Quotulatiousness

March 20, 2021

The rise of Turkish leader Recep Tayyip Erdogan

Filed under: Books, Europe, History, Middle East — Tags: , , , — Nicholas @ 03:00

Scott Alexander reviews Soner Cagaptay’s recent book The New Sultan: Erdogan And The Crisis Of Modern Turkey:

If you only learn one thing from this post: it’s pronounced “air-do-wan”.

If you learn two things from this post, learn that, plus how a country which starts out as a flawed but somewhat-liberal democracy can lapse into near-dictatorship over the course of a few years.

I got The New Sultan: Erdogan And The Crisis Of Modern Turkey because, as a libertarian, I spend a lot of time worrying about the risk that my country might backslide into illiberal repression. To develop a better threat model, I wanted to see how this process has gone in other countries, what the key mistakes were, and whether their stories give any hints about how to prevent it from happening here. Recep Tayyip Erdogan transformed Turkey from a flawed democracy to a partial dictatorship over the past few decades, and I wanted to know more about how.

As an analysis of the rise of a dictator, this book fails a pretty basic desideratum: it seems less than fully convinced the dictator’s rise was bad. Again and again I found myself checking to make sure I hadn’t accidentally picked up a pro-Erdogan book. I didn’t; author Soner Cagaptay is a well-respected Turkey scholar in a US think tank who’s written other much more critical things. The fact is, Erdogan’s rise is inherently a pretty sympathetic story. If he’d died of a heart attack in 2008, we might remember him as a successful crusader against injustice, a scrappy kid who overcame poverty and discrimination to become a great and unifying leader.

I want to go into some of this in more depth, because I think this is the main reason why Erdogan’s example doesn’t generalize to other countries. What went wrong in Turkey was mostly Turkey-specific, a reckoning for Turkey’s unique flaws. Erdogan rose to power on credible promises to help people disenfranchised by the old system; by the time he turned the tables and started disenfranchising others in turn, it was too late to root him out. If there’s a general moral here, it’s that having the “good guys” oppress and censor the “bad guys” is fun while it lasts, but it’s hard to know whether you’re building up a karmic debt, or when you’re going to have to pay the piper.

Given how hard it is to convince people of that moral, let’s go through the full story in more detail.

And given that it’s impossible to discuss modern Turkey without at least briefly touching on the founder of the country, here’s an amusing apocryphal story about “The Father of the Turks”:

Medieval Turkey was dominated by the Ottoman Empire, officially an Islamic caliphate though in practice only inconsistently religious, ruled by autocratic sultans and a dizzying series of provincial governors. As time passed, they fell further and further behind Western Europe; by World War I, they were a mess. As the stress of the war caused the empire to fracture, General Mustafa Kemal seized power, reorganized the scraps of Ottoman Anatolia into modern Turkey, and was renamed ATATURK, meaning “Father of Turks”.

Ataturk was born in Ottoman-controlled Greece, and was typical of a class of military officers at the time who were well-educated and “Europeanized”. He wanted to turn backwards Turkey into an advanced Western country — and Western countries were mostly secular. He saw Islam — the religion of the old Ottoman Empire — as a roadblock, and passed various laws meant to relegate it to the margins of public life.

(my favorite Ataturk story, probably apocryphal, was that he passed a law banning women from wearing hijabs. Nobody followed it and the police wouldn’t enforce it, so he passed a second law requiring prostitutes to wear hijabs, after which other women abandoned them. As far as I can tell this is an urban legend, but it captures the spirit of the sort of measures he took to drag Turkey, kicking and screaming, into secular modernity.)

February 24, 2021

QotD: Margaret Thatcher

Filed under: Britain, History, Politics, Quotations — Tags: , , , , , — Nicholas @ 01:00

I know I’m supposed to hate Margaret Thatcher. I know that someone with my politics is meant to detest her as a union-busting, milk-snatching, women’s-lib-baiting, Belgrano-sinking, Section-28-devising, society-destroying nightmare. I know that when Gillian Anderson was cast as Thatcher in series four of The Crown, I should have played up a shudder of disgust at Gillian Anderson, who is good, playing Thatcher, who is bad.

But here’s the thing: I don’t hate Thatcher. It’s not that I’m a huge fan of her legacy or anything (although anyone who thinks that industrial relations were doing fine before her or that the Falklands were some kind of unjustified expedition is clearly a fantasist), it simply doesn’t matter whether I like her or not because she is just too interesting.

Thatcher wasn’t the first woman to lead a country, but unlike her predecessors, Indira Gandhi in India or Isabel Martínez de Perón in Argentina, she didn’t arrive sanctified by a political dynasty. She was, as Prince Phillip snobbily points out to the Queen in The Crown, a grocer’s daughter. In real life, such condescension came strongly from the Left. The Blow Monkeys, one of the bands involved in the Red Wedge tour to support Labour, released an album called She was only a Grocer’s Daughter in 1987; and even though several pop songs fantasised about her death, that never seemed quite as ugly as supposed defenders of the working class announcing that Thatcher was just too common to rule.

Sarah Ditum, “How Thatcher rejected feminism”, UnHerd, 2020-11-15.

February 9, 2021

History Summarized: Alexander the Great

Overly Sarcastic Productions
Published 19 Sep 2017

Linguistically speaking, Alexander means “Defender of Men” from the Greek “alexo“, defend, and “aner/ander“, man. I’ll never be able to not internally think of his name as just meaning “Alex-Man”.

Oh, yeah, also he conquered an empire or something? IDK. I stopped paying attention after his bland name.

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January 25, 2021

QotD: Indira Gandhi’s exploitation of the goddess Kali

Filed under: History, India, Media, Politics, Quotations, Religion — Tags: , , — Nicholas @ 01:00

In colonial India, Kali’s notoriety boomed. For in her both coloniser and colonised found a figurehead. Corrupted by the British, Kali was spun as a sexually depraved, blood-swigging black sorceress. As William Ward phrased it in his encyclopaedia, “She exhibits altogether the appearance of a drunken frantic fury … on whose altar victims annually bleed”. Such descriptions, deemed by Indians to be reductively fixated on her destructive powers to the omission of her maternal reserve, activated a movement for her reclamation and turned her into an icon in the struggle for Indian independence in the late-nineteenth century. Put on calendars, cigarette packets, matchboxes, and subject of hugely popular prints, Kali was embraced as a vision of freedom. The reverence for her was inseparable from politics. And it took just two decades after India gained its freedom for a politician to exploit it.

Indira Gandhi — the daughter of one of the freedom movement’s protagonists Pandit Nehru and India’s first and only female prime minister — chose consciously to co-opt this divinity in service of burnishing her own self-image. Indeed, during her first spell in office, from 1966-1977, Indira’s image was as prolific as the colourful printed pictures of the tantric goddess splashed across India’s towns and bazaars. Her appearance was, understandably, more benign. But in India’s jostling visual marketplace her image — big smile and bobbed black hair shot with a streak of white framed by a demure uttariya (veil) — was as inescapable as any deity’s.

Indira played the demagogue superbly. But just as her popularity among Indians soared, and her political confidence grew, those around her began equating her strong, intolerant, and cold politics with female divinities and their overwhelming powers. According to a hugely contentious apocryphal story, Indira’s young rival Atal Bihari Vajpayee, who would go on to succeed her as prime minister, was so overcome by devotion at the sight of her gallantry during India’s war with Pakistan in 1971 that he called her Ma Durga — Kali’s mother.

Cleo Roberts, “Indira Gandhi: a gift from the gods?”, The Critic, 2020-10-15.

January 16, 2021

Inside the Neurotic Mind of Stonewall Jackson

Filed under: History, Military, USA — Tags: , , , , , , — Nicholas @ 06:00

Atun-Shei Films
Published 15 Jan 2021

Let’s gossip about a man who’s been dead for 158 years.

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[1] Wallace Hettle. Inventing Stonewall Jackson: A Civil War Hero in History and Memory (2011). LSU Press, Page 3-9

[2] Hettle, Page 13-17

[3] Charles Royster. The Destructive War: William Tecumseh Sherman, Stonewall Jackson, and the Americans (1991). Vintage Books, Page 41-46

[4] Royster, Page 52-53

[5] Hettle, Page 20-21

[6] Royster, Page 65-67

[7] Chris Graham. “Myths and Misunderstandings: Stonewall Jackson’s Sunday School” (2017). The American Civil War Museum https://acwm.org/blog/myths-misunders…

[8] Royster, Page 63-65

[9] Royster, Page 60

[10] Royster, Page 49-51

[11] Mary Anna Jackson. Memoirs of Stonewall Jackson by his Widow, Marry Anna Jackson (1895). Prentice Press, Page 108

[12] Jackson, Page 120-121

[13] Hettle, Page 13-15

[14] Royster, Page 202

December 27, 2020

QotD: Charles Dickens

Filed under: Books, History, Quotations, Religion — Tags: , , , , — Nicholas @ 01:00

… That I was, unparadoxically, also trying to put in the reader’s head, that Dickens has contributed to the demoralization of our world, was on the surface of my essay. In this respect, I was acknowledging this author’s great power. The reduction of hard moral fact, to mushy simper and what we now call “empathy,” was partly his doing. I detect it even in the unpleasant vibrations of BLM rioters, and other agents of our Left.

They “protest” things that, indirectly, they learnt to protest from the kind-hearted Dickens; subjective hysterias about the world being unfair. Of course it is unfair, as it has always been, and to everyone who has been living in it. But unfairness is a whim, compared to sound moral judgements, and the reticence that should accompany them. We cannot make the world “more fair” by rioting. Dickens, incidentally, agrees with me on that.

He was among the writers (and artists generally) who contributed subtly to our post-Christian worldview, based on emotion, not remorseless thought. Who made, say, Christmas about giving presents to little children, rather than centrally about the birth of Christ. That doesn’t mean his works should be suppressed. On the contrary, they should be read and enjoyed, with this thought in mind. He moralizes, but in a way that may actually subvert morality, by substituting “feelings” for the hard truths, which are to die for.

David Warren, “Retractiones”, Essays in Idleness, 2020-07-29.

December 19, 2020

History-Makers: Ibn Khaldun

Overly Sarcastic Productions
Published 18 Dec 2020

Big thanks to our friend Al-Muqaddimah for his help with this video. The look of this video’s maps is an homage to his wonderful mapmaking style. For more Islamic History, check out his channel here: https://www.youtube.com/channel/UCf0O…

From the coast of Tunisia across the Straits of Gibraltar, over the Atlas Mountains, and east to the Nile of Egypt, Ibn Khaldun had certainly seen history at work. That experience came in handy as he wrote The Muqaddimah, a genre-defining masterwork of Historiography — not just retelling the events of the past, but explaining their causes and effects through the lens of human behavior and sociology.

SOURCES & Further Reading: Ibn Khaldun: An Intellectual Biography by Irwin, The Muqaddimah

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November 29, 2020

An unusually sympathetic biography of George III

Filed under: Books, Britain, History, USA — Tags: , , , , — Nicholas @ 03:00

Andrew Roberts reviews a new biography of King George III for The Critic:

King George III in his coronation robes.
Portrait by Allan Ramsay (1713-1784), original in the Art Gallery of South Australia via Wikimedia Commons.

Over the past six years, Penguin have been publishing their excellent Monarchs series in which a leading historian writes a 30,000-word book on a king or queen from Athelstan to Elizabeth II. There are now 45 of them (including David Horspool on Oliver Cromwell, who sneaks in despite the monarchical rubric, and Jonathan Keates who reasonably enough lumped William III and Queen Mary together). These extended essays are attractively produced, can be read in a couple of hours, and many are true gems, from historians such as Tom Holland, John Guy, Tim Blanning, Norman Davies, Roger Knight, Jane Ridley, Richard Davenport-Hines, David Cannadine — you get the idea.

Now Professor Jeremy Black gives us a full-throated defence of the monarch who is only really generally known as the king who went insane and who lost the American colonies, and who now prances around in the camp-yet-sinister show-stopping song in Hamilton: The Musical. “When considering George III’s mistakes,” Black argues, persuasively, “it is important to assess the parameters of the possible and to consider comparisons.” With his expertise in eighteenth-century European history, Black is able to place George III in the wider context of contemporary monarchs such as Catherine the Great, Frederick the Great, Louis XVI and Napoleon.

“In contradiction to the Whig and American image of George as a tyrant, or at least a would-be tyrant,” Black states, “he had a strong conviction of the value of limited monarchy and was a willing student of the lessons of the Glorious Revolution and the subsequent Revolution Settlement.”

