Quotulatiousness

March 22, 2014

The “narrative”

Filed under: Media, Politics, USA — Tags: , , , , — Nicholas @ 11:10

Wilfred McClay noticed the increasing use of the term “narrative” over the last few years:

We have this term now in circulation: “the narrative.” It is one of those somewhat pretentious academic terms that has wormed its way into common speech, like “gender” or “significant other,” bringing hidden freight along with it. Everywhere you look, you find it being used, and by all kinds of people. Elite journalists, who are likely to be products of university life rather than years of shoe-leather reporting, are perhaps the most likely to employ it, as a way of indicating their intellectual sophistication. But conservative populists like Rush Limbaugh and Sean Hannity are just as likely to use it too. Why is that so? What does this development mean?

I think the answer is clear. The ever more common use of “narrative” signifies the widespread and growing skepticism about any and all of the general accounts of events that have been, and are being, provided to us. We are living in an era of pervasive genteel disbelief — nothing so robust as relativism, but instead something more like a sustained “whatever” — and the word “narrative” provides a way of talking neutrally about such accounts while distancing ourselves from a consideration of their truth. Narratives are understood to be “constructed,” and it is assumed that their construction involves conscious or unconscious elements of selectivity — acts of suppression, inflation, and substitution, all meant to fashion the sequencing and coloration of events into an instrument that conveys what the narrator wants us to see and believe.

These days, even your garage mechanic is likely to speak of the White House narrative, the mainstream-media narrative, and indicate an awareness that political leaders try to influence the interpretation of events at a given time, or seek to “change the narrative” when things are not turning out so well for them and there is a strongly felt need to change the subject. The language of “narrative” has become a common way of talking about such things.

One can regret the corrosive side effects of such skepticism, but there are good reasons for it. Halfway through the first quarter of the 21st century, we find ourselves saddled with accounts of our nation’s past, and of the trajectory of American history, that are demonstrably suspect, and disabling in their effects. There is a view of America as an exceptionally guilty nation, the product of a poisonous mixture of territorial rapacity emboldened by racism, violence, and chauvinistic religious conviction, an exploiter of natural resources and despoiler of natural beauty and order such as the planet has never seen. Coexisting with that dire view is a similarly exaggerated Whiggish progressivism, in which all of history is seen as a struggle toward the greater and greater liberation of the individual, and the greater and greater integration of all governance in larger and larger units, administered by cadres of experts actuated by the public interest and by a highly developed sense of justice. The arc of history bends toward the latter view, although its progress is impeded by the malign effects of the former one.

QotD: The “B-word”

Filed under: Media, Quotations, USA — Tags: , , , — Nicholas @ 10:27

To me, the Ban Bossy campaign is one of those unnecessary feel-good, pat-yourself-on-the-back schemes that puts lipstick on social media’s most dubious achievement, the sanctification of rampant self-promotion disguised as content. You could say it’s the Facebook-ization of feminism.

There’s even product placement. You can go the Ban Bossy website store and buy a Ban Bossy T-shirt, mug or tote. There’s even a Ban Bossy case for your iPhone 5. (Insert your own snarky Apple joke here.)

Big names — Beyoncé, Jennifer Garner, Melinda Gates — share inspirational quotes, to which no reasonable person could object because all of the edges have been blunted.

If ever there is a sign of the feminization of America, it could be that one Ban Bossy celebrity spokesman is former Gen. Stanley McChrystal. That’s right, the former head of NATO command in Afghanistan — whose swagger and irreverent attitude toward the Obama White House was so pronounced that he had to resign — has been reduced to piggybacking onto a campaign that exhorts little girls not to let themselves be stereotyped and suggests that teachers conduct “no interruptions” conversations so that every child has a chance to speak.

A wartime general wants to ban bossy? Why even have an army?

