World War Two
Published 2 Sep 2021Citizens in Stalingrad face German bombs as Soviet officials refuse to evacuate. The German counter-insurgency effort increases, but people continue to resist against all odds. The Treblinka camp breaks down under the ambitions of its commandant, Irmfried Eberl.
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September 3, 2021
Why Don’t the French Resist? – WAH 041 – August 1942, pt. 2
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August 11, 2021
The Symphony That Defeated the Wehrmacht – WAH 040 – August 1942, Pt .1
World War Two
Pubished 10 Aug 2021The Big Action at the Warsaw Ghetto continues, while The Japanese carry out retaliations against the Chinese for aiding American airmen. Dmitri Shostakovich’s “Symphony no. 7” premieres in the besieged city of Leningrad.
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August 7, 2021
The Black Markets of World War Two – WW2 – On the Homefront 012
World War Two
Published 6 Aug 2021With the scarce food supply brought about by war, many turn to the black market and its astronomic prices as supplements. It is a place for opportunists and patriotic protesters, but mainly it’s a means to survive.
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July 30, 2021
The 100 Deadliest Days of the Holocaust Begin… – WAH 039 – July 1942, Pt .2
World War Two
Published 29 Jul 2021The extermination camps of Operation Reinhard are ready to start killing hundreds of thousands of inhabitants of the Warsaw Ghetto, starting the deadliest 100 days of the Holocaust.
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July 16, 2021
Forced Sterilization Experiments Begin at Auschwitz – WAH 038 – July 1942, Pt. 1
World War Two
Published 15 Jul 2021Operation Millennium is discontinued, while in Poland the Auschwitz Birkenau camp starts to systematically gas thousands of people a week. Some who aren’t murdered on arrival are subjected to horrific medical and sterilization experiments.
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July 2, 2021
Japan’s Institutionalization of Rape – WAH 037 – June 1942, Pt. 2
World War Two
Published 1 Jul 2021During the occupation of South-East Asia, Japan builds a large system of institutionalised rape to “keep their soldiers happy”. Meanwhile, Allied refugees from Burma find a safe haven in India, but for some, hardship continues.
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June 18, 2021
Heydrich, Architect of the Holocaust, Dies – WAH 036 – June 1942, Pt. 1
World War Two
Published 17 Jun 2021Reinhard Heydrich is fighting for his life, as the hunt of his assassins continues. Meanwhile, news of the Nazi atrocities starts to reach the Allied countries.
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June 7, 2021
Germany to Strike Strongest Fortress in the World – WW2 – 145b – June 6, 1942
World War Two
Published 6 Jun 2021Midway isn’t the only fight right now. Germany is trying to crack the mighty fortress of Sevastopol and take the whole Crimea. In North Africa, Rommel is routing the Allies, but in Malta the arrival of ever more fighter planes bodes well for the Allies.
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June 5, 2021
The morality of collective intergenerational responsibility
Arthur Chrenkoff believes that the responsibility to compensate people for historical wrongs ends when the individuals who were harmed have died:
Victims of genocide
Photo by Cantetik2 via Wikimedia Commons.
What I was querying was the practicality and the morality of reparations being paid today: “If great-great-grandchildren of perpetrators have to pay great-great-grandchildren of survivors, is there any limit on historical liability? 200 years? 500 years?”
Before we get any further into the discussion, let me restate here my position, which has not changed at all in light of the subsequent online exchanges and name-calling: I do not believe in collective intergenerational responsibility. Far from modern and enlightened, it strikes me as a primitive, ancient principle, in line with the Old Testament’s “an eye for an eye” mentality. Thought to call it Old Testament might be unkind to Old Testament, since already by the time the Book of Ezekiel was being compiled during the Babylonian Exile, mid-first millennium BC, the Judaic theology had morally evolved beyond the belief that the sins of the fathers are visited on their children. We are each a moral agent, enjoying free will and exercising own judgments and actions, and for all that we are rightly held responsible and accountable. But it is unjust to blame (and, at the other end of the spectrum, absurd to praise) us for what our literal and metaphorical ancestors had done or failed to do at one point or another in the past, or what they have collectively achieved.
And so, to the comment that genocide has no statute of limitation, I say: it should, and it should be right about the time that all those who were alive at the time and affected by it have passed away.
The concept of reparations for historical wrongs is increasingly in the news. In the United States, the question revolves around the evil of slavery, but it’s hardly an American-centric debate. In many Western European countries there is talk of reparations for colonialism. Then there is the agitation in Poland, long supported by the ruling Law and Justice party, that Germany should pay Poland reparations for death and destruction caused during the Second World War. While the quantum has sometimes been calculated upward of US$15 trillion, the official suggestions have hovered around the more “modest” €850 billion (1947 estimates in today’s currency).
[…]
Not just genocide – everything that has ever happened, both bad and good, ripples across time and shapes the present. This is what history is about. Each event has an infinite number of causes and an infinite number of consequences. Hence, conceptual problems start popping up once you try to unscramble the egg and make simple adjudications about complex past situations. It’s one thing to make moral judgments about what had happened, it’s another to apply judicial standards used in disputes between contemporaries to met out sanctions and punishment in relations to historical wrongs, which might have occurred centuries ago. For starters, the collective approach to situations where each individual was affected it their own unique way might simplify things but it surely does not paint an accurate picture or deliver real justice. This goes for both the victims and the perpetrators. (At the extreme, for example, potentially forcing the descendants of German pacifists to compensate the descendants of Polish collaborators. In fairness, there were few of either at the time, but most other historical events are significantly more complicated than the black and white story of Nazi aggression and crimes against humanity.)
Which brings me to the second problem: the supposed intergenerational nature of responsibility and punishment. Not only are we talking about entire nations or ethnic (or social or religious or other) groups as monoliths for legal purposes, somewhat akin to a corporation, but also monoliths in time, across an unlimited number of generations. I find it morally odious, but you may well say “well, it’s not about moral blame per se, but whether you have, intentionally or not, benefitted at the expense of past others as a consequence of the evil actions of your ancestors” – in other words, it’s not a punitive but a restorative justice. Putting aside, again, the fact that no two individuals are ever affected in exactly the same way, the past is much more complex than your simplistic unicausal, zero-sum calculations allow and so, consequently, simple justice in theory is simply unjust in practice. Take Germany for example; if you think that Germany and Germans as a collective had benefitted from their rapacious actions during the war, you clearly have little idea what happened to them between, say, 1943 and 1946. You might think, as many did particularly in the immediate aftermath of the war, that this was still not a (collective) punishment enough considering the extent and the gravity of crimes committed (including the Holocaust) but if there was a time to tip the scales even more it was contemporaneously. The point I’m making is that any short-term German gains have been wiped out by the deliberate actions (military or otherwise) of the Allies, who in so doing destroyed much of the native German wealth as well as the wealth stolen by Germany from the occupied territories. That Germany is rich today is despite, not because of the Second World War. And while it’s true that Poland, for example, and at least some of its people are poorer today than they would have been had there been no war, I return back to my original position: how is it just and fair for a 25-year old from Bremen to compensate Poland as a whole (or the Polish government to be exact) for the “ripples” set off six decades before they were even born?
June 2, 2021
How Hitler Manipulated Germany into Committing Genocide – WW2 Special
World War Two
Published 1 Jun 2021In the wrong hands, propaganda is a powerful tool that can trick whole countries into supporting a dictator, go to war, or even commit genocide.
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May 28, 2021
The Plot to Kill Hitler’s Hangman – Operation Anthropoid – WAH 035 – May 1942, Pt. 2
World War Two
Published 27 May 2021Arthur Harris and his RAF Bombers carry out a massive bombing raid on Cologne. Meanwhile, one of the architects of the Holocaust, Reinhard Heydrich is the target of a spectacular assassination attempt.
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May 14, 2021
100,000 Dead British Subjects in Burma – WAH 034 – May 1942, Pt. 1
World War Two
Published 13 May 2021A large number of European and asian inhabitants of South-East Asia are locked up in Japanese prison camps, while in Burma, a big refugee crisis claims the lives of thousands. In Auschwitz-Birkenau and Sobibor, gassing Jews on an immense scale begins.