Black brilliantly demolishes the paranoiac Whig view of George as trying to accrete powers to himself unconstitutionally. The George who emerges is a far more attractive figure than the Whig historians depicted, let alone Thomas Jefferson with his 28 histrionic and inaccurate accusations against George in the Declaration of Independence, and especially Lin-Manuel Miranda’s hilarious but profoundly historically incorrect caricature.

Instead, Black portrays a monarch with “a strong religious faith, a passion for hunting and an interest in art, architecture, music, astronomy and exploration”. He was a Renaissance man with an Enlightenment viewpoint, although Black also lists his failings, which were obstinacy, self-righteousness and a certain amount of priggishness when young. Black calls him a “fogey”. These were hardly cardinal sins, and a world away from the lust for dictatorship of which he has been accused.

Jeremy Black — who is fast becoming a national treasure in his own right, having written well over 100 books — takes a refreshingly unmodish stance towards George (as you might have guessed from listing hunting amongst the king’s attributes). “His qualities are easier to understand for those who prize commitment, duty, and integrity,” he concludes, “than in a modern age when scorn and satire, even hatred of the nation’s history, are often prominent.”

November 22, 2020

Douglas Murray’s Bosie: The Tragic Life of Lord Alfred Douglas

Filed under: Books, Britain, History, Law — Tags: , , , , — Nicholas @ 03:00

Melanie McDonagh reviews the re-released early work by Douglas Murray:

It would probably have been better for Lord Alfred Douglas to have died young. Had he died when he was still beautiful and youthful looking, he would have remained forever the gilded youth Oscar Wilde loved. That golden Alfred Douglas survives in the famous photograph on the front of Douglas Murray’s book, with Wilde sitting near Bosie, his arm extended behind the boy with something like possessiveness. Instead the boy survived until 1945, worn, lonely and poverty-stricken, his looks withered, his nose pinched, contemptuous of modernity, but still with a redemptive, blistering integrity.

Twenty years after it was first written, Douglas Murray has reissued his fine biography of Bosie: his first book, written in his gap year before he went to Oxford. Looking back now on his precocious work, he thinks he overdid a little his enthusiasm for Douglas’s poetry, understated his toxic anti-Semitism and didn’t quite do justice to the pederastic element of his early sexuality – as Bosie preferred to put it, his tastes were for youth and softness. In practice this could mean 14-year-old boys, even younger, at a time when he and Wilde had reunited following Wilde’s release from prison. Actually, I think Murray’s original estimate of Alfred Douglas’s sonnets was absolutely right; they vary in quality, but as he said, at their best they equalled the poets he most venerated.

Trouble is, not many people think of Alfred Douglas as a poet, even though they might unknowingly quote perhaps his most famous line, about the love that dares not speak its name. But there were literary critics in his own day who compared him to Shakespeare as a writer of sonnets. Remarkably he has fallen almost entirely off the literary radar now, known only as a player in Wilde’s drama, and it is a pity that the success of this biography hasn’t changed that.

One of the services Douglas Murray performs in his biography is simply to reproduce some of his finest verses so we can judge it for ourselves. Indeed, while writing the book he managed to persuade the Home Office to release the copybook in which Alfred Douglas wrote his prison verses, In Excelsis, which the authorities refused to do in his lifetime.

Even in his own time, most people thought of him as the lover of Oscar Wilde, a byword for a bugger, the boy who brought about Wilde’s destruction through the vengeful malice of his unbalanced father. That perception was powerfully reinforced by Wilde’s terrible letter written from prison, De Profundis, in which he empties his bitterness against the youth he loved in an outpouring of emotion which was in many respects unjust and untrue, especially about Bosie’s financial support for Wilde. Fatally, the letter was never given to him by Robert Ross, Wilde’s friend, and only released in full during a devastating court case.

QotD: Winston Churchill

Filed under: Britain, History, Military, Quotations, WW2 — Tags: , , — Nicholas @ 01:00

I wonder whether any historian of the future will ever be able to paint Winston in his true colours. It is a wonderful character — the most marvellous qualities and superhuman genius mixed with an astonishing lack of vision at times, and an impetuosity which if not guided must inevitably bring him into trouble again and again. Perhaps the most remarkable failing of his is that he can never see a whole strategical problem at once. His gaze always settles on some definite part of the canvas and the rest of the picture is lost. It is difficult to make him realize the influence of one theatre on another. The general handling of the German reserves in Europe can never be fully grasped by him. This failing is accentuated by the fact that often he does not want to see the whole picture, especially if this wider vision should in any way interfere with the operation he may have temporarily set his heart on. He is quite the most difficult man to work with that I have ever struck, but I should not have missed the chance of working with him for anything on earth!

