[Bureaucracies will always expand far beyond the “problem” they were instituted to address] was, anyway, the view of that “Austrian school economist”, Ludwig von Mises, proponent like the rest in that school of “classical liberalism”. His hatred of bureaucracy was a wonderful, animated thing. In his great book, Human Action, and many others, he could become almost boring on the topic. What distinguishes the Austrian school from, say, the famous Chicago school of Milton Friedman and his ilk, was its European origin. (They were, however, consciously allied.) The “Austrians” go back, to Catholic antecedents, and their interests are not reducible to “pure economics” (scare quotes because there is no such thing). Over time it extended to broad social questions, and through a constant interest in the history of ideas. These were multilingual and multicultural, in the manner of the old Habsburg empire; where our American classical liberalism has been almost unilingually English, provincially distrustful of foreign thinkers, and buzzing with statistics. (You’ll need a degree in math.)
War propelled the “Austrian” thinkers westward, and the fall of the Berlin wall propelled the “Chicago” school east. The terms no longer have geographical significance.
What all classical liberals have in common is the passionate vindication and defence of human freedom. That is what makes them, unlike progressives, readable in subsequent generations. Their subject matter cannot become dated. The “Austrians” are also necessary to understand modern history, positively as well as negatively, in the evolution of, for instance, the Christian Democratic movement that conceived a peaceful post-war Europe, in defiance of secularizing bureaucratic trends and mass-man “ideals”. Alas, this was overall defeated by the Eurocratic trend-setters, determined to build a magnificent autocratic monument to themselves.
I have the most enchanting memory of opening the box that contained an American reprint of Human Action (big thick book), which I had ordered at the age of fifteen. I no longer own a copy, but gather it still stands as a monument to the resistance — a study of “praxeology”, or purposeful human choices, stretching so wide that even religion and morality could be touched. (Conventional economics has no time for either.) A half-century later, I can even remember the construction of an earnest reading list, that was soon abandoned when I went on the road.
One may see the great division in Western thought and politics, which the Austrian-school Friedrich Hayek traced back to Bacon and Descartes, and can be traced farther to the Nominalists of the later Middle Ages. Humans live in freedom and make choices, to be restrained only by the plainest moral codes. Or, by the alternative thesis, we are components of a machine, which the man with Power can monkey with, by implanting stimuli here and there.
We are creatures of God, or — we are replaceable parts in a bureaucracy.
David Warren, “Austrian schoolboy”, Essays in Idleness, 2019-09-17.
November 23, 2023
QotD: The Austrian and Chicago schools of economics
November 22, 2023
Another look at the “Great Divergence”
The latest book review from Mr. and Mrs. Psmith’s Bookshelf features Patrick Wyman’s The Verge: Reformation, Renaissance, and Forty Years that Shook the World:
This is a weird Substack featuring an eclectic selection of books, but one of our recurring interests is the Great Divergence: why and how did the otherwise perfectly normal people living in the northwestern corner of Eurasia managed to become overwhelmingly wealthier and more powerful than any other group in human history? We’ve covered a few theories about what’s behind it — not marrying your cousins, coal, the analytic mindset (twice) — but there are lots of others we’ve never touched, including geographic and thus political fragmentation, proximity to the New World, and even the Black Death. So this is also a book about the Great Divergence, but unlike many of the others it doesn’t offer One Weird Trick to explain things. Instead, Wyman approaches the period between 1490 and 1530 through nine people, each of whom exemplifies one of the many shifts in European society, and so paints a portrait of a changing world.
Of course, he does point to a common thread woven through many of the changes: culture. Or, more specifically, the institutions1 surrounding money and credit that Europeans had spent the last few hundred years developing. But these weren’t themselves dispositive: after all, lots of people in lots of place at lots of times have been able to mobilize capital, and most of them don’t produce graphs that look like this. Really, the secret ingredient was — as Harold Macmillan said of the greatest challenge to his government — “events, dear boy, events”.2 Europe between 1490 to 1530 saw an unusually large number of innovations and opportunities for large-scale, capital-intensive undertakings, and already had the economic institutions in place to take advantage of them. One disruption fed on the next in a mutually-reinforcing process of social, political, religious, economic, and technological change that (Wyman argues) set Europe on the path towards global dominance.
Some of Wyman’s characters — Columbus, Martin Luther, Holy Roman Emperor Charles V — are intensely familiar, but he presents them with verve, as interested in giving you a feel for the individual and their world as in conveying biographical detail. (This is an underrated goal in the writing of history, but really invaluable; the “Cross Section: View from …” chapters were always my favorite part of Jacques Barzun’s idiosyncratic doorstopper From Dawn to Decadence.) This is particularly welcome when it comes to the chapters featuring some lesser-known figures: you may have heard of Jakob Fugger, but unless you’re a Wimsey-level fan of incunabula you’re probably unfamiliar with Aldus Manutius. One-handed man-at-arms Götz von Berlichingen becomes our lens for the chapter about the Military Revolution not because he played a particularly significant role but because he wrote a memoir, and small-time English wool merchant John Heritage is notable pretty much solely because his account book happened to survive into the present. But even with the stories “everyone knows”, Wyman takes several large steps back in order to contextualize that common knowledge: for example, were you aware that while before 1492 Columbus didn’t take any particularly unusual voyages, he did take an unparalleled number and variety of them, making him one of the best-travelled Atlantic sailors of his day? Did you know that Isabella’s inheritance of the Castilian throne was far from certain?3
As the book continues, Wyman can reference the cultural and technological shifts he described in earlier chapters. For instance, much of the Fuggers’ wealth came in the form of silver from deep new mines in the Tyrol. Building the mines required substantial capital — for their new, deeper tunnels and the expensive pumps to drain them, as well as for the furnaces and workshops to separate the copper from the silver via the relatively inefficient liquation process — and while everyone knew all along that the metals were there, it took the combination of a continent-wide bullion shortage and a rising demand for copper to cast bronze cannon (look back to the chapters on state formation and the military!) to make it worth anyone’s while to get them out. But it wasn’t only the Fuggers who made their money in these new mines: the money for Martin Luther’s education came from his father’s small-scale copper mining concern in eastern Germany. Grammar school in his hometown, a parish school nearby, and then four years at university cost Luther pater enough that he couldn’t follow it up for his younger sons (and from his point of view the was probably squandered when Martin became a monk instead of the intended lawyer who would be an asset in the frequent mining disputes), but such an education for even one son would have been out of reach if not for the printed texts on grammar, philosophy and law that made it all far more affordable.
Of course, the relationship between Luther and printing goes both ways. While Luther’s very existence as an educated man was enabled by the printing press, it was the intellectual and religious ferment he would kick off that made printing work.
1. Wyman glosses the term as “a shared understanding of the rules of a particular game … the systems, beliefs, norms and organizations that drive people to behave in particular way”, but it’s more or less what I’ve elsewhere called bundles of social technologies.
2. Apparently he may not have said this, but he should have so print the legend.
3. Isabella’s opponent, her half-niece Joanna, was married to King Afonso V of Portugal, so perhaps some degree of Iberian unification might still have followed. On the other hand, Afonso already had an adult son (King João II, widely admired as “the Perfect Prince” — Isabella always referred to him simply as el Hombre, “the Man”) who would have had no personal claim to Castile. Joanna and Afonso’s marriage was annulled on the perfectly true grounds of consanguinity — he was her uncle — after they lost the war, so they never had children, but if she had won perhaps João (who died without legitimate issue) could have been succeeded by a much younger half-Castilian half-brother. Certainly an Isabella relegated to Queen-Consort of Aragon would still have been a force to be reckoned with, but losing the knock-on effects of her reign (Columbus, Granada, the fate of the Sephardim, not to mention the eventual unification of most of Europe under Ferdinand and Isabella’s Habsburg grandson) makes all this a pretty good setup for an alternate history!
Even more fun: before she married Ferdinand of Aragon, there was discussion of Isabella’s betrothal to Richard, Duke of Gloucester. Yeah, that one.
