For the first time in my life, I was reading things which had not been approved by the Prophet’s censors, and the impact on my mind was devastating. Sometimes I would glance over my shoulder to see who was watching me, frightened in spite of myself. I began to sense faintly that secrecy is the keystone of all tyranny. Not force, but secrecy … censorship. When any government, or any church for that matter, undertakes to say to its subjects, This you may not read, this you must not see, this you are forbidden to know, the end result is tyranny and oppression, no matter how holy the motives. Mighty little force is needed to control a man whose mind has been hoodwinked, contrariwise, no amount of force can control a free man, a man whose mind is free. No, not the rack, not fission bombs, not anything — you can’t conquer a free man; the most you can do is kill him.
Robert A. Heinlein, “If This Goes On —”, 1940.
October 4, 2019
QotD: Freedom of thought
October 1, 2019
QotD: The Great Patriotic War
The Russian people’s 21st-century notion of what they call “the Great Patriotic War” bears little relationship to our own. It ignores Stalin’s 1939-41 pact with Hitler, and the fact that the Luftwaffe planes that bombed London in the Blitz were powered by Russian fuel. President Putin has made unlawful all published mention of the unspeakable cruelties the Soviet regime inflicted on its own citizens — shooting an estimated 300,000 soldiers for alleged desertion or cowardice — in order to prevail. Antony Beevor’s books, and for that matter my own, are nowadays banned because they describe the Red Army’s 1945 campaign of rape and pillage in Germany.
I have argued elsewhere that the ruthlessness of Stalin’s tyranny was essential to contrive the defeat of Hitler’s tyranny; that if the liberation of Europe had proceeded at a pace determined by the US and British armies, we might still stand short of the Elbe.
Max Hastings, “The centenary of the Russian revolution should be mourned, not celebrated”, The Spectator, 2016-12-10.
August 27, 2019
QotD: Salvador Dali and the “benefit of clergy”
Orwell’s press card portrait, 1943
Now, if you showed this book, with its illustrations, to Lord Elton, to Mr. Alfred Noyes, to The Times leader writers who exult over the “eclipse of the highbrow” — in fact, to any “sensible” art-hating English person — it is easy to imagine what kind of response you would get. They would flatly refuse to see any merit in Dali whatever. Such people are not only unable to admit that what is morally degraded can be aesthetically right, but their real demand of every artist is that he shall pat them on the back and tell them that thought is unnecessary. And they can be especially dangerous at a time like the present, when the Ministry of Information and the British Council put power into their hands. For their impulse is not only to crush every new talent as it appears, but to castrate the past as well. Witness the renewed highbrow-baiting that is now going on in this country and America, with its outcry not only against Joyce, Proust and Lawrence, but even against T. S. Eliot.
But if you talk to the kind of person who can see Dali’s merits, the response that you get is not as a rule very much better. If you say that Dali, though a brilliant draughtsman, is a dirty little scoundrel, you are looked upon as a savage. If you say that you don’t like rotting corpses, and that people who do like rotting corpses are mentally diseased, it is assumed that you lack the aesthetic sense. Since Mannequin rotting in a taxicab is a good composition. And between these two fallacies there is no middle position, but we seldom hear much about it. On the one side Kulturbolschevismus: on the other (though the phrase itself is out of fashion) “Art for Art’s sake.” Obscenity is a very difficult question to discuss honestly. People are too frightened either of seeming to be shocked or of seeming not to be shocked, to be able to define the relationship between art and morals.
It will be seen that what the defenders of Dali are claiming is a kind of benefit of clergy. The artist is to be exempt from the moral laws that are binding on ordinary people. Just pronounce the magic word “Art”, and everything is O.K.: kicking little girls in the head is O.K.; even a film like L’Age d’Or* is O.K. It is also O.K. that Dali should batten on France for years and then scuttle off like rat as soon as France is in danger. So long as you can paint well enough to pass the test, all shall be forgiven you.
One can see how false this is if one extends it to cover ordinary crime. In an age like our own, when the artist is an altogether exceptional person, he must be allowed a certain amount of irresponsibility, just as a pregnant woman is. Still, no one would say that a pregnant woman should be allowed to commit murder, nor would anyone make such a claim for the artist, however gifted. If Shakespeare returned to the earth to-morrow, and if it were found that his favourite recreation was raping little girls in railway carriages, we should not tell him to go ahead with it on the ground that he might write another King Lear. And, after all, the worst crimes are not always the punishable ones. By encouraging necrophilic reveries one probably does quite as much harm as by, say, picking pockets at the races. One ought to be able to hold in one’s head simultaneously the two facts that Dali is a good draughtsman and a disgusting human being. The one does not invalidate or, in a sense, affect the other. The first thing that we demand of a wall is that it shall stand up. If it stands up, it is a good wall, and the question of what purpose it serves is separable from that. And yet even the best wall in the world deserves to be pulled down if it surrounds a concentration camp. In the same way it should be possible to say, “This is a good book or a good picture, and it ought to be burned by the public hangman.” Unless one can say that, at least in imagination, one is shirking the implications of the fact that an artist is also a citizen and a human being.
* Dali mentions L’Age d’Or and adds that its first public showing was broken up by hooligans, but he does not say in detail what it was about. According to Henry Miller’s account of it, it showed among other things some fairly detailed shots of a woman defecating.
George Orwell, “Benefit of Clergy: Some Notes on Salvador Dali”, Saturday Book for 1944, 1944.
June 20, 2019
The Centre for International Governance Innovation and the Transatlantic Commission on Elections Integrity for the Alliance of Democracies Federation
Did you read that headline? I certainly didn’t. And I wrote copy’n’pasted it. Have you ever heard of either of those organizational entities? I hadn’t until I read Colby Cosh’s article.
A wire story by The Canadian Press’s Joan Bryden arrives over the transom. Let me quote briefly from Bryden’s copy, as an exercise in describing how news sausage is sometimes ground. “An international report says Canada has taken ‘commendable’ steps to safeguard this fall’s federal election from foreign interference. But the report says this country needs to do more to regulate social media giants and should impose ‘major sanctions’ on those that fail to control fake news and other forms of disinformation on their platforms.”
An international report says Canada is vulnerable to fake news! Food for thought. But as I was mulling over this dread warning about sensationalistic information from questionable sources, a skeptical question came to mind: what is “an international report” