From a distance, it is beginning to look as if Canada does not have a specific culture. No one is buying books, no one is watching television, no one is watching or listening to the CBC. People trail through galleries sometimes, and at the top of the investment tree, people buy art. But not because they love it, they buy it because it lends them status.
CanCon is a heavy lift at the best of times, being close neighbors to that hulking great monster south of us which is the most creative culture on earth. That is why we spend billions every year to prop up our creators, our artists, who we love.
Except we don’t.
Film salaries are funded up to 50%, books, 30%, news media 60%, and yet … no one is watching, reading, or listening. It is like a giant vanity project which various foreign appointees can brandish in foreign capitals.
Last month I traced the sales of this year’s Canadian literary award winners and I suppose “best-sellers”. Their sales on Amazon, hardcover, soft cover and digital ranged from 4 books to 33 books per month, incomes hovering in the three figures. (Amazon accounts for roughly 70% of sales.) This during summer reading months where Canadians are at their lake shacks from coast to coast reading one would hope about themselves, the world they live in, and well … just curiosity.
Equally looking at the viewer and listener stats for the CBC, our national behemoth, which eats up $1.5 billion annually, and which amounts to 50% of the media dollars spent, is equally disheartening. The state spends another $600 million supporting once-successful media because “internet”.
CBC television is watched by 3.9% of Canadians and only .8% watch CBC News. Again, half of all media dollars, half. Half is spent engaging less than 4% of Canadians.
CBC radio is considered reasonably good, and is listened to despite the almost vindictive calling out of anyone who disagrees with their hard socialist stance. Despite every conceivable advantage, advertising on the CBC dropped 20% during the pandemic.
In fact, they are so disliked that CBC is hiring “close protection security” for the next two years. They are so disliked, they have turned off commenting on their various programs. They are so disliked that there is a brand of coffee called “Defund the CBC”. This isn’t passive ignoring, this is active dislike to the point of needing bodyguards.
Why?
Because our media show us Canadians as racist, stupid, sexist, stupid, stupid and more stupid. And while they are at it, shallow and violent.
That is the real reason, and the only reason CanCon is dying. They hate us.
Elizabeth Nickson, “Canadian Culture on the Ropes”, Elizabeth Nickson, 2021-09-01.
December 6, 2021
QotD: Modern “Canadian culture” is a vast vanity press operation funded with lots of government money
November 29, 2021
QotD: The law
It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes it for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like “They can’t run me in; I haven’t done anything wrong”, or “They can’t do that; it’s against the law”, are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney’s Walls Have Mouths or Jim Phelan’s Jail Journey, in the solemn idiocies that take place at the trials of Conscientious Objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a “miscarriage of British justice”. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory.
George Orwell, “The Lion And The Unicorn: Socialism and the English Genius”, 1941-02-19.
November 26, 2021
QotD: English working class culture
The gentleness of the English civilization is perhaps its most marked characteristic. You notice it the instant you set foot on English soil. It is a land where the bus conductors are good-tempered and the policemen carry no revolvers. In no country inhabited by white men is it easier to shove people off the pavement. And with this goes something that is always written off by European observers as “decadence” or hypocrisy, the English hatred of war and militarism. It is rooted deep in history, and it is strong in the lower-middle class as well as the working class. Successive wars have shaken it but not destroyed it. Well within living memory it was common for “the redcoats” to be booed at in the streets and for the landlords of respectable public-houses to refuse to allow soldiers on the premises. In peace-time, even when there are two million unemployed, it is difficult to fill the ranks of the tiny standing army, which is officered by the country gentry and a specialized stratum of the middle class, and manned by farm labourers and slum proletarians. The mass of the people are without military knowledge or tradition, and their attitude towards war is invariably defensive. No politician could rise to power by promising them conquests or military “glory”, no Hymn of Hate has ever made any appeal to them. In the last war the songs which the soldiers made up and sang of their own accord were not vengeful but humorous and mock-defeatist. The only enemy they ever named was the sergeant-major.
George Orwell, “The Lion And The Unicorn: Socialism and the English Genius”, 1941-02-19.