“[T]he Tudors were indeed pretty awful, and that the writers who lived under this dynasty did serve as propagandists”
I quite like a lot of what Ed West covers at Wrong Side of History, but I’m not convinced by his summary of the character of King Richard III nor do I believe him guilty of murdering his nephews, the famed “Princes in the Tower”:
As Robert Tombs put it in The English and their History, no other country but England turned its national history into a popular drama before the age of cinema. This was largely thanks to William Shakespeare’s series of plays, eight histories charting the country’s dynastic conflict from 1399 to 1485, starting with the overthrow of the paranoid Richard II and climaxing with the War of the Roses.
This second part of the Henriad covered a 30-year period with an absurdly high body count – three kings died violently, seven royal princes were killed in battle, and five more executed or murdered; 31 peers or their heirs also fell in the field, and 20 others were put to death.
And in this epic national story, the role of the greatest villain is reserved for the last of the Plantagenets, Richard III, the hunchbacked child-killer whose defeat at Bosworth in 1485 ended the conflict (sort of).
Yet despite this, no monarch in English history retains such a fan base, a devoted band of followers who continue to proclaim his innocence, despite all the evidence to the contrary — the Ricardians.
One of the most furious responses I ever provoked as a writer was a piece I wrote for the Catholic Herald calling Richard III fans “medieval 9/11 truthers”. This led to a couple of blogposts and several emails, and even an angry phone call from a historian who said I had maligned the monarch.
This was in the lead up to Richard III’s reburial in Leicester Cathedral, two and a half years after the former king’s skeleton was found in a car park in the city, in part thanks to the work of historian Philippa Langley. It was a huge event for Ricardians, many of whom managed to get seats in the service, broadcast on Channel 4.
Apparently Philippa Langly’s latest project — which is what I assume raised Ed’s ire again — is a new book and Channel 4 documentary in which she makes the case for the Princes’ survival after Richard’s reign although (not having read the book) I’d be wary of accepting that they each attempted to re-take the throne in the guises of Lambert Simnel and Perkin Warbeck.
The Ricardian movement dates back to Sir George Buck’s revisionist The History of King Richard the Third, written in the early 17th century. Buck had been an envoy for Elizabeth I but did not publish his work in his lifetime, the book only seeing the light of day a few decades later.
Certainly, Richard had his fans. Jane Austen wrote in her The History of England that “The Character of this Prince has been in general very severely treated by Historians, but as he was a York, I am rather inclined to suppose him a very respectable Man”.
But the movement really began in the early 20th century with the Fellowship of the White Boar, named after the king’s emblem, now the Richard III Society.
It received a huge boost with Josephine Tey’s bestselling 1951 novel The Daughter of Time in which a modern detective manages to prove Richard innocence. Paul Murray Kendall’s Richard the Third, published four years later, was probably the most influential non-fiction account to take a sympathetic view, although there are numerous others.
One reason for Richard’s bizarre popularity is that the Tudors were indeed pretty awful, and that the writers who lived under this dynasty did serve as propagandists.
Writers tend to serve the interests of the ruling class. In the years following Richard III’s death John Rous said of the previous king that “Richard spent two whole years in his mother’s womb and came out with a full set of teeth and hair streaming to his shoulders”. Rous called him “monster and tyrant, born under a hostile star and perishing like Antichrist”.
However, when Richard was alive the same John Rous was writing glowing stuff about him, reporting that “at Woodstock … Richard graciously eased the sore hearts of the inhabitants” by giving back common lands that had been taken by his brother and the king, when offered money, said he would rather have their hearts.
Certainly, there was propaganda. As well as the death of Clarence, William Shakespeare — under the patronage of Henry Tudor’s granddaughter — also implicated Richard in the killing the Duke of Somerset at St. Albans, when he was a two-year-old. The playwright has him telling his father: “Heart, be wrathful still: Priests pray for enemies, but princes kill”. So it’s understandable why historians might not believe everything the Bard wrote about him.
I must admit to a bias here, as I wrote back in 2011:
In the interests of full disclosure, I should point out that I portrayed the Earl of Northumberland in the 1983 re-enactment of the coronation of Richard III (at the Cathedral Church of St. James in Toronto) on local TV, and I portrayed the Earl of Lincoln in the (non-televised) version on the actual anniversary date. You could say I’m biased in favour of the revisionist view of the character of good King Richard.