Debra J. Saunders, “Sheryl Sandberg, how about banning bossy billionaires?”, SFGate.com, 2014-03-19

Variations on Bach

Filed under: Japan, Media — Tags: , , — Nicholas @ 10:11

Classic FM has a collection of 10 videos which use Bach’s music in varied ways, including this rather charming forest xylophone performance as an ad for a Japanese mobile phone:

Uploaded on 4 May 2011

Very nice music from a very long xylophone in the forest.
No CG or tape-cut. Four days spent.
This is for a newly launched cell phone of NTT Docomo, the largest mobile service provider in Japan. Shell of the new phone is wood and their idea is to use domestic woods that are produced after preservative maintenance of Japanese forest.
ドコモのサイトでステキな映像発見。

Music: “Jesu, Joy of Man’s Desiring”, by Bach
Cannes Lion Award Winner 2010

H/T to Samizdata for the link.

Turkish Twitter users work to circumvent the government’s ban

Filed under: Europe, Government, Media — Tags: , , , — Nicholas @ 10:00

In the Guardian, Constanze Letsch reports from Istanbul as users of Twitter actively flout the government’s peevish ban of the online service:

Turkish users of Twitter, including the country’s president, have flouted a block on the social media platform by using text messaging services or disguising the location of their computers to continue posting messages on the site.

In what many Twitter users in Turkey called a “digital coup”, Telecom regulators enforced four court orders to restrict access to Twitter on Thursday night, just hours after the prime minister, Recep Tayyip Erdogan, vowed to “eradicate” the microblogging platform in an election speech.

The disruption followed previous government threats to clamp down on the social media and caused widespread outrage inside and outside Turkey. In a first reaction to the ban, Neelie Kroes, vice-president of the European commission, tweeted: “The Twitter ban in #Turkey is groundless, pointless, cowardly. Turkish people and intl community will see this as censorship. It is.”

Štefan Füle, EU commissioner for Enlargement and European Neighbourhood Policy, said in a statement: “The ban on the social platform Twitter.com in Turkey raises grave concerns and casts doubt on Turkey’s stated commitment to European values and standards.”

The hashtag #TwitterisblockedinTurkey quickly rose to the top trending term globally. According to social media agency We Are Social the number of tweets sent from Turkey went up 138% following the ban.

March 21, 2014

Kate Bush announces series of concerts in London

Filed under: Britain, Media — Tags: , , , — Nicholas @ 14:23

The Daily Mail describes it as a residency at the Hammersmith Apollo in London:

Kate Bush is to return to the stage in London — 35 years after she retired from touring after just six weeks on the road.

She will play a 15-date residency at the Hammersmith Apollo which was the venue for a celebrated concert film she made in 1979.

The 55-year-old made a surprise announcement about the shows — to be called Before The Dawn — on Friday morning, with the first taking place on August 26.

Bush talked about a desire to return to playing live in an interview three years ago, saying she would love to play again before she became ‘too ancient’.

She was just 20 when she completed The Tour Of Life after topping the charts with Wuthering Heights the previous year.

Over the years, theories about her absence from the stage have included her perfectionism, a fear of flying and the death of one of the tour crew, lighting director Bill Duffield, during a show.

But in a rare interview with Mojo magazine in 2011 to mark her comeback, she explained that her years of silence on the touring circuit were simply down to the sheer exertion of the ordeal.

‘It was enormously enjoyable. But physically it was absolutely exhausting,’ she said.


LONDON – 12th MAY: English singer Kate Bush performs live on stage at Hammersmith Odeon in London on the penultimate date of her European tour on 12th May 1979. (Photo by Peter Still/Redferns)

March 20, 2014

Today in misunderstood income inequality stats…

Filed under: Britain, Economics, Media — Tags: , , — Nicholas @ 08:20

Tim Worstall pokes fun at a recent Oxfam report that claims that Britain’s five richest families own more than the bottom 20% of the population:

I read this and thought, “well, yes, this is obvious and what the hell’s it got to do with increasing inequality?” Of course Gerald Grosvenor (aka Duke of Westminster) has more wealth than the bottom 10 per cent of the country put together. It’s obvious that the top five families will have more than 20 per cent of all Britons. Do they think we all just got off the turnip truck or something?

