Hunter S. Thompson’s iconic book Fear and Loathing in Las Vegas has been re-imagined in Troy Little’s graphic novel:
November 10, 2015
A graphic novelization of Fear and Loathing in Las Vegas
Comments Off on A graphic novelization of Fear and Loathing in Las Vegas
November 3, 2015
Lois McMaster Bujold’s Gentleman Jole and the Red Queen
The book isn’t out yet, but it’s starting to get some interesting reviews, including this one by Gopal Sathe for NDTV Gadgets 360:
We will not discuss the plot too much here, but we will certainly say that the book is going to be one of the most divisive ones in the series. Not because of its writing, or the twists and turns that the plot follows, but simply because of the subject matter — Bujold has already confirmed to fans that this book is not a war story, and that it is about grown-ups. In classic science fiction fashion, Bujold uses her alien settings and advanced technology to directly address the questions and concerns we are facing today, about age and gender and relationships and modern culture. And she does a brilliant job of it, as usual.
The book does drop a rather big revelation about a major character, and although the groundwork has been laid out in earlier books in the series (if sparingly), it still feels like an unexpected surprise. So it’s a good thing that Bujold gets the twist out of the way quickly, and matter-of-factly. This means that the book is given the breathing room to tell its own story, instead of twisting itself into knots around this revelation.
Outside of the main story, the B-plot figures around some typical Bujold tropes — military and logistics feature heavily, as does urban planning, and inter-cultural relations — but these all feel a little underdeveloped in Gentleman Jole and the Red Queen. But despite a few small missteps, this book feels like one of Bujold’s most cohesive and mature works, and so it’s perhaps fitting that it’s in this book that she finally returns to the planet Sergyar, which was also the stage for Shards of Honor, the first full novel in the Vorkosigan Saga.
There are frequent references and callbacks to the first book, and reflections on how the story has matured over time, and this works really well in establishing a sense of history to the novel. Even if you aren’t familiar with the adventures that the various members of the Vorkosigan family have had, the sense of real characters who have lived storied lives is clear, and does a lot to ground some of the more fanciful creatures and creations that we find in the book.
Comments Off on Lois McMaster Bujold’s Gentleman Jole and the Red Queen
QotD: Liberal arts programs
… liberal-arts programs have been ailing for decades. The humane thing would be to let them die with whatever modicum of dignity they have left.
My purpose in this essay is not to defend (or attack) “the arts” (the aaaaahts, in my plummiest fake English accent). The arts don’t need defending (or attacking), and even if they did, there are lots of thick books written by people who are far smarter than me making the case. This essay is, instead, a broadside against university humanities departments, which are mostly terrible and not really worth rescuing.
We don’t need university liberal arts programs to expose us to culture. Want some culture in your life? Hit YouTube and you can get all the culture you can choke down, for free. Art, music, dance, guided tours of great museums. Literature? The local library might still have a few books lying around if it hasn’t given itself over completely to being a day-care facility for the homeless. Amazon will sell you any book you want, from The Pilgrim’s Progress to The Brothers Karamazov to The Vagina Monologues and deliver it to your portable reading device in a matter of seconds. Amazon will also sell you a Blu-Ray of any opera or great film you want, and have it delivered right to your door by the next day. (Or stream it right to your TV, iPad, or smartphone.) Embarrassed for funds? You can download tens of thousands of public-domain books, films, and pieces of music for free from a variety of sources. In short, art has been transformed from a luxury good to a commodity good.
“But wait!” the academics cry. “Who’s going to teach you how to understand all this stuff? How to interpret it? How to uncover all the subtleties and meanings in it?”
In this response you get two fallacies for the price of one: that the average citizen requires someone to perform this task, and that universities are capable of performing it even if it were necessary.
Monty, “DOOM (culturally speaking)”, Ace of Spades H.Q., 2014-10-28.
