Quotulatiousness

December 11, 2018

Criticizing the left, from the left

Filed under: Britain, History, Media, Politics — Tags: , , , — Nicholas @ 03:00

In Quillette, Matt Johnson discusses the phenomenon of devoted leftists being willing to criticize their own “side”, and includes a section on George Orwell’s willingness to critique leftists while still being a fully dedicated leftist himself:

Orwell’s press card portrait, 1943

Bruckner’s remark about “Stalinist blackmail” calls to mind a writer whose commitment to both left-wing politics and anti-totalitarianism never wavered in the face of threats and coercion from the Left.

In the summer of 2003, the BBC aired George Orwell: A Life in Pictures. About halfway through the documentary, Orwell (played by Chris Langham) says, “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism.” This is a line from one of Orwell’s best-known essays, published in 1946, “Why I Write.” But astute viewers may have noticed that something was missing from the reference — eight words that the producers decided to leave out.

Here’s the original sentence: “Every line of serious work that I have written since 1936 has been written, directly or indirectly, against totalitarianism and for democratic socialism, as I understand it.” After the sentence abruptly ends with the word “totalitarianism” in the documentary, Langham takes a long drag on his cigarette before jumping to a different passage of the essay. It was almost as if the producers wanted to accentuate the omission, taunting viewers with their own version of Orwell — one who didn’t have the courage to disclose his true beliefs.

There’s something simultaneously fitting and perverse about the manipulation of Orwell’s words more than half a century after his death (by the BBC, no less). Orwell’s anxiety about the falsification of history is one of the major themes of Nineteen Eighty-Four — as well as much of his other writing and later correspondence — and this is what the producers of the documentary were guilty of doing when they amputated one of his firmest ideological declarations and turned it into a much more palatable and anodyne comment on totalitarianism. No matter how badly some people want Orwell to be a polished and uncontroversial product for mass consumption, he was still the man who wrote these words as he speculated about the possibility of violent revolution in England: “I dare say the London gutters will have to run with blood. All right, let them, if it is necessary.”

Even when Orwell wasn’t in a mood that had him impatiently looking forward to the day “when the red militias are billeted in the Ritz,” he was always honest about his political beliefs. On November 13, 1945, Katharine Stewart-Murray, the Duchess of Atholl, wrote to Orwell asking if he would speak on behalf of an anti-communist organization called the League for European Freedom. This was a month after the publication of Animal Farm — a time when Orwell was worried that the book would be misinterpreted as a broadside against socialism instead of a narrower attack on Stalinism.

Given this context, it isn’t surprising that Orwell declined the duchess’s offer: “Certainly what is said on your platforms is more truthful than the lying propaganda to be found in most of the press, but I cannot associate myself with an essentially Conservative body which claims to defend democracy in Europe but has nothing to say about British imperialism.” Even though Orwell was a staunch anti-communist, his essential political convictions remained immovable: “I belong to the Left and must work inside it, much as I hate Russian totalitarianism and its poisonous influence in this country.”

Orwell was a socialist until the end of his life. For many people, this complicates his legacy and detracts from his pristine image as the twentieth century’s foremost foe of totalitarianism — an image that has been appropriated again and again over the past 70 years.

[…]

But as Orwell was at pains to demonstrate (especially after the publication of Animal Farm), he would have firmly rejected the Right’s attempts to appropriate his legacy. While Orwell is rightly celebrated for his refusal to accept the dogmas of the Left when he was under tremendous pressure to do so, his independence of mind is only one of the reasons why he remains so relevant today. His ability to maintain that independence without sacrificing his most fundamental principles may be even more important.

December 9, 2018

Everyone please update your Newspeak dictionaries…

Filed under: Asia, Media, Middle East — Tags: , , , — Nicholas @ 03:00

Mark Steyn suggests we’ll soon be unable to use compass directions in spoken or written work, for fear of causing offence:

Things you can no longer say:

I was in the big city earlier this week, and so saw for the first time in ages a physical copy of The New York Times. It contained an interview with James Dyson, the brilliant re-inventor of vacuum cleaners and much else. The Times felt obliged to preface Sir James’ words with a health warning for the easily triggered:

    In this interview, Mr. Dyson expressed antiquated and at times offensive views on “racial differences” and Japanese culture. He also referred to growth markets in Asia as the “Far East.”

