Quotulatiousness

February 14, 2020

“Wolfpack” – German U-boat Tactics – Sabaton History 054 [Official]

Filed under: Germany, History, Media, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 13 Feb 2020

The Battle of Britain had saved the United Kingdom from imminent invasion by the German Wehrmacht, however the war was far from over. To destroy Britain’s economic capabilities to wage war, the German Kriegsmarine had to win the tonnage war in the North Atlantic. The German submarines — the U-Boote, were sent out to hunt. As the British Royal Navy returned to the convoy system to protect its merchant fleet, the Germans as well began organizing their submarines in groups to attack in unison. These hunter-killer teams, the Wolfpacks, would soon haunt the depths of the North Atlantic.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Wolfpack” on the album Primo Victoria:
CD: http://bit.ly/PrimoVictoriaStore
Spotify: http://bit.ly/PrimoVictoriaSpotify
Apple Music: http://bit.ly/PrimoVictoriaAppleMusic
iTunes: http://bit.ly/PrimoVictoriaiTunes
Amazon: http://bit.ly/PrimoVictoriaAmzn
Google Play: http://bit.ly/PrimoVictoriaGooglePlay

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Colorizations:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/

Sources:
– IWM: HU 16546, A 30292
– Bundesarchiv
– Otis Historical Archives, National Museum of Health and Medicine
– Narodowe Archiwum Cyfrowe
– Canadian ship being attacked, photo courtesy of the Government of Canada, https://www.canada.ca/en/navy/service…

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

February 12, 2020

Guderian – Myth & Reality

Filed under: Books, Germany, History, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

Military History Visualized
Published 24 Apr 2018

Heinz Guderian, the father of the German Panzerwaffe, is one of the best known German generals from the Second World War. He is also known for his opposition to the Battle of Kursk (Operation Zitadelle) and the early deployment of the Panzerkampfwagen V Panther, yet some historians noted recently that many of Heinz Guderian’s claims are not backed up by archives. Well, time to take a closer look.

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» minds.com – https://www.minds.com/militaryhistory…

» SOURCES «

Pöhlmann, Markus: Der Panzer und die Mechanisierung des Krieges: Eine deutsche Geschichte 1890 bis 1945 (Zeitalter der Weltkriege)

Corum, James S.: The Roots of Blitzkrieg. Hans von Seeckt and German Military Reform

Macksey, Kenneth: “Generaloberst Heinz Guderian”; in: Ueberschär (Hrsg.) Gerd R.: Hitlers militärische Elite – 68 Lebensläufe (3. Auflage), S. 351-358

Guderian, Heinz: Panzer Leader (English Version of Erinnerungen eines Soldaten)

Guderian, Heinz: Erinnerungen eines Soldaten

Munzel, Oskar: Die deutschen gepanzerten Truppen bis 1945

Schacter, Daniel L.: The Seven Sins of Memory: How the Mind Forgets and Remembers

Citino, Robert M.: The German Way of War. From the Thirty Years’ War to the Third Reich

Citino, Robert M.: The Wehrmacht Retreats: Fighting a Lost War, 1943

» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”

#ww2 #panzergeneral #Guderian

February 9, 2020

Rommel to fix the Bungle in Benghazi – WW2 – 076 – February 8, 1941

Filed under: Africa, Britain, Europe, Germany, History, Italy, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 8 Feb 2020

As the Italian campaigns in Africa collapse, Hitler considers his options and then chooses Erwin Rommel to rescue their Italian allies.

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Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)
Additional animations: Ryan Weatherby

Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Dememorabilia – https://www.instagram.com/dememorabilia/

Sources:
Narodowe Archiwum Cyfrowe
Artillery by Creative Mania from the Noun Project

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “Last Man Standing 3”
Hakan Eriksson – “Epic Adventure Theme 3”
Phoenix Tail – “At the Front”
Gunnar Johnsen – “Not Safe Yet”
Johan Hynynen – “Dark Beginning”
Yi Nantiro – “Watchmen”
Rannar Sillard – “March Of The Brave 10”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

February 5, 2020

Submarine Warfare WW1 vs WW2 – Differences & Commonalities

Filed under: Britain, Germany, History, Military, WW1, WW2 — Tags: , , , — Nicholas @ 04:00

Military History Visualized
Published 15 Nov 2016

A comprehensive view that compares submarine warfare in the First and Second World Wars. Due to the lack of a submarine warfare in the Pacific in World War 1, the Pacific isn’t covered at all, but there will be an episode on it in the future.

