Quotulatiousness

September 9, 2021

When you mess around in a software testing environment … make sure it actually is a test

A British local government found out the hard way that they need to isolate their software testing from their live server:

A borough council in the English county of Kent is fuming after a software test on the council’s website led to five nonsensical dummy planning application documents being mistakenly published as legally binding decisions.

According to a statement from Swale Borough Council, staff from the Mid Kent Planning Support Team had been testing the software when “a junior officer with no knowledge of any of the applications” accidentally pressed the button on five randomly selected Swale documents, causing them to go live on the Swale website.

After learning what had happened, the council moved to remove the erroneous decisions from public display, but according to the statement: “Legal advice has subsequently confirmed they are legally binding and must be overturned before the correct decisions are made.”

Publishing randomly generated planning decisions is obviously bad enough, but the problems got worse for Swale when it was discovered that the “junior officer” who made the mistake had also added their own comments to the notices in the manner of somebody “who believed they were working solely in a test environment and that the comments would never be published,” as the council diplomatically described it.

So it was that despite scores of supportive messages from residents, the splendidly named Happy Pants Ranch animal sanctuary had its retrospective application for a change of land use controversially refused, on the grounds that “Your proposal is whack. No mate, proper whack,” while an application to change the use of a building in Chaucer Road, Sittingbourne, from a butchers to a fast-food takeaway was similarly denied with the warning: “Just don’t. No.”

The blissfully unaware office junior continued their cheerful subversion of Kent’s planning bureaucracy by approving an application to change the use of a barn in the village of Tunstall, but only on condition of the numbers 1 to 20 in ascending order. They also approved the partial demolition of the Wheatsheaf pub in Sittingbourne and the construction of a number of new flats on the site, but only as long as the project is completed within three years and “Incy Wincy Spider.”

Finally, Mid Kent’s anonymous planning hero granted permission for the demolition of the Old House at Home pub in Sheerness, but in doing so paused to ponder the enormous responsibility which had unexpectedly been heaped upon them, commenting: “Why am I doing this? Am I the chosen one?”

For their part, Swale Borough Council’s elected representatives were less than impressed by the work of their colleagues at the Mid Kent Planning Support Team and wasted no time in resolutely throwing them under the bus.

“These errors will have to be rectified but this will cause totally unnecessary concern to applicants,” thundered Swale councillors Roger Truelove, Leader and Cabinet Member for Finance, and Mike Baldock, Deputy Leader and Cabinet Member for Planning in a shared statement. “This is not the first serious problem following the transfer of our planning administration to Mid Kent shared services. We will wait for the outcome of a proper investigation and then consider our appropriate response as a council.”

September 2, 2021

Charles Stross predicts that Elon Musk will become a multi-trillionaire

Filed under: Business, Economics, Government, Space, Technology, USA — Tags: , , , , — Nicholas @ 03:00

Charles Stross isn’t exactly a fan of Musk’s, but he outlines why he thinks Musk is on a potentially multi-trillion dollar path:

Elon Musk at the 2015 Tesla Motors annual meeting.
Photo by Steve Jurvetson via Wikimedia Commons.

So, I’m going to talk about Elon Musk again, everybody’s least favourite eccentric billionaire asshole and poster child for the Thomas Edison effect — get out in front of a bunch of faceless, hard-working engineers and wave that orchestra conductor’s baton, while providing direction. Because I think he may be on course to become a multi-trillionaire — and it has nothing to do with cryptocurrency, NFTs, or colonizing Mars.

This we know: Musk has goals (some of them risible, some of them much more pragmatic), and within the limits of his world-view — I’m pretty sure he grew up reading the same right-wing near-future American SF yarns as me — he’s fairly predictable. Reportedly he sat down some time around 2000 and made a list of the challenges facing humanity within his anticipated lifetime: roll out solar power, get cars off gasoline, colonize Mars, it’s all there. Emperor of Mars is merely his most-publicized, most outrageous end goal. Everything then feeds into achieving the means to get there. But there are lots of sunk costs to pay for: getting to Mars ain’t cheap, and he can’t count on a government paying his bills (well, not every time). So each step needs to cover its costs.

What will pay for Starship, the mammoth actually-getting-ready-to-fly vehicle that was originally called the “Mars Colony Transporter”?

Starship is gargantuan. Fully fuelled on the pad it will weigh 5000 tons. In fully reusable mode it can put 100-150 tons of cargo into orbit — significantly more than a Saturn V or an Energiya, previously the largest launchers ever built. In expendable mode it can lift 250 tons, more than half the mass of the ISS, which was assembled over 20 years from a seemingly endless series of launches of 10-20 ton modules.

Seemingly even crazier, the Starship system is designed for one hour flight turnaround times, comparable to a refueling stop for a long-haul airliner. The mechazilla tower designed to catch descending stages in the last moments of flight and re-stack them on the pad is quite without precedent in the space sector, and yet they’re prototyping the thing. Why would you even do that? Well, it makes no sense if you’re still thinking of this in traditional space launch terms, so let’s stop doing that. Instead it seems to me that SpaceX are trying to achieve something unprecedented with Starship. If it works …

There are no commercial payloads that require a launcher in the 100 ton class, and precious few science missions. Currently the only clear-cut mission is Starship HLS, which NASA are drooling for — a derivative of Starship optimized for transporting cargo and crew to the Moon. (It loses the aerodynamic fins and the heat shield, because it’s not coming back to Earth: it gets other modifications to turn it into a Moon truck with a payload in the 100-200 ton range, which is what you need if you’re serious about running a Moon base on the scale of McMurdo station.)

Musk has trailed using early Starship flights to lift Starlink clusters — upgrading from the 60 satellites a Falcon 9 can deliver to something over 200 in one shot. But that’s a very limited market

As they say, read the whole thing.

August 31, 2021

Isambard Kingdom Brunel: The Genius of the Industrial Revolution

Biographics
Published 23 Mar 2020

Check out Brilliant: https://brilliant.org/biographics

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Source/Further reading:

Oxford National Dictionary of Biography: https://www.oxforddnb.com/view/10.109…
Interesting podcast on his life: https://www.bbc.co.uk/programmes/b04n…
Britannica: https://www.britannica.com/biography/…
History Today: https://www.historytoday.com/archive/…
The Thames Tunnel: https://www.smithsonianmag.com/histor…
The atmospheric railway: https://www.theguardian.com/science/t…
SS Great Britain accident: https://www.ssgreatbritain.org/about-…

August 26, 2021

A New World Order? – The World Power Conference | B2W: ZEITGEIST! I E.24 Summer 1924

TimeGhost History
Published 25 Aug 2021

The League of Nations is just one manifestation of a broader ideal in the interwar years. Within a palace in the heart of the British Empire, a new conference is underway. It is attended by everyone from H.G. Wells to the Prince of Wales.
(more…)

August 21, 2021

Heat Treatment -The Science of Forging (feat. Alec Steele)

Filed under: Science, Technology, Tools, Weapons — Tags: , , , — Nicholas @ 02:00

Real Engineering
Published 29 Jan 2018

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August 16, 2021

HMS Glamorgan – Computer Ship Of The Future (1967)

Filed under: Britain, History, Military, Technology, Weapons — Tags: , , , , — Nicholas @ 02:00

British Pathé
Published 13 Apr 2014

English Channel.

Top shots of the guided missile destroyer battleship HMS Glamorgan at sea. In the control/computer room a man pulls out old-fashioned computer records [circuit packs, I believe] from a large control cupboard; officers on the bridge look at dials and through binoculars. Various shots in steering, control and engine rooms as the ship moves along. On the flight deck sailors play hockey while others watch and cheer them on. A navigator on deck looks through a sextant while another officer makes notes. A helicopter is moved from a hanger out onto the deck and prepared for takeoff; firemen in asbestos suits and helmets stand by with a hose; the chopper takes off.

