World War Two
Published 20 Feb 2021The most humiliating defeat in British history according to Winston Churchill — 80,000 men lost as prisoners of war! Humiliated by an enemy far less numerous than themselves! There are many ways to describe the fall of Singapore; these are but two of them. The Japanese are also bombing Australia and invading Sumatra, Bali, and Timor this week, so they are certainly not resting on their laurels. Meanwhile in the Soviet Union, thousands of Red Army paratroops are dropping behind German lines.
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Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Adrien Fillon – https://www.instagram.com/adrien.colo…Sources:
– IWM ART: LD 6042, 15747 12, 15747 139, 15747 14Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Fabien Tell – “Other Sides of Glory”
– Rannar Sillard – “Split Decision”
– Gunnar Johnsen – “Not Safe Yet”
– Farrell Wooten – “Blunt Object”
– Howard Harper-Barnes – “Underlying Truth”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Break Free”
– Christian Andersen – “Barrel”
– Johan Hynynen – “Dark Beginning”
– David Celeste – “Try and Catch Us Now”
– Farrell Wooten – “Mystery Minutes (STEMS INSTRUMENTS)”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
February 21, 2021
WW2 – 130 – Britain’s Worst Defeat – Singapore Falls – February 20, 1942
February 7, 2021
Pearl Harbor Avenged! – WW2 – 128 – February 6, 1942
World War Two
Published 6 Feb 2021The Japanese advance in Burma and the Dutch East Indies, but they’ve reached the end of the Malayan Campaign- Singapore, which they have under siege. They now prepare for the final assault. The Allies are going on the offensive at sea, though, in the Marshalls-Gilberts Raids, while on land in the Soviet Union the Red Army launches another series of offensives against the Germans.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Mikołaj Uchman
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Norman Stewart – https://oldtimesincolor.blogspot.com/Sources:
– National Portrait Gallery
– Ministerie van Defensie
– Arrow by 4B Icons from the Noun Project
– Yad Vashem: 76BO2, 4331_21Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Fabien Tell – “Last Point of Safe Return”
– Howard Harper-Barnes – “Sailing for Gold”
– Craft Case – “Secret Cargo”
– Rannar Sillard – “Split Decision”
– Flouw – “A Far Cry”
– Johannes Bornlöf – “The Inspector 4”
– Johan Hynynen – “Dark Beginning”
– Edward Karl Hanson – “Spellbound”
– Howard Harper-Barnes- “Underlying Truth”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
October 14, 2020
Wolfpack Killers – U-Boat Tactics – WW2 Special
World War Two
Published 13 Oct 2020German U-Boats were a big threat to Allied shipping across the Atlantic. New inventions and tactics triggered a race to outsmart the opponent, dramatically changing the tides of the Battle of the Atlantic every few months.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
https://www.instagram.com/dememorabilia/
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/Sources:
Pugsley, William H./Library and Archives Canada/PA-139273
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM CH 15219, A 31092, FL 3259
Bletchley Park Trust
from the Noun Project: Cargo Ship by Locad, explosion by Nico TzogalisSoundtrack from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Deviation In Time”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 3”
Phoenix Tail – “At the Front”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
1 day ago
The episode covers some of Otto Kretschmer’s 11 Points of Submarine Warfare. Here’s the full list:1. Efficient lookouts are of prime importance.
2. It is essential not simply to spot the target, but to spot it in good time.
3. Lone ships should be attacked on the surface with gunfire in order to save expensive torpedoes.
4. Survivors should be assisted where possible.
5. Convoys should only be attacked in daylight if it is not feasible to wait for nightfall.
6. Attack at night from the dark side of the convoy, so that the target is silhouetted and the submarine is in shadow.
7. When there is little or no moonlight, attack from the windward side [to avoid a visible white bow-wave when motoring into the wind].
8. Fire one torpedo per target, not fanned salvoes.
9. Fire at close range.
10. Once the attack is launched, do not submerge except in circumstances of dire necessity. Remember that on the surface it is easier for you to spot the enemy than for the enemy to spot you.
11. Dive only for two hours before dawn each day, to rest the crew, sweep with the sound detection equipment, etc.; otherwise, remain on the surface.
September 17, 2020
Britain’s technological edge in the Battle of Britain
Over at The Register, Gareth Corfield lists some of the advanced technological kit the Royal Air Force had access to during the Battle of Britain in 1940:

Restored Battle of Britain operations room in an underground bunker at former RAF station Uxbridge.
Photo by Ian Mansfield via Wikimedia Commons.