November 24, 2021
Rousseau versus “original sin” in modern-day culture
In UnHerd, Mary Harrington ponders the two irreconcilable camps struggling for cultural supremacy in western countries, as most recently highlighted by the Kyle Rittenhouse trial in Kenosha, Wisconsin:
Portrait of Jean-Jacques Rousseau (1712–1778) by
Maurice Quentin de La Tour, circa 1753.
Wikimedia Commons.
The Rittenhouse argument is just such a case. It’s powered by a profound disagreement about human nature: one that fuels many of the most intractable modern culture wars, from Mumsnet bunfights about babycare to arguments about classroom discipline and what the police force is for.
Are humans naturally good given the right circumstances? Or are we flawed and in need of threats and guidelines to keep us on the straight and narrow? The split is a legacy of radical ideas stretching back to the revolutionary 18th century.
Perhaps the most famous proponent of intrinsic human goodness is Rousseau, who claimed in Emile (1762) that children are born virtuous. As Rousseau sees it, we only need freedom, love and the right environment to spontaneously come to an understanding of what’s right.
When Emile was first published, it stood in stark challenge to the then-dominant view, emerging from the Christian tradition, that humans are tainted by “original sin”. From this vantage point, we’re naturally flawed, and must always struggle against our less virtuous instincts. Rousseau’s claim so appalled adherents of this then-dominant view that copies of his book were burned in the street.
Today, though, the boot is on the other foot. The high-status view among contemporary elites is unmistakeably Team Rousseau.
At the tiniest scale, it’s expressed in the school of parenting that believes it’s wrong or even cruel to teach children how to live. I’ve written before about the currently popular ideas of “attachment parenting” and “gentle parenting”, which emphasise self-discovery in a loving environment over routine, authority or punishment — and about how these views skew wealthy and liberal.
In education settings, the same idea appears as “child-centred pedagogy”, an approach that emphasises individual pathways and discovery over rote learning and teachers as authority figures. And at the biggest scale, it crops up as the claim that all the root causes of crime are external to humans: poverty, trauma, discrimination and so on. From this perspective, if we could only replace policing with tailored community services that eliminated these root causes, there would no longer be any crime.
Even outbreaks of mass public disorder are treated by Team Rousseau as an unfortunate-yet-understandable response to bad governance: when BLM protesters in Baltimore toppled a statue of Christopher Columbus last year, the Democrat politician Nancy Pelosi responded by shrugging it off as a natural expression of that community’s wishes. If the community doesn’t want the statue, she said, “the statue shouldn’t be there”. From this vantage point, public unrest is something akin to the weather: a naturally-occurring phenomenon in which leaders must strive to create the conditions for goodness, or else “people will do what they do”.
November 23, 2021
QotD: Generation X and the 1990s
I’m referring, of course, to Gen X’s patented brand of “irony”. We’ve talked about this before, but here’s a quick recap: Every middle-class kid born after about 1965 was raised to believe that Authenticity was the thing, the only thing. Just do what you feel. Question authority. Don’t listen to The Man!
The problem, of course, is that we were told this by The Man.
It had a weird, telescoping effect. On campus, you were surrounded by people who actually were hippies, plus a whole bunch of wild-eyed fanatics who were sure they would’ve made truly excellent hippies if they hadn’t been in elementary school at the time, plus a bunch of kids — these would be your classmates — who thought of “Woodstock” as a brand name, a kind of backpacking-through-Europe, taking-a-year-off-to-find-myself experience that everyone has as a matter of course before settling down to the serious business of making partner at the law firm.
In short: Our parents were stuck in adolescence, and, being adolescents ourselves, we didn’t understand that “Rebellion” wasn’t something the hippies invented. We wanted to experience sex, drugs, and rock’n’roll, too, but since the Baby Boomers treated those as their exclusive property instead of what they actually are — i.e. the natural impulses of teenagers in all times and places — we had to be all, like, you know, whatever about it. […]
That was the 1990s. Faced with a paradox that everything your parents say, do, and believe is lame — according to your parents! — the only safe way is to make sure nobody can figure out exactly what your attitude is at any given instant. You might end up working 90 hour weeks at the office to pay the nut on the McMansion and the Volvo the same way they did, but at least you’d be, you know, ironic about it. The ketman of the suburbs.