He used the term “Far East”!!! What the hell was he thinking?????? Good thing he has no plans to run for public office or host a cable show. The old British Foreign Office joke about the “Near East” (which is more generally referred to as the Middle East) is that they call it the Near East because it’s always nearer than you think. But start referring to the Far East and the instant vaporization of your entire career is a lot nearer than you think.

“Far East” is, I suppose, literally Eurocentric. But then so is “Midwest”. Perhaps the Times now finds any point of view or perspective “offensive”. Perhaps it is time to ban such “antiquated” concepts as north, south, east and west – and indeed the very compass. The abolition of instruments of navigation would seem a necessary condition for the future we’re sailing to.

December 7, 2018

The Anti-Authoritarian Politics of Harry Potter

Filed under: Books, Liberty, Media — Tags: , , , — Nicholas @ 04:00

Foundation for Economic Education
Published on 6 Dec 2018

JK Rowling’s wizarding world isn’t all wands, charms, and transfigurations. The magical universe inhabited by characters like Harry Potter and Newt Scamander is rife with the dangerous incompetence of adults, unchecked corruption, and appalling abuses of power, and not just by Voldemort or Grindelwald.

_____________
Written & Produced by Sean W. Malone
Edited by Arash Ayrom & Sean W. Malone

December 4, 2018

Terry Teachout’s unhappy Twitter experience

Filed under: Media — Tags: , , — Nicholas @ 03:00

While I don’t follow him on Twitter, I’ve long subscribed to the RSS feed from Terry Teachout’s website. On Sunday, he posted about a recent unpleasantness on Twitter that I thought was worth sharing:

… my Twitter account, was hacked on Sunday morning as part of a cross-platform attack on my social-media presence. The objective, it seems, was ransom: I actually received a series of telephone calls from the culprits, who appear to reside in England. Needless to say, I hung up and immediately started changing passwords and building a higher security wall. Alas, several hours went by before the powers-that-be at Twitter took notice of my plight, and numerous obscene postings are still visible on my old Twitter page as of this hour, as well as on the Twitter module in the right-hand column of this blog.

So, as you’d expect, the crack Twitter security team sprang into action, right? Er, no:

I received this message from Twitter Support late last night:

    We’ve investigated the reported account and have determined that it is not in violation of Twitter’s impersonation policy. In order for an account to be in violation…it must portray another person…in a misleading or deceptive manner.

So that’s how Twitter Support responds when my verified account is hacked, obscene and racist messages are posted on it, and a ransom request is made to me by telephone. Is it any wonder that more and more people are getting fed up with Twitter?

November 26, 2018

You can make a strong case that “nutrition science is not just misguided but actually harmful”

Filed under: Food, Health, Media, Science, USA — Tags: , — Nicholas @ 03:00

Alex Berezow outlines the ferment and upheaval in modern nutrition science reporting:

One day, coffee causes cancer; the next, it cures cancer. One day, wine is good for you; the next it kills you. Given its self-contradictory wishy-washiness, can nutrition science be trusted?

Not at all, say Edward Archer and his co-authors, in a new paper published in Frontiers in Nutrition. They believe nutrition research is so bad that they call our current scientific discourse on the relationship between diet and disease to be “fictional.”

This isn’t the first time that Dr. Archer lobbed a grenade into the field of nutrition. In an article for RealClearScience, he (in)famously called the U.S. dietary guidelines a “scientific fraud” based on “implausible” data that “create[s] fear and uncertainty in American citizens.”

Clearly, Dr. Archer believes that nutrition science is not just misguided but actually harmful. That’s an extraordinary statement that requires extraordinary evidence.