Technology played its part, mostly behind the scenes – yes, we mean the backroom boffins – in equipping Britain to hold firm and defeat the Germans. As today’s commemorations focus on the pilots and ground crew who saw off the Luftwaffe, spare a thought for the technologists whose efforts also saved the western world.
Radar and radio
Chief among the technological innovations that gave the RAF the edge was radar. In the 1930s Britain was one of the world leaders in radar (thanks in part to a bizarre and unsuccessful experiment to kill sheep with a death ray) leading to the building of radar stations all around the British coast.
Sir Robert Watson-Watt, today regarded as the father of radar, was instrumental in devising a method of bouncing radio waves off a flying aeroplane to figure out its location. He turned that 1935 concept into the fully operational Chain Home and Chain Home Low air defence networks inside four years.
Without radar, the RAF was totally reliant on humans with binoculars spotting incoming formations of German bombers; radar gave the air force an early warning capability as hostile aircraft formed up over France before crossing the Channel.
Before radar came radio direction-finding. The RAF’s Home Defence Units were first established in the 1920s and mastered the art of pinpointing an aeroplane’s location from radio transmissions made by its pilots. Though less high profile than radar, the HDUs’ activities allowed the RAF to “see” beyond the range of radar as Luftwaffe bomber formations, transmitting to each other over France, formed up ready for a raid over British soil.
Signals intelligence and compsci
Not far behind radar was the crucial role of what was then the Government Communications and Cipher School (GC&CS), based at Bletchley Park. Today the site is home to the National Museum of Computing but in the dark days of the 1940s it was where codebreakers deciphered German military communications.
Breaking Nazi Germany’s encryption was a vast task, and in the days before computers extremely labour intensive; between 9,000 and 12,000 personnel worked at Bletchley during the Second World War. The demands of RAF and other military commanders for speedy decryption of enemy messages directly contributed to the development of early computer science; Alan Turing worked at Bletchley Park, helping devise improvements to electromechanical crypto-breaking machines that resulted in the Bombe, a very early computer.
August 30, 2020
August 14, 2020
Warsaw, 1920 – “Smash a Bolshevik!”
Arthur Chrenkoff on the important but little-known Russo-Polish conflict a century ago:
The Polish-Russian war of 1919-20 was the last major conflict where massed cavalry played an important role. Unlike the static Western Front a few years earlier (but similarly to the much more mobile Eastern Front) it was a war of maneuver and speed, conducted over vast swathes of territory. While still fought in a pre-armour era, its conduct directly and indirectly inspired the major proponents of the future tank warfare and the doctrine of blitzkrieg, from the young De Gaulle (who was one of the official French Army observers in Poland at the time) through Tukhachevsky in the Soviet Union to Guderian in Germany. Two million troops from both sides took part in the conflict, making it the most significant foreign intervention against the newly installed Bolshevik regime over the course of the Russian Civil War. It might have even succeeded in strangling communism in its cradle; what prevented the cooperation with the counter-revolutionary White forces was their old imperial hostility to independent Poland (coincidentally, the anti-Hitler German opposition of 1944 was likewise unfriendly to the idea).
The basic story of the war is easily enough told. After 123 years of partition between Russia, Prussia and Austria-Hungary, Poland was recreated (or, really, recreated herself) among the chaos of the late 1918, with the collapse of all three of her occupying empires. The new “Versailles” Poland was smaller than in the past, which led the new government to try to restore by force what has been denied to her at the negotiating table (where Poles had no seat in any case). The Russian Revolution (or rather the Bolshevik coup d’etat) and the following civil war provided a perfect opportunity. Throughout 1919, the reconstituted Polish Army under the command of Marshall Jozef Pilsudski fought against and took over the briefly independent Western Ukraine republic and then marched on Kiev, this time in alliance with the forces of also briefly independent Eastern Ukraine republic (it was Pilsudski’s intention to recreate some form of an independent Ukrainian state – minus the predominantly Polish areas – as part of his larger project to create the Miedzymorze (Intermarum) Confederation of both anti-Russian and anti-German states stretching from the Baltic to the Black Sea).