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April 30, 2021
The Horrors of Partisan Warfare – WAH 033 – April 1942, Pt. 2
World War Two
Published 29 Apr 2021April 1942 sees bombing campaigns in Germany and Britain, as well as German anti-partisan actions in the Balkans and Eastern Europe.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Klimbim https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Spartacus Olsson
Daniel WeissSources:
IWM MH 24764, HU 36196, Q(HS) 256, D 16649
Yad Vashem 48AO3, 953, 86FO2, 3116/71
Bundesarchiv
Tito giving a speech in Foča, courtesy of Музеј Старе Херцеговине
Narodowe Archiwum Cyfrowe
Star of David, courtesy of Jacek Proszyk https://commons.wikimedia.org/wiki/Fi…
Picture of Gustav Braun von Stumm, courtesy of Thomas Föhl https://www.geni.com/photo/view/60000…Soundtracks from the Epidemic Sound:
Wendel Scherer – “Defeated”
Johan Hynynen – “Dark Beginning”
Jon Bjork – “Disposal”
Christian Andersen – “Barrel”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”
Reynard Seidel – “Deflection”
Gavin Luke – “Drifting Emotions 3”
Jon Bjork – “Icicles”
Gunnar Johnsen – “Not Safe Yet”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
Update: TimeGhost had to repost a censored version of this episode and provided this explanation:
World War Two
1 hour ago (edited)
The original version of this video was age restricted by YouTube for containing pictures of dead bodies. We do not feel that it is correct to document these events by finessing history and self censoring, but YouTube has left us no choice. We have several problems with these age restrictions, but let’s start off with what an age restriction means on YouTube. In theory it simply restricts the video from anyone who isn’t over 18 and logged in to the YouTube platform, but in effect it does much more than that;1. It takes the video out of most subscribers’ feeds and notification lists
2. In some countries like for instance South Korea, for legal reasons it is not accessible at all, for anyone
3. YouTube ranks it lower in their recommendation engines sending out recommendations to view to only a fraction of the ‘normal’ recommendations
4. It can no longer be viewed off YouTube as an embedded video – meaning that it won’t display even on our own website
5. It gets a boiler plate informing the viewer that the content has been “identified by the community as offensive to some viewers”
6. On many mobile devices it cannot be shared with the YouTube app
7. In countries were legal proof of age is required for adult content you have to provide a driver’s license, or credit card proving you are over 18In effect that means that YouTube is soft censoring the video from a large section of potential viewers. The result is that we get around half, or less of the views on videos that are age restricted. And we should note that according to YouTube’s own system more than 90% of our viewers are over 18, so it’s not just an effect of losing underage viewers.
Now, this content is without any doubt hard to watch, but it’s educational content based on solid facts, documented through crystal clear academic research. It is about the crimes against humanity during WW2. It documents events that are to this day in 2021, denied by sympathizers of extreme ideologies. Because of the special importance for new generations to learn about these events, many countries, especially in the EU and North America, do not require in their youth protection laws or media regulation that this kind of content shall be for 18+ only. To the contrary many countries have these topics, told just as graphically as we document them on their school curriculum for ages 13 and above. Moreover, YouTube has in their own community guidelines a provision that allows for displays of violence, dead bodies, and so on in an educational context also for under 18s.
So in effect YouTube is here choosing to restrict, even censor content of high educational importance although they are not legally required to do so, and they have their own provisions to allow it to be unrestricted. Why do they do that? Well, we can’t read their minds, but we have some indications that;
A) they ere on the side of caution to avoid ANY legal risk.
B) They fear any kind of content that has to do with extremism, even when unmasking it after the advertising boycotts they faced a couple of years back.
C) when the community complains they put extra weight on those complaintsIt is item C that troubles us the most. We have over 500 videos on our channels – very many of them contain graphic images of death and violence for reasons of the topics we document. Among these videos, a few dozen have been age restricted, while the rest have not. The common denominator between the age restricted videos is that they document events, or phenomena that unmask extremism by historical Communists, Nazis, and Imperialists. Its is difficult to not see the common interest by sympathizers of these groups and YouTube. If you want something suppressed, and there’s an easy way to just get it suppressed by just pressing a button – is it not reasonable to assume that you would use that button? We’re not conspiracy mythologists, we don’t believe there is a conspiracy here, but just by creating a simple path to fulfill different, but in effect common interests YouTube has made it easy for deniers of crimes against humanity, and war crimes to suppress information about these events.
We have explained to YouTube that inadvertently they are supporting the exact kind of hateful extremism they are fighting against with their other sword arm. We have implored them to lift the age restrictions in the interest of what society has decided: that content like this needs to be freely accessible in the public space. Despite an otherwise good and healthy relationship to the platform operators who are after all our distribution partners,, we have been met with standard replies, and a denial for our request.
Once again we express our dismay, sadness, and disappointment that YouTube chooses to restrict access to content that should serve a greater good; that we do not forget the victims of atrocities and extremism so that we can learn from our past and improve our societies.
Never Forget.