Any nutrition study that’s based on self-reporting depends on the participants to be honest and fully revealing of their food and drink intake. At a time when we’re food-shamed on a daily basis by the government and the media for our “failings”. Even mostly honest reporters are likely to ever-so-slightly under-report their intake of whatever foods are the subject of this week’s “two-minute hate”. One of my favourite examples of blatant under-reporting is that — if you believe the reports — approximately half of all the booze sold in Britain is just poured down the drain:

The only real pitfall in this kind of research is the problem of people under-reporting how much they drink. The amount of alcohol sold in the UK is about twice the amount that people claim to drink, so unless we throw away a huge amount of booze, it is certain that people either forget about how much they drink or they deliberately lie to researchers. In either case, we can assume that the people who say they consume two drinks a day are probably consuming three or four drinks, in which case the amount that you have to drink to assume the same level of risk as a non-drinker is even more than this graph suggests.

H/T to Blazing Cat Fur for the link.

November 24, 2018

It’d be an inhumanly restrained government that wouldn’t take advantage of this arrangement

Filed under: Business, Cancon, Government, Media — Tags: , , , , , , — Nicholas @ 03:00

And I don’t know of anyone who thinks that highly of our current federal government. In the Financial Post, Terence Corcoran outlines the government’s bribe offer to Canadian media organizations:

Historically, a free press has meant freedom from government intervention — from the king, the president, the prime minister, politicians, bureaucrats. The proposals outlined Wednesday by Finance Minister Bill Morneau to rescue journalists pretends to be consistent with that fundamental principle. The measures, he said, will be “arm’s-length and independent of the government.” They are not, and they represent a step backward for Canadian journalism.

Under the Morneau proposals, the arm of government is directly involved in deciding which journalists or news organizations will receive special treatment, tax breaks, charitable status. Over five years the amount of federal money moving directly into news and journalism will exceed $600 million, which obviously results in government dependence, not independence.

Morneau’s own words betray the falsity of his defence of the media-bailout plan. Decisions will be in the hands of an “independent panel of journalists (that) will be established to define and promote core journalism standards, define professional journalism, and determine eligibility.” What the heck does all that mean? Other journalists are going to set standards for what? Content? Ethics? Ideology? Adherence to the Canada Food Guide?

[…]

It is also unlikely that these measures to shape local journalism and bolster some media companies over others will be the end of government efforts to meddle in the industry. One can reasonably expect that there will be corresponding attempts to undermine the corporate entities and others that are said to be destabilizing Canadian journalism and the news and information business.

There is constant pressure on government from many sources to take action against the social media giants that are accused of stealing profits from legacy newspapers while spreading fake news. In a new commentary this week, former U.S. labour secretary Robert Reich called on Washington to break up Facebook and Google on the grounds that they dominate advertising. Anti-trust action is needed, said Reich, on the grounds that they “stifle innovation.” Canadian regulatory activists share the view that the U.S. tech and media companies need to be controlled and taxed — with the money redistributed to Canadian entities.

November 22, 2018

This is why tax cuts are always criticized for benefitting the rich

Filed under: Economics, Government, Media — Tags: , , , — Nicholas @ 05:00

Rebecca Zeines and Jon Miltimore explain why newspaper headlines and TV anchors always seem to decry any tax cut as being disproportionally beneficial to the wealthy:

But crucial facts are often missing in these articles. As a recent Bloomberg piece explained, two key points tend to be overlooked in articles written by media outlets and progressive tax proponents:

  1. The top 1 percent paid a greater share of individual income taxes (37.3 percent) than the bottom 90 percent combined (30.5 percent).
  2. The top 50 percent of all taxpayers paid 97 percent of total individual income taxes.

These numbers date back to 2016 but remain applicable in 2018.

These data show that the bottom 50 percent of US taxpayers paid just 3 percent of total income taxes in 2016, while the top 50 percent accounted for 97 percent.

Here is a wonderful visual representation of this dynamic, courtesy of Mark Perry of the American Enterprise Institute:

There is a clear correlation between economic freedom and prosperity, and tax climate is a key component of economic freedom.

Economist Dan Mitchell explains it best: Heavy taxation destroys entrepreneurship. The more money is taxed out of the private sector, the less is available for investment, development, and worker compensation (recall that after Trump’s tax bill was enacted, many businesses raised workers’ wages and offered bonuses).