Military History Visualized provides a series of short narrative and visual presentations like documentaries based on academic literature or sometimes primary sources. Videos are intended as introduction to military history, but also contain a lot of details for history buffs. Since the aim is to keep the episodes short and comprehensive some details are often cut.

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(B) Alternatively, you can also buy “Spoils of War” (merchandise) in my online shop: https://www.redbubble.com/people/mhvi…

» SOURCES & LINKS «

Milner, Marc: “The Atlantic War, 1939-1945”; in: Cambridge History of the Second World War, Volume 1

Blair, Clay: Hitler’s U-Boat War – The Hunters 1939-1942

Owen, David: Anti-Submarine Warfare – An Illustrated History

Germany & The Second World War – Volume VI

Germany & The Second World War – Volume II

Breemer, Jan S.: “Defeating the U-boat. Inventing Antisubmarine Warfare”. Naval War College Newport Papers 36
https://www.usnwc.edu/getattachment/e…

Das Deutsche Reich und der Zweite Weltkrieg – Band VI.

Das Deutsche Reich und der Zweite Weltkrieg – Band II.

Rahn, Werner: “Die Deutsche Seekriegsfürung 1943 bis 1945”; in: Das Deutsche Reich & der Zweite Weltkrieg, Band X/1, S. 3-276

Erster Weltkrieg – Zweiter Weltkrieg: Ein Vergleich.

U-boat losses by cause
https://web.archive.org/web/201006112…

Differences German U-Boat Design WW1 vs. WW2
https://www.reddit.com/r/AskHistorian…

» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”

February 2, 2020

Africa, the Axis’ Achilles Heel – The Allied African Campaigns – WW2 – 075 – February 1, 1941

Filed under: Africa, Britain, Germany, Greece, History, Italy, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published 1 Feb 2020

Greek Prime Minister Ioannis Metaxas dies this week as Italy is still uncomfortably wrapped up in the Albanian Mountains. Italy also finds itself in a pickle on other fronts, as Allied troops in Africa move into Italian territory with three offensives this week.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
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Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Mikołaj Cackowski
Map animations: Eastory (https://www.youtube.com/c/eastory)

Colorizations by:
Dememorabilia – https://www.instagram.com/dememorabilia/
Adrien Fillon – https://www.instagram.com/adrien.colo…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/

Sources:
IWM (IND 883); (IND 2405); (E 3661); (E6661)
Vatican by Made by Made from the Noun Project
king crown by ProSymbols from the Noun Project
tick by akash k from the Noun Project
Artillery by Creative Mania from the Noun Project

Soundtrack from the Epidemic Sound:
Christian Andersen – “Disciples of Sun Tzu”
Reynard Seidel – “Deflection”
Fabien Tell – “Last Point of Safe Return”
Johan Hynynen – “Dark Beginning”
Bonnie Grace – “Imperious”
Johannes Bornlof – “Last Man Standing 3”

Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

January 31, 2020

How Hitler Won the Olympic Games – The Berlin Olympics | BETWEEN 2 WARS I 1936 Part 3 of 3

Filed under: Germany, History, Sports — Tags: , , , , — Nicholas @ 06:00

TimeGhost History
Published 30 Jan 2020

The Berlin Olympics in 1936 were a masterfully played piece of Nazi propaganda, where they framed their race as physically superior and their ideology as modern, organised and cultured while also ostensibly downplaying their anti-internationalism racism and anti-semitism. But the Germans didn’t embrace sports for friendly competition. They did so for something very different.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Hosted by: Indy Neidell
Written by: Joram Appel
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Daniel Weiss
Sound design: Marek Kaminski

Sources:
Bundesarchiv_Bild:
183-G00372, 102-08105, 145_Bild-P017100, 183-R96374, 146-
1998-020-00A, 146-1976-033, 183-G00978, 183-1992-0421-500,
146-2005-0017, 183-G00352, 146-1976-116-08A, 146-1988-106-
29, 146II-728, 8076_Bild-0008
Modern Olympic Photos:
Photo from illang https://www.flickr.com/photos/ilan_sr…,
Photo by Agência Brasil http://agenciabrasil.ebc.com.br/rio-2…