They’ve also managed to entirely screw up the statistic they devised themselves by missing the point that if you’ve no debts and a £10 note then you’ve got more wealth than the bottom 10 or 20 per cent of the population has in aggregate. The bottom levels of our society have negative wealth.

[…]

Given what we classify as wealth, the poor have no assets at all. Property, financial assets (stocks, bonds etc), private sector pension plans, these are all pretty obviously wealth.

But then the state pension is also wealth: it’s a promise of a future stream of income. That is indeed wealth just as much as a share certificate or private pension is. But we don’t count that state pension as wealth in these sorts of calculations.

The right to live in a council house at a subsidised rent of the rest of your life is wealth, but that’s not counted either. Hell, the fact that we live in a country with a welfare system is a form of wealth — but we still don’t count that.

Doing this has been called (not by me, originally anyway) committing Worstall’s Fallacy. Failing to take account of the things we already do to correct a problem in arguing that more must be done to correct said problem. We already redistribute wealth by taxing the rich to provide pensions, housing, free education (only until 18 these days) and so on to people who could not otherwise afford them. But when bemoaning the amount of inequality that clearly cries out for more redistribution, we fail to note how much we’re already doing.

So Oxfam are improperly accounting for wealth and they’ve also missed the point that, given the existence of possible negative wealth, then of course one person or another in the UK will have more wealth than the entire lowest swathe.

My mondegreens make more sense than your lyrics

Filed under: Media — Tags: , — Nicholas @ 07:59

Kevin Dettmar discusses the best form of mondegreen: the kind that makes more sense (to the listener anyway) than the actual lyrics being slurred or mumbled or bellowed by the lead singer:

I’ve been thinking a great deal lately about the important role that misunderstood lyrics play in the way rock music works. The problem is especially pointed in the case of the post-punk Gang of Four because they saw much of their music as a political intervention in the events of their day (the late 70s through the early 80s). But how can rock really “rage against the machine” if no one’s quite sure what it’s saying? What can it mean that a band that put a great deal of emphasis on its songwriting — pop songs as political theory — actively resisted making that theory more intelligible? Resisted to the degree that even smart and sympathetic critics have sometimes badly misread the work?

One answer involves taking the “mondegreen” seriously.

For better or worse, we seem to be stuck with the term that was coined in 1954 by the writer Sylvia Wright, in a piece in Harper’s Magazine. That the word is about the same age as rock and roll itself is a fitting coincidence. In her mother’s recitation of the ballad “The Bonnie Earl of Murray,” Wright as a child misheard the phrase “laid him on the green” as “Lady Mondegreen” and wove a coherent narrative around the mistake, or “mondegreen.”

[…]

My mistake, trivial in itself, does suggest something important about the capacity of rock music (in which marginal intelligibility is not just an accident but rather a constitutive element) to do significant political work. For my misreading, I’d suggest, wasn’t random free association. In important, if largely subconscious and unconscious ways, what I understood of the lyrics, and the politics of the sound of the song itself, conditioned me to fill in the blanks in my understanding from among a fairly limited range of possibilities.

In music as powerful as this — and for a listener as powerfully in its thrall as I was, as I am — the mumbly bits actually provide moments where I can become co-creator of this aggressive, political music along with the band. And that, I would submit, is powerful political pedagogy. The songs on Entertainment! don’t teach me what to think: They teach me how to think. The proof is in my mondegreens.

My mishearing the line wasn’t simply an error, then — or if an error, it was a productive one. Sylvia Wright insisted that “the point about what I shall hereafter call mondegreens … is that they are better than the original.” Dave Marsh maintains that his lyrics to “Smells Like Teen Spirit” are better than Cobain’s. What I heard at the end of “Ether” may not have been what King and Gill meant; but having my interpretation revealed through my misreadings tells me something about where my mind prefers to go. And that is precisely the work of ideological critique. “Ether” taught me not, or not only, about Gang of Four’s politics: More powerfully, it also taught me about my own.