See what happens when you listen to your elders, kids?
Severian, “The Virtue of Hypocrisy”, Rotten Chestnuts, 2019-01-19.
November 22, 2021
History of Wine: Ancient Rome
History of Wine
Published 20 Apr 2014How was wine was made in Ancient Rome?
What did wine taste like in Ancient Rome?
Convivium and customs of drinking.
Wine Tasting.
November 21, 2021
QotD: Britain’s middle class after WW1
England is a country in which property and financial power are concentrated in very few hands. Few people in modern England own anything at all, except clothes, furniture and possibly a house. The peasantry have long since disappeared, the independent shopkeeper is being destroyed, the small business-man is diminishing in numbers. But at the same time modern industry is so complicated that it cannot get along without great numbers of managers, salesmen, engineers, chemists and technicians of all kinds, drawing fairly large salaries. And these in turn call into being a professional class of doctors, lawyers, teachers, artists, etc., etc. The tendency of advanced capitalism has therefore been to enlarge the middle class and not to wipe it out as it once seemed likely to do.
But much more important than this is the spread of middle-class ideas and habits among the working class. The British working class are now better off in almost all ways than they were thirty years ago. This is partly due to the efforts of the Trade Unions, but partly to the mere advance of physical science. It is not always realized that within rather narrow limits the standard of life of a country can rise without a corresponding rise in real-wages. Up to a point, civilization can lift itself up by its boot-tags. However unjustly society is organized, certain technical advances are bound to benefit the whole community, because certain kinds of goods are necessarily held in common. A millionaire cannot, for example, light the streets for himself while darkening them for other people. Nearly all citizens of civilized countries now enjoy the use of good roads, germ-free water, police protection, free libraries and probably free education of a kind. Public education in England has been meanly starved of money, but it has nevertheless improved, largely owing to the devoted efforts of the teachers, and the habit of reading has become enormously more widespread. To an increasing extent the rich and the poor read the same books, and they also see the same films and listen to the same radio programmes. And the differences in their way of life have been diminished by the mass-production of cheap clothes and improvements in housing. So far as outward appearance goes, the clothes of rich and poor, especially in the case of women, differ far less than they did thirty or even fifteen years ago. As to housing, England still has slums which are a blot on civilization, but much building has been done during the past ten years, largely by the local authorities. The modern council house, with its bathroom and electric light, is smaller than the stockbroker’s villa, but it is recognizably the same kind of house, which the farm labourer’s cottage is not. A person who has grown up in a council housing estate is likely to be – indeed, visibly is – more middle class in outlook than a person who has grown up in a slum.
George Orwell, “The Lion And The Unicorn: Socialism and the English Genius”, 1941-02-19.
November 19, 2021
I Wore 18th-Century Clothing *Every Day for 5 YEARS & This Is What I Learned (Corsets Aren’t Bad!)
Abby Cox
Published 10 May 2020I wore 18th-century women’s clothing, all day, 5 days a week, for 5 years of my life. Over those 5 years, I learned *a lot* about my body, fashion in the 1700s — the good and the not so good, and how we can take these lessons and improve modern fashion.
