Quotulatiousness

October 8, 2019

Sarah Hoyt on the “rough music”

Filed under: China, Economics, France, Media, Politics, USA — Tags: , , , , , — Nicholas @ 09:00

Sarah Hoyt borrows a notion from Terry Pratchett’s Discworld series to explain a real phenomenon in our world:

Pratchett’s “Witches” world was so similar to my own, from jumping over fires to get married (not legal in my day, but there was memory of it) to various local folk superstitions, that it was always a surprise when he pulled something I’d never heard of.

One of these is the “rough music.”

When someone has done just about enough that a small village can no longer put up with him, the men in the village get together and play a barbarous and terrible music as they nerve themselves up for the barbarous and terrible things they have to do.

In Europe — hell, all over the rest of the world — the rough music is playing. Just because no one is reporting on this, it doesn’t mean it’s not going on, and growing, and nerving itself up to … something.

The level at which the Gilets Jaunes have been under reported is extraordinary, except that it hasn’t stopped the uprising either.

(And now I think about it, how much do we see in main stream news about Hong Kong? And it hasn’t stopped the uprising either.)

[…]

So, let’s talk about the rough music. Sure, you can hear it. I can hear it too. The stomp and the drumming can be heard all over the world.

That which can’t go on, won’t.

But I implore you to stop and think: if the rough music plays, what comes after?

There might be no hope for Europe, but Europe’s … ah … how do we put this? Europe’s tenets, their stand before the world, an improvement as they were on everything before them, are not ours.

Even in Europe I suspect when this bursts — and there it will burst. The elites flaying and screaming is only making it worse — you’re going to see things that will make you wonder why on Earth good American boys died in WWII. Because we’re about to get National Socialism, the sequel. National because they’re getting tired of the international elites (and who isn’t) and socialism because the poor bastards have not experienced anything else their entire adult lives.

It will happen. It is necessary. The EU was probably one of the most bizarre ideas in the history of bad ideas. The way it’s run which essentially steals the franchise from ordinary people was just the old style “good families” coming back into power through a back door.

But what comes after will probably be horrific. If we’re all lucky it will also be briefish and like France after the revolution they’ll find their way to something slightly less insane. With or without Napoleon and Europe wide war? Ah … that’s where we need to talk.

First however, let me say that hearing the rough music from the rest of the world is starting to echo here. We see what’s going on there. And we hear strange and stupid stuff, like the “whistleblower of the day” and an impeachment without voting and of course, pancake-gate.

Faced with that kind of behavior you obviously think “It’s insane.” And “We have to stop it.”

October 6, 2019

Hitler and the Art of the Deal – WW2 – 058 – October 5 1940

World War Two
Published 5 Oct 2019

Hitler is trying to get new Axis Powers on board in his fight against Britain, promising them all huge territorial gains.

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Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

Sources:
– IWM: A 220
– Photos of Herbert Morrison and John Anderson by Yousuf Karsh, Dutch National Archives
– National Library of Australia
– Narodowe Archiwum Cyfrowe
– Colorized portrait of Mao Zedong by Olga Shirnina, aka Klimbim
– Flag of Spain by SanchoPanzaXXI on Wikimedia Commons

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

September 30, 2019

Ten Minute History – The Early British Empire

Filed under: Americas, Britain, History, India, Military — Tags: , , , , , , — Nicholas @ 02:00

History Matters
Published on 26 Sep 2016

Twitter: https://twitter.com/Tenminhistory
Patreon: https://www.patreon.com/user?u=4973164

This episode of Ten Minute History (like a documentary, only shorter) covers the birth and rise of the British Empire from the reign of Henry VII all the way to the American Revolution. The first part deals with the Tudors and their response to empire in Spain (as well as the Spanish Armada). The second part deals with England’s (and later Britain’s) establishment of its own empire in North America and India. It then concludes with the Seven Years’ War and the American Revolution.

Ten Minute History is a series of short, ten minute animated narrative documentaries that are designed as revision refreshers or simple introductions to a topic. Please note that these are not meant to be comprehensive and there’s a lot of stuff I couldn’t fit into the episodes that I would have liked to. Thank you for watching, though, it’s always appreciated.