Three young men play guitars and banjos before a television camera in a tiny studio; we hear that the ship has its own closed circuit TV station; good shots of the filming; tape recording machines going round; picture being adjusted. Men in a mess room watch the performance on the television while they have a pint. Several shots of the sailors getting their rum rations. Various shots in the kitchens show food being prepared and served into the sailors mess tins; good canteen and catering shots (most of the food looks pretty unappetising) [the person writing the description clearly has no idea just how unappetizing British food could be in the 1960s … this looks well above average for the time]. In the sick bay a sailor gets a shot in the arm from the Medical Officer.

Several shots of the radar antennae on the ship and the men looking at the radar scanner screens in the control room. Men in protective gloves and hoods load shells in the gun turret; M/Ss of the main guns on the ship being fired. Several shots show the countdown for Seaslug missiles to be fired; men at control panels look at dials and radar screens; an officer counts down into a microphone (mute). Complicated boards of buttons show the location of the missiles, intercut with shots of the missiles moving into position by electronic instruction. The missiles move into the launchers on deck and are fired; men watch their progress on a radar screen. Another launcher moves into position; L/S of the ship as the missiles are fired.

Note: on file is correspondence and information about HMS Glamorgan. Cuts exist – see separate record. FILM ID:419.04

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August 13, 2021

Spycraft and the Special Operations Executive – WW2 – Spies & Ties 07

World War Two
Published 12 Aug 2021

Astrid talks about spying all the time, but what was it actually like for people on the ground? We look through the lens of the British Special Operations Executive (SOE) to find out!
(more…)

Millennial maternalism

Filed under: Media, Politics, Technology — Tags: , , , , , — Nicholas @ 03:00

In The Critic, Kittie Helmick considers the Millennial generation and their pronounced maternalistic worldview:

“Millennials” by EpicTop10.com is licensed under CC BY 2.0

The popular conception of millennials paints the generation as immature, living an extended adolescence: late to marry, late to have children, late to buy houses. Even the retort — that society hasn’t delivered on its promises; that an unfavourable job market has prevented them from living the lives expected of adults — reads as a refusal to accept responsibility.

The response to Simone Biles’s withdrawal from the Olympics demonstrates that the opposite is true. Millennials are not behaving like teenagers — they are responding like mothers. The breakdown in family life combined with quantum leaps in telecommunication technology has sent the 90s generation to their computer screens for meaningful connections. Instead of growing out of video games and chat rooms, millennials have grown with them. Online communities have not stunted young people’s growth, but absorbed it.

Millennials — now aged in their late 20s and early 30s, some with families of their own — have directed all the maternal instincts of adulthood towards online media. Rather than collect family albums, they amass Instagram and Tumblr accounts with thousands of images of their favourite characters and celebrities. Notifications act as little appeals for attention akin to the tug of a child’s hand. This otherwise unrealised yearning to nurture underpins much of the affective response to news stories about the latest victim of injustice.

There are many strands entangled in the knot of American leftism, but the maternalism of millennials manifests in the self-righteous defensiveness of Biles’s supporters and the emotional outrage they direct at anyone who criticizes the gymnast. Stripped of patriotic sentiments and religious traditions, millennials have nowhere to direct their human instincts of loyalty and affection but at the figures (fictional or fabled) who occupy so many of their hours.

The language of critical theory cloaks these sentiments in intellectual rigor, lending some dignity not only to the mouthpieces of these ideas, but also to the intended objects of their affections. Millennials don’t have to worry about infantilising Biles if they call her an “exceptional Black woman”, even while they simultaneously invoke the moral standards of a kindergarten classroom in asking, “How do we make it our responsibility to love and protect each other?”

Witness these impulses play out in the more thinly veiled account of a father who wonders if he has turned “soft” because his parental cares now eclipse his admiration of Kerri Strug’s feat during the 1996 Olympics: performing a “one-legged vault” on an injured ankle. The father implies that only a monster could cheer when a teenage girl sacrifices her health for victory. He makes no secret of the reason behind his change of heart: “Now that I have two young daughters in gymnastics, I expect their safety to be the coach’s number one priority.”

There is nothing amiss in his love for his daughters, or the extension of that concern to other children, but this father has lost sight of other principles that might compete for priority in the spotlit, split second decisions of athletes and trainers in Olympic competitions. Loyalty to something greater than oneself — to Strug’s teammates, to the country she represented — has fallen out of the picture, leaving behind only the petty incentive of winning. This perspective permits no higher motive to the coach responsible for urging Strug on, than greed for a gold medal.