But the Polish Army became overstretched and the Soviet government, now having defeated its major White opponents, found itself willing and able to stand up to and roll back what they saw as the Polish aggression against historically Russian territories. The Red Army, which sporadically skirmished with the Poles over the previous year, now counter-attacked across the whole wide front across what is now Belarus and Ukraine, driving the Polish Army back at an unprecedented pace of 30 kilometres a day. Soviet Marshall Tukhachevsky ordered his troops “To the West! Over the corpse of White Poland lies the road to worldwide conflagration. March on Vilno, Minsk, Warsaw!” and “onward to Berlin over the corpse of Poland!” Pravda newspaper echoed “Through the corpse of the White Poland lies the way to World Inferno. On bayonets we will carry happiness and peace to working humanity”. British Labour Party and French Socialists vowed not to support “reactionary” Poland; German and Czech unions sabotaged the delivery of crucial military supplies to the beleaguered Poland.
On 10 August, Cossack units of Tukhachevsky’s northern Army crossed the Vistula River north of Warsaw in at attempt to envelop the capital. This was a mistake, as the southern Army, under Budyonny, was still stuck around Lwow, three hundred kilometres to the south-east. For weeks preparing in secret, the last Polish reserves punched through the centre, first cutting off the two Soviet fronts from each other and then in a series of counter-enveloping maneuvers routing three Soviet armies. Now it was the Poles’ turn to advance 30 kilometres per day, as the Red Army collapsed and retreated in chaotic circumstances. The Polish counter-strike subsequently became known as “Cud nad Wisla” (Miracle of the Vistula), but it was less of a supernatural intervention and more a combination of several favourable factors: Soviet missteps, good Polish organisation, the growing hostility between Stalin and Trotsky as well as various military commanders, which hampered the cooperation between the Soviet fronts. Last but not least, and this was only revealed in 2004, Polish cryptographers had managed to break the Red Army codes – just as they would later be instrumental in breaking the German Enigma.
August 9, 2020
July 21, 2020
The Destruction of Convoy PQ17: Merchant Ships Left Defenceless
Historigraph
Published 18 Jul 2020For unlimited access to the world’s top documentaries and nonfiction series go to http://go.thoughtleaders.io/166892020… and use the promo code ‘
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“Rynos Theme” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 4.0 License
http://creativecommons.org/licenses/b…The Descent by Kevin MacLeod
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License: http://creativecommons.org/licenses/b…Crypto by Kevin MacLeod
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May 27, 2020
The Battle to Crack Enigma – The real story of ‘The Imitation Game’ – WW2 Special
World War Two
Published 26 May 2020For the British, breaking the Germans’ seemingly unbreakable codes is one of the most vital battles of the war. If they fail, there is litte to stop the German U-Boats hunting down Allied shipping in the Atlantic.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Research by: Francis van Berkel
Edited by: Mikołaj Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Jaris Almazani (Artistic Man), https://instagram.com/artistic.man?ig…
Norman Stewart, https://oldtimesincolor.blogspot.com/
Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
Bundesarchiv
Narodowe Archiwum Cyfrowe
IWM D 23310, A 13709, A 23513
Picture of Enigma G model, courtesy Austin Mills https://flic.kr/p/2bQ9Q
reconstructed bombe machine at Bletchley Park, courtesy Gerald Massey
Picture of Enigma M4 model displayed at Bletchley Park, courtesy Magnus Manske
Picture of John Herivel, courtesy GCHQ
From the Noun Project: Letter by Mochammad Kafi, Desk by monkik, Phone by libertetstudio, person by Adrien Coquet, Letter by Bonegolem, Table by Creative Stall, documents by Johannes Hirsekorn, sitting at desk by IYIKON, Paper by James KopinaSoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Johannes Bornlof – “The Inspector 4”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Gunnar Johnsen – “Not Safe Yet”
Hakan Eriksson – “Epic Adventure Theme 3”
Howard Harper-Barnes – “London”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
4 hours ago (edited)
Hopefully you’re all staying safe in these difficult times. We’re still marching on so that we can keep all of you entertained when you’re stuck at home. But we can only continue doing so thanks to your ongoing support. Ad revenue has dropped significantly because of COVID, and we rely on your support now more than ever. If you can, please support us on www.patreon.com/timeghosthistory or https://timeghost.tv.Please let us know what other specials you’d like to see. And if you would like to know something about a smaller topic, make sure to submit that as a question for our Q&A series, Out of the Foxholes. You can do that right here: https://community.timeghost.tv/c/Out-of-the-Foxholes-Qs.