***Trigger Warning: I do talk about body image in this video (as a reflection of my own, long, long journey with my own body & how wearing historical clothing has given me a different perspective on body image) which may or may not be upsetting for some. ***
*Ok, so not “every day” but you get the idea…😉
💌Business Inquiries *ONLY* abbycox@semaphorebrands.com
(This email goes directly to my management and not to me.)More Videos:
🎉🎉 Answering YOUR FAQs from THIS Video: https://youtu.be/SN3agbKZVP0
“Becoming an 18th-Century MEME LORD” https://youtu.be/a0pRE3uXWu8
“Historical Costumers and Their Hogwarts Houses” https://youtu.be/vxmRsc9Qj8M
Rachel Maksy – “Born in the Wrong Era” – https://www.youtube.com/watch?v=r5GAJ…A lot of these photos of me were taken by the lovely Fred Blystone. You can see more of his photography here: https://www.facebook.com/groups/13664…
Also, @Edwardian Tailor (https://www.youtube.com/channel/UCBSf…)
We like to assume that the people in the past are “stupid” (it’s normal human behavior), and one of the ways that we, as a modern society, do this is by judging the past for their fashion trends and practices. We’ve been taught to demonize corsetry (or in this case, stays) for being restrictive and a tool of oppression towards women, and take pride in our culture of diet and exercise, without considering the issues that can be found in our body-obsessed culture. We praise jeans and a t-shirt, as being “comfortable” but the insecurities that so many of us have about our bodies are put on display in our 21st-century uniforms. We take for granted our modern homes, and how that has made us lazy in dressing for the seasons, resulting (in part) the loss of various types of textiles and weaving technology. I learned a lot over those 5 years, including how to indulge in an Indian Buffet while wearing my 18th-century stays, and I’m excited to share my insights with you. Also, can we just discuss how stupid modern underwear is?? 😉
Images Used:
*Summer Dresses, 1783, Object Number – J,5.139, Asset Number – 79588001 © The Trustees of the British Museum. https://www.britishmuseum.org/collect…
*Sheer Cottton Mull Italian Gown, 1780s, The Metropolitan Museum of Art, 17.107.6a, b, https://www.metmuseum.org/art/collect…
*Kofta, 1760s-90s, Nordiska Museet, NM.0186311, https://digitaltmuseum.se/01102369100…
*Women 1790-1799, Plate 052, Fashion Plate from August 1796, The Metropolitan Museum of Art Library Costume Institute Fashion Plate Collection, https://libmma.contentdm.oclc.org/dig…
*Robe a l’anglais c. 1780, The Metropolitan Museum of Art, 1982.291a, b, https://www.metmuseum.org/art/collect…
*Attributed to Isaac Cruikshank, Cestina Warehouse or Belly Piece Shop
April 16, 1793, The Metropolitan Museum of Art, 59.533.475 https://www.metmuseum.org/art/collect…*Stays, The Metropolitan Museum of Art,
2009.300.3330a–d
https://www.metmuseum.org/art/collect…*The Bum Shop, Attributed to R. Rushworth (British, active 1785–86), July 11 1785, The Metropolitan Museum of Art, 1970.541.12, https://www.metmuseum.org/art/collect…
*Chemise, 1780-1800s, The Metropolitan Museum of Art, 2005.368 https://www.metmuseum.org/art/collect…
*Corset, 1880s, The Metropolitan Museum of Art, 2009.300.3497a–c
https://www.metmuseum.org/art/collect…——-
Music from Epidemic Sound:
“Gold Among the Sand”- Trevor Kowalski
“To Clarity” – Airae
“The Path to Innovation” – Airae
“Caffeinated and Motivated” – Airae
“Alice is on her Way” – Airae
“Cafe Laurent” – Medite
“In a Jiffy” – Moins Le Quartet
“Moonlight Night” – Gabriel Lucas———
Instagrams: https://www.instagram.com/abbyelyn
From the comments:
Abby Cox
1 year ago (edited)Hey Everyone! 👋🏻
Thank you all so much for taking the time to watch this video about my experience! I’ve noticed a lot of the same questions in the comments, so I want to take a minute to answer them here –
🎉UPDATE (Sept 27, 2020) – I’ve answered your questions about menstruation here: https://www.youtube.com/watch?v=iV2TgwjjhOE
🎉UPDATE (June 7, 2020) – I’ve taken the most commonly asked questions from the comments and have done a video to answer them! You can watch it here: https://youtu.be/SN3agbKZVP0– My stays (18th-century term for a corset) are from https://redthreaded.com/ – they’re a fantastic historical corset company that I adore. (and for the couple of you trying to call me out – my 100% hand-sewn, me-made, reproduction stays are so worn out that they’re in retirement, and just because I can make stays by hand doesn’t mean I have the time. I’d also rather support a small business that I believe in.❤️Finally, the gown I’m wearing in this video was cut to go over those stays, but if you’d like to see my hand-sewn reproduction stays in action you can buy the book I co-wrote here: https://www.american-duchess.com/book/american-duchess-guide) ☺️
– While I haven’t gone down the menstruation research rabbit hole (cause it is its own subject of study) I am going to do my best with limited access to primary source documentation (which is what I really need to be able to answer this question) to produce a video about what 18th-century women would do. I don’t know when this will be, but I will do my absolute best to answer this question, and if I can do some experimental archeology in the process, I will. 😎 (ravenclaws gotta ravenclaw…)
– Thigh chafing – so I think that varies from person to person. I never really had a lot of issues with it (and my narrow hips mean that I will never have a thigh gap) because my linen shift would always kind of end up between my leg and absorb the sweat. However, I know a lot of costumers who will wear split-crotched drawers because they find it more comfortable, even though drawers weren’t a thing in the 18th-century.