Colorizations by:
Daniel Weiss
Norman Stewart
Joram Appel

Soundtracks from Epidemic Sound:
– “First Responders” – Skrya
– “The Inspector 4” – Johannes Bornlöf
– “Heroes On Horses” – Gunnar Johnsén
– “Split Decision” – Rannar Sillard
– “Not Safe Yet” – Gunnar Johnsen
– “Thunder Storm 01” – Fredrik Ekstrom
– “Dawn Of Civilization” – Jo Wandrini (1)
– “March Of The Brave 4” – Rannar Sillard
– “Magnificent March 3” – Johannes Bornlöf
– “Imperious” – Bonnie Grace
– “The Charleston 3” – Håkan Eriksson

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

TimeGhost History
2 days ago (edited)
The 1936 Berlin Summer Olympics and Garmisch-Partenkirchen Winter Olympics were the first true modern Olympic games. Many of the now staples of the Olympic games were introduced for the first time by the Nazis. But magnificent as they might have been, the intent of the Germans was not really to advance the vision of the internationalist and pacifist goals of the Olympic games. And while we do realise that many of the characteristics of the 1936 Olympics – how it was used to push a certain national image or to strengthen nationalism, could be said of more recent editions of the Olympics as well. And while sports and international institutions are still today being used to push alternate agendas, we’d rather not discuss them in the comment section here as this is a history channel – not a current affairs channel.
Cheers, Joram

“Wehrmacht” – The German Army 1935-1945 – Sabaton History 052 [Official]

Filed under: Germany, History, Media, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

Sabaton History
Published 30 Jan 2020

From 1935 onwards, the German Wehrmacht was expanding rapidly. Millions of men joined the army, the Luftwaffe and the Kriegsmarine to fulfill Adolf Hitler’s visions for the 3rd Reich.

Highly motorized Panzergrenadiers, elite parachute- and resilient mountain-infantry troops were trained and and led with the utmost combat-efficiency in mind, supported by state of the art Panzers and aircraft. If it came to war, they would break the enemy and break them fast, achieving fast victories in a series of devastating hits. However, succumbing to the ideological influence of National-Socialism, the Wehrmacht found itself soon to be both culprit and accomplice to a self-reinforcing cycle of violence and atrocities.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to “Wehrmacht” here:
CD: http://bit.ly/CoatOfArmsStore
Spotify: http://bit.ly/CoatOfArmsSpotify
Apple Music: http://bit.ly/CoatOfArmsAppleMusic
iTunes: http://bit.ly/CoatOfArmsiTunes
Amazon: http://bit.ly/CoatOfArmsAmzn
Google Play: http://bit.ly/CoatOfArmsGooglePlay

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– Bundesarchiv
– IWM: H 21907- Bundesarchiv
– IWM: H 21907

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

January 24, 2020

“The Attack of the Dead Men” – Gas Warfare on the Eastern Front – Sabaton History 051 [Official]

Filed under: Germany, History, Media, Military, Russia, WW1 — Tags: , , , — Nicholas @ 04:00

Sabaton History
Published 23 Jan 2020

This episode is about the “Attack of the Dead Men”. During the third battle for Osowiec Fortress in July 1915 during the Great War, German artillery was bombarding the defending Russian soldiers with a new deadly weapon: Poison Gas. The fatal mixture of chlorine and bromine descended like a green fog over the Russian trenches. Without adequate gas-masks to protect themselves, the defenders were believed to all have died in agony. However, as the German infantry advanced, they did not only march right into a Russian counterattack but also encountered the dead, seemingly rising from their graves.

Support Sabaton History on Patreon: https://www.patreon.com/sabatonhistory

Listen to The Great War (where “The Attack of the Dead Men” is featured):
CD: http://nblast.de/SabatonTheGreatWar
Spotify: https://sabat.one/TheGreatWarSpotify
Apple Music: https://sabat.one/TheGreatWarAppleMusic
iTunes: https://sabat.one/TheGreatWarItunes
Amazon: https://sabat.one/TheGreatWarAmazon
Google Play: https://sabat.one/TheGreatWarGooglePlay

Check out the trailer for Sabaton’s new album The Great War right here: https://www.youtube.com/watch?v=HCZP1…

Listen to Sabaton on Spotify: http://smarturl.it/SabatonSpotify
Official Sabaton Merchandise Shop: http://bit.ly/SabatonOfficialShop

Hosted by: Indy Neidell
Written by: Markus Linke and Indy Neidell
Directed by: Astrid Deinhard and Wieke Kapteijns
Produced by: Pär Sundström, Astrid Deinhard and Spartacus Olsson
Creative Producer: Joram Appel
Executive Producers: Pär Sundström, Joakim Broden, Tomas Sunmo, Indy Neidell, Astrid Deinhard, and Spartacus Olsson
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound Editing by: Marek Kaminski
Maps by: Eastory – https://www.youtube.com/c/eastory

Archive by: Reuters/Screenocean https://www.screenocean.com
Music by Sabaton.

