Quotulatiousness

December 12, 2022

“The reason that Canada’s arts do not resonate with 95% of Canadians is that they are products of socialist realism’

Filed under: Books, Cancon, Government, Media — Tags: , , , , , , , — Nicholas @ 05:00

Elizabeth Nickson on the parasitic world of official “Canadian culture” with its gatekeepers, subsidies, and luxury beliefs:

When I say society, I don’t mean the upper reaches of the wealthy. While we do have the very rich in Canada, they are rigorous in their hiddenness because we have the worst lefties on the continent and that is saying something. The safe thing for any wealthy family is give $ to socialists, bow and scrape to the harpies at the CBC and hope they don’t notice your bank balance. Anyway, these dreadful people arrived post WW2 with their hideous Frankfurt School ideas and just preyed on the simplest most innocent well-meaning good white people you could ever imagine, and literally ate, ravenous and braying all the while, the country’s potential.

So the scandal took place among them, or rather the world they created, which is basically a clutch of 150,000 grifters located between Ottawa, Toronto and Quebec City, whose only mission is to divest the government of as much public money as possible. This is particularly true of their defensive line which consists of the arts and journalism. Theirs is a world where no stone is left unsubsidized by taxes on the hidden rich, waitresses at truck stops in Kamloops and anyone who dares to make money unapproved by the CBC. They are, as a former editor swore to me, the gatekeepers. That was before her circulation collapsed by 65%., but no doubt she still believes it.

The arts and media in Canada are constructed entirely for the 5%, consumed by those who live the lush subsidized life — or those who want to — whether in government or in semi-independent corporations or businesses who require government help and “seed” money etc. (There are a hundred terms for the grift.)

Books, if you look at their sales, are tragic. There have been a handful of impressive films, despite the literal billions thrown at filmmakers over the past 20 years. Most of them are catastrophically depressing, the books make you want to cut out your heart with a grapefruit spoon. Painters paint, if you subtract all the hectoring from minor artists, from forced inclusion, some of them are very good. We can create good art. But not with our current curators.

The reason that Canada’s arts do not resonate with 95% of Canadians is that they are products of socialist realism. They describe humans and human life as they either believe it to have been (dark and in need of enlightened beings like themselves) or as they feel it must be in the future (filled with people expressing their oppression and being paid for it). It’s basically fantasy, and no one likes it, watches it, reads it.

The rest of Canada is a centre-right country, a gut-it-out-and-build-it-kind of place. I know that is the exact opposite of the propaganda, but Conservatives win a majority of the votes in every election, yet still only amount to 40%. We have five parties, and four of them are leftie — their platforms are all “more money for us” — but the big party, the one that receives about 30% of the vote is so crafty, so embedded in our vast vast bureaucracy that fixing the game is child’s play. Informed by their Frankfurt School gurus, they have been in power 100 years, with brief Conservative interludes.

We take in about half a million immigrants a year, and most of them are from desperate places. Vote harvesting in those neighborhoods is done by leaders in each immigrant community. These men and women are the strongest, most educated and frankly from the ones I’ve met, thuggish, and through them comes all access to government programs, housing and education. Therefore, when they collect your vote, you know for whom your vote is meant. The thing about immigrants though is that they were coming for the old Canada, not the new Commie police state.

But for now? Easy. No one investigates this. Why not? Our media is subsidized. ALL of it.

The British Empire(s)

Filed under: Books, Britain, History — Tags: , — Nicholas @ 04:00

At Spiked, James Heartfield discusses the changing attitudes toward British imperial history:

Renewed interest in the history of the British Empire has generated a great amount of fascinating research and reflection. Over the past decade or more, there have been many books written about the empire – popular, academic, polemical and picaresque. There has been Akala’s Natives, William Dalrymple’s The Anarchy, Shashi Tharoor’s Inglorious Empire and Caroline Elkins’ Legacy of Violence, to name just a few.