Comments Off on QotD: Liberal arts programs
October 19, 2015
October 15, 2015
S.L.A. Marshall, Dave Grossman, and the “man is naturally peaceful” meme
The American military historian S.L.A. Marshall was perhaps best known for his book Men Against Fire: The Problem of Battle Command in Future War, where he argued that American military training was insufficient to overcome most men’s natural hesitation to take another human life, even in intense combat situations. Dave Grossman is a modern military author who draws much of his conclusions from the initial work of Marshall. Grossman’s case is presented in his book On Killing: The Psychological Cost of Learning to Kill in War and Society, which was reviewed by Robert Engen in an older issue of the Canadian Military Journal:
As a military historian, I am instinctively skeptical of any work or theory that claims to overturn all existing scholarship – indeed, overturn an entire academic discipline – in one fell swoop. In academic history, the field normally expands and evolves incrementally, based upon new research, rather than being completely overthrown periodically. While it is not impossible for such a revolution to take place and become accepted, extraordinary new research and evidence would need to be presented to back up these claims. Simply put, Grossman’s On Killing and its succeeding “killology” literature represent a potential revolution for military history, if his claims can stand up to scrutiny – especially the claim that throughout human history, most soldiers and people have been unable to kill one another.
I will be the first to acknowledge that Grossman has made positive contributions to the discipline. On Combat, in particular, contains wonderful insights on the physiology of combat that bear further study and incorporation within the discipline. However, Grossman’s current “killology” literature contains some serious problems, and there are some worrying flaws in the theories that are being preached as truth to the men and women of the Canadian Forces. Although much of Grossman’s work is credible, his proposed theories on the inability of human beings to kill one another, while optimistic, are not sufficiently reinforced to warrant uncritical acceptance. A reassessment of the value that this material holds for the Canadian military is necessary.
The evidence seems to indicate that, contrary to Grossman’s ideas, killing is a natural, if difficult, part of human behaviour, and that killology’s belief that soldiers and the population at large are only being able to kill as part of programmed behaviour (or as a symptom of mental illness) hinders our understanding of the actualities of warfare. A flawed understanding of how and why soldiers can kill is no more helpful to the study of military history than it is to practitioners of the military profession. More research in this area is required, and On Killing and On Combat should be treated as the starting points, rather than the culmination, of this process.
Comments Off on S.L.A. Marshall, Dave Grossman, and the “man is naturally peaceful” meme
October 12, 2015
Is the ballpoint pen the reason we all write so badly now?
In The Atlantic, Josh Giesbrecht postulates that our penmanship went south in parallel with the rise of the ballpoint pen:
Recently, Bic launched a campaign to “save handwriting.” Named “Fight for Your Write,” it includes a pledge to “encourage the act of handwriting” in the pledge-taker’s home and community, and emphasizes putting more of the company’s ballpoints into classrooms.
As a teacher, I couldn’t help but wonder how anyone could think there’s a shortage. I find ballpoint pens all over the place: on classroom floors, behind desks. Dozens of castaways collect in cups on every teacher’s desk. They’re so ubiquitous that the word “ballpoint” is rarely used; they’re just “pens.” But despite its popularity, the ballpoint pen is relatively new in the history of handwriting, and its influence on popular handwriting is more complicated than the Bic campaign would imply.
The creation story of the ballpoint pen tends to highlight a few key individuals, most notably the Hungarian journalist László Bíró, who is credited with inventing it. But as with most stories of individual genius, this take obscures a much longer history of iterative engineering and marketing successes. In fact, Bíró wasn’t the first to develop the idea: The ballpoint pen was originally patented in 1888 by an American leather tanner named John Loud, but his idea never went any further. Over the next few decades, dozens of other patents were issued for pens that used a ballpoint tip of some kind, but none of them made it to market.
These early pens failed not in their mechanical design, but in their choice of ink. The ink used in a fountain pen, the ballpoint’s predecessor, is thinner to facilitate better flow through the nib—but put that thinner ink inside a ballpoint pen, and you’ll end up with a leaky mess. Ink is where László Bíró, working with his chemist brother György, made the crucial changes: They experimented with thicker, quick-drying inks, starting with the ink used in newsprint presses. Eventually, they refined both the ink and the ball-tip design to create a pen that didn’t leak badly. (This was an era in which a pen could be a huge hit because it only leaked ink sometimes.)
The Bírós lived in a troubled time, however. The Hungarian author Gyoergy Moldova writes in his book Ballpoint about László’s flight from Europe to Argentina to avoid Nazi persecution. While his business deals in Europe were in disarray, he patented the design in Argentina in 1943 and began production. His big break came later that year, when the British Air Force, in search of a pen that would work at high altitudes, purchased 30,000 of them. Soon, patents were filed and sold to various companies in Europe and North America, and the ballpoint pen began to spread across the world.