Millennial parents run to the opposite extreme of the Spartan mother: instead of inculcating self-sacrifice for the good of the community, they insist, “Not my child.” They see their role as shielding children from the dangers of the outside world, rather than preparing them to face it.

August 6, 2021

Avro Canada CF-100 Canuck: Canada’s only domestically produced all-weather interceptor

Filed under: Cancon, Europe, History, Military, Technology, Weapons — Tags: , , , , , , , — Nicholas @ 02:00

Polyus Studios
Published 3 Oct 2017

Support me on Patreon – https://www.patreon.com/polyusstudios​

**I realize a few of you are having trouble with the way I talk and how I’ve done the sound mixing. Please note that this was my first video and I tried to get everything right as I learned to do it. That said, I obviously made some mistakes. I am just one guy making these things and I’m learning as I go. Feel free to check out my more recent videos where I have tried to correct the sound issues.**

The CF-100 is Canada’s only domestically designed jet fighter to reach service and to be built directly to RCAF specifications. In its day it was a competitive all-weather interceptor. The Canuck protected Canadian airspace from the threat of nuclear armed Soviet bombers for over a decade. This is the story of its development and deployment.

Aircraft mentioned:
Vampire F.3
CL-13 Sabre
CF-100 Canuck
CF-101 Voodoo
CF-105 Arrow

Research sources:
http://www.cmp-cpm.forces.gc.ca/dhh-d…​
https://www.bombercommandmuseum.ca/aircraft/cf-100/
http://www.canadianflight.org/content/avro-canada-cf-100-canuck
http://www.avroland.ca/al-cf100.html​
http://www.aviastar.org/air/canada/canada_canuck.php
http://www.rwrwalker.ca/caf_canucks.html​
http://image-bank.techno-science.ca/d…​
NORAD and the Soviet Nuclear Threat: Canada’s Secret Electronic Air War By Gordon A.A. Wilson

0:00​ Introduction
1:08​ Initial Development
2:38​ CF-100 Mk 1 and Mk 2
4:26​ CF-100 Mk 3
6:51​ CF-103 and Transonic Speeds
7:36​ CF-100 Mk 4
11:33​ CF-100 Mk 5
13:14​ Velvet Glove and Future Proposals
14:28​ Operational History
20:02​ Conclusion

#CF100​ #CanadianAerospace​ #PolyusStudios

August 2, 2021

The World of the Franco-Prussian War – The 19th Century up to 1870 I GLORY & DEFEAT

realtimehistory
Published 30 Jun 2021

Support Glory & Defeat: https://realtimehistory.net/gloryandd…

Welcome to the first primer episode for Glory & Defeat. In this first primer episode we will take a broad look at the industrial revolution and the emerging new ideologies of the 19th century: Communism and Nationalism.

» OUR PODCAST
https://realtimehistory.net/podcast – interviews with historians and background info for the show.

» LITERATURE
Hobsbawm, Eric: The long nineteenth century. 3 Bände. London 1962-1987

Kugler, Martin: “Fehleinschätzungen der Menschheit”, in: Die Presse v. 28.2.2010. o.S

Osterhammel, Jürgen: Die Verwandlung der Welt. Eine Geschichte des 19. Jahrhunderts. München 2009

Bruckmüller, Ernst et. al. (ed.): Putzger. Historischer Weltatlas. Berlin 2001

Staas, Christian: “Im Schatten der Schlote”, in: Geo Epoche Nr. 30. Die industrielle Revolution. 2008. S. 72-85

Bischoff, Jürgen: “Vorwärts durch Raum und Zeit”, in: Geo Epoche Nr. 30. Die industrielle Revolution. 2008. S. 56-71

» SOURCES
Engels, Friedrich: Die Lage der arbeitenden Klasse in England. Leipzig 1845