September 29, 2019

An Axis of Evil is Complete – WW2 – 057 – September 28 1940

World War Two
Published 28 Sep 2019

This week, the factions of World War Two begin to crystallise as the Japanese join the Axis powers.

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Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

Sources:
– USHMM
1. Accession Number: 1992.252.1 | RG Number: RG-60.0621 | Film ID: 302
2. Photograph Number: 74565
– IMW:
IWM (A 1378)
IWM (A 1376)
IWM (CH 1429)
IWM (C 1819)

TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Being a dictator is a stressful vocation

Filed under: Books, China, Germany, Government, History, Italy, Russia — Tags: , , , , , , — Nicholas @ 03:00

Gustav Jönsson reviews a new book by Professor Frank Dikötter on twentieth-century dictators:

One of the first things to emerge from Professor Frank Dikötter’s eagerly awaited new book How to Be a Dictator is that it is a stressful vocation: there are rivals to assassinate, dissidents to silence, kickbacks to collect, and revolutions to suppress. Quite hard work. Even the most preeminent ones usually meet ignominious ends. Mussolini: summarily shot and strung upside down over a cheering crowd. Hitler: suicide and incineration. Ceausescu: executed outside a toilet block. Or consider the fate of Ethiopia’s Haile Selassie: rumoured to have been murdered on orders of his successor Mengistu Haile Mariam, he was buried underneath the latter’s office desk. Not the most alluring career trajectory, one might say.

Dikötter’s monograph is a study of twentieth century personality cults. He examines eight such cults: those created by Mussolini, Hitler, Stalin, Mao, Kim Il-sung, Duvalier, Ceausescu, and Mengistu. For them, cultism was not mere narcissism, it was what sustained their regimes; foregoing cultism, Dikötter argues, caused swift collapse. Consider Pol Pot and the Khmer Rouge. Cambodians were unsure of Pol Pot’s exact identity for years, even after he had assumed leadership of the country. The Khmer Rouge, meanwhile, was in its initial stages merely called “Angkar” — “The Organisation.” There was no inspiring iconography. There was no ritualised leader worship. There was only dark terror. Dikötter quotes historian Henri Locard: “Failing to induce adulation and submissiveness, the Angkar could only generate hatred.” The Khmer Rouge soon lost its grip on the country. Dikötter makes an obligatory reference: “Even Big Brother, in George Orwell’s 1984, had a face that stared out at people from every street corner.”

Readers of Orwell will remember that INGSOC has no state ideology. There is only what the Party says, which can change from hour to hour. Likewise, Dikötter argues, there was no ideological core to twentieth century dictatorships; there was only the whim of the dictator. Nazism, for example, was not a coherent creed. It contained antisemitism, nationalism, neo-paganism, etc., but its essence was captured in one of its slogans: The Führer is Always Right. That is what the creed amounted to. Indeed, the NSDAP referred to itself simply as “the Hitler movement.” Nazism was synonymous with Hitlerism. Italian Fascism was perhaps even more vacuous. The regime’s slogan was simple: Mussolini is Always Right. Explaining his method of politics, Mussolini said: “We do not believe in dogmatic programmes, in rigid schemes that should contain and defy the changing, uncertain, and complex reality.”

While it is uncontroversial to argue that Nazism and Fascism were without ideology, as Dikötter writes, the “issue is more complicated with communist regimes.” Naturally, Marxism was connected with Stalin, Mao, Ceausescu, Kim, and Mengistu. But Dikötter rightly says that it was Lenin’s revolutionary vanguard, not Marx’s philosophical works, that inspired them. Doctrines can be interpreted in contradictory ways, creating schismatic movements — as shown throughout the history of socialism. In this regard personality cults are far safer because they are substantively empty. Marxist dictators thus subverted Marxism. Engels had said that socialism in one country was impossible, but that is what Stalin’s Soviet Union favoured. Or consider Kim’s North Korea, which in 1972 replaced Marxism with Great Leader Thought. And as Dikötter writes, “Mao read Marx, but turned him on his head by making peasants rather than workers the spearhead of the revolution.” Reading Marx under Marxism, Dikötter says, was highly imprudent: “One was a Stalinist under Stalin, a Maoist under Mao, a Kimist under Kim.” In short, Marxism was whatever the dictator said, and not what Marx had actually written.