Cheers,
Francis
May 17, 2020
Nazi Nuts Trading Places & Victory for the Commonwealth – WW2 – 090 – May 16, 1941
World War Two
Published 16 May 2020In the week that Rudolf Hess makes his flight to Britain, the Luftwaffe prepares for theirs to Crete. The British utilise their code-breaking methods and prepare for defence.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Norman Stewart – https://oldtimesincolor.blogspot.com/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Daniel Weiss
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucoloriz…
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Imperial War Museum: E2623, E 3222, E 3237, E 3233, E 3238, E 3228,
– Bundesarchiv, CC-BY-SA 3.0: Bild 183-R14128A, B 145 Bild-F016230-00007, Bild 141-0864, Bild 183-L19017
– National Portrait Gallery
– Artillery by Creative Mania from the Noun Project
– Oil barrel by Musmellow from the Noun Project
– Narodowe Archiwum Cyfrowe
– Photo from Bletchley Park, Sourse: Bletchley Park Trust
– Photo of Battista Volpini courtesy La StampaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 10, 2020
Enigma Captured! – WW2 – 089 – May 9, 1941
World War Two
Published 9 May 2020An Enigma encode is captured in the Atlantic Ocean as the Germans make plans for a new offensive in Crete. Britain is heavily bombed by the Luftwaffe and fighting continues in Iraq, China and East-Africa.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…
– Adrien Fillon – https://www.instagram.com/adrien.colo…
– Dememorabilia – https://www.instagram.com/dememorabilia/Sources:
– Narodowe Archiwum Cyfrowe
– Bundesarchiv, CC-BY-SA 3.0: Bild 101I-769-0229-10A / Borchert, Erich (Eric), Bild 101I-317-0053-18 / Amphlett, Eduard, Bild_101I-567-1523-38, Bild 141-0853, Bild_146-2006-0188
– Micheal Hörenberg, Uferstr. 29, D-78343 Hemmenhofen
– Imperial War Museum: E 6822, AUS 897, E 4791, E 3040E, E 3042E, E446, E 3025E, E 1164, E 1172, E 3020E, E 2182,
– Ju 52 graphic by TSRL from Wikimedia
– DFS 230 and Ju 87 graphics by Kaboldy from WikimediaArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
May 3, 2020
Balkans in Nazi Hands – A Greek Tragedy – WW2 – 088 – May 02, 1941
World War Two
Published 2 May 2020Greece falls as Axis troops push through the last Allied defences. New plans are made for a German invasion of Crete, and a new war breaks out between Great Britain and Iraq.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @World_war_two_realtime https://www.instagram.com/world_war_t…
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Joram Appel
Post-Production Director: Wieke Kapteijns
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
– Olga Shirnina, a.k.a. Klimbim – https://klimbim2014.wordpress.com/
– Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
– Dememorabilia – https://www.instagram.com/dememorabilia/
– Carlos Ortega Pereira, BlauColorizations, https://www.instagram.com/blaucoloriz…Sources:
– Bundesarchiv, CC-BY-SA 3.0, Bild_146-1977-163-05A, Bild 146-1977-122-16, Bild_141-0816, Bild 101I-757-0023-32
– National Portrait Gallery
– Imperial War Museum: Q 69840, HU 52264Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
Now, we have decided to leave out any Call to Action (the bit where Indy tells you to subscribe and support us on Patreon) to give room to the dramatic speech on Radio Athens. So allow me to write it right here: If you want to learn more about how Kurt Student’s Fallschirmjäger were developed and used earlier in the war, you can check out our Special Episode about that right here: https://youtu.be/RNr3E3Hr0bo. I don’t want to deny anyone the chance to get a random name shoutout in the video by writing it here, but it is thanks our supporters that we can continue to make content like this. You can join the TimeGhost Army on www.patreon.com/timeghosthistory or https://timeghost.tv. Don’t forget to subscribe, ring the notification bell and see you next time!
Cheers, Joram
February 5, 2020
Submarine Warfare WW1 vs WW2 – Differences & Commonalities
Military History Visualized
Published 15 Nov 2016A comprehensive view that compares submarine warfare in the First and Second World Wars. Due to the lack of a submarine warfare in the Pacific in World War 1, the Pacific isn’t covered at all, but there will be an episode on it in the future.
Military History Visualized provides a series of short narrative and visual presentations like documentaries based on academic literature or sometimes primary sources. Videos are intended as introduction to military history, but also contain a lot of details for history buffs. Since the aim is to keep the episodes short and comprehensive some details are often cut.