» OUR STORE
Website: https://realtimehistory.net

»CREDITS
Presented by: Jesse Alexander
Written by: Cathérine Pfauth, Prof. Dr. Tobias Arand, Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Above Zero
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Battlefield Design https://www.battlefield-design.co.uk/
Research by: Cathérine Pfauth, Prof. Dr. Tobias Arand
Fact checking: Cathérine Pfauth, Prof. Dr. Tobias Arand

Channel Design: Battlefield Design

Contains licensed material by getty images
All rights reserved – Real Time History GmbH 2021

August 1, 2021

Gresham’s Law, as applied to photography

Filed under: Books, Media, Technology — Tags: , , — Nicholas @ 03:00

In economics, Gresham’s Law states that “bad money drives out good”, that may need to be reformulated as it applies to modern standards of photography in a formulation something like: “bad photos drive out good photos“:

“Art is like a joke, either you get it or you don’t.” So it was explained to me in the late 1970s by photographer Randy Eriksen, whose cheeky observation about the importance of context to one’s appreciation of either comedy or art could have been a parenthetical second subtitle for author and educator Kim Beil’s Good Pictures: A History of Popular Photography (Stanford University Press, 2020).

Beil’s episodic and highly readable book identifies 50 photographic trends — illustrated by hundreds of vintage and contemporary photographs — that have guided the aesthetics of photography since 1851, when a group of American daguerreotypes made a splash at the Crystal Palace Exhibition in London. Back in 1851, context mostly equaled 1851, as the latest photo technology of the day played a major role in how Victorians decided that one picture was good and another was not.

[…]

Beil’s own context began in Albany, New York, where she grew up. “My mom was into photography,” Beil tells me over the phone. “She was the one who took the pictures in my family. When my parents got me my first camera, a Nikon FE, they made me attend a class offered by the camera store. I remember it was held in this dark ballroom at an Albany hotel. It was me and a bunch of middle-aged men. That’s where I learned about 35mm cameras, f-stops, and shutter speeds.”

“How To Make Good Pictures” (Rochester, NY: Eastman Kodak Co., 1943).
Source: Collection of the Prelinger Library, via Collectors Weekly.

Beil also learned from various “How to Make Good Pictures” manuals published by Kodak, which also hailed from upstate New York. “I’m pretty sure I internalized the advice I read in ‘How to Make Good Pictures’,” Beil says of her early aesthetic indoctrination, “things like avoiding centering your subject in the frame, the rule of thirds, shooting during ‘golden hour’, all that conventional wisdom.”

[…]

“Intention is central to the way I think about art, and maybe even how we define it,” Beil agrees. “Take lens flare: I think the power of lens flare comes from its initial unintentional use by people who were just taking casual pictures without any premeditation, without much intention.” In these sorts of photographs, Beil says, lens flare was an amateur mistake that conferred “a kind of authenticity to an image.” That’s why advertisers find lens flare so appealing. “Because we still associate it with authenticity,” Beil says, “it makes an advertising photo seem more real, maybe even spontaneous.”

Today, lens flare is so widely used, so intentional, that billions of smartphone cameras offer multiple variations of this former failing in the form of filters, which can be activated with a click or a swipe. “Everything can be achieved and there are no more accidents,” Beil says of photography in the 2020s, “so photographers look to things that happened before to reinsert some kind of authenticity into their pictures.” Thanks to technology, photographers can now pretend to take pictures as if they lacked the tools to make their pictures, well, good.

The problem, of course, is that technology is intrusive, inserting itself into aesthetics and even cultural paradigms without being invited to do so. “We have a situation today,” Beil says, “in which our smartphone cameras are producing pictures according to the criteria of software designers, who have made a lot of egregious assumptions about the tonality of skin color.” According the Beil, because the sample sets used by software designers have historically included more pictures of light skin tones than dark skin tones, the colors captured by our smartphone cameras do a better job of reproducing the lighter skin tones. “People with darker skin aren’t represented in the way that they want to be,” she says, “or even in the way that’s accurate. Google has promised that the Pixel 6 camera coming out in October 2021 is going to deal with that problem,” she adds, but Beil doesn’t sound like she’s expecting much more than an incremental improvement.