Today’s approach to the British Empire is invariably critical – often stridently so. It marks a change to the attitude widely held half a century ago, when books on the empire tended to be elegiac farewells, like Paul Scott’s novel, The Jewel in the Crown, or Jan Morris’s Pax Britannica. Today’s critical approach to the empire is certainly a far cry from that which prevailed for a brief moment around the time that Margaret Thatcher was taking back the Falkland Islands. Back then, there was even an attempt at the moral rehabilitation of the empire.

[…]

But there are downsides to the self-excoriating criticism of Britain’s past. Often this approach to history turns into a debilitating exercise in self-loathing, an act of guilt-mongering. Many others have pointed out the limitations of this kind of morbid raking over the coals. But what is just as worrying is that the more we posture over Britain’s colonial past, the less we seem to understand it.

The moralistic framework in which we teach and discuss colonial history reduces our understanding to a single note of complaint. Hence, many historians today now write as if they have to make a case against the empire. This is just kicking at an open door. The empire has very few champions today. And the great British public is certainly not nostalgic for its return, despite some commentators arguing otherwise. Indeed, an ever growing majority think that the empire was a bad thing.

There is another problem with this approach to Britain’s colonial past. It situates readers outside of history. It encourages them to adopt a moralistic rather than historical approach to colonialism. They can do little more than judge the empire as evil. And in doing so, it flattens out the different periods of the colonial project into one long uniform timeline of subjugation. Collapsing distinct periods and stages together leads to a great confusion. For instance, in many accounts, there appears to be little difference between 18th-century British colonialism, which was dominated by slave trading, and the British colonialism of the late 19th century, which was marked by anti-slavery. It is important not to reduce the long history of the empire to a single motivating cause, be it the “English genius” of earlier celebratory accounts or today’s contention that it was all driven by “white supremacy”.

I seek to address these problems in my new book, Britain’s Empires: A History, 1600-2020. There I draw out the differences between the distinctive stages of Britain’s colonial history.

To do this, it is necessary to step back from moral judgement, which foregrounds our attitudes today, in order to try to understand what motivated people back then. That often means looking at a society’s changing social and economic organisation. Britain’s Empires is a history of the empire that holds on to a sense of historical change, and tries to understand the interrelation of its component parts.

The distinct eras of British colonialism are: the Old Colonialism (1600 to 1776); the Empire of Free Trade (1776-1870); the New Colonialism (1870-1945); and the period of decolonisation during the Cold War era (1946-1989). Britain’s Empires ends with an account of the “humanitarian imperialism” of the 1990s up until the present day. This periodisation aims to reflect the objective moments of transition.

The “masher” in US towns and cities

Filed under: History, Liberty, USA — Tags: , , , , , , — Nicholas @ 03:00

Virginia Postrel wrote an article for the Wall Street Journal on how changes in US retailing in the late 19th century helped women achieve more equal status with men (non-paywalled here). Some interesting parts had to be cut for space reasons, so she’s posted them on her Substack:

As I write in the essay, urban department stores helped to liberate women:

    Urban shopping districts were where women claimed the right to dine outside their homes, walk unescorted and take public transportation without loss of reputation. Thousands of female sales clerks flowed out of stores in the evenings, when downtowns had previously been male territory. Department stores provided ladies’ rooms that gave women places to use the toilet and refresh their hair and clothing. They offered female-friendly tearooms. Directly and indirectly, modern shopping enlarged women’s public role.

But as “respectable” women claimed their right to public space, they also attracted unwanted male attention:

    It also made sexual harassment a more prominent issue. Men known as “mashers” gathered in shopping districts to ogle and chat up women. Some were no more than well-dressed flirts, violating Victorian norms in ways that few today would find objectionable. Many contented themselves with what an outraged clubwoman termed “merciless glances”. Others followed, catcalled and in some cases fondled women as they strolled between stores, paused to look in windows or waited for trams.

This cartoon from the October 30, 1902 New York Evening World gives some idea of the public outrage toward “mashers”, in this case on streetcars.

Mores were in flux. By old-fashioned standards, everything from a friendly smile or conversation starter to stalking and groping was an insult to a woman’s virtue. Newspapers launched anti-masher crusades and prominent women demanded stricter law enforcement and stern punishment.