Ok! I hope this helps answer some of your questions! Thank you all so much for watching and engaging in this video. I really can’t tell you all how much I appreciate it! ❤️
November 18, 2021
QotD: Hormones, puberty, and menopause
And even then, they might hit a glass ceiling, because they were the nail that stuck up. Everything conspired to bring them down.
Female liberation was played against this. People looked at these women, knew what they’d achieved against what obstacles, and dreamed that “if only women were allowed to be on an even footing with men, they’d be the best at everything. Every woman would be a leader.”
[…]
Having gone the full ride on the hormonal roller coaster, being a woman built mostly by nature to make more humans, let me tell you, it ain’t easy. The hormonal ramp up of puberty is probably worse for boys, but the monthly ride of women is … interesting. I had years of having really bad pains, which meant if I had a test on one of those days I had to work DESPITE it. How bad? well, neither of my giving-birth experiences were worse, and in fact the second was much milder, until they gave me pitosin (the second started out with pitosin) and then with the ramping up of pain of pitosin, and giving birth in one and a half hours (long story. Let’s say they believed the report on the first birth, which had been doctored (ah!) and should never have given me the d*mn thing) was about the same as I used to endure for two or three days straight. And yes, I studied and took finals under that kind of pain, with no pain killers because most of them just make me more ill and woozy.
Then there were my middle years where I’d get unreasonably angry and borderline-violent for about a week before. It took a lot of engineering my own brain and knowing “this isn’t real, it’s hormonal” to stop myself being hell to live with. And sometimes I didn’t manage it. I’d be in the back of my brain, watching the rest of me rage and go “what the heck? Why am I doing that.”
And then there were various dysfunctions. We won’t go there, because most women don’t get those. But menopause … well … it’s special. I seem to have elided most of it, because I went into it surgically and with a hammer, having everything removed and having to cope, which at least was over in a few months. But I’ve seen relatives and friends go through it: it can stretch to five years of having NO discernible mind. You forget everything, lose everything, can’t sleep, can’t keep commitments, etc. And we still haven’t come up with a replacement that has no bad effects and makes actual sense. We’re trying.
Anyway, so yeah, women are running with their feet in a sack. But most of them are about average for normal human beings. So, yeah, they can do jobs and perform well, despite all of that. What you’re never going to get is “every woman excels”. Even if you stop the hormonal side effects, most women will lack the drive, the brain or the NEED to excel.
Men’s testosterone makes them more competitive, and so in a way gives them a bit more drive, but most of them are still unfocused/not ambitious enough to SACRIFICE to be the best. Because, guess what, success always requires sacrifice. And human beings don’t like to sacrifice.
So, women entered the workforce and most of them became … average. Which of course they would.
But feminist insanity required every woman to be exceptional. And so theories to explain it came up, including seeing patriarchy and oppression in ever-smaller things, including “she’s bossy” and “boys will be boys.”
Sarah Hoyt, “Bad Crazy”, Libertarian Enterprise, 2019-01-20.