September 18, 2019

The invention of Writing, Paper and Print! l HISTORY OF CHINA

Filed under: Books, China, History, Technology — Tags: , , — Nicholas @ 04:00

IT’S HISTORY
Published on 22 Jul 2015

The invention of script, paper and printing can be credited to the Chinese. It was in China that Cai Lun, in his emperor’s service, made the production of paper suitable for the masses. Originally planned as a means to wrap things in, it soon became obvious that paper was more suitable for writing than the common bamboo stick. Guy explains how the Chinese printed written pages long before Gutenberg was born, how Chinese writing actually works and how emperor Qin tried to establish the standardized Chinese Han Characters, or Hanzi, attempting to unify the writing symbols for his country.

» SOURCES
Videos: British Pathé (https://www.youtube.com/user/britishp…)
Pictures: mainly Picture Alliance
Content:
Faulmann, Carl (1995): Schriftzeichen und Alphabete aller Zeiten und Völker. Augsburg. Reprint der Originalausabe von 1880 Wien.
Pan, Jixing (1998): “On the origin of movable metal-types”. In: Chinese Science Bulletin 43 (20).
Wai Wong (2005): “Typesetting Chinese. A personal perspective”. In: TUGboat 26 (2) 111-114.
https://www.tug.org/TUGboat/tb26-2/wo…
Yan, Yangtse (2006): “New Evidence suggests longer paper making history in China”. http://news.xinhuanet.com/english/200…

» ABOUT US
IT’S HISTORY is a ride through history – Join us discovering the world’s most important eras in IN TIME, BIOGRAPHIES of the GREATEST MINDS and the most important INVENTIONS.

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» CREDITS
Presented by: Guy Kiddey
Script by: Martin Haldenmair
Translated by: Guy Kiddey
Directed by: Daniel Czepelczauer
Director of Photography: Markus Kretzschmar
Music: Markus Kretzschmar
Sound Design: Bojan Novic
Editing: Markus Kretzschmar

A Mediakraft Networks original channel
Based on a concept by Florian Wittig and Daniel Czepelczauer
Executive Producers: Astrid Deinhard-Olsson, Spartacus Olsson
Head of Production: Michael Wendt
Producer: Daniel Czepelczauer
Social Media Manager: Laura Pagan and Florian Wittig

Contains material licensed from British Pathé
All rights reserved – © Mediakraft Networks GmbH, 2015

September 15, 2019

The Nazi Invasion of Britain?! – WW2 – 055 – September 14 1940

Filed under: Britain, China, Europe, Germany, History, Italy, Japan, Middle East, Military, WW2 — Tags: , , , , — Nicholas @ 06:00

World War Two
Published on 14 Sep 2019

The Blitz continues as the German army seems close to the execution of Operation Sea Lion: the invasion of Britain.

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Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

Sources:
– IWM: E 7304, E 1400, CH 4972, E 12789
– Italian poster – James Vaughan on Flickr
– Narodowe Archiwum Cyfrowe

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 days ago
What if the Germans had invaded Britain this week? We will probably never know, but we get asked to give our views on counterfactual history questions like this all the time. Many did that during our first Q&A session on Instagram last week. We had a great time answering many questions about the war, about TimeGhost and about the production process, and we’ll certainly do similar Instagram Q&A sessions again. If you don’t already, you can follow us by looking up @world_war_two_realtime or https://www.instagram.com/world_war_two_realtime/

Cheers,
Joram

September 8, 2019

Burn London, Burn it’s the Blitz – WW2 – 054 – September 07 1940

World War Two
Published on 7 Sep 2019

This week, the battle in the skies of Britain enters a new, even deadlier phase, as the crowded streets of London turn into a war zone. It is the start of the Blitz.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Edited by: Iryna Dulka
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

Sources:
– IWM: SP 2553, FL 5186, H 23836, HU 93069, CH 19
– Colorization of Hugo Sperrle by Ruffneck88
– Narodowe Archiwum Cyfrowe

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

QotD: The Amritsar massacre and the partition of India

Filed under: Britain, History, India, Quotations, Religion — Tags: , , , , — Nicholas @ 01:00

Although the movie [Gandhi] sneers at this reasoning as being the flimsiest of pretexts, I cannot imagine an impartial person studying the subject without concluding that concern for Indian religious minorities was one of the principal reasons Britain stayed in India as long as it did. When it finally withdrew, blood-maddened mobs surged through the streets from one end of India to the other, the majority group in each area, Hindu or Muslim, slaughtering the defenseless minority without mercy in one of the most hideous periods of carnage of modern history.