Efforts to improve America’s tax climate are consistently and predictably derided as tax cuts for “the rich.” But, as the above diagram shows, it’s quite impossible to offer people a comparatively huge tax cut when they’re paying a comparatively tiny percentage of income taxes.

Shipping Up To Boston/Enter Sandman – Bagpipe Cover (Goddesses of Bagpipe x The Snake Charmer)

Filed under: Media — Tags: — Nicholas @ 02:00

TheSnakeCharmer
Published on 16 Mar 2018

Its St. Patrick’s day and i have something very special for you!! Bringing a mix of Irish tunes and metal for you on the Bagpipes with 3 Female Bagpipers all the way from US, Scotland and India. We love DropKick Murphys Shipping up to Boston and we’re also metal heads so we chose to mix both the awesome songs as a St. Patrick’s day song !!
SHARE , COMMENT, LIKE – Tell us what you think 🙂

PATREON – https://www.patreon.com/thesnakecharmer

Buy Now:
iTUNES – https://goo.gl/VD4RqZ
GOOGLE PLAY – https://goo.gl/kvbfs8
SPOTIFY – https://goo.gl/SqoSYP

Bagpipers :

Archy Jay – (The Snake Charmer)
Jane Espie (Phantom Piper) https://www.youtube.com/user/JaneEspie
Chelsea Joy – (Dame of Drones) https://goo.gl/PBr2aU

Video Credits :
Videographer 1 – Harald Weinkum
Videographer 2 – Neoric Productions
Editor – Karan Katiyar

Music :
Harald Weinkum: bass, guitars, keyboards
George Dum: drums
Mixed and mastered by George Dum at Liquidfish Studios,
Los Angeles

For bookings – archyj03@gmail.com

November 20, 2018

Remy: The Legend of Stan Lee

Filed under: Government, Liberty, Media, Politics, USA — Tags: , , , — Nicholas @ 04:00

ReasonTV
Published on 19 Nov 2018

Remy recalls a time when experts were claiming “Hitler was a beginner compared to the comic-book industry,” and how Stan Lee took a stand.

Written and Performed by Remy
Video Produced by Meredith and Austin Bragg
Music tracks and background vocals by Ben Karlstrom

Gordon Lightfoot’s “Wreck of the Edmund Fitzgerald

Filed under: Cancon, History, Media, USA — Tags: , , , , — Nicholas @ 03:00

Mark Steyn devotes a column to the work of Canadian singer/songwriter Gordon Lightfoot, particularly his very well-known ballad on the loss of the Edmund Fitzgerald on Lake Superior in 1975:

Edmund Fitzgerald, 1971
Detail of a photo from Wikimedia Commons

When it comes to trains and boats and planes, Gordon Lightfoot has hymned all three, but it’s the middle mode of transportation that produced the song he’s proudest of:

    The ship was the pride Of the American side
    Coming back from some mill in Wisconsin
    As the big freighters go
    It was bigger than most
    With a crew and good captain well seasoned…

In November 1975 Lightfoot chanced to be reading Newsweek‘s account of the sinking of a Great Lakes freighter in Canadian waters. He’s a slow and painstaking writer, which is one reason he’s given up songwriting – because it takes too much time away from his grandkids. But that day forty-three years ago the story literally struck a chord, and he found himself scribbling away, very quickly:

    The legend lives on From the Chippewa on down
    Of the big lake they called Gitche Gumee
    The lake, it is said Never gives up her dead
    When the skies of November turn gloomy…

“Gitche gumee” is Ojibwe for “great sea” – ie, Lake Superior – as you’ll know if you’ve read your Longfellow, which I’m not sure anyone does these days. Evidently Hiawatha was on the curriculum back east across Lake Huron in young Gordy’s Orillia schoolhouse. The Gitche Gumee reference may be why, when I first heard “The Wreck of the Edmund Fitzgerald“, I assumed its subject had sunk long before the song was written. In fact, it sank on November 10th 1975 – just a few days before Lightfoot wrote the number. When she’d launched in 1958, the Edmund Fitzgerald was the largest ship on the Great Lakes, and, when she passed through the Soo Locks between Lakes Superior and Huron, her size always drew a crowd and her captain was always happy to entertain them with a running commentary over the loudspeakers about her history and many voyages. For seventeen years she ferried taconite ore from Minnesota to the iron works of Detroit, Toledo and the other Great Lakes ports …until one November evening of severe winds and 35-feet waves:

    The wind in the wires
    Made a tattle-tale sound
    And a wave broke over the railin’
    And every man knew
    As the captain did too
    ‘Twas the witch of November come stealin’…

And about seventeen miles from Whitefish Bay the Edmund Fitzgerald sank, with the loss of all 29 lives. It remains the largest ship ever wrecked on the Great Lakes, launched in 1958 to take advantage of the new St Lawrence Seaway (to be opened by the Queen and President Eisenhower on an inaugural voyage by the Royal Yacht Britannia the following year) and specifically constructed to be only a foot less than the maximum length permitted. Edmund Fitzgerald was the then chairman of Northwestern Mutual Life Insurance of Milwaukee, and, as far as I’m aware, the only insurance company executive to be immortalized in a song title. Fifteen thousand people showed up for the ship’s launch at River Rouge, Michigan. It took Mrs Fitzgerald three attempts to shatter the champers against the bow, and then there was a further half-hour’s delay as the shipyard workers tried to loosen the keel blocks. After which the ship flopped into the water, crashed against a pier, and sent up a huge wave to douse the crowd. One spectator promptly had a heart attack and died.

And then came seventeen happy years. Even in the twenty-first century, there is something especially awful and sobering about death at sea: it is in a certain sense a reminder of the fragility of security and modernity. Whenever I’m in, for example, St Pierre et Miquelon, the last remaining territory of French North America, I stop by the monument aux marins disparus, sculpted in 1964 and to which many names have been added in the years since – because a ship put out, and somewhere on the horizon the great primal forces rose up from the depths and snapped it in two like a matchstick.

November 19, 2018

Corvus Corax featuring Arndis Halla: Hugin & Munin

Filed under: Europe, Germany, Media — Tags: , , — Nicholas @ 02:00

Corvus Corax
Published on 25 May 2018

The new album “SKÁL” – OUT NOW ► http://hyperurl.co/corvuscorax

With “the voice of the icelandic wind” Arndis Halla!
http://arndishalla.is

Music by Corvus Corax
Lyrics: traditional

Video Credits:
Produced by Swieding Medien
Executive Producer: Corvus Corax & Doro Peters
Second Camera: Sarah Wieding, Serge Foly & Halldór Sveinsson
Color Correction: Sarah Wieding
Filmed, Edited & Directed by Ronald Matthes

https://www.swiedingmedien.de

November 16, 2018

The political wrangles ahead over the federal carbon tax

Andrew Coyne — for once not beating the drum for electoral reform — discusses the challenge facing the federal government in the wake of provincial resistance to their carbon tax plans:

But the real test, of course, is yet to come. The provinces cannot stop the tax on their own. The court challenges are likely to fail. Provinces that refuse to implement carbon pricing will simply find the federal “backstop” tax imposed in its place. It is the election that will decide the issue, not duelling governments. Or so Conservatives hope.

Certainly there are abundant grounds to doubt the political wisdom of the Liberal plan. A tax, or anything that resembles it, would be a hard enough sell on its own. But a tax in aid of a vast international plan to save the earth from a scourge that remains imperceptible to most voters, to which Canada has contributed little and against which Canada can have little impact, while countries whose actions would be decisive remain inert? Good luck.

What seems clear is that voters’ support for carbon pricing is shallow and tentative. The Conservative strategist who chortled to the National Post that the Liberals are asking Canadians “to vote with their hearts, not their wallets” — an impossibility, he meant — was correctly cynical. Just because people want to save the planet doesn’t mean they want to pay for it.