Sources:
– IWM: Q 78100, Q 86635
– The New York Public Library
– Narodowe Archiwum Cyfrowe

An OnLion Entertainment GmbH and Raging Beaver Publishing AB co-Production.

© Raging Beaver Publishing AB, 2019 – all rights reserved.

January 23, 2020

QotD: The “great” modern architects

Filed under: Architecture, Books, Europe, Germany, History, Quotations — Tags: , , , , , , — Nicholas @ 01:00

The widely accepted narrative of modernism à la Gropius is that it was some kind of logical or ineluctable development from the Arts and Crafts movement. This seems to me utterly fantastic: it is like saying that Mickey Spillane is a logical or ineluctable outgrowth of Montesquieu. It is true that in the work of certain artists, for example Mondrian, one can see a gradual change which might be considered logical, starting from figurative landscapes and ending, via ever greater abstraction, to purely geometric shapes. But even where there is such a development, it is ultimately beside the point: it does not prove that what came later was better. Each artistic product has to be assessed aesthetically on its own merits (which in architecture includes its harmony with an existing townscape), and only someone who sees with an ideology rather than with eyes could conclude anything other than that modernism has been overwhelmingly a disaster.

Moreover, claiming respectable ancestors is somewhat at variance with equal claims to be starting from zero (as Gropius put it), but such a contradiction is hardly noticed by the grand narrative history of modernism that Professor Curl attacks and destroys.

He is not unable or unwilling to praise where it is due, though it is due rarely enough; and he is particularly effective in tracing the opportunistic ideological divagations of the modernists, whose one constant predilection was for absolute power over others. Mies, for example, was attracted to socialist totalitarianism, and his only objection to Nazism was that the Nazis eventually rejected his desire to have everything built according to his prescriptions. He left Nazi Germany because he feared his previous pro-leftism made him permanently suspect in its eyes, not because he was appalled by its brutality. If only they’d let him build! But contrary to apologists for Mies, and to a legend constantly repeated, it was not the Nazis who closed the Bauhaus but Mies himself, and he left Germany only four years after their assumption of power.

Finding refuge in America, Mies quickly perceived that the power of patronage of megalomaniac building lay with giant corporations rather than with fascists or communists and persuaded many of them to build his preternaturally inhuman and uninspired monstrosities. By a strange quirk of history, and because of mankind’s perpetual propensity to make logical errors, Mies was able to pose dishonestly as anti-totalitarian and even as a friend of freedom precisely because he had fled Nazi Germany where they hadn’t patronised him. He was fortunate that soon afterwards the United States had another totalitarian enemy, the Soviet Union. Mies and his allies were thus able to claim that his totalitarian modernism was actually a manifestation of western freedom. There are many such ironies pointed up in this book that would be delicious had they not had such appalling consequences.

Corbusier was a fascist in the most literal sense of the word, and early during the Occupation advocated the removal by force of the majority of Paris’ population because it had no business to be living there. Can one wonder that a man with thoughts like that built monstrosities?

Theodore Dalrymple, “Architectural Dystopia: A Book Review”, New English Review, 2018-10-04.

January 17, 2020

SdKfz 2 Kettenkrad: Germany’s Halftrack Motorcycle

Filed under: Germany, History, Military, Technology, WW2 — Tags: , , , — Nicholas @ 04:00

Forgotten Weapons
Published 16 Jan 2020

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

The Sd.Kfz. 2 Kettenkraftrad (aka Kettenrad) is a deliciously German sort of vehicle, a small utility tractor made with a pair of treads and motorcycle front wheel. It was powered by a 4 cylinder Opel automotive engine generating 36 horsepower, and had a 3-speed gearbox with high and low range transfer case. Top speed was 44 mph, and it could tow about 1,000 pounds of ammunition or other supplies in a small 2-wheeled trailer, or directly tow light artillery pieces.

