Uploaded on 31 May 2010
Kate Bush. Hounds Of Love – Gone To Earth version. 1985.
“It’s in the trees!
When I was a child:
Running in the night,
Afraid of what might be
Hiding in the dark,
Hiding in the street,
And of what was following me…
Now hounds of love are hunting.
I’ve always been a coward,
And I don’t know what’s good for me.
October 20, 2014
October 19, 2014
In the Telegraph, David Chazan tells the tale of the now-deflated artwork:
Vandals deflated a blow-up art installation in an exclusive Paris square on Saturday after outraged conservative groups said it resembled a “giant sex toy”.
The 79-foot-high inflatable green exhibit was called “Tree” because it looked vaguely like a Christmas tree, but the American artist, Paul McCarthy, told Le Monde newspaper that it was inspired by a sex toy known as an anal plug and was meant “as a joke”.
However, conservative politicians and many Parisians failed to appreciate the humour and called for the removal of the “offensive” installation after it was erected in Place Vendôme on Thursday.
Hours later, McCarthy, 69, was slapped in the face by a passer-by who screamed: “You’re not French and this has no place in the square”. The artist was dazed and shocked, but unhurt. “Does this sort of thing happen often in Paris?” he asked as his assailant fled before he could be apprehended.
In the early hours of Saturday, vandals climbed a metal fence around the exhibit, cut the power supply to a pump that kept it filled with air, and severed one of the straps that held it upright, police said.
By the morning, it was a shapeless green mess. McCarthy said he did not want it to be repaired or re-erected.
October 18, 2014
For one thing, the average online gamer is female*:
The confusing, nasty muck of the Gamergate scandal, in which anonymous attackers have harassed and sent death threats to women linked to the video-game industry, has morphed into a bitter culture war over the world’s $100 billion gaming empire.
But the fight has also highlighted the minefield facing an industry still learning how best to attract — and protect — a new generation of American gamer. The danger, analysts said: The fight could scare away the growing market of women the gaming industry wants.
The stereotype of a “gamer” — mostly young, mostly nerdy and most definitely male — has never been further from the truth. In the United States, twice as many adult women play video games as do boys, according to the Entertainment Software Association, the industry’s top trade group. Male gamers between ages 10 and 25 represent a sliver of the market, only 15 percent, according to Newzoo, a games research firm.
Yet America’s 190 million gamers, 48 percent of whom are women, still play in a harsh frontier. About 70 percent of female gamers said they played as male characters online in hopes of sidestepping sexual harassment, according to a study cited by “Hate Crimes in Cyberspace” author and law professor Danielle Keats Citron.
“It’s just like playing outside when you’re a teenager. It’s still a jungle out there,” said Peter Warman, the chief executive of Newzoo. Of the women who played as men, he said, “they wanted to be treated equal on the virtual battlefield.”
* Actually, the Washington Post headline mis-represents the data slightly, so this isn’t an accurate statement either.
October 17, 2014
In sp!ked, Allum Bokhari looks at #GamerGate:
The gaming community is no stranger to cultural warfare and moral panic. In the 1990s, a cohort of censorious, ‘family values’ politicians waged a ceaseless campaign to regulate the gaming industry, following a series of panics over the ultra-violent Mortal Kombat series. In the early 2000s, the socially conservative activist Jack Thompson gained notoriety for engaging in a stream of litigation against video-game companies, arguing that they were responsible for everything from gang violence to school shootings.
The tenor of moral panic has changed since then. Now, the main source of fear, loathing and general misanthropy in the gaming industry stems from the cultural left rather than the socially conservative right. Similar to the old right, the new cultural warriors argue that games promote violence and reinforce so-called rape culture. Arguments that games perpetuate sexism and racism are also fairly common. Instead of being seen as mere escapism, the tastes of modern gamers are portrayed as dangerous and subversive, a threat to right-on values. Gamers ought to be feared and shunned. In this remarkable video, a cultural warrior goes on a tirade against mainstream gamers, culminating in the destruction of a copy of the controversial video-game Grand Theft Auto V before a cheering crowd. The misanthropic disgust with ordinary gamers is palpable.