A comparison is in order. At the famous Amritsar massacre of 1919, shot in elaborate and loving detail in the present movie and treated by post-independence Indian historians as if it were Auschwitz, Gurkha troops under the command of a British officer, General Dyer, fired into an unarmed crowd of Indians defying a ban and demonstrating for Indian independence. The crowd contained women and children; 379 persons died; it was all quite horrible. Dyer was court-martialed and cashiered, but the incident lay heavily on British consciences for the next three decades, producing a severe inhibiting effect. Never again would the British empire commit another Amritsar, anywhere.

As soon as the oppressive British were gone, however, the Indians — gentle, tolerant people that they are — gave themselves over to an orgy of bloodletting. Trained troops did not pick off targets at a distance with Enfield rifles. Blood-crazed Hindus, or Muslims, ran through the streets with knives, beheading babies, stabbing women, old people. Interestingly, our movie shows none of this on camera (the oldest way of stacking the deck in Hollywood). All we see is the aged Gandhi, grieving, and of course fasting, at these terrible reports of riots. And, naturally, the film doesn’t whisper a clue as to the total number of dead, which might spoil the mood somehow. The fact is that we will never know how many Indians were murdered by other Indians during the country’s Independence Massacres, but almost all serious studies place the figure over a million, and some, such as Payne’s sources, go to 4 million. So, for those who like round numbers, the British killed some 400 seditious colonials at Amritsar and the name Amritsar lives in infamy, while Indians may have killed some 4 million of their own countrymen for no other reason than that they were of a different religious faith and people think their great leader would make an inspirational subject for a movie. Ahimsa, as can be seen, then, had an absolutely tremendous moral effect when used against Britain, but not only would it not have worked against Nazi Germany (the most obvious reproach, and of course quite true), but, the crowning irony, it had virtually no effect whatever when Gandhi tried to bring it into play against violent Indians.

Despite this at best patchy record, the film-makers have gone to great lengths to imply that this same principle of ahimsa — presented in the movie as the purest form of pacifism — is universally effective, yesterday, today, here, there, everywhere. We hear no talk from Gandhi of war sometimes being a “necessary evil,” but only him announcing — and more than once — “An eye for an eye makes the whole world blind.” In a scene very near the end of the movie, we hear Gandhi say, as if after deep reflection: “Tyrants and murderers can seem invincible at the time, but in the end they always fall. Think of it. Always.” During the last scene of the movie, following the assassination, Margaret Bourke-White is keening over the death of the Great Soul with an English admiral’s daughter named Madeleine Slade, in whose bowel movements Gandhi took the deepest interest (see their correspondence), and Miss Slade remarks incredulously that Gandhi felt that he had failed. They are then both incredulous for a moment, after which Miss Slade observes mournfully, “When we most needed it [presumably meaning during World War II], he offered the world a way out of madness. But the world didn’t see it.” Then we hear once again the assassin’s shots, Gandhi’s “Oh, God,” and last, in case we missed them the first time, Gandhi’s words (over the shimmering waters of the Ganges?): “Tyrants and murderers can seem invincible at the time, but in the end they always fall. Think of it. Always.” This is the end of the picture.

Richard Grenier, “The Gandhi Nobody Knows”, Commentary, 1983-03-01.