» HOW YOU CAN SUPPORT MILITARY HISTORY VISUALIZED «
(A) You can support my channel on Patreon: https://www.patreon.com/join/mhv(B) Alternatively, you can also buy “Spoils of War” (merchandise) in my online shop: https://www.redbubble.com/people/mhvi…
» SOURCES & LINKS «
Milner, Marc: “The Atlantic War, 1939-1945”; in: Cambridge History of the Second World War, Volume 1
Blair, Clay: Hitler’s U-Boat War – The Hunters 1939-1942
Owen, David: Anti-Submarine Warfare – An Illustrated History
Germany & The Second World War – Volume VI
Germany & The Second World War – Volume II
Breemer, Jan S.: “Defeating the U-boat. Inventing Antisubmarine Warfare”. Naval War College Newport Papers 36
https://www.usnwc.edu/getattachment/e…Das Deutsche Reich und der Zweite Weltkrieg – Band VI.
Das Deutsche Reich und der Zweite Weltkrieg – Band II.
Rahn, Werner: “Die Deutsche Seekriegsfürung 1943 bis 1945”; in: Das Deutsche Reich & der Zweite Weltkrieg, Band X/1, S. 3-276
Erster Weltkrieg – Zweiter Weltkrieg: Ein Vergleich.
U-boat losses by cause
https://web.archive.org/web/201006112…Differences German U-Boat Design WW1 vs. WW2
https://www.reddit.com/r/AskHistorian…» CREDITS & SPECIAL THX «
Song: Ethan Meixsell – “Demilitarized Zone”
July 8, 2019
Bitcoin and its successors lack one thing that Libra has
Andrew Coyne on cryptocurrencies:

“Bitcoin – from WSJ”by MarkGregory007 is licensed under CC BY-NC-SA 2.0
Sign of the times: the convenience store in my block of mid-town Toronto has installed, in addition to the usual fare of milk, cigarettes and magazines, an ATM dispensing bitcoins. Customers insert their debit cards and buy bitcoin, which they can then use to … to …
To do what, exactly, that they could not do with regular money? Bitcoin, the original cryptocurrency — there are now dozens of competitors — has always struck me as a solution in search of a problem. Its chief selling point, the anonymity made possible by its system of ultra-encrypted peer-to-peer transactions, unmediated by the banking system and beyond reach of the regulators, would seem of most appeal to two groups: crooks and cranks.
Oh, and a third: speculators. The price of cryptocurrencies has tended to fluctuate wildly — having fallen to a third of its peak against the U.S. dollar last year, Bitcoin has tripled in value so far in 2019. Cryptocurrencies are unlikely to achieve widespread use as mediums of exchange so long as they fail to fulfil one of money’s other primary functions, as stores of value.
The Wild West reputation the privately issued currencies have acquired — one of the most popular, Dogecoin, was invented by a 26-year-old Australian in 2013 as a joke — will be one of the early hurdles confronting Facebook’s recent entry into the field. The company hopes its 2.4 billion users will soon be buying goods and services from each other with Libra, as the proposed digital currency is called, wherever on earth either party may happen to be.
And yet Libra differs from Bitcoin and its ilk in several important ways. One, while it makes use of the same blockchain encryption technology as Bitcoin to ensure the security of payments, it is not based on the same anarchic premise.
In contrast to Bitcoin’s unsupervised, massively distributed, “permissionless” network, Libra will operate, at least initially, via Facebook’s Messenger and WhatsApp platforms, which are very much subject to its control. The company, and the others it has recruited as partners — names like Visa, Mastercard, and PayPal — are likewise highly visible targets of regulatory oversight, and indeed have signalled they intend to work with national banking regulators.
June 30, 2019
Hitler
Paris – WW2 – 044 – June 29 1940
World War Two
Published on 29 Jun 2019Hitler goes to Paris, while Stalin occupies more territory… but something is on Stalin’s mind. News of the sudden success of the Wehrmacht in the West is not what he had hoped for. Churchill also looks to the West for help while a German invasion of the British Isles seems imminent. Far East the Japanese are on the advance.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
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Archive by Screenocean/Reuters https://www.screenocean.com.A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago
We have been experimenting with some “catchier” titles in the last couple of weeks. At the moment, YouTube mainly looks at two things when deciding how often to recommend our videos. The first is average watch time. We’re doing great there. The second is called “click through rate”, which means the percentage of recommended videos getting clicked. That puts a huge emphasis on titles and thumbnails. So, we’ve been doing this and it has been quite successful in terms of viewer and subscriber growth. This has caused a great rise of comments as well, and as we still want to read everything and answer most of you, we have asked some community members to help us out. We are using software allowing to review, assign and share comments. This does mean that not all comments are made by someone you know (although Spartacus and Joram are still commenting a lot). We might later decide to have everyone commenting use their own name or a pseudonym, so you know who did the commenting. Just wanted to share that.Cheers,
Joram