The growing contempt of the games-industry elite for the preferences of gamers has accelerated in recent months. Following a major confrontation between gamers and activists last August over allegations of journalistic favouritism, article after article has been published decrying the gaming community for its alleged bigotry, sexism and narrow-mindedness. The worst examples of ‘social-media harassment’ were used as an excuse to present gamers as a mass of hateful savages. To those familiar with the regular and sometimes absurd panics over football fans, this language will sound familiar.
You may well ask how these activists are able to sustain these bizarre beliefs, particularly given the mounting evidence that gamers are actually a pretty diverse and welcoming group of people after all. One explanation is their fondness for echo-chambers, maintained through exclusive email groups, social media blocklists and mass deletions of user comments on open forums. The extent to which the new cultural warriors will go to remove uncomfortable opinions from view is quite extraordinary. Reinforcing, rather than challenging, one’s own biases has become the norm.
October 16, 2014
Peter Bebergal discusses some of the occult influences of Progressive Rock at Boing Boing:
At a recent gallery show of his artwork, Roger Dean — best known for his lush and fantastical album covers for Yes in the 1970s — was enjoying the crowd when a man approached him and held out his hand to shake. “Mr. Dean, your work has changed my life,” he said, “I have gleaned so many amazing, mystical secrets from looking at your album covers, can you tell me sort of what you meant by it.” Dean, ever polite, tried to let the man down easily. “I didn’t mean anything at all. It was just a good — looking album cover.” His superfan, disillusioned, and possibly embarrassed, now turned nemesis, “Well, what do you know?” he angrily spat, “You’re just the artist!” Despite his protestations, Dean might have taken some responsibility for contributing to casting a wide mystical net over an entire subgenre of music, known sometimes derogatorily as progressive rock. You are unlikely to find a prog-rocker who refers to their own music in those terms, but the term serves as a way to describe a movement in rock, one steering a massive ship away from the siren call of blues-based rock that had so long dominated popular music, toward a more English tradition of what Greg Lake of the supergroup Emerson, Lake and Palmer (ELP) described as “troubadour, medieval storytelling.” Rock would inherit this mantle proudly, looking toward the mythology of the past — often heavily informed by occult images — to construct the sound of the future.
Psychedelic rock bands set the course, but in the 1970s, a new wave of bands looked beyond the drugginess of psychedelia to classical music as the true guide. Coupled with the instruments of the future — particularly Moog synthesizers — progressive rock crafted rock suites, with some songs clocking twenty minutes or more. Dean’s paintings were otherworldly landscapes of floating islands and boulders, or stone structures rising up like trees. Largely unpopulated, save for the occasional butterfly/dragon hybrid, there were no aliens, elves, or wizards. His worlds might be long-dead civilizations, like the lifeless plains of Mars haunted by the once-thriving Martian societies in Ray Bradbury’s Martian Chronicles, or future lands where people have taken to hibernating in the inexplicable constructions of their cities, endlessly waiting. Dean had perfected the merging of science fiction with mysticism, invoking the imagination of prog-rock listeners who were convinced there was some story or greater truth behind his art, and spent hours listening and poring over the album covers, meant to coexist in an ideological way.
October 14, 2014
A certain amount of this rings true:
Imagine you’re a college graduate stuck in a perpetually lousy economy. That’s a problem Japanese twenty-somethings have faced for more than 20 years. Two decades of stagnation after the collapse of the 1980s real-estate and stock bubbles — combined with labor laws making it tough to fire older workers — have relegated vast numbers of Japanese young adults to low-paying, temporary contract jobs. Many find themselves living with their parents well into their twenties and beyond, unmarried and childless.
Then again, they do have plenty of time to dress up like wand-wielding sailor girls and cybernetic alchemist soldiers from the colorful world of anime cartoons and manga comics. Indeed, Japan’s Lost Decades have coincided with a major spike in “people escaping to virtual worlds of games, animation, and costume play,” Masahiro Yamada, a sociology professor at Chuo University in Tokyo, recently told the Financial Times. “Here, even the young and poor can feel as though they are a hero.”