September 4, 2019

Viewing WW2 as “the Air-Sea Super Battlefield”

Filed under: Economics, Germany, History, Japan, Military, Russia, WW2 — Tags: , , — Nicholas @ 05:00

According to Phillips Payson O’Brien, it’s old-fashioned to view large land battles as being “decisive” in modern warfare:

Kombat (Russian: Комбат, lit. “battalion commander”) is a black-and-white photograph by the Soviet photographer Max Alpert. It depicts a Soviet military officer armed with a TT pistol who is raising his unit for an attack during World War II. This work is regarded as one of the most iconic Soviet World War II photographs, yet neither the date nor the subject is known with certainty. According to the most widely accepted version, the photograph depicts junior politruk (political officer) Aleksei Gordeyevich Yeryomenko, minutes before his death on 12 July 1942, in Voroshilovgrad Oblast, Ukraine.
Wikimedia Commons.

Allied victory in WWII is usually viewed through the lens of large land battles, from Stalingrad to Kursk to D-Day. However, battlefield losses of equipment in these “great” land battles were relatively small and easily replaceable. This column demonstrates that the real effort of the major powers was put into the construction of air and sea weapons. The Allies used their air and sea power to destroy the Axis’s in a multi-layered campaign. This was the true battlefield of WWII: a massive air-sea super battlefield that stretched for thousands of miles. Victory in this super-battlefield led to victory in the war.

Every aspect of WWII is discussed in a vast literature. Considering its diversity, explanations of why Germany lost the war are surprisingly predictable. It remains widely argued that the Nazis were beaten mostly by the Soviet Union’s powerful Red Army (Hastings 2005: 508, Kennedy 2013: 183).

From June 1941 to May 1945, German “power” was supposedly engaged and destroyed by the Russians. At some points, more than two-thirds of German infantry were engaged against the Red Army. The famous battles of the Eastern Front, such as Stalingrad and Kursk, supposedly caused the Germans’ crippling losses. The upshot of this lopsided deployment was that most German soldiers died in the East. Fighting against the Americans and British, conversely, is often portrayed as a secondary concern (Roberts 2010: 573).

What’s wrong with a focus on battles?

This battle-centric view, like much history of WWII, is old-fashioned. Historians of strategy have moved away from seeing battles as determinative. Nolan (2017) has argued that attrition losses are more important than battle losses in explaining outcomes.

The battle-centric analysis implies that infantry deployment is the best way to analyse effort. Yet, human-power was rarely the key factor in deciding combat in WWII. Equipment and specialised training mattered more. Possessing and operating the largest stores of modern weapons, not only tanks and artillery but also aircraft and naval vessels, determined the course of battles and the war.

If we reframe the discussion of the war to look not only at what equipment was made but also at how it was destroyed, it emerges that the war was decided far from the land battlefield (O’Brien 2015). The most striking sign of this is how little war production went to the land war and how much went to the combined air-sea war. This was the case for all the powers except the USSR.

Japan, the Bureaucratic War Machine | BETWEEN 2 WARS I 1931 Part 2 of 3

Filed under: Bureaucracy, China, History, Japan, Military — Tags: , , , , , — Nicholas @ 04:00

TimeGhost History
Published on 3 Sep 2019

In Japan there has been a gradual increase of militarism since the Great War and in 1931 the country goes to war again when they invade Chinese Manchuria based on a false flag terrorist strike at the Mukden railway junction.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory

Subscribe to our World War Two series: https://www.youtube.com/c/worldwartwo…

Hosted by: Indy Neidell
Written by: Spartacus Olsson
Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel and Spartacus Olsson
Edited by: Danile Weiss
Sound design: Marek Kaminsky

Sources:

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Sources:

James Fulcher, The Bureaucratization of the State and the Rise of Japan (1988)

Katō Yōko, “The debate on fascism in Japanese historiography”, in: Sven Saaler and Christopher W.A. Szpilman (ed.), Routledge Handbook of Modern Japanese History (2018), 225-236.

Ethan Mark, “Japan’s 1930s crisis, fascism, and social imperialism”, in: Sven Saaler and Christopher W.A. Szpilman (ed)., Routledge Handbook of Modern Japanese History (2018), 237-250.

Penolepe Francks, “The path of economic development from the late nineteenth centre to the economic miracle”, in: Sven Saaler and Christopher W.A. Szpilman (ed)., Routledge Handbook of Modern Japanese History (2018), 267-278.