Footnote by Field Marshal Lord Alanbrooke, War Diaries, 1939-1945, 1957.

November 8, 2020

Kim Philby: Soviet Spy in the West

Filed under: Britain, History, Russia, USA, WW2 — Tags: , , , , — Nicholas @ 02:00

The Cold War
Published 8 Aug 2020

Our historical documentary series on the history of the Cold War continues with a video on the famous Cambridge Five and Donald Maclean in particular – a real Cold War-era spy story

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November 6, 2020

An American Globalist – Cordell Hull – WW2 Biography Special

Filed under: Americas, History, Japan, USA, WW2 — Tags: , , , , , , — Nicholas @ 06:00

World War Two
Published 5 Nov 2020

Cordell Hull is the face of American diplomacy in 1941 as it navigates the precarious road to war against Imperial Japan.

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Sources:
Naval History & Heritage Command
http://maps.bpl.org
FDR Presidential Library & Museum
Picture of MS St. Louis in Hamburg, United States Holocaust Memorial Museum, courtesy of Herbert and Vera Karliner
from the Noun Project: Skull by Muhamad Ulum, Handshake by priyanka, Pickaxe by Luke Anthony Firth, oil barrel by BomSymbols

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A Swedish Trilogy Pt. 1 – A New Hope – Sabaton History 092 [Official]

Filed under: Europe, History, Media, Military — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 5 Nov 2020

The Swedish nation was in turmoil, as news spoke of King Gustavus Adolphus’ death on the battlefield of Lützen in 1632. The Lion from the North was slain — but who would reign in his stead? Gustavus had fathered a young daughter, the 6-year old Christina. Torn between a grief-stricken Queen Mother and the overbearing duties to monarchy and country, Christina grew into an unhappy and troubled woman. Much was expected of her, as she was still the daughter of the legendary warrior-king. But was she able and willing to continue his legacy? Or would she rather forsake her throne in order to find her own future far away from Sweden?

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– Swedish capture of Kauzenburg 1631 colorized by Dextwin

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November 2, 2020

Hammurabi & the First Babylonian Empire

Filed under: History, Law, Middle East — Tags: , , , — Nicholas @ 02:00

History Time
Published 19 Feb 2018

A brief look at Hammurabi, the most famous king of the Old Babylonian Empire (1830 – 1531 BC)

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November 1, 2020

QotD: Trumbo

Over the past weekend I watched Trumbo, the story of the Marxist screenwriter blacklisted by Hollywood during the Red Scare back in the 1950s. To say that I watched it with a jaundiced eye would be a very big understatement, because I suspected (just from the trailer) that the movie would just be one big blowjob for both Dalton Trumbo and his merry little band of Commiesymps who infested Hollywood back then.

And it was. Needless to say, the movie made villains of the conservatives who opposed the Marxist infiltration: people like John Wayne and Hedda Hopper in particular, Wayne because Wayne, and Hopper because she had a son serving in the U.S. Navy during the Korean War. Of course Wayne was made out to be a bully and Hopper a vindictive bitch — and the Senators and Congressmen who haled the Commies in front of the Senate and House Un-American Committee (HUAC) were depicted as ideological purists who saw Communists behind every bush — even though, in the case of Hollywood, there were Commies behind every bush at the time.

Of course, much was made of the fact that being a Communist wasn’t actually illegal (then, and now), and Trumbo made a great show of this being a First Amendment issue — which it was — and how these Commies all wanted to improve America, but of course there were evil right-wingers like Wayne, Joe McCarthy and HUAC harassing them at every turn.

The execution of the traitors Julius and Ethel Rosenberg got a little puff piece in the movie, which didn’t — couldn’t — actually say they weren’t guilty of treason espionage, so it was brushed over with the throwaway that it was the first execution for espionage in peacetime, as though peacetime should give espionage a pass. And if that wasn’t enough, the Rosenberg children were paraded around as sympathy magnets — as they still are — because Communists have no problem using children to serve their own purposes.

Kim du Toit, “Blacklists Matter”, Splendid Isolation, 2020-07-28.

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