July 26, 2021

When printers malfunction – Printer

Filed under: Business, Humour, Technology — Tags: , — Nicholas @ 02:00

Viva La Dirt League
Published 26 Apr 2021

Adam experiences the utter frustration of when printers malfunction.

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July 25, 2021

The Line editors clearly loved crafting their “Dicks in space!” headline

Filed under: Business, Space, Technology, USA — Tags: , , , , , , — Nicholas @ 05:00

As a fellow space nerd, I welcome the editors of The Line to our number:

You’ve probably noticed by now that your Line editors are space enthusiasts. It’s been an interesting few weeks on that front. Sir Richard Branson flew out of the atmosphere, into free-fall (not zero-G, you scientific illiterates!), on a Virgin Galactic space plane. That said, he didn’t get high enough to cross the Kármán line, which, in the absence of any real international agreement on where the Earth ends and space begins, is as close as we come to a functional definition of the edge of space. (It’s an altitude of 100 km, for those wondering.) Jeff Bezos, of Amazon wealth and fame, did cross that line this week, along with three passengers, including Wally Funk, which was cool, if you’re into that sort of thing. (We are.) Bezos was riding a Blue Origin New Shepard rocket; Blue Origin is a company he founded and funded with his own gigantic wealth.

Look, let’s face facts — your Line editors are into space. We just are. But yeah, we agree that space policy is important enough and complicated enough to warrant debate. Reasonable people can have different views on this stuff. And we also agree that there are important debates to have about the accumulated wealth of billionaires, and the distorting effects that wealth can have on politics and society.

But unlike a bunch of ya’ll, we don’t get confused about a debate over income inequality and a debate over space travel. You can despise Bezos, Amazon and everything he’s done there, and still recognize that what he is doing on the space front is important. Everyone rolling their eyes at Bezos matching space flight capabilities that the Soviets and Americans achieved literally 60 years ago is allowing their desire to rack up some sweet Twitter likes with a snarky dunk blind themselves to the fact that Bezos (and Elon Musk’s SpaceX, which is way ahead of Blue Origin) aren’t just recreating earlier capabilities, they are massively improving on them.

So yeah, Blue Origin can now do what the Soviets and U.S. could do 60 years ago, but they’re doing it more safely, more efficiently and much, much more sustainably than national space agencies did. Reusability isn’t a frill, it’s a massive game-changer. And as much fun as it is to snort when these private-sector companies recreate an existing capability, do you really think they’re going to stop there?

Branson’s company could be written off as a tourism play for the affluent. Fair enough. Except that making space flight economically viable is the first step to ensuring that capability is both sustainable and more broadly accessible in the long run. Further, Bezos and especially Musk are inventing new and transformative space-flight capabilities. They are materially pushing back against the final frontier in ways that we simply have not before. It won’t matter unless we choose to do anything with these new capabilities, and your guess is as good as ours as to whether or not we will. But we could. That’s huge.

As huge as the gigantic dick-shaped rocket Bezos rode up. Yeah, yeah. We snorted, too. But, like, seriously, folks — making penis jokes about the shape of an object dictated by aerodynamic considerations isn’t quite as witty as you think: the rockets are shaped like penises because they literally have to be in order to work. Having a giggle is fine, but if you actually think you’re making a real point about misogyny and fragile male egos when you get snippy (ahem) about a schlong-shaped rocket, well, we’d love to see what happens when your very emotionally vigorous and feminist vagina-shaped space vehicle hits max Q. So long as we aren’t aboard it or in the landing area for its hurtling debris.

Our main point still stands: don’t let your cynicism and even revulsion at these guys blind you to what they’re doing. Bezos isn’t gonna stop at Yuri Gagarin-vintage accomplishments. Musk sure hasn’t. This’ll matter. It’s time to get serious. They are.

July 17, 2021

“Now I am become Twitter, the destroyer of worlds”

Filed under: Media, Politics, Technology, USA — Tags: , , , — Nicholas @ 05:00

In UnHerd, Douglas Murray remembers what it was like before Twitter ruined everything:

Fifteen years ago today, an innovation was unveiled that has probably changed our lives as much as any other this century. It was on 15 July 2006 that software developer Jack Dorsey and his team launched an online platform where text messages of 140 characters could be shared in a group; six days later Dorsey sent his first tweet, launching a new age of reasoned debate and engagement.