Sandra Wilson and Robert Cribb, “Japan’s colonial empire”, in: Sven Saaler and Christopher W.A. Szpilman (ed)., Routledge Handbook of Modern Japanese History (2018), 77-91.

Mark R. Peattie, “Nanshin: The ‘Southward Advance’, 1931-1941, as a Prelude to the Japanese Occupation of Southeast Asia”, in: Peter Duus e.a., The Japanese Wartime Empire, 1931-1945 (2010), 190-242.

From the comments:

TimeGhost History
13 minutes ago
This is the third of several episodes that cover the developments in East Asia leading to World War Two. In this episode we look at how Japan by 1931 has developed to be on the brink of a fascist state without anyone specifically taking power or staging a coup. The democratic reforms from the past four decades are dying a death by a thousand cuts as the Japanese administration and military simply take one small decision after the other that erodes freedom, dials back democracy, and inevitably leads to war. It’s an anonymous, mechanic, gradual movement towards global conflict proceeding with clockwork precision.

This episode also sees the first change to the Between 2 Wars set as Astrid and Wieke have started adapting the set to the changing themes, while we move closer and closer to the outbreak of WW2 — we’d love to hear what you think!

English spelling – a bit mad, but perhaps the best system around

Filed under: Britain, China, History, USA — Tags: , — Nicholas @ 02:00

Lindybeige
Published on 12 Nov 2015

Support me on Patreon: https://www.patreon.com/Lindybeige

Many people think that the English system of spelling is just mad. The random quirks of history have certainly played their part, and today we have spellings that follow so many different rules that at times it can seem just random. However, here I argue that actually the fact that our spelling does not match our pronunciation is a strength, not just a weakness.

I see from the comments that several viewers have misunderstood me, and have thought that I am saying that only when people are reading English do they recognise words in the same way as we recognise faces. No, this is how people read in all languages. This being the case, phonetic spelling is not such a great advantage, since people are not decoding the words using sound, and spelling based on derivation has advantages.

Lindybeige: a channel of archaeology, ancient and medieval warfare, rants, swing dance, travelogues, evolution, and whatever else occurs to me to make.

September 1, 2019

366 Days of Crushed Hopes, Suffering and Death – WW2 – 053 – August 31 1940

Filed under: Britain, China, Germany, History, Japan, Military, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published on 31 Aug 2019

As the war turns one year old, there seems to be no end in sight. The Luftwaffe starts targeting civilian areas of London, the peoples of Eastern Europe switch country without moving houses, in occupied territory the population continues to be terrorized, and an end to the Chinese war that has been raging on for years now seems ever further away.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Join our Discord Server: https://discord.gg/D6D2aYN.
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Edited by: Karolina Dołęga
Map animations: Eastory

Colorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/

Sources:
Soviet occupation of Bessarabia and Northern Bukovina. Military parade in Kishinev on the 4th of July 1940, ANRM, Fototeca, 24950 from http://anr.infoideea.ro/basarabia1940…

Eastory’s channel: https://www.youtube.com/channel/UCEly…
Archive by Screenocean/Reuters https://www.screenocean.com.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
6 days ago (edited)
Tomorrow, the war turns one year old, just like our channel. It doesn’t feel like a year, but when you think about what has happened all over the world since the Germans invaded Poland, it feels like a lifetime. Since then, our project has grown significantly, with new editors, community managers, and other people that help us out to make this series the best that it could be. We owe that to each and every one of you who stuck around and watched, shared, and engaged with our channel. We’re especially grateful to our supporters on Patreon and the TimeGhost website. It’s your support that makes this show possible and helps us to keep improving our quality. Our next goal is to raise enough money to go abroad and film on location, so that we can give you a real look of what it was like, and get in-depth knowledge from local historians. So please, support us on Patreon at https://www.patreon.com/TimeGhostHistory or at our website at https://timeghost.tv.

A big virtual hug from all of us,
The TimeGhost Team

August 31, 2019

History Summarized: French Empire (Ft. Armchair Historian!)