The best way to read the public’s mood is in the positions of the political parties, who are in their various ways each trying to assure them that it won’t cost them a dime. The Liberal version of this is to promise to rebate the extra cost of the federal tax to consumers — indeed, they pledge, 70 per cent of households will make a profit on the exchange.

The Conservatives have been less forthcoming, but it would appear their plan is to hide the cost, substituting regulations, whose effects are largely invisible to consumers, for the all-too-visible tax at the pump. Here, too, I suspect they may have a better (i.e. more cynical) read on popular opinion. The public often prefer to have the costs of government hidden from them, even if they know they are paying them — even if they know they are paying more this way, as indeed they are in this case. Do what you want to us, they seem to say, just don’t rub our faces in it.

So I would be skeptical about polls showing majority support for the federal plan: 54 per cent, according to Angus Reid, while Abacus finds 75 per cent would either support or at least accept it (versus 24 per cent opposed). These were taken shortly after the announcement of the federal rebates. Yet it is far from evident the rebates will still register with people a year from now. Indeed, the Conservatives barely paused to acknowledge them as inadequate before going on to pretend they had never been mentioned.

November 10, 2018

Remy: I Love L.A. (Parody)

Filed under: Humour, Media, USA — Tags: , , , — Nicholas @ 04:00

ReasonTV
Published on 9 Nov 2018

Remy updates the iconic Randy Newman anthem for 2018.

Parody written and performed by Remy
Camera and editing by Austin Bragg
Music tracks, background vocals, and mastering by Ben Karlstrom

Reason is the planet’s leading source of news, politics, and culture from a libertarian perspective. Go to reason.com for a point of view you won’t get from legacy media and old left-right opinion magazines.
—-
LYRICS

Nice fall day
In L.A. County
Sitting watching all the leaves change
Temperature dipping into the low 70’s
I dress accordingly

Roll down the window
Put down the top
You know what
Maybe roll it up on second thought
That guy was higher
Than the pension of a state employee

Can’t use straws here
No fois gras here
You can’t park here
Lots of laws here

Every toilet
Barely flushing
But the sun is shining all the time
Looks like another bill to pay

I love L.A.
We Love it

“Definitely recommend this crystal here.
Oh and this one is our number one seller.”
“What’s that for? Anxiety?”
“No. Typhus.”
“Ah”

Public school graduates
Can barely read
And when they try to park
Well this is what they see

Sweet regulations
Ain’t nothing like em nowhere

Beachside
We love it

Mountainside
We love it

Riverside
We…eh….

Fixed streets
We love em
We love L.A.

“Unfortunately I’ll have to fail your restaurant.
I found a rat in the kitchen.”
“That wasn’t a rat that was my, uh,
emotional support rodent.”
“Well why didn’t you say so!”

“And this right here is a great hemorrhoidal crystal.
Uranus is in retrograde.”

I love L.A.
We love it

November 2, 2018

What cable news has devolved into

Filed under: Media, USA — Tags: — Nicholas @ 05:00

The great American philosopher @iowahawk on the degraded state of cable news programming:

October 31, 2018

Store-bought Halloween costumes of old

Filed under: Economics, Media, USA — Tags: , , , — Nicholas @ 03:00

Richard Lorenc explains why the Halloween costumes your parents bought for you as a kid … sucked:

While my husband and I were recently struggling to figure out our costumes for this Halloween (and we still don’t have any idea), he pulled up some old commercials on YouTube. The off-the-shelf options that trick or treaters had were, in a word, pitiful.

Basically, costume makers thought it was ok to make a front-only plastic mask (in any color, really) of a character and top it off with a plastic smock featuring an illustration of said character with either its name or the name of the show or movie it comes from. There was no attempt to dress in the character’s actual attire. If you wanted that, you’d either have to know a professional costumer or cobble together something from your closet.

Take a look for yourself at just how costume-poor we used to be:

Obviously, every costume is an opportunity to generate interest in a brand or franchise, and slapping on a logo is an easy way to get a name out there, but these costumes truly heralded a dark time for Halloween. Some may even argue that it demonstrated crass consumerism at its worst, with cynical companies taking the easiest route to grabbing a couple of bucks from desperate parents.

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