There are some who want to celebrate today — principally Dorsey, along with the small number of other people who have become unimaginably rich off the platform. But for everybody else on the planet, I suspect we should welcome the anniversary with roughly the same enthusiasm that we would the emergence of the Ebola virus. For the further away we have come from Twitter’s birth, the clearer it has become that the platform is a source of unimaginable harm to almost every aspect of society.

In the early days, it didn’t feel like this. Like Facebook, Amazon, Google and the other Big Tech monoliths, it all started out so well. Twitter was actually fun back then. People said whacky things. There were cat videos. There was Follow Friday and friendships were made. As professional and amateur newshounds took to the platform, it became the fastest way to learn about any developing story.

If something was going on, Twitter was there first, certainly ahead of the BBC or any of the other news establishments who had to lumber through the old legal and editorial hurdles, rather than enjoying the lightning-quick response time of social media. Politics is a drug, and the most successful drugs provide an instant hit. But they are also the most dangerous, and the downsides soon started to assert themselves.

Soon many started using the site in a game of competitive grievance, or competitive sanctimony. They took obvious glee in targeting victims who had transgressed some moral code; the obvious righteousness of these online crusaders meant they rarely recognised themselves as the aggressors or bullies.

And soon it became apparent that, while everyone was on the site, everyone also hated it. Those on the ideological Left began to turn against the platform when it became clear that it allowed their opponents on the Right to spread “hate”, a scourge which they defined generously. Just as they used it themselves to spread their message.

This all reached its nadir with Donald Trump, whose presidency is to many people the most concrete result of Twitter. The world watched aghast as Trump was able to say often the craziest of things to millions upon millions of followers, speaking unfiltered and directly — in a way the old news media would never have allowed. When he won the presidency and then thanked Twitter for the helping him to get it, many of these natural Twitter followers lost their faith in the platform. How could they have let it happen? It was their platform, after all, this noisy minority of the American and British electorate. Indeed, if you had read UK Twitter ahead of the 2019 election, you would have been absolute certain of a Jeremy Corbyn landslide. Where were these millions of Tory voters who didn’t like Jeremy?

QotD: “Magic” bullets

Filed under: Business, Humour, Quotations, Technology, USA, Weapons — Tags: , , , — Nicholas @ 01:00

As I write this, another wave of ballistic hyperbole is sweeping across the Internet. There’s a new bullet out! It sets the paradigm on its ear! Gun owners are drooling for this, the last bullet you’ll ever need! Blah, blah, blah, yakkity-shmakkity.

Stick around long enough and you’ll notice this phenomenon happen every few years. You’re sitting there, minding your own business, and the next thing you know, friends from work or church or the book club who know you as “The Gun Expert” are coming up to you and asking about this bullet that’s being hyped in the mainstream media as either the surest felon-stopper since Wyatt Earp or the biggest menace to society since John Dillinger.

It’s rare for something as esoteric as a projectile design to come to the attention of the non-gun press. Generally, for that to happen, it takes one of two things: either a mainstream manufacturer made an unusually poor PR choice in the bullet naming *cough*BlackTalon*cough*, or someone has launched a buzzword-laden press release with all the discrimination of a desert island dweller putting notes in bottles.

[…]

When a new Magic Bullet is launched and makes media waves, I always apply two filters as to whether it’s worth chasing down. The first filter is “Are the police using this?” This is not necessarily because I think that the police are all-that-and-a bag-of-chips in the gear-selection department, but they’ve generally been okay with bullets for the last 15 or 20 years and, should I ever have to justify my choice of rounds in a courtroom, it would be nice to be able to say “You, alright! I learned it by watching you!” like the kid in the commercial.

The second filter? The second filter is “Is this cartridge sold in six-round blister packs with pictures of explosions and rappelling ninjas on them?” Because if it is, well, I’m just not Operator enough.

Tamara Keel, “No Magic Bullet”, GunsAmerica Digest, 2018-11-27.

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