November 21, 2023
Centaur | Tank Chats #172 | The Tank Museum
The Tank Museum
Published 28 Jul 2023Join David Willey as he tells the complex story of how the Centaur and its sister vehicles were developed when the need for a new cruiser tank emerged.
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November 20, 2023
A Tour of the Excavations at Vindolanda
Scenic Routes to the Past
Published 4 Aug 2023This spring, Dr. Andrew Birley gave me a tour of the ongoing excavations at Vindolanda, a Roman fort near Hadrian’s Wall.
Chapters:
0:00 Welcome to Vindolanda
4:41 The wooden underworld
7:13 Layers of history
9:03 Becoming part of the story
QotD: Flax and linen in the ancient and medieval world
Linen fabrics are produced from the fibers of the flax plant, Linum usitatissimum. This common flax plant is the domesticated version of the wild Linum bienne, domesticated in the northern part of the fertile crescent no later than 7,000 BC, although wild flax fibers were being used to produce textiles even earlier than that. Consequently the use of linen fibers goes way back. In fact, the oldest known textiles are made from flax, including finds of fibers at Nahal Hemar (7th millennium BC), Çayönü (c. 7000 BC), and Çatalhöyük (c. 6000 BC). Evidence for the cultivation of flax goes back even further, with linseed from Tell Asward in Syria dating to the 8th millennium BC. Flax was being cultivated in Central Europe no later than the second half of the 7th millennium BC.
Flax is a productive little plant that produces two main products: flax seeds, which are used to produce linseed oil, and the bast of the flax plant which is used to make linen. The latter is our focus here so I am not going to go into linseed oil’s uses, but it should be noted that there is an alternative product. That said, my impression is that flax grown for its seeds is generally grown differently (spaced out, rather than packed together) and generally different varieties are used. That said, flax cultivated for one purpose might produce some of the other product (Pliny notes this, NH 19.16-17)
Flax was a cultivated plant (which is to say, it was farmed); fortunately we have discussed quite a bit about farming in general already and so we can really focus in on the peculiarities of the flax plant itself; if you are interested in the activities and social status of farmers, well, we have a post for that. Flax farming by and large seems to have involved mostly the same sorts of farmers as cereal farming; I get no sense in the Greco-Roman agronomists, for instance, that this was done by different folks. Flax farming changed relatively little prior to mechanization; my impression reading on it is that flax was farmed and gathered much the same in 1900 BC as it was in 1900 AD. In terms of soil, flax requires quite a lot of moisture and so grows best in either deep loam or (more commonly used in the ancient world, it seems) alluvial soils; in both cases, it should be loose, unconsolidated “sandy” (that is, small particle-sized) soil. Alluvium is loose, often sandy soil that is the product of erosion (that is to say, it is soil composed of the bits that have been eroded off of larger rocks by the action of water); the most common place to see lots of alluvial soil are in the flood-plains of rivers where it is deposited as the river floods forming what is called an alluvial plain.
Thus Pliny (NH 19.7ff) when listing the best flax-growing regions names places like Tarragona, Spain (with the seasonally flooding Francoli river) or the Po River Basin in Italy (with its large alluvial plain) and of course Egypt (with the regular flooding of the Nile). Pliny notes that linen from Sætabis in Spain was the best in Europe, followed by linens produced in the Po River Valley, though it seems clear that the rider here “made in Europe” in his text is meant to exclude Egypt, which would have otherwise dominated the list – Pliny openly admits that Egyptian flax, while making the least durable kind of linen (see below on harvesting times) was the most valuable (though he also treats Egyptian cotton which, by his time, was being cultivated in limited amounts in the Nile delta, as a form of flax, which obviously it isn’t). Flax is fairly resistant to short bursts of mild freezing temperatures, but prolonged freezes will kill the plants; it seems little accident that most flax production seems to have happened in fairly warm or at least temperate climes.