Overly Sarcastic Productions
Published on 30 Aug 2019

Check out the Armchair Historian channel for more on French Vietnam and the battle of Dien Bien Phu: https://youtu.be/IJ051WyUsW8

Dubious morality, drawn out timescales, intricate royal politics, worldwide stages — Colonialism be like that sometimes. And by “Like That” I mean impenetrably complicated. I did my best, I’ll say that, but oh man is history a mess in the 15-1900s. This stuff is the reason I had so much trouble with history for so long. It’s just so DENSE.

ANYWAY, join Blue and Griffin the Armchair Historian for a look into the history of the multiple successive French Empires. Listen carefully as Blue makes imperceptibly subtle commentary about his extremely non-biased opinions on this chapter in history, and laugh together as we analyze the historical significance of Napoleon Bonaparte’s anime hair.

NOTE on 6:14 — I say Napoleon became Emperor in 1802. That’s a mistake. In 1802, the constitution of France was amended to make the position of Consul permanent, but Napoleon did not become the Emperor until 1804, when he declared the French Empire. That’s my bad.

NOTE on 11:25 — French Guiana, on the northeast coast of South America, remained part of France following the decolonization of Africa. That’s a mapping mix-up.

DISCORD: https://discord.gg/sS5K4R3

PATREON: https://www.Patreon.com/OSP

August 28, 2019

And then came Genghis Khan – Sorrow of the Song Dynasty l HISTORY OF CHINA

Filed under: Bureaucracy, China, Economics, History — Tags: , , , — Nicholas @ 04:00

IT’S HISTORY
Published on 10 Aug 2015

The Song dynasty is often described as an early modern economy. It marked a lot of economical changes from previous dynasties. Starting with the decentralisation of power and reduced economical involvement, it brought on industrial growth and agricultural expansion. Although being forced to advance in military technology due to wars with the Liao and the Jurchen, the Song would eventually fall to the Mongols. Crumbling under Genghis Khan’s attacks it would only take one generation until his successor Kublai Khan would declare a new Yuan Dynasty. Find out all about this Epoch on IT’S HISTORY!

» SOURCES
Videos: British Pathé (https://www.youtube.com/user/britishp…)
Pictures: mainly Picture Alliance
Content:
Benn, Charles (2002), China’s Golden Age: Everyday Life in the Tang dynasty, Oxford University Press
Ebrey, Patricia Buckley (1999), The Cambridge Illustrated History of China, Cambridge: Cambridge University Press
Gascoigne, Bamber; Gascoigne, Christina (2003), The Dynasties of China: A History, New York
Levathes, Louise (1994), When China Ruled the Seas, New York: Simon & Schuster
Whitfield, Susan (2004), The Silk Road: Trade, Travel, War and Faith, Chicago: Serindia

» ABOUT US
IT’S HISTORY is a ride through history – Join us discovering the world’s most important eras in IN TIME, BIOGRAPHIES of the GREATEST MINDS and the most important INVENTIONS.

» HOW CAN I SUPPORT YOUR CHANNEL?
You can support us by sharing our videos with your friends and spreading the word about our work.

» CAN I EMBED YOUR VIDEOS ON MY WEBSITE?
Of course, you can embed our videos on your website. We are happy if you show our channel to your friends, fellow students, classmates, professors, teachers or neighbors. Or just share our videos on Facebook, Twitter, Reddit etc. Subscribe to our channel and like our videos with a thumbs up.

» CAN I SHOW YOUR VIDEOS IN CLASS?
Of course! Tell your teachers or professors about our channel and our videos. We’re happy if we can contribute with our videos.

» CREDITS
Presented by: Guy Kiddey
Script by: Guy Kiddey
Directed by: Daniel Czepelczauer
Director of Photography: Markus Kretzschmar
Music: Markus Kretzschmar
Sound Design: Bojan Novic
Editing: Markus Kretzschmar

A Mediakraft Networks original channel
Based on a concept by Florian Wittig and Daniel Czepelczauer
Executive Producers: Astrid Deinhard-Olsson, Spartacus Olsson
Head of Production: Michael Wendt
Producer: Daniel Czepelczauer
Social Media Manager: Laura Pagan and Florian Wittig

Contains material licensed from British Pathé
All rights reserved – © Mediakraft Networks GmbH, 2015

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