H/T to Kathy Shaidle for the link. She also included a brilliant little music video to illustrate the point:

March 19, 2014

Alex Marwood: “Fred Phelps might finally be teaching us a lesson”

Filed under: Media, Politics, Religion, USA — Tags: , , , — Nicholas @ 08:45

Alex Marwood contemplates the actual lessons to be drawn from the impending death of the head (former head?) of the flamboyantly repellant Westboro Baptist Church:

But here’s the thing that might indeed deserve celebrating: I think that, in his final hours, Fred Phelps might finally be teaching us a lesson. And it’s not the lesson that his spittle-bowed ranting, his family’s laughable adaptations of pop songs and psychotic banner-waving have been intended to teach us. For years now, I’ve looked at Westboro and wanted to ask them about their take on the Seven Deadly Sins. The old man and his numerous offspring seemed, you see, to base their style upon them. Wrath he had, in plenty — but Phelps also seem to be driven as much by envy (of the “fags” who were getting preferential enabling), a prideful self-belief only challenged by that of L Ron Hubbard, greed, as demonstrated in all those juicy court settlements from local councils who sought to limit his ‘freedom of speech’ and, well, frankly, quite a bit of sloth, sitting about in his compound sending the grandkids out to demonstrate. As to gluttony and lust — well, no one really knows what went on behind the walls of that compound when Louis Theroux wasn’t filming, but the guy has 13 kids and a bit of a paunch, which suggests a degree of busyness, to say the least. And here he is, at the end of his life, alone, unmourned and, as many people believe, anyway, probably going to hell.

So thank you, Fred. You’ve taught us how not to live our lives. Actually, I would hazard that, if anything, Fred’s career has done gay rights a favour. For every sad-act who got themselves sucked in by them, there will be thousands upon thousands who will have thought “well, if that’s the face of the moral Right, I’m out,” and gone and shaken hands with their local homosexuals. In a land where the values of Christianity often seem to have been warped by the twin evils of psychopathically Right-wing Right-wingers and greed-fuelled fraudsters, Phelps picked up the ball, glued spikes on it and kicked it into the faces of small children and then sued them for getting in the way. He will have done more to turn people away from his brand of God than even Morris Cerullo. So thanks, Fred! If any of the kids are looking for an example of a Christian life, we now have a perfect example to show them, and say “the opposite of that, basically”. Well played, and flights of something sing thee to thy rest!

Dark Dungeons Teaser Trailer

Filed under: Gaming, Humour, Media, Religion — Tags: , , , — Nicholas @ 00:01

Published on 18 Mar 2014

Dark Dungeons brings Jack Chick’s 1984 masterpiece to the silver screen. Visit http://darkdungeonsthemovie.com/ for exclusive updates!

Debbie and Marcie arrive at college unaware of the dangers of RPGing. They are soon indoctrinated into this dangerous lifestyle where they face the threat of learning real life magical powers, being invited to join a witches’ coven, and resisting the lure of Ms. Frost, a vile temptress of a GM. But what peril must the two friends face when they stumble across the Necronomicon and their fantasy game becomes a reality game? Find out in Dark Dungeons!

March 18, 2014

These buttons would be a vast improvement to the Facebook user interface

Filed under: Humour, Media — Tags: , — Nicholas @ 08:55

John Donovan posted this image, and I wholeheartedly agree that it really would make the Facebook experience so much more enjoyable:

Facebook needs these 24 buttons

Update: Whoops! Forgot the link to the original source.

Selfies are “this year’s droopy pants, backwards baseball caps, or visible piercings, as a shorthand for all that is wrong with today’s youth”

Filed under: Media, Politics — Tags: , , , , , — Nicholas @ 08:21

Nick Gillespie loves the Millennials. No, he really does:

That discomfort you’re sensing all around you? It’s the American Establishment loading its Depends diapers over the prospect of a younger generation that is turning its back on political parties and other zombified artifacts of our glorious past.