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April 15, 2021
Eichmann in Budapest
Alexander Faludy outlines the horrific “success” of Adolf Eichmann’s activities in Hungary in 1944:
SS-Obersturmbannführer Adolf Eichmann (1906–1962), head of Reichssicherheitshauptamt (RSHA, Reich Security Central Office) Department IV B4 (Jewish affairs), who organized the deportation of Jews to the Auschwitz concentration camp in German-occupied Poland during the Holocaust. Taken in or around 1942, this appears to have been Eichmann’s official RSHA ID photograph.
Photographer unknown, public domain image via Wikimedia Commons.
SS Obersturmbannführer (Lt. Col.) Adolf Eichmann, head of Reich Security Main Office IV.B.4 (Jewish Affairs), arrived at Budapest’s Keleti railway station together with 19 subordinates on 21 March 1944. Just 48 hours had passed since German troops had marched into the country, and a car was waiting to take Eichmann to the city’s Astoria Hotel close to the Pest riverbank. From these incongruously elegant surroundings Eichmann would commence the most feverous episode in the Final Solution of the Jewish question in Europe: the destruction of the Jews of Hungary, the only chapter in its history he was to supervise in person and in full.
For speed and scale the deportations went unmatched: 424,000 people were despatched by train in just 52 days, from 14 May to 9 July. In this fleeting window Hungarian Jews became the single largest group gassed at Auschwitz. The crematoria couldn’t cope with such “over-supply”, and Commandant Rudolf Höß ordered special fire pits dug — filling the camp with noxious smoke. According to Primo Levi, “there were weeks when only Hungarian was heard in Auschwitz”.
Physical annihilation was undergirded by Eichmann’s elaborate psychological strategy. Sophisticated Budapest Jews who might escape or resist were pacified by newspaper reports that only “ost Juden” from Hungary’s nether regions were being removed as “undesirables”. Many only saw through the lie, if at all, when deportations reached Budapest’s outer suburbs in early July — just before Admiral Miklós Horthy, Hungary’s Head of State, halted them under diplomatic pressure from the Western Allies and neutrals.
Throughout the deportations, and across Hungary’s length, Eichmann deluged Jews with ever more complex regulations covering the minutiae of daily life. These instilled a false sense of permanence which inhibited hiding or escape: “why would the authorities go to all this trouble if they were just going to get rid of us?”
Even as deportations rolled on, Eichmann conducted elaborate negotiations for fanciful “rescue schemes” including, but not limited to, the infamous “Blood for Trucks” project involving Rudolf Kastner — the proposed barter of one million Jewish lives for 10,000 Western motor vehicles for use on the Eastern front against the USSR. The aim, Eichmann later acknowledged, was not just to split Western powers from the Soviets, but also to distract Hungary’s Jewish leaders from counter-organising: keeping minds busy and hopes alive.
All the while Eichmann treated Jewish leaders in Budapest to flashes of menace. One day he promised them a return to normality “after the war”, the next he would snarl “Do you know who I am? I am a bloodhound!” With studied cruelty Eichmann arranged the ghettoisation of Hungary’s Jews to begin on Sunday, 16 April: the first day of Passover, 1944.
Eichmann did many things in Hungary; the one thing he did not do was simply “obey orders” — indeed over time he defied them with gathering frequency. That autumn as inevitable defeat became ever more apparent Eichmann, helped by local enthusiasts, intensified his efforts, instigating newly inventive means of eliminating Jews in Hungary and the Balkans through “death marches” and localised killing sprees. In doing so, Eichmann subverted instructions from Himmler who ordered cessation as part of a delusional plan to negotiate with the allies.
This “Eichmann in Budapest” should be recalled while contemplating the later Eichmann in Jerusalem.