November 17, 2021
QotD: From Theda Bara to Lady Gaga
In 1933, the critic I.A. Richards, writing about “The Waste Land”, spoke of T.S. Eliot’s “persistent concern with sex, the problem of our generation, as religion was a problem of the last.” After the first world war, sexual experimentation and titillating smart talk became the hallmark of the emancipated new woman, who smoked, drank, bobbed her hair and danced the antic Charleston. Hollywood discovered that sex was great box office — leading to pressure from civic and religious groups for a production code, which movie-makers found ingenious ways to evade.
We are approaching the 100-year anniversary of Hollywood sex: Theda Bara’s incarnation as The Vamp in A Fool There Was (1915), a lurid femme fatale who slew overnight the lingering Victorian ideal of the pure, saintly woman-child, portrayed on screen by Mary Pickford and Dorothy and Lilian Gish. Theda Bara, like Lady Gaga, was a manufactured personality; although the studio publicity department claimed she was born in the Sahara to a French artist and Arabian princess, she was actually Theodosia Goodman, the daughter of a Jewish tailor in Cincinnati.
The sexual icon of 1920s Hollywood was Clara Bow, a madcap flapper who was probably falsely rumoured to have bedded the entire University of Southern California football team. Lithe Louise Brooks, with her signature bobbed hair, made landmark films of decadent eroticism in Germany. Wicked Mae West and lushly buxom Jean Harlow began the tradition of the sex bomb, which continued through Hedy Lamarr to Jane Russell and Marilyn Monroe, whose influence endures around the globe. But the cardinal sexual pioneer was Marlene Dietrich, who exploded on the international scene in 1930 as the heartless cabaret singer of The Blue Angel. In her subsequent films with the director Josef von Sternberg, Marlene toyed with transvestism (based on the drag balls of Weimar Berlin) and created the sophisticated look of hard glamour that remains a staple of fashion magazines.
Marlene was Madonna Louise Ciccione’s idol; the seductive, commanding Marlene permeates Madonna’s brilliant videos of the 1980s and the early ’90s, with their dominatrix, transvestite and bisexual motifs. Madonna wanted to play Marlene on film, but the idea was overruled by Marlene herself, who (as the proud daughter of a Prussian officer) decreed Madonna “too vulgar”.
Weimar cabaret was recreated in the 1972 film Cabaret, based on Christopher Isherwood’s Berlin stories. Bob Fosse’s dazzlingly aggressive choreography in that blockbuster film was adopted by Madonna for her videos and stage shows — all of which have been doggedly imitated by Lady Gaga. Gaga has borrowed so heavily from Madonna (as in her latest “Alejandro” video) that it must be asked, at what point does homage become theft? But the main point is that the young Madonna was on fire. She was indeed the imperious Marlene Dietrich’s true heir. Madonna’s incandescence is still on view in videos like “Open Your Heart”, “Vogue” and “Express Yourself”. However, for Gaga, sex is mainly decor and surface; she’s like a laminated piece of ersatz rococo furniture. Alarmingly, Generation Gaga can’t tell the difference. Is it the death of sex? Perhaps the symbolic status that sex had for a century has gone kaput; that blazing trajectory is over.
Camille Paglia, “Lady Gaga: The Death of Sex”, Sunday Times, 2010-09-12.
November 16, 2021
Pineapple: the King of Fruits
The History Guy: History Deserves to Be Remembered
Published 15 Nov 2021Pineapples are so culturally significant that pineapples adorn the tops of cathedrals, and serve as the domicile of one of the world’s most popular cartoon characters. An estimated 300 billion pineapples are farmed each year, and a 2021 YouGov poll lists pineapples as the sixth most favorite fruit, ahead of all varieties of apples and oranges.
This is original content based on research by The History Guy. Images in the Public Domain are carefully selected and provide illustration. As very few images of the actual event are available in the Public Domain, images of similar objects and events are used for illustration.
You can purchase the bow tie worn in this episode at The Tie Bar:
https://www.thetiebar.com/?utm_campai…All events are portrayed in historical context and for educational purposes. No images or content are primarily intended to shock and disgust. Those who do not learn from history are doomed to repeat it. Non censuram.