It’s hard to blame them. After all, it’s not that these young adults in Japan are resisting becoming productive members of the economy — it’s that there just aren’t enough opportunities for them. So an increasingly large number of them spend an increasingly large amount of time living in make-believe fantasy worlds, pretending they are someone else, somewhere else. This is a very bad thing for the Japanese economy.
And guess what: America has a growing number of make-believe “cosplay” heroes, too. Many of the 130,000 people who attend the San Diego Comic Con every year invest big bucks in elaborate outfits as a way of showing off their favorite Japanese characters, as well as those from American superhero movies, comics, and “genre” televisions shows such as Game of Thrones. And this trend is growing — the crowd at Comic Con was one-third this size in 2000. In 2013, the SyFy channel even created a reality show about the trend, Heroes of Cosplay.
H/T to Ghost of a Flea for the link.
October 13, 2014
Professor Lorenz Haag is frequently invited to provide a German opinion for Russian consumption — opinions that amazingly co-incide very well with those of the Russian government. There’s only one problem with Professor Haag: he appears to have been fabricated specifically to fulfil that role.
German Professor Lorenz Haag is what you’d call a Kremlin apologist.
Russian media regularly quotes him as praising President Vladimir Putin’s leadership, defending Russia’s actions in Ukraine, and urging the West to take a softer line toward Moscow.
“Professor” Haag, however, is by all accounts no professor.
And the organization he allegedly heads, the German “Agency for Global Communications,” has also been denounced as bogus.
Dmitry Khmelnitsky, a noted Russian architectural historian based in Berlin, was the first to cast doubt on the purported academic’s credentials.
“Professor Lorenz Haag, the head of the Agency for Global Communications, exists only in the imagination of ITAR-TASS correspondents who have interviewed him regularly and for many years in the capacity of ‘German expert,'” Khmelnitsky wrote in an October 6 post on Facebook. “There is no such professor in Germany. And no such agency.”
Khmelnitsky’s allegations have sparked intense speculation on the Russian Internet about Haag’s identity, motives, or even existence.
According to Russian blogger Pavel Gnilorybov, the state-run ITAR-TASS agency — which recently reverted to its Soviet-era name TASS — created the fictitious professor back in 2007.
Philip N. Cohen casts a skeptical eye at the frequently cited statistic on the dangers of texting, especially to teenage drivers. It’s another “epidemic” of bad statistics and panic-mongering headlines:
Recently, [author and journalist Matt] Richtel tweeted a link to this old news article that claims texting causes more fatal accidents for teenagers than alcohol. The article says some researcher estimates “more than 3,000 annual teen deaths from texting,” but there is no reference to a study or any source for the data used to make the estimate. As I previously noted, that’s not plausible.
In fact, 2,823 teens teens died in motor vehicle accidents in 2012 (only 2,228 of whom were vehicle occupants). So, my math gets me 7.7 teens per day dying in motor vehicle accidents, regardless of the cause. I’m no Pulitzer Prize-winning New York Times journalist, but I reckon that makes this giant factoid on Richtel’s website wrong, which doesn’t bode well for the book.
In fact, I suspect the 11-per-day meme comes from Mother Jones (or whoever someone there got it from) doing the math wrong on that Newsday number of 3,000 per year and calling it “nearly a dozen” (3,000 is 8.2 per day). And if you Google around looking for this 11-per-day statistic, you find sites like textinganddrivingsafety.com, which, like Richtel does in his website video, attributes the statistic to the “Institute for Highway Safety.” I think they mean the Insurance Institute for Highway Safety, which is the source I used for the 2,823 number above. (The fact that he gets the name wrong suggests he got the statistic second-hand.) IIHS has an extensive page of facts on distracted driving, which doesn’t have any fact like this (they actually express skepticism about inflated claims of cell phone effects).