Comments Off on Is the ballpoint pen the reason we all write so badly now?
October 5, 2015
QotD: The value scale of literature
The lowest forms of literature are, in descending order: pornography, the staff recommendations at the Tribeca Barnes & Noble, diet/fitness books, celebrity cookbooks, books of poetry written by pop stars, and, at the bottom of this unsavory slag heap, political memoirs, which have all of the narrative sophistication of pornography with none of the enjoyable bits.
Kevin D. Williamson, “A Plague of Memoirs: A courageously awesome American story of awesomely American courage”, National Review, 2014-10-06.
Comments Off on QotD: The value scale of literature
October 3, 2015
QotD: The hidden roots of writing
[V.S.] Pritchett begins with a conventional and not very promising theme, writers and money, and quietly turns it into a meditation on the importance of time, “the one necessity of their lives, not simply for high jinks — everyone has that — but time for their particular work.” He distinguishes two sorts of time important to writers: “…the clock time of his prose factory and the vitally necessary unending time of reflection; without the latter his work that clocks in will be dead and automatic.”
Writing has a long gestation because the writer never knows what might prove useful. If he is, as Henry James suggests he ought to be, “one of those on whom nothing is lost,” he has no spare time, no “down time,” no time to kill. A hastily written pen-for-hire piece of journalism may have decades-old origins unknown even to the writer. Every thought, every experience, every book read, might come in handy. Pritchett alludes to Keats’ notion of “negative capability” and adds: “A writer must have the capacity to become passive and lost in doubt in order to be open to new suggestion. He must alternate between clocking in and clocking out.”
Patrick Kurp, “‘They Never Stop Working'”, Anecdotal Evidence, 2014-09-17.
Comments Off on QotD: The hidden roots of writing
September 23, 2015
New libertarian books of interest
In the Washington Post, Ilya Somin draws attention to two new books of interest to libertarians:
Two exciting new books have just come out that are likely to be of great interest to readers interested in libertarianism, and political and legal theory. They are Markets Without Limits: Moral Virtues and Commercial Interests, by Jason Brennan and Peter Jaworski, and Justice at a Distance: Extending Freedom Globally, by Loren Lomasky and Fernando Teson. As the titles imply, both books have a libertarian orientation. But you don’t have to be a libertarian (or close to it) to agree with the authors’ positions on these issues, and even those interested readers who ultimately reject the authors’ conclusions can learn a lot from them.
In Markets Without Limits, Brennan and Jaworski argue that anything you should be allowed to do for free, you should also be allowed to do for money. They do not claim that markets should be completely unconstrained, merely that we should not ban any otherwise permissible transaction solely because money has been exchanged. Thus, for example, they agree that murder for hire should be illegal. But only because it should also be illegal to commit murder for free. Their thesis is also potentially compatible with a wide range of regulations of various markets to prevent fraud, deception, and the like. Nonetheless, their thesis is both radical and important. The world is filled with policies that ban selling of goods and services that can nonetheless be given away for free. Consider such cases as bans on organ markets, prostitution, and ticket-scalping. Perhaps the most notable aspects of the book are that the authors don’t shy away from hard cases (see, e.g., this summary of their discussion of the sale of adoption rights), and that they thoroughly address a wide range of possible objections from both left and right. The issue addressed by the book has enormous practical significance, in addition to its theoretical importance. To take just one example, the ban on organ markets condemns thousands of people to death every year, because it leads to a severe shortage of transplantable kidneys relative to the number of people who need them.
Comments Off on New libertarian books of interest
September 13, 2015
Lord of the Flies, re-imagined for today
In The New Yorker, Joe Keohane gives us an updated, modernized version of William Golding’s 1954 book:
By the time Ralph finished blowing the conch, a large crowd had formed.
“Well, then,” he said, clearing his throat. “First rule: we can’t have everyone talking at once.”
Jack was on his feet. “We’ll have rules!” he yelled excitedly. “Lots of rules!”
Ralph explained, “We need to have ‘hands up,’ like at school. Then I’ll pass the conch.”