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March 26, 2021
Fifty Families Murdered Every Hour – WW2 – WAH 031 – March 1942, pt. 2
World War Two
Published 25 Mar 2021A report on the effect of strategic bombing called the “Dehousing Paper” is spread to justify the targeting of the civilian population of Germany. In Poland, one by one, extermination camps are starting construction. This month, a new one is finished, named Belzec. Here, Jews and other minority undesirables from Poland are gassed.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski, Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Mikołaj Uchman
Daniel Weiss
Dememorabilia – https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
Yad Vashem 1935/15, 3016/2, 1137/217, 10094/1, A4613/1116, 3518/7,1554/1
IWM ART 15747 12, HU 56848, MH 24747, CL 2377, ME(RAF) 3703, HU 107752, C 2364, C 4748, C 4743, HU 74904
Bundesarchiv
Graphic of Vickers Wellington bomber, courtesy of Emoscopes https://commons.wikimedia.org/wiki/Fi…
Graphic of Short Stirling bomber, courtesy of Emoscopes https://commons.wikimedia.org/wiki/Fi…
www.auschwitz.org
www.deathcamps.org
USHMM
Picture of scratches on a wall of a gas chamber at Auschwitz, courtesy of Lasy https://commons.wikimedia.org/wiki/Fi…
from the Noun Project: Watchtower by EliriconSoundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Wendel Scherer – “Growing Doubt”
Peter Sandberg – “Document This 1”
Jon Bjork – “Disposal”
Philip Ayers – “Trapped in a Maze”
Fabien Tell – “Never Forget”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days agoOn the horrors of crafting this, on age restriction, and on covering Allied war crimes – by Spartacus
All episodes of War Against Humanity are difficult to make, but this was an especially harrowing episode to host. When I wrote the conclusion based on Joram’s initial draft, I was composed — it was an intellectual exercise still. That changed once I started giving the words a voice, and as you can see at the end of the episode I had difficulties keeping my composure — when I was done I cried bitterly. But that is how it is supposed to be — the totality of our creation is what brings it home, together with Joram I compile the knowledge, Miki or Karo put it into images under Wieke’s direction, and within all of that it is my job to express it in spoken language as best as I can.
Yes, it is difficult to make and it is difficult to watch — but we sincerely believe that none of us should look away lest we forget. We take upon ourselves to spend hours every week to sift through the minutiae of these events so that we can compress it into 15 minutes every two weeks. We do it not for money, not for fame, and not out of pleasure, but because it needs to be done so that others can spend less time on it than us and still see this time for what it was. It needs to be done by neither glossing over any events, nor the images as horrible as they are. This has two important purposes:
1. driving home that this really happened and
2. defeating any claims towards that we’re just making this up, or exaggerating.
Within that responsibility it is also our duty to report, without prejudice, on what the Allies did that was against human values and rights in this war. We don’t do that because there is an equivalence between events, or to create such an equivalence — we do it for the exact opposite purpose — to show the complete picture and preempt any calls for “what about the bombing of Germany and Hiroshima!?” We do it because we are dedicated to the facts, and the events must be permitted to speak for themselves.We’re doing all of this in a time when the horrors of WW2 are ever further away in the rearview mirror, when survey after survey shows that the younger generation have little or no knowledge of how earth-shattering this war was. An indication of a growing educational gap, and in many of the countries where you are watching it has long been decided that reporting on these atrocities is of especial importance. That includes decisions to also expose younger people to the reality of it despite the graphic nature of the content. In most places these images are purposefully excepted from age restrictions that befall content made for entertainment, that is to say they do not fall under an 18+ restriction. They are regulated as PG 16 or the equivalent, in some places even PG13.
It then troubles us deeply that YouTube chooses to go against the decisions made by democratically elected bodies and restrict this content to over 18 only. It troubles us even more when this leads to the inevitable result that our viewership has dropped by 50% since they started doing that. That is a drop far above the share of our viewers that are under age, because with the restriction comes a reduction in recommendation to view — users that are not logged in and age verified don’t get notified — the content can no longer be embedded on external sites — in some countries it is blocked entirely, regardless of your age — and all of that further decreases the value of the video in YouTube’s algorithms. The result is that the War Against Humanity videos are now an echo chamber where we only reach those that already know the content.
We have spoken to YouTube to remedy this fault, but we have had no success thus far. As a result we have decided to start making a censored version of the videos that we will upload if or when they get age restricted. We already upload all of our content to https://odysee.com/@WorldWarTwo:6 but that is not a place where anyone will find our content by chance. On that note we should point out that the videos only get age-restricted because they are reported to YouTube by the community as inappropriate, offensive, or false. We take umbrage at that, because in effect this means that YouTube is helping those who would like these events to be forgotten, or even deny that they ever happened. It’s a pity; even morally wrong in my viewpoint. It leaves me despondent and the last weeks have been extraordinarily difficult for me — I have questioned my purposes and wondered why I put myself and our team through all of this, if all we’re doing is preaching to the choir. At first it left me sad, but after YouTube’s glib, bureaucratic responses I got depressed. I considered throwing in the towel, but then I would be nothing else than a coward refusing to stand for those who no longer have a voice. So, I will continue, I will resist, and we will fight against anyone that tries to silence us and the dead — because we must not look away, we must never forget.
Spartacus
It is only because of the TimeGhost Army that we can go forward in this battle — join us at https://www.patreon.com/TimeGhostHistory or at Timeghost.tv
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