Find The History Guy at:
Patreon: https://www.patreon.com/TheHistoryGuy
Please send suggestions for future episodes: Suggestions@TheHistoryGuy.netThe History Guy: History Deserves to Be Remembered is the place to find short snippets of forgotten history from five to fifteen minutes long. If you like history too, this is the channel for you.
Awesome The History Guy merchandise is available at:
https://teespring.com/stores/the-hist…Script by THG
#history #thehistoryguy #Pineapple
Bettie Page: The Queen of Pinup
Biographics
Published 4 Mar 2019Visit our companion website for more: http://biographics.org
Credits:
Host – Simon Whistler
Author – Shannon Quinn
Producer – Jennifer Da Silva
Executive Producer – Shell HarrisBusiness inquiries to biographics.email@gmail.com
Source/Further reading:
https://www.youtube.com/watch?v=MJhop…
https://www.pbs.org/video/history-det…
https://nces.ed.gov/pubs93/93442.pdf
http://news.bbc.co.uk/2/hi/americas/7…
https://www.biography.com/news/bettie…
https://www.celebritynetworth.com/ric…
https://www.forbes.com/sites/zackomal…Secondary Sources/Photos/Videos:
(Hey guys- You technically can’t see any of her private parts in these videos, so it’s not really porn, but I still would not call this safe for work. Your wives, co-workers, or people on public transportation may give you really dirty looks if they see these over your shoulder. You have been warned.)
https://en.wikipedia.org/wiki/Bettie_…Dancing video
https://www.youtube.com/watch?v=_Pndr…
The “Striporama” scenes with Bettie Page
https://youtu.be/ZDypKx8c1TM
November 15, 2021
“That is what I like about you Canadians … you are so ready to admit fault. It is a fine, if dangerous, national characteristic. You are all ashamed.”
John E. MacKinnon on the world’s first admittedly genocidal, terminally apologetic, “post-national” state … the entity that used to be known as the Dominion of Canada:
During one broadcast, [late CBC Radio host Peter] Gzowski recalled an incident that had occurred at the annual invitational golf tournament he hosted to benefit adult literacy programs across Canada. As one participant, standing next to Gzowski, leaned thoughtfully on his club, another drove a golf cart over his toes. Although it was unclear from the telling whether the cart-driver was American, the first golfer was obviously Canadian, since, shifting gingerly from foot to aching foot, he could only plead, “sorry”. Gzowski shared this anecdote with evident delight, since it struck him as so endearingly, because emblematically, Canadian.
But Gzowski’s soaring contentment with this view of his country and countrymen was no less emblematic. To Canadian nationalists of Gzowski’s era and ilk, the representative Canadian is no hewer of wood or carrier of water, no builder of bridges, roads and railways, no stormer of barricades or keeper of the peace, but a hobbled guest on a verdant fairway, eagerly apologizing for the pleasure of having his toes crushed. “That is what I like about you Canadians,” says Dr. Gunilla Dahl-Soot in Robertson Davies’s novel The Lyre of Orpheus, “you are so ready to admit fault. It is a fine, if dangerous, national characteristic. You are all ashamed.”
Over the past 200 years, notes Hungarian-born Canadian writer George Jonas, “we have been misled by science. Medicine became our hubris. Having learned to fix appendices, we thought we could fix history.” Today, in Canada, there is no clearer manifestation of this urge to renovate and repair the past than the vogue for apology. And no one has struck this posture of national self-abasement with quite the alacrity of Prime Minister Justin Trudeau. Just months after taking office, he apologized for the Komagata Maru incident in 1914, in which a ship carrying Sikhs, Muslims, and Hindus was sent back to Calcutta, where 20 died in a riot. In 2017, he apologized to Indigenous residential-school survivors in Newfoundland and Labrador, and, just days later, to LGBT Canadians for decades of “state-sponsored, systemic oppression.” A year later, he apologized for the execution, in 1864, of six Tsilhqot’in chiefs over a road-building dispute, and for a government refusal, in June, 1939, to allow into the port of Halifax the MS St. Louis, an ocean liner carrying more than 900 Jews fleeing Nazi Germany. In March, 2019, he apologized for the inhumane manner in which Inuit in northern Canada were treated for tuberculosis in the mid-20th century. Two months later, he exonerated Chief Poundmaker of the Poundmaker Cree, apologizing for the Chief’s conviction for treason more than 130 years before. Still at it in the spring of 2021, Trudeau issued a formal apology in the House of Commons for the internment of Italian-Canadians during the Second World War, even though many, it was subsequently revealed, were indeed hardcore fascists, loyal to an enemy in a time of war. Two weeks later, he lowered the Canadian flag for five months to mark the discovery of the remains of Indigenous children who died at residential schools.