On the heels of the Pew Research report titled “Millennials in Adulthood,” two leading New York Times columnists have penned anxious articles sweating it out over the “The Self(ie) Generation” and “The Age of Individualism.”

“Millennials (defined by Pew as Americans ages 18 to 33) are drifting away from traditional institutions — political, religious and cultural,” muses Charles M. Blow, who sees a “a generation in which institutions are subordinate to the individual… This is not only the generation of the self; it’s the generation of the selfie.” Oh noes! And it’s only gonna get worse: “In the future,” worries Ross Douthat, “there will be only one ‘ism’ — Individualism — and its rule will never end. As for religion, it shall decline; as for marriage, it shall be postponed; as for ideologies, they shall be rejected; as for patriotism, it shall be abandoned; as for strangers, they shall be distrusted. Only pot, selfies and Facebook will abide.”

Does it strike anyone else as odd that selfies — clearly less the product of rising narcissism and more the product of the same awesome technology that empowers citizens to capture cops beating the shit of innocent people — have emerged as this year’s droopy pants, backwards baseball caps, or visible piercings, as a shorthand for all that is wrong with today’s youth? Getting bent out of shape over selfies may just be the ultimate #firstworldproblem.

Updating David’s sling, outraging Italian politicians

Filed under: Business, Europe, Italy, Media, Weapons — Tags: , , , — Nicholas @ 07:41

Virginia Postrel diagnoses the real reason politicians are upset about Armalite’s updated image of David’s armament:

David and the Armalite

Italian authorities were indignant when they discovered that the Illinois weapons maker ArmaLite had an advertising campaign showing Michelangelo’s David holding one of its rifles. “The advertisement image of an armed David offends and violates the law,” tweeted tourism minister Dario Franceschini. Angel Tartuferi, director of the Accademia Gallery, which houses the sculpture, agreed: “The law says that the aesthetic value of the work cannot be altered.”

This moral posturing is clearly about something other than respect for the sculpture’s “aesthetic value” or “cultural dignity.” Otherwise, officials would crack down on the David boxer shorts sold by countless Florentine vendors. And where was the outrage in 1981, when the David was flogging Rush brand poppers, amyl nitrite drugs used to enhance sexual pleasure, in magazines aimed at gay men?

It seems that it’s fine to use the David to sell things as long as you emphasize his nudity rather than his meaning.

[…]

ArmaLite’s ads broke the unwritten rules. Instead of highlighting the hero’s body, they emphatically made him a warrior. Hence Franceschini’s objection to an “armed David,” even though every David is armed. “David famously used a slingshot to defeat the giant Goliath, making the gun imagery, thought up by the Illinois-based ArmaLite, even more inappropriate,” writes Emma Hall in Ad Age.

To the contrary, the gun imagery, while incongruously machine-age, was utterly appropriate. David did not use a “slingshot.” He used a sling. As historians of ancient warfare — and readers of Malcolm Gladwell’s latest book, David and Goliath — know, a sling was no child’s toy. It was a powerful projectile weapon, a biblical equivalent of ArmaLite’s wares.

Social justice travesty generator

Filed under: Humour, Media — Tags: , — Nicholas @ 07:32

ESR linked to this. It’s a generator site for “social justice” that produces simulated Tumblr and blog post rants that are indistinguishable from the “real thing”:

Generated social justice post 1

Generated social justice post 2

March 17, 2014

Shane McGowan – amazingly still not dead

Filed under: Britain, Media — Tags: , — Nicholas @ 08:46

In City Journal, Matthew Hennessey reports the unbelievable news that Shane McGowan is still alive:

They say God takes care of fools and drunks. If so, he’s been working overtime the last few decades taking care of Shane MacGowan. As the frontman and principal songwriter of the Irish rock band the Pogues, MacGowan is as famous for his lyrics and whiskey-timbered voice as for his unlikely longevity, despite a Homeric appetite for intoxicating substances, especially, but not limited to, alcohol. Though he cuts a shambolic figure, MacGowan is still upright at 56, a feat many view as a minor miracle. His rheumy eyes and distinctive throat-clearing cackle suggest not genius, necessarily, but late-stage dipsomania; there is nary a tooth left in his head. God or something like God must be taking care of MacGowan. He’s not been doing the job himself.

