, ridiculously demanding. (“Any caterer not providing adequate condiments, utensils or ice will be subject to a $100.00 fine.”)
Joe Bob Briggs, “Travel by Luxury Donkey Cart”, Taki’s Magazine, 2019-10-10.
December 6, 2019
“The Last Stand” – The 1527 Sack of Rome – Sabaton History 044 [Official]
Sabaton History
Published 5 Dec 2019In 1527, a large Holy Roman army consisting of Germans, Spaniards and Italians march on Rome frustrated over unpaid wages and lacking supplies. Pope Clement VII seeks shelter as Rome is pillaged and burned while his brave Swiss Guard makes a heroic last stand.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Last Stand (where “The Last Stand” is featured):
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the official lyric video of “The Last Stand” here: https://www.youtube.com/watch?v=BwfJs…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Production Intern: Rune Vaever Hartvig
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Rijksmuseum
– Fondo Antiguo de la Biblioteca de la Universidad de Sevilla
– A massacre in a church during the Sack of Rome: a priest is about to be stabbed and another priest is lying dead on the floor before the altar. Wood engraving by R. Venturi after himself. Credit: Wellcome Collection. CC BY
– Guy de Chauliac bandaging the leg of Pope Clement VII at Avi. Oil painting by Ernest Board. Credit: Wellcome Collection. CC BY
– Photo of Sistine Chapel ceiling by Qypchak
– Photo of Arco delle Campane by Przemek PietrakAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
November 29, 2019
“Reign of Terror” – Operation Desert Storm – Sabaton History 043 [Official]
Sabaton History
Published 28 Nov 2019After Saddam Hussein invaded Kuwait in 1990, most of the whole world gets together to avenge this attack. This will be the basis for Operation Desert Storm — one of the largest battles since the Second World War.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Primo Victoria (where “Reign of Terror” is featured):
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastoryArchive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
November 22, 2019
“Inmate 4859” – Witold Pilecki – Sabaton History 042 [Official]
Sabaton History
Published 21 Nov 2019Join Indy and Joakim as they dive into the out-of-life story of Witold Pilecki during the Second World War, that has made for this awesome song.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Heroes (where Inmate 4859 is featured):
CD: http://bit.ly/HeroesStore
Spotify: http://bit.ly/HeroesSpotify
Apple Music: http://bit.ly/HeroesAppleMusic
iTunes: http://bit.ly/HeroesiTunes
Amazon: http://bit.ly/HeroesAmz
Google Play: http://bit.ly/HeroesGooglePListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
23 hours ago (edited)
Witold Pilecki is one of those larger-than-life characters, and listen to Joakim and Indy talk about this amazing song as well as the historical background behind it. Now thanks to all of you we have ben able to film the history part of this in a new studio which is both bigger and better. This is 100% thanks to the Patrons whose generous contributions made this possible. Do you want to be a part of this as well? Make sure to support us on Patreon: https://www.patreon.com/sabatonhistory
Cheers, The Sabaton History Team
November 15, 2019
“Sparta” – The Battle of Thermopylae – Sabaton History 041 [Official]
Sabaton History
Published 14 Nov 2019The Battle of Thermopylae of 480 BCE may be one of the most famous battles in Ancient History. King Leonidas and his 300 Spartans were certainly not as alone in their last stand against the Persians, but are nevertheless remembered as being an underdog who would rather die than lose their freedom.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to The Last Stand (where “Sparta” is featured):
CD: http://bit.ly/TheLastStandStore
Spotify: http://bit.ly/TheLastStandSpotify
Apple Music: http://bit.ly/TheLastStandItunes
iTunes: http://bit.ly/TheLastStandItunes
Amazon: http://bit.ly/TheLastStandAmz
Google Play: http://bit.ly/TheLastStandGooglePlayWatch the official lyric video of “Sparta” here: https://www.youtube.com/watch?v=hm-PT…
Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Photo of Persian warriors relief by Jakub Hałun from Wikimedia Commons
– Xerxes I by Mbmrock from Wikimedia Commons
– Bayerische State Painting Collections
– RijksmuseumAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
November 9, 2019
“1648” – The Thirty Years War – Sabaton History 040 [Official]
Sabaton History
Published 7 Nov 2019Europe had grown weary of war by the summer of 1648 and after much deliberation, peace talks in Westphalia had reached their final stages. Warlords across the entire continent were preparing for peace but not all of them agreed. The exceptionally ruthless German-Swedish General Königsmarck advanced into Bohemia to lay siege to Prague.
Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory
Listen to Carolus Rex (Where “1648” is featured):
CD: http://bit.ly/CarolusRexStore
Spotify: http://bit.ly/CarolusRexSpotify
Apple Music: http://bit.ly/CarolusRexAppleMusic
iTunes: http://bit.ly/CarolusRexiTunes
Amazon: http://bit.ly/CarolusRexAmz
Google Play: http://bit.ly/CarolusRexGooglePlayListen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShopHosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Maps by: Eastory
Edited by: Iryna Dulka
Sound Editing by: Marek KaminskiEastory YouTube Channel: https://www.youtube.com/channel/UCEly…
Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.Sources:
– Thumbnail image: Petri Krohn, CC BY-SA 3.0.
– Les misères et les malheurs de la guerre – The British Museum
– “Germania: dos mil años de historia alemana” series from Fondo Antiguo de la Biblioteca de la Universidad de Sevilla
– The peace of Munster painting courtesy of Amsterdam Museum
– RijksMuseumAn OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.
© Raging Beaver Publishing AB, 2019 – all rights reserved.
From the comments:
Sabaton History
2 days ago
This episode about “1648” is about peace and about a devastating and deadly siege to Prague. We enjoy doing these episodes as we usually only make episodes about more modern topics. Now, we have to do without film and photo material, and be creative with paintings and sketches. Kudos to the editor Iryna who makes that work brilliantly! If you agree and want to support our work, you can do so by going to our Patreon page: https://www.patreon.com/sabatonhistoryCheers, the Sabaton History team.
