    “No other feature of city life offers so many opportunities for making life a burden to the woman who for any reason must go about the city alone or with a woman companion,” opined the Chicago Tribune in 1907, leading a crusade against mashers. Outraged society ladies called for hard labor or public flogging as punishment. “Ogling is just as disgusting and offensive to a good woman as any other mode of attack,” declared the president of the Chicago Women’s Club.

    When the Chicago police chief suggested that women avoid harassment by staying home and limiting their time in stores, he was roundly denounced by prominent women, business interests and civic leaders. A clergyman declared it “humiliating … that the authorities responsible for the maintenance of public order should feel themselves compelled to refuse the right of the road to any of the city’s citizens.” Americans increasingly assumed that women deserved the same freedom as men to move about in public — a freedom in which retailers and their suppliers had a large economic stake.

But there’s a darker side to the story that didn’t make it into the essay’s published version. The crusade against mashers, while based on a real problem, had a strong element of moral panic.

In Chicago, where the police chief was soon out of office, police won the power to arrest vagrants, including mashers, without warrants and to seek punishment by hard labor rather than fines. Crusading newspapers didn’t give mashers a chance to defend themselves. Nor did they report on the wrongly accused. In the same era that society women were calling for mashers to be publicly whipped, lynching reached its peak — often sparked by the allegation of masher-type offenses that crossed color lines.

Giving police broad powers to arrest men who made shoppers uncomfortable was an extreme solution. (Many women declined to testify in court, so prosecutions were spotty.) It did help to make streets safer for women, but so did a shift in mores that more clearly distinguished between flirtation and assault.

Before the High Power was the FN Grand Rendement

Filed under: Business, France, History, Military, Weapons — Tags: , , , , , — Nicholas @ 02:00

Forgotten Weapons
Published 8 Aug 2022

The Browning High Power story begins with a French 1921 request for a new military pistol. FN engineer Dieudonné Saive developed a double stack, single feed magazine and John Browning adapted a Browning 1903 pistol to use it, and this was sent to France for consideration. This pistol worked well enough, but the French trials board requested changes … and they would continue requesting changes and more trials for the next decade.

By 1931, FN felt that the current iteration of the pistol — while still not meeting all the French requirements — was good enough to stand on its own as a service pistol for the Belgian Army and other clients. They named it the “Grand Rendement” (High Efficiency) and began marketing it. The Belgian Army showed a definite interest, and bought 1,000 pistols for field trials, based on the prototype example we have in today’s video. These would become the Grande Puissance, aka the High Power.

For more details on this and other FN Browning pistols, I highly recommend Anthony Vanderlinden’s FN Browning Pistols, soon to be released in its third edition:

https://www.fnbrowning.com/book-fn-br…
(more…)

QotD: Oversensitivity is not constrained by the mere passage of time

Filed under: Britain, History, Media, Quotations — Tags: , , , — Nicholas @ 01:00

This newspaper lost its editor-in-chief and guiding light to academia a few weeks ago, and we — you know, the talent! — are all still moping. Meanwhile, however, the job is open, and is being publicly advertised. The pay is pretty good, but if you are thinking of applying, you should really be conscious of what a top editor has to deal with these days. BBC News provided a good example on Wednesday, offering a brief account of a controversy at the Teesdale Mercury, a rural paper in princely, scenic County Durham. (The county called Durham in England, that is.)

It seems a reader of the Mercury ran across a brief news item about the suicide of a 16-year-old girl in its pages, and was horrified at the sensational, detailed nature of the report. The story described Dorothy Balchin as being “of a reserved and morbid disposition” and described the romantic disappointment — a beau’s emigration to Australia — that preceded her suicide. The newspaper noted that a photograph of her boyfriend was found immediately below her hanged body, and even printed the text of two notes she left. In other words, the news copy broke every rule that newspapers now normally observe in mentioning suicide.

But of course no one had thought of any of those rules in the year 1912.

Which is when the story had appeared in the Mercury.

Which didn’t stop some reader from complaining to the paper in the year 2019.

Colby Cosh, “Want a newspaper job? Dream of making films? Be careful what you wish for”, National Post, 2019-05-09.

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