The vehicle was developed in 1939, and in mass production in time to see substantial use in Operation Barbarossa; the German invasion of Russia. Although complex to maintain and expensive to produce, the Kettenkrad was quite well suited to the terrain and distances of the Eastern Front. As the war progressed and supplies became scarcer and artillery became heavier it was less universally useful, but remained in service until the very end of the war, tasked with jobs as mundane as towing aircraft at airfields. After the war, they were put into civilian agricultural service (much like the Jeep in the US).

This example is in the rental fleet at DriveTanks.com, available for instruction and driving to anyone. It is one of my very favorite vehicles from World War Two, and I really appreciate DriveTanks giving me the opportunity to do some driving on it and show it to you! See all their available rentals here:

https://www.drivetanks.com

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

HK4: Heckler & Koch’s Multi-Caliber Pocket Pistol

Filed under: Germany, History, Weapons — Tags: , , — Nicholas @ 02:00

Forgotten Weapons
Published on 28 Aug 2019

RIA on YouTube: https://www.youtube.com/user/RockIsla…
RIA on Instagram: https://www.instagram.com/rockislanda…

The H&K Model 4 was named for the fact that it was offered in four different calibers – .22LR, .25 ACP, .32 ACP, and .380 ACP. The gun came with a complete set of spare barrels and magazines to allow conversion between all of them, and interesting feature not offered by any other pistols like it at the time. The design was by Alex Seidel, one of the founding engineers of H&K. He had familiarity with the Mauser HSc from his time working at Mauser, and it was the rough basis fo the HK4.

The changes between centerfire calibers required nothing more than swapping barrels (and recoil springs, which were pinned to the barrels) and magazines. Differing spring strength for each caliber were enough to make the gun both safe and reliable in the different chamberings. To convert to .22LR rimfire, it was also necessary to unscrew the removable breech face and flip it around. The breech face had two firing pin holes (one centerfire and one rimfire), and the firing pin could pivot enough to use either one. When the breech face was removed, the firing pin could be positioned for whichever setting was desired.

The HK4 was interesting and reasonably successful, but never able to really compete with guns like the Walther PP and PPK. During a 16-year production run from 1968 until 1984 a total of 38,200 were made, including 12,400 for the German customs police.

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Contact:
Forgotten Weapons
PO Box 87647
Tucson, AZ 85754

January 14, 2020

The Desert Fox | Rommel’s FIRST Battle in the North African Campaign | BATTLESTORM

Filed under: Africa, Australia, Britain, Germany, History, Italy, Military, WW2 — Tags: , , , — Nicholas @ 04:00

TIK
Published 17 May 2016

Erwin Rommel faces the might of the British Empire. In 3D animation, we’ll see the units, the battlefield and the tactics The Desert Fox uses to overcome the British and Australian forces at Mersa Brega and throw them out of Italian Libya. Except for Tobruk of course! The video covers Erwin Rommel’s arrival in Italian Libya up to the beginning part of the Battle of Tobruk 1941.

This video is Part 2 of the Western Desert Campaign – Part 1 (Operation Compass) is in the link below
https://www.youtube.com/watch?v=b71kd…