Throughout the 1980s and 1990s, reports of MacGowan’s impending demise were so frequent that English author Tim Bradford felt compelled to write a book called Is Shane MacGowan Still Alive? No one, not even MacGowan, takes talk of his mortality seriously anymore. “For the last 35 years I’ve supposed to have been dead in six months,” he has said. “But when all these bastards say you’re going to be dead in six months it tends to give you an incentive not to be. . . . Let’s face it, I’ve got a charmed life. I’m a lucky bastard, know what I mean?”

Whether luck, God, or some combination of the two is responsible for MacGowan’s Promethean tolerance for self-abuse, he has nonetheless been deservedly celebrated for the vivid originality of his songwriting, for which he has often been called Ireland’s greatest living poet. Indeed, his best writing evokes the poetry of William Blake, whose claim that “the road of excess leads to the palace of wisdom” has served as a road-map for MacGowan’s public career. “If you’re asking whether drink and drugs have worked for me,” he told an interviewer in 1994, “I’ve got to say they have. I’m one with William Blake on this one. Drink and drugs and all that shit, it’s a short cut to the subconscious.”

Fans and critics could be forgiven for thinking that MacGowan’s subconscious is a place of darkness, an insane asylum, a prison cell, or a congress of libertine Irish nationalists and saucy fair maidens groping their way toward alcoholic oblivion like Earth-bound fallen angels. But it is also a religious bouillabaisse of Celtic paganism, Catholic mysticism, and “drunken Zen.”

A perfect description: “Listening to the Pogues is like getting a punk-rock telegram from Brendan Behan.”

Tokenism watch – PhD models

Filed under: Business, Education, Media — Tags: , , , , — Nicholas @ 08:06

Martha Gill is underwhelmed by Betabrand’s use of PhDs as runway clothing models:

‘Hey ladies, you might have PhDs, but really you all want to be models’

Is there no job you don’t need a ludicrous set of qualifications for nowadays? Clothing company PhD, in a fairly ill-defined attempt to, I don’t know, raise awareness or something, have hit upon a novel concept for a fashion shoot: recruiting only models with PhDs.

“Our designers cooked up a collection of smart fashions for spring, so why not display them on the bodies of women with really big brains?” founder Chris Lindland said in a statement. Supporters have greeted it as a feminist move, saying it helps to promote “different kinds of female role models”.

Hmmm. Does it? I’m really not so sure that it does.

[…]

I mean, I see what they’re trying to do. They are trying to broaden the public’s idea of models, make them more representative, and show that being intelligent is something to aspire to, too. They just haven’t managed to do this. In any way.

You see, what I think they’ve done here is confuse the term “role model” with “clothing model”. The drive to make models more “representative” (see also Dove’s “real women” campaign) is actually setting up modelling to be far more aspirational than it is. It takes as read that being a model is the pinnacle of feminine achievement, and all we need to do to make girls feel good about themselves is to tell them they, too, can all be models. Even if they’re PhD students.

But models are just models. Really, really, ridiculously good-looking people doing what, when it comes down to it, is a fairly crap job.

The photo chosen to accompany the article in the Telegraph is why I originally wrote “runway model” instead of “clothing model”. The photos in the Daily Mail taken from the Betabrand website are much less … ridiculous than the Telegraph implies. They’re just modelling ordinary clothing for ordinary women, not the weird and totally impractical stuff some clothing designers foist on their runway models at fashion shows.

Betabrand PhD model example

I’d say there’s no story here (despite blogging about it), but there is. It’s just not quite the drive-by that the Telegraph‘s photo editor wants it to be. Betabrand scored a lot of free advertising and (probably) got its clothing line modelled on the cheap as well. It’s rather amusing that the Daily Mail is significantly more realistic in their coverage of this story than the Telegraph.

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