“Conch?” someone asked.
“That’s what this shell’s called,” Ralph said. “I’ll give the conch to the next person to speak. He can hold it while he’s speaking. And he won’t be interrupted, except by me.”
“Just because we’re stranded doesn’t give you the right to use non-inclusive language,” Jack said.
The littluns muttered in assent.
“Uh, O.K.,” Ralph said. “So he or she can hold this conch when he or she is …”
“He or she,” a littlun cried, “imposes a binary view of sexuality that excludes the gender-non-conforming.”
“I feel unsafe!” Percival whimpered.
“O.K.,” Ralph said. “During assembly, any person who holds the conch—”
“Excuse me,” Roger began, “remind us again why you get to interrupt us even if you don’t have the conch?”
“Because I’m the chief,” Ralph said. “I was chosen.”
“By whom?”
“By you.”
“I didn’t vote for you,” Roger said, with a frown.
“We had a vote. The majority rules.”
“Oh, that’s brilliant — the majority,” Jack scoffed. The littluns tittered. “If anything, that means you have even less of a right to interrupt than we do!” Jack faced the others. “If you agree with me, wiggle your fingers.”
They wiggled their fingers.
“Look, I’m trying to get us rescued by the grownups,” Ralph said, gesturing toward a plane that had been circling the island for some time, and now seemed to be flying away.
“You are speaking from a position of privilege,” Jack said, “so you have no right to criticize us or tell us what to do.”
Comments Off on Lord of the Flies, re-imagined for today
September 11, 2015
The first dramatic presentation of George Orwell’s Nineteen Eighty-Four
Open Culture presents David Niven in the lead role of the first adaptation of Orwell’s final novel for radio:
Since George Orwell published his landmark political fable 1984, each generation has found ample reason to make reference to the grim near-future envisioned by the novel. Whether Orwell had some prophetic vision or was simply a very astute reader of the institutions of his day — all still with us in mutated form — hardly matters. His book set the tone for the next 60 plus years of dystopian fiction and film.
Orwell’s own political activities — his stint as a colonial policeman or his denunciation of several colleagues and friends to British intelligence — may render him suspect in some quarters. But his nightmarish fictional projections of totalitarian rule strike a nerve with nearly everyone on the political spectrum because, like the speculative future Aldous Huxley created, no one wants to live in such a world. Or at least no one will admit it if they do.
Comments Off on The first dramatic presentation of George Orwell’s Nineteen Eighty-Four
QotD: Ayn Rand
Let it be said at the outset that I have never been an Objectivist nor am I now a Libertarian, albeit, obviously, I share many of their aims. There is much in Ayn Rand’s philosophy I admire, and much I despise. She has the odd ability to write pages and pages of very insightful wisdom argued with almost Thomistic rigor and logic, and then to stagger like a screaming drunk into page after page of vituperation and nonsense based on an apparently inability to distinguish radically unalike concepts, such as selfishness versus self-interest, or altruism versus communism.
John C. Wright, “Ayn Rand as Author”, John C. Wright’s Journal, 2014-09-24.
Comments Off on QotD: Ayn Rand
September 8, 2015
Pessimism and doom-mongering still sells books and movies
Gregg Easterbrook reviews The End of Doom by Ronald Bailey:
Outside your window, living standards are rising, crime is declining, pollution is down, and longevity is increasing. But in pop culture, we’re all doomed. The Hunger Games films have been box-office titans, joined by World War Z, Interstellar, The Book of Eli, Divergent, The Road, and other big-budget Hollywood fare depicting various judgment days. Over in primetime, the world is ending on The Walking Dead, The Last Ship, The 100, and Under the Dome.
The same outlook obtains in nonfiction literature. Books that foresee doomsday — Collapse by Jared Diamond, The End of Nature by Bill McKibben, The Coming Plague by Laurie Garrett among them — win praise from commentators and sell briskly. Books contending that things basically are fine don’t do as well. One might think that optimism would be marketable to contemporary book buyers, who live very well by historical standards, but it doesn’t seem to work that way. Readers prefer material that depicts them dwelling in the final generation. Perhaps declining religious belief in Armageddon has been replaced by an expectation of some natural-world version of the event.