Flax is (as Pliny notes) a very fast growing plant – indeed, the fastest growing crop he knew of. Modern flax grown for fibers is generally ready for harvesting in roughly 100 days and this accords broadly with what the ancient agronomists suggest; Pliny says that flax is sown in spring and harvested in summer, while the other agronomists, likely reflecting practice further south suggest sowing in late fall and early winter and likewise harvesting relatively quickly. Flax that is going to be harvested for fibers tended to be planted in dense bunches or rows (Columella notes this method but does not endorse it, De Rust. 2.10.17). The reason for this is that when placed close together, the plants compete for sunlight by growing taller and thinner and with fewer flowers, which maximizes the amount of stalk per plant. By contrast, flax planted for linseed oil is more spaced out to maximize the number of flowers (and thus the amount of seed) per plant.
Once the flax was considered ready for harvest, it was pulled up out of the ground (including the root system) in bunches in handfuls rather than as individual plants […] and then hung to dry. Both Pliny and Columella (De Rust. 2.10.17) note that this pulling method tended to tear up the soil and regarded this as very damaging; they are on to something, since none of the flax plant is left to be plowed under, flax cultivation does seem to be fairly tough on the soil (for this reason Columella advises only growing flax in regions with ideal soil for it and where it brings a good profit). The exact time of harvest varies based on the use intended for the flax fibers; harvesting the flax later results in stronger, but rougher, fibers. Late-pulled flax is called “yellow” flax (for the same reason that blond hair is called “flaxen” – it’s yellow!) and was used for more work-a-day fabrics and ropes.
Bret Devereaux, “Collections: Clothing, How Did They Make It? Part I: High Fiber”, A Collection of Unmitigated Pedantry, 2021-03-05.
November 19, 2023
Ted Gioia wonders if we need a “new Romanticism”
He raised the question earlier this year, and it’s sticking with him to the point he’s gathering notes on the original Romantic movement and what it was reacting against:
I realized that, the more I looked at what happened circa 1800, the more it reminded me of our current malaise.
- Rationalist and algorithmic models were dominating every sphere of life at that midpoint in the Industrial Revolution — and people started resisting the forces of progress.
- Companies grew more powerful, promising productivity and prosperity. But Blake called them “dark Satanic mills” and Luddites started burning down factories — a drastic and futile step, almost the equivalent of throwing away your smartphone.
- Even as science and technology produced amazing results, dysfunctional behaviors sprang up everywhere. The pathbreaking literary works from the late 1700s reveal the dark side of the pervasive techno-optimism — Goethe’s novel about Werther’s suicide [Wiki], the Marquis de Sade’s nasty stories [Wiki], and all those gloomy Gothic novels [Wiki]. What happened to the Enlightenment?
- As the new century dawned, the creative class (as we would call it today) increasingly attacked rationalist currents that had somehow morphed into violent, intrusive forces in their lives — an 180 degree shift in the culture. For Blake and others, the name Newton became a term of abuse.
- Artists, especially poets and musicians, took the lead in this revolt. They celebrated human feeling and emotional attachments — embracing them as more trustworthy, more flexible, more desirable than technology, profits, and cold calculation.
That’s the world, circa 1800.
The new paradigm shocked Europe when it started to spread. Cultural elites had just assumed that science and reason would control everything in the future. But that wasn’t how it played out.
Resemblances with the current moment are not hard to see.
“Imagine a growing sense that algorithmic and mechanistic thinking has become too oppressive. Imagine if people started resisting technology. Imagine a revolt against STEM’s dominance. Imagine people deciding that the good life starts with NOT learning how to code.”
These considerations led me, about nine months ago, to conduct a deep dive into the history of the Romanticist movement. I wanted to see what the historical evidence told me.
I’ve devoted hours every day to this — reading stacks of books, both primary and secondary sources, on the subject. I’ve supplemented it with a music listening program and a study of visual art from the era.
What’s my goal? I’m still not entirely sure.
How Himmler Learned to Love the Russians – WW2 – Week 273 – November 18, 1944
World War Two
Published 18 Nov 2023Heinrich Himmler wants to build an Army of Soviet POWs, but that has some problems; Patrick Hurley becomes US Ambassador to China, but even before that he’s in hot water with Chiang Kai-Shek; and in the field in the west, the Allies launch Operation Queen to try to cross the Roer River and reach the Rhine.
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Last Ditch Innovation: The Development of the Gerat 06 and Gerat 06H Rifles
Forgotten Weapons
Published 19 Nov 2012I’m very happy today to present a video we did in cooperation with Oleg Volk, which I’ve titled “Last Ditch Innovation”. It is a look at two late-WW2 German prototype rifles which are the evolutionary grandparents of the CETME and the H&K series of roller-delayed firearms (91, 93, MP5, etc). Thanks to some very generous friends, we have examples of both guns to disassemble and shoot … so sit back, relax, and enjoy the show.
November 18, 2023
“René Girard’s famous book I See Satan Fall Like Lightning isn’t directly about Barack Obama being the Antichrist”
At Astral Codex Ten, Scott Alexander reviews I See Satan Fall Like Lightning by René Girard:
The phrase “I see Satan fall like lightning” comes from Luke 10:18. I’d previously encountered it on insane right-wing conspiracy theory websites. You can rephrase it as “I see Satan descend to earth in the form of lightning”. But “lightning” in Hebrew is barak. So the Bible says Satan will descend to Earth in the form of Barak. Seems like a relevant Bible verse for insane right-wing conspiracy theorists!
Philosopher / theologian Rene Girard’s famous book I See Satan Fall Like Lightning isn’t directly about Barack Obama being the Antichrist. It’s an ambitious theory-of-everything for anthropology, mythography, and the Judeo-Christian religion. After solving all of those venerable fields, it will, sort of, loop back to Barack Obama being the Antichrist. But it’ll do it in such an intellectual and polymathic Continental philosophy way that can’t even get mad.
Girard’s starting point is the similarity between Bible stories and pagan myths. You’ve heard about this before — dying-and-resurrecting gods, that sort of thing. You might expect Girard, a good Catholic, to reject these similarities. He doesn’t. He says they’re real and important. Pagan myths resemble the Bible because they’re both describing the same psychosocial process. The myths are distorted propaganda supporting the process, and the Bible is a clear-eyed description of the process which reveals it to be evil. Just as worshipful Soviet hagiographies of Stalin and sober historical analyses of Stalin will have many similarities (since they’re both describing Stalin), so there will be unavoidable resonances between myth and the Bible.
Girard calls this process “the single-victim process” or “Satan”. It goes like this:
- Most (all?) human desire is mimetic, ie based on copying other people’s desires. The Bible warns against coveting your neighbor’s stuff, because it knows people’s natural tendencies run that direction. It’s not that your neighbor has particularly good stuff. It’s that you want it because it’s your neighbor’s. Think of two children playing in a room full of toys. One child picks up Toy #368 and starts playing with it. Then the other child tries to take it, ignoring all the hundreds of other toys available. It’s valuable because someone else wants it.
- As with the two children, conflict is inevitable. As the mimetic process intensifies, everyone goes from complicated individuals with individual wants, to copies of their neighbors (ie their desires copy their neighbors’ desires, and they become the sort of people who would have those desires). Alliances form and dissipate. There is a war of all against all. The social fabric starts to collapse.
- Instead of letting the social fabric collapse, everyone suddenly turns their ire on one person, the victim. Maybe this person is a foreigner, or a contrarian, or just ugly. The transition from individuals to a mob reaches a crescendo. The mob, with one will, murders the victim (or maybe just exiles them).
- Then everything is kind of okay! The murder relieves the built-up tension. People feel like they can have their own desires again, and stop coveting their neighbors’ stuff quite so hard, at least for a while. Society does not collapse. If there was no civilization before, maybe people take advantage of this period of relative peace to found civilization.
- (Optional step 5) Seems pretty impressive that killing one victim could cause all this peace and civilization! The former mob declares their victim to be a god. Killing the god was the necessary prerequisite to civilization. Now the god probably reigns in heaven or something. Maybe they die and resurrect every year. Whatever.
- Rinse and repeat.
Girard is against this process. Not just because it involves violent mobs lynching innocent people (although it does), but because that step perpetuates the whole cycle: people greedily desiring whatever their neighbors have, people hating their neighbors, internecine war of all against all. He dubs the process Satan, based partly on the original Hebrew meaning of Satan as “prosecutor”. Satan is the force that tells people that the victim is guilty and deserves to be lynched.
(and did you know that Paraclete, the Greek word for the Holy Spirit, originally meant “defense attorney”? The Paraclete is the force that — no, we’ll get to that later).
Are all myths and Bible stories really about this process? Girard says yes. For example, consider the myth of Oedipus. Around the end, Thebes is stricken by plague (Girard says plagues should usually be interpreted metaphorically as social plagues, ie discord). Everyone goes to the oracle and asks for a solution. The oracle says that someone has killed his father and married his mother, and the plague won’t end until that person is removed. It is revealed that Oedipus is the culprit. The mob expels Oedipus from the city, and the plague ends.
Okay, that’s one myth. Are there others?
World War Two’s most common tank
Lindybeige
Published 2 Aug 2023What click-bait title should I have used for this? “The tank that gave the Germans nightmares”? “The Commonest Communist tank?” “The tank of the teeming red hordes”? As I describe here, they made ever-so many of this type of tank, and that fact alone makes it an important tank.
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November 17, 2023
Prometheus
Virginia Postrel tries to correct the common misinterpretation of the story of the Titan Prometheus:

“The Torture of Prometheus” by Salvator Rosa (1615-1673)
Oil painting in the Galleria Nazionale d’Arte Antica di Palazzo Corsini via Wikimedia Commons.
Listening to Marc Andreessen discuss his Techno-Optimist Manifesto on the Foundation for American Innovation’s Dynamist podcast, I was struck by his repetition of something that is in the manifesto and is completely wrong. “The myth of Prometheus – in various updated forms like Frankenstein, Oppenheimer, and Terminator – haunts our nightmares,” he writes.1 On the podcast, he elaborated by saying that, although fire has many benefits, the Prometheus myth focuses on its use as a weapon. He said something similar in a June post called “Why AI Will Save the World“:
The fear that technology of our own creation will rise up and destroy us is deeply coded into our culture. The Greeks expressed this fear in the Prometheus Myth – Prometheus brought the destructive power of fire, and more generally technology (“techne”), to man, for which Prometheus was condemned to perpetual torture by the gods.
No. No. No. No.
Prometheus is punished for loving humankind. He stole fire to thwart Zeus’ plans to eliminate humanity and create a new subordinate species. He is a benefactor who sacrifices himself for our good. His punishment is an indicator not of the dangers of fire but of the tyranny of Zeus.
Prometheus is cunning and wise. His name means foresight. He knows what he is doing and what the likely consequences will be.
Eventually his tortures end when he is rescued by the hero Herakles (aka Hercules), who shoots the eagle charged with eating Prometheus’ liver every day, only for it to grow back to be eaten again.
The Greeks honored Prometheus. They celebrated technē. They appreciated the gifts of civilization.
The ancient myth of Prometheus is not a cautionary tale. It is a reminder that technē raises human beings above brutes. It is a myth founded in gratitude.
1. Frankenstein isn’t The Terminator either. Frankenstein is a creator who won’t take responsibility for his creation, a father who rejects and abandons his child. The Creature is frightening and dangerous but he is also the book’s moral center, a tragic, sympathetic character who is feared and rejected by human beings because of his appearance. Only then does he turn deadly. Frankenstein arouses pity and terror because we empathize with its central figure and understand his rage.
The novel’s most reasonable political reading is not as a story of the dangers of science but as a parable of slavery and rebellion. “By the eighteen-fifties, Frankenstein’s monster regularly appeared in American political cartoons as a nearly naked black man, signifying slavery itself, seeking his vengeance upon the nation that created him,” writes historian Jill LePore, who calls the “Frankenstein-is-Oppenheimer model … a weak reading of the novel.” I agree.
The Romantics tended to identify with Prometheus and Mary Shelley’s husband, Percy Bysshe Shelley, wrote a play called Prometheus Unbound, further undermining the reading of Frankenstein as an anti-Promethean fable.
Rationing In Britain
Imperial War Museums
Published 8 Jan 2010An American commentator looks at the effects of rationing on the people of England in 1944. The film presents a “typical” family of four (housewife, engine-driver husband, factory-working daughter, schoolboy son) to illustrate the basic rationing system, the workings of “point” systems and other restrictions, and the difficulties the average family faced when eating “on the ration”.
Explore IWM’s film collection: https://film.iwmcollections.org.uk
November 16, 2023
Maryland Council of Safety Revolutionary Flintlock
Forgotten Weapons
Published 20 Nov 2014In the buildup to the US War of Independence, “Committees of Safety” were organized in the colonial state to form shadow governments for the independence movement. These committees (or councils, as a few were named) had, among other tasks, the responsibility of sourcing arms for the local militia forces.
This was done both by purchasing arms available at the time from gunsmiths, commercial dealers, and private individuals and also by contracting with gunsmiths to manufacture guns specifically for the council or committee. Typically these guns were not specially marked — there was no particular reason to do so — and as a result they are very difficult to authenticate today. A Revolutionary War weapon could have been anything available at the time.
One notable exception is an order placed by the Maryland Council of Safety. They ordered quite a lot of guns from area manufacturers, including a batch of 500 pistols. In addition, they hired an inspector to verify the quality of the finished guns, and mark them. The inspector was named Thomas Ewing, and his marking looked rather like a tulip. Records about the guns he oversaw and marked remain in existence, and allow them to be identified — including this example.
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QotD: Infantry soldiers in the age of pike and shot
The pike and the musket shifted the center of warfare away from aristocrats on horses towards aristocrats commanding large bodies of non-aristocratic infantry. But, as comes out quite clearly in their writing, those aristocrats were quite confident that the up-jumped peasants in their infantry lacked any in-born courage at all. Instead, they assumed (in their prejudice) that such soldiers would require relentless synchronized drilling in order to render the complex sequence of actions to reload a musket absolutely mechanical. As Lee points out [in Waging War], this training approach wasn’t necessary – other contemporary societies adapted to gunpowder just fine without it – but was a product of the values and prejudices of the European aristocracy of the 1500 and 1600s.
Such soldiers were, in their ideal, to quickly but mechanically reload their weapons, respond to orders and shift formation more or less oblivious to the battle around them. Indeed, uniforms for these soldiers came to favor high, starched collars precisely to limit their field of vision. This is not the man who, in Tyrtaeus’ words (elsewhere in his corpus), “bites on his lip and stands against the foe” but rather a human who, in the perfect form, was so mechanical in motions and habits that their courage or lack thereof, their awareness of the battlefield or lack thereof, didn’t matter at all. But at least, the [Classical] Greek might think, at least such men still ought not quail under fire but instead stood tall in the face of it.
After all, as late as the Second World War, it was thought that good British officers ought not duck or take cover under fire, in order to demonstrate and model good coolness under fire for their soldiers. The impression I get from talking to recent combat veterans (admittedly, American ones rather than British, since I live in the United States) is that an officer who behaved in that same way on today’s battlefield would be thought reckless (or stupid), not brave. Instead, the modern image of courage under fire is the soldier moving fast, staying low, moving to and through cover whenever possible – recklessness is discouraged precisely because it might put a comrade in danger.
Instead, the courage that is valued in many of today’s armies is the courage to stay calm and make cool, rational decisions. It is, to borrow the first line in Rudyard Kipling’s “If-“, “If you can keep your head when all about you/Are losing theirs and blaming it on you.” Which is not at all what was expected of the 17th century infantryman, whose officers trusted him to make nearly no decisions at all! But, as we’ve discussed, the modern system of combat demands that lots of decisions be devolved down further and further in the command hierarchy, with senior officers giving subordinates (often down to NCOs) the freedom to alter plans on the fly at the local level so long as they are following the general mission instructions (a system often referred to by its German term, auftragstaktik).
Bret Devereaux, “Collections: The Universal Warrior, Part IIa: The Many Faces of Battle”, A Collection of Unmitigated Pedantry, 2021-02-05.