I generally oppose scare-mongering manipulations of data that take advantage of common ignorance. The people selling mobile-phone panic don’t dwell on the fact that the roads are getting safer and safer, and just let you go on assuming they’re getting more and more dangerous. I reviewed all that here, showing the increase in mobile phone subscriptions relative to the decline in traffic accidents, injuries, and deaths.
That doesn’t mean texting and driving isn’t dangerous. I’m sure it is. Cell phone bans may be a good idea, although the evidence that they save lives is mixed. But the overall situation is surely more complicated than the TEXTING-WHILE-DRIVING EPIDEMIC suggests. The whole story doesn’t seem right — how can phones be so dangerous, and growing more and more pervasive, while accidents and injuries fall? At the very least, a powerful part of the explanation is being left out. (I wonder if phones displace other distractions, like eating and putting on make-up; or if some people drive more cautiously while they’re using their phones, to compensate for their distraction; or if distracted phone users were simply the worst drivers already.)
October 12, 2014
October 11, 2014
The Guardian‘s Catherine Shoard on the reception Gérard Depardieu received from a “conservative” Russian politician:
Gérard Depardieu’s move to Russia had the effect of making the actor repent sexual activities conducted in Europe, a conservative Kremlin politician has said.
Reacting to the publication of Ça s’est fait comme ça, Depardieu’s memoir in which he discusses stints of employment as a grave robber and a male prostitute, Vitaly Milonov expressed sympathy for the actor.
“It wasn’t easy for him in France,” he told Russian newspaper MK. “There, society is corrupted and doesn’t have any moral principles.”
“I view Gérard’s book as sort of repentance, confession of old sins. Now that he breathed in the purifying air of Mordovia, all that filth left him. He sincerely repents what he was forced to do in his youth in France. He wants to live in a new way, without all that filth.”
October 10, 2014
Published on 10 Oct 2014
A little while ago, we tallied up “The 5 Best Libertarian TV Shows.” South Park, Penn & Teller: Bullshit, The Wire, The Prisoner, House of Cards: They’re all there, along with your abuse in the comments for leaving out Firefly, Yes, Minister, King of the Hill, and all your other favorites.
Now it’s time to list the five TV shows that are the absolute *worst* from a libertarian perspective.
Cory Doctorow’s latest book, Information Doesn’t Want to Be Free, briefly reviewed by Ian Steadman in New Statesman:
“Information wants to be free” is a rallying cry for many of those who fight against legal restrictions on the internet. The phrase was coined by the tech writer Stewart Brand in 1984 and referred to the way the web reduces many of the costs of producing and disseminating data to near zero. “Free” in this phrase has also come to mean “freedom”, because the internet makes it easy to avoid censorship.
Doctorow is challenging both interpretations – not because he doesn’t agree with them but because he thinks a crucial premise has been lost. “Information doesn’t want to be free,” he writes, “people want to be free.”
The first two-thirds of the book discusses ways in which artists are penalised by the internet’s present regulatory system. He criticises digital rights management (DRM) technology, which limits the platforms digital files can play on; not only does it mean we don’t “own” the files we pay for, but when a company that supports a file goes bust, the culture locked up in their DRM can be lost for ever. Doctorow describes this as “a library burning in slow motion”.
Many companies such as Apple sell devices that block you from downloading non-approved apps. “That is sold to creators as an anti-piracy measure,” Doctorow tells me when we speak on the phone. “But the most practical application has been to allow Apple to exert market power that it would never have had in any other world.”
This links to the final third of the book, which explores how systems for protecting copyrighted material can also be used for censorship.
In Reason, Jesse Walker tracks down the creator of an urban legend, only to discover that it was him:
During Banned Books Week last month, you may have heard that some busybodies banned Green Eggs and Ham because they thought the story was kinda gay. Metro reported that this happened “briefly in the 1990s because of supposed homosexual innuendos.” A Minnesota radio station said the book was targeted for its “homosexual theme.” Feministe announced that it had been challenged in California for, “No shit, ‘homosexual seduction’ on the part of Sam.” Many other outlets have related the same story, not just last month but in years past. In 2013, Dr. Seuss’ classic even made its way into the Oberlin Public Library’s banned books display. “Inside the bright orange book,” a local paper reported, a “slip explains that it was once thought to have ‘homosexual seduction,’ because Sam tried to seduce his friend.”