Into this adverse market steps The End of Doom by Ronald Bailey, an impressively researched, voluminously detailed book arguing that the world is in better shape than commonly assumed. Bailey deflates doomsday by showing that human population growth does not mean ecological breakdown; that food supply increases faster than population and probably always will; that, far from depleted, most resources are sufficient to last for centuries; that air pollution in the United States is way down; and that cancer is in decline.
Specialists will argue about some of the studies Bailey cites to support these contentions. So much environmental research exists today, for example, that one can find a study to prove practically anything. But in the main, Bailey’s selection of research is fastidious and convincing.
Bailey spends too much time, though, on discredited trendy bleakness from the 1960s and 1970s — such as Paul Ehrlich’s global-famine predictions and the 1972 Club of Rome report. One can practically hear dead horses saying, “Stop flogging me.” The End of Doom redeems itself with a clever chapter on how precautionary principles boil down to this rule: never do anything for the first time. “Anything new is guilty until proven innocent,” Bailey writes, but he goes on to chronicle how many new ideas denounced as dangerous turned out instead to make life less risky.
Comments Off on Pessimism and doom-mongering still sells books and movies
September 6, 2015
Lois McMaster Bujold’s Vorkosigan novels
Aidan Moher on approaching the Vorkosigan cycle of novels by Lois McMaster Bujold:
Every reader has a bucket list — oft-recommended writers you keep hearing about, whose books sound absolutely perfect, who, for some reason, you never seem to get around to reading. For years, Lois McMaster Bujold’s Vorkosigan series hovered near the top of mine. The science fiction saga has been going strong for nearly 30 years, since the publication of Shards of Honor in 1986, and, to this day, remains a mainstay on the Hugo Award ballot every time a new volume is released. With several million books sold, Bujold is one of the most beloved and popular science fiction authors of the modern era, and, now that I’ve finally read Shards of Honor and its sequel, Barrayar, I’m beginning to understand why — though it wasn’t my first brush with the series.
An explanation is in order. The Vorkosigan series has a number of entry points. Many readers begin with The Warrior’s Apprentice. Set 17 years after the conclusion of Barrayar, it features a young soldier named Miles Vorkosigan, and many of the characters introduced in Shards of Honor. Confusingly, it was published after the latter but before the former, which themselves were published eight years apart. Miles, the main protagonist of the series, is like an adolescent Tyrion Lannister: he’s constantly pushing against the expectations of a military society that judges him for his physical disability, and uses his wit and ingenuity to climb out of the deep holes he often digs for himself. The book is fun and quick, with a preference for dialogue over exposition, but the economy of world-building left me feeling a bit lost. With some urging from ardent Bujold fans, I retreated back a generation and picked up Shards of Honor, which focuses on the first meeting between Cordelia Naismith and Aral Vorkosigan, Miles’ parents. I immediately adored it.
Cordelia and Aral’s first meeting, as ostensible enemies stranded together on an inhospitable world, is anything but romantic, though perfectly suitable once you get to know them. During a time of upheaval and interstellar war, the two have become lofty citizens and heroes of their respective planets (Beta Colony and Barrayar) without intention nor desire to do so. While the plot revolves around an escalating war between Beta Colony and Barrayar over a planet called Escobar, the bulk of the narrative, and the novel’s true strength, lies in its characters.
Comments Off on Lois McMaster Bujold’s Vorkosigan novels
September 4, 2015
QotD: Joe Biden’s memoirs
I must admit, I have read neither Biden’s memoir nor Dole’s preamble to full erectile function. But I think that the vice president may have a great book in him — not Grant’s memoirs great, but pretty great. I dream of Joe Biden’s writing a postmodern surrealist political manifesto titled Literally Delaware: This Book Has No Subtitle, which I suspect would be colorful reading inasmuch as in his role as under-cretin to the World’s Most Powerful Man™ he has access to the 152-color “Ultimate” Crayola set, though presumably he is allowed to use the included sharpener only under adult supervision. The book would be available only at stores in Amtrak stations and should be read only on the train, a piece of locative literature.
Kevin D. Williamson, “A Plague of Memoirs: A courageously awesome American story of awesomely American courage”, National Review, 2014-10-06.
Comments Off on QotD: Joe Biden’s memoirs