Bibliography

Battistelli, Pier Paolo. Erwin Rommel (Command). Osprey Publishing, 2010.
Beckett, Ian F. Rommel: A Reappraisal. Great Britain, 2013.
Beevor, Antony. The Second World War. Phoenix, 2014.
Bickers, Richard Townshend. The Desert Air War: 1939-1945. Endeavour Press Ltd, 2015.
Butler, Daniel Allen. Field Mashal: the Life and Death of Erwin Rommel. Casemate Publishers, 2015.
Dimbleby, Jonathan. Destiny in the Desert: The Road to El Alamein – the Battle that Turned the Tide. Great Britain, 2012.
Liddell Hart, B.H. A History of the Second World War. Pan Books, 2015.
Hastings, Max. All Hell Let Loose: The World at War 1939-1945. HarperPress, 2011.
Jorgensen, Christer. Afrika Korps: Rommel’s 1941 Offensive (Rapid Reads). Brown Bear Books, 2014.
LaFace, Major Jeffrey L. Tactical Victory Leading to Operational Failure: Rommel in North Africa. Pickle Partners Publishing, 2014.
Lyman R. The Longest Siege: Tobruk – The Battle That Saved North Africa. Pan Books, 2011.
Moorehead, Alan. The Desert War: the Classic Trilogy on the North Africa Campaign 1940-43. CPI Group, 2012.
Nash, N. Strafer Desert General: The Life and Killing of Lieutenant General WHE Gott. Pen and Sword Books Ltd, 2013.
Neillands, Robert. The Desert Rats: 7th Armoured Division 1940-45. UK, 2005.
Neillands, Robert. Eighth Army: From the Western Desert to the Alps, 1939-1945. John Murray Publishers, 2004.
Pitt, Barrie. The Crucible of War: Volume 1: Wavell’s Command. Cassell & Co, 2001.
Playfair, Major-General I.S.O. The Mediterranean and Middle East, Volume II, “The Germans come to the help of their Ally” (1941). The Naval & Military Press Ltd, 2004.
Raugh, H. Wavell in the Middle East 1939-1941: A Study in Generalship. USA, 2013.
Reuth, Ralf Georg. Rommel: The End of a Legend. Haus Publishing, 2005.
Thompson, Dennis H. Discarded Victory – North Africa, 1940-1941. Pickle Partners, 2014.
Williamson, Gordon. Afrikakorps 1941-43 (Elite). Osprey Publishing, 2009.

January 12, 2020

Three Variations of Party Leader PPK Pistols

Filed under: Germany, History, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 25 Oct 2019

Note: I goofed on a detail here; “DRGM” is a trademark designation, not something related to the party. Sorry!

http://www.patreon.com/ForgottenWeapons

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

Today, courtesy of Tom from Legacy Collectibles, we are taking a look at “party leader” PPK pistols. There are three different versions of these, and we will look at all of them in sequence. They are highly valued in the collecting community, and also extremely easy to fake, making authentication quite difficult. I will give you as much information as I can to assist in this, and Tom is happy to help (free of charge) as well.

To see more about Legacy, check out their YouTube channel:

https://www.youtube.com/channel/UCesj…

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85704

January 9, 2020

Operation Compass 1940-41 | BATTLESTORM North African Campaign Documentary

Filed under: Africa, Australia, Britain, Germany, History, Italy, Middle East, Military — Tags: , , , , — Nicholas @ 06:00

TIK
Published 21 Dec 2015

The most in-depth look at Operation Compass out there! Using animations and detailed maps, let’s find out what happened in one of the greatest British (and Commonwealth) victories of the war and who was responsible for the destruction of the Italian 10th Army. This video covers the start of the North African Campaign up to the Battle of Beda Fomm.

Sources:
Barnett, C. The Desert Generals. Weidenfeld & Nicolson, 2011.
Bierwirth, J. Beda Fomm: An Operational Analysis. Pickle Partners, 1994.
Christie H. Fallen Eagles: The Italian 10th Army in the Opening Campaign in the Western Desert, June 1940. Pickle Partners 1999.
Dimbleby, J. Destiny in the Desert. Britain 2013.
Moorehead, A. The Desert War: The Classic Trilogy on the North Africa Campaign 1940-43. Aurum Press, 2014.
Playfair, I.S.O. The Mediterranean and Middle East Volume 1: Early Successes against Italy [to May 1941]. 1954.
Wahlert, G. The Western Desert Campaign. Australia, 2011.

Music is my own!

QotD: National music

Filed under: Cancon, France, Germany, Italy, Media, Quotations, Russia, USA — Tags: — Nicholas @ 01:00

What does the soul of a people sound like? With the Germans, you have adequate proof; Wagner spoke for them, for better or worse — grandeur and myth that elevated the soul as easily as it rotted to the soundtrack for a meglomaniacal death cult. Italian music — well, no one ever marched off to war to Respighi’s ode to a peacock. Music for life, lived without lasting consequence. (They did their part in the Roman times; they’ve earned a nap.) French music is best expressed by the gauzy wash of Debussy and his comrades, music that doesn’t confront the ear but gently appeases it. America: cheerful tootling Souza marches or great broad optimistic Copeland yawps. Or jazz. Or rock and roll. Or country twangs. (It’s not that we have no sound — we have many, and each is as much a part of us as the other. Few cultures can pull that off.) Russian music has that delicious third-drink moodiness. Canadian music — no such thing, really, which is telling. Unless you define it as American style music recorded in a Canadian studio to satisfy a government requirement.

James Lileks, Screedblog, 2005-07-08.

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