None of these reports say where or when this purported prohibition took place, other than those vague references to California and the ’90s. A Lexis-Nexis search turned up nothing. I asked the American Library Association, which sponsors Banned Books Week and keeps track of such things, if they were aware of such an effort; they told me it wasn’t in their database. Metro said it got its info from a book called Seuss Facts, which as far as I can tell does not exist — though a Facebook feed by that name did mention the alleged ban without citing a source. I got in touch with some of the other reporters and bloggers who had repeated the story. None of them were certain where it came from. After I contacted BuzzFeed‘s Spencer Althouse, who included Green Eggs in a banned-books list last year, he concluded that the story was “a terrible, terrible rumor” and added a correction to his article. I’m open to the possibility that there’s a real event here that I haven’t been able to track down, but that seems extremely doubtful.
Besides, I’m pretty sure I know where this began. It’s my fault. Sorry. My bad.
October 8, 2014
Imagine hearing that a liberal talk show host and comedian was so enraged by the actions of ISIS that he’d recorded and posted a video in which he shouts at them for ten minutes, cursing the “fanatical terrorists” and calling them “utter savages” with “savage values”.
If I heard that, I’d be kind of surprised. It doesn’t fit my model of what liberal talk show hosts do.
But the story I’m actually referring to is liberal talk show host / comedian Russell Brand making that same rant against Fox News for supporting war against the Islamic State, adding at the end that “Fox is worse than ISIS”.
That fits my model perfectly. You wouldn’t celebrate Osama’s death, only Thatcher’s. And you wouldn’t call ISIS savages, only Fox News. Fox is the outgroup, ISIS is just some random people off in a desert. You hate the outgroup, you don’t hate random desert people.
I would go further. Not only does Brand not feel much like hating ISIS, he has a strong incentive not to. That incentive is: the Red Tribe is known to hate ISIS loudly and conspicuously. Hating ISIS would signal Red Tribe membership, would be the equivalent of going into Crips territory with a big Bloods gang sign tattooed on your shoulder.
In a way, Russell Brand would have been braver taking a stand against ISIS than against Fox. If he attacked ISIS, his viewers would just be a little confused and uncomfortable. Whereas every moment he’s attacking Fox his viewers are like “HA HA! YEAH! GET ‘EM! SHOW THOSE IGNORANT BIGOTS IN THE outgroup WHO’S BOSS!”
Scott Alexander, “I Can Tolerate Anything Except The Outgroup”, Slate Star Codex, 2014-09-30.
October 7, 2014
At Techdirt, Mike Masnick reports on the first New York Times articles to be removed from Google‘s search indices under the European “right to be forgotten” regulations:
Over the weekend, the NY Times revealed that it is the latest publication to receive notification from Google that some of its results will no longer show up for searches on certain people’s names, under the whole “right to be forgotten” nuttiness going on in Europe these days. As people in our comments have pointed out in the past, it’s important to note that the stories themselves aren’t erased from Google‘s index entirely — they just won’t show up when someone searches on the particular name of the person who complained. Still, the whole effort is creating a bit of a Streisand Effect in calling new attention to the impacted articles.
In this case, the NY Times was notified of five articles that were caught up in the right to be forgotten process. Three of the five involved semi-personal stuff, so the Times decided not to reveal what those stories were (even as it gently mocks Europe for not believing in free speech):
Of the five articles that Google informed The Times about, three are intensely personal — two wedding announcements from years ago and a brief paid death notice from 2001. Presumably, the people involved had privacy reasons for asking for the material to be hidden.
I can understand the Times‘ decision not to reveal those articles, but it still does seem odd. You can understand why people might not want their wedding announcements findable, but they were accurate at the time, so it seems bizarre to have them no longer associated with your name.