In the midst of this flurry of breathy performances, the BBC asked, with more than a touch of arch obviousness, whether the Canadian Prime Minister might not perhaps apologize too much. And yet, in Trudeau, we simply have the apotheosis of that habit of abject contrition celebrated by Gzowskian nationalists. Under his government, it has become fashionable, even necessary, to apologize, not just for egregious historical episodes or policies, but for the existence of Canada itself. In an interview with the New York Times, Trudeau witlessly described the country that had so favoured him through a lifetime of privilege as “post-national”, suggesting that Canada as we know it had somehow served its purpose, extended itself beyond any warrantable use. And recently, not to be outpaced by more current styles of denunciation, he described Canada, “in all our institutions,” as “built around a system of colonialism, of discrimination, of systemic racism.” When China, responding to criticism of its brutal treatment of Muslim Uyghurs, lashed out at Canada for committing “genocide” against its own Indigenous population and subjecting Asian-Canadians to “systemic racism”, Canada’s political class was in no position to quibble — as its prime minister had already muttered his agreement to the claim that he presided over a genocide state.
This note of cringing repentance now echoes in the pronouncements of all of our institutions. No matter how admired our country may remain internationally, no matter how ardently people around the world long to immigrate here for a chance at a better life, our presumptive leaders are eager to scorn Canada as a meagre and regrettable conceit. That the confessional mode they favour has become so prevalent confirms what Christopher Lasch long ago diagnosed as the strain of narcissism that courses through contemporary culture, lending ready appeal to all such facile gestures of self-reproach. There is, indeed, no cagier career move for any Canadian academic, journalist, bureaucrat, or politician these days than to repudiate Canada, and with feeling.
November 9, 2021
QotD: Hollywood in the late Golden Age
The main difference between then and now is that in the old days, such films were mass-produced on the assembly lines of the major studios. Americans of all ages went to the movies at least once a week, and they expected to see something different every time they went. Hence the studio system, which ground out product fast enough to meet the omnivorous demand. Except for the occasional Gone With the Wind, the modern Spielberg-style “event” movies that now dominate Hollywood filmmaking didn’t exist. You went to the movies not to see Spider-Man or Lord of the Rings, but simply to see a show. If the show in question was a Western or a mystery, that was good; if it starred John Wayne or Robert Mitchum, that was better. But nobody went out of his way to see a Wayne Western directed by Howard Hawks, much less a Mitchum mystery directed by Jacques Tourneur. You took what you got, and if what you got happened to be a Red River or Out of the Past, then you got lucky.
That’s why so many of the best films made in Hollywood in the Forties and Fifties were Westerns and mysteries. Precisely because they were commodities, their makers tended to be ignored by the front office. So long as your last picture turned a profit, however small, you got to make another one. If the movies in which you specialized were low-budget genre pictures for which demand was more or less constant, all that mattered was that you stay more or less within the accepted conventions of the genre, and the conventions of the Western and the mystery happened to be wonderfully well-suited to the artful telling of serious stories that were both entertaining and cheap to produce. The art, of course, was optional, and most such movies were as forgettable as a Law and Order rerun, but some of them were as good — and as serious — as a movie can be.
Terry Teachout, “What Randolph Scott Knew”, American Cowboy, 2005-12-23.
November 3, 2021
QotD: English literature
George Orwell, “The Lion And The Unicorn: Socialism and the English Genius”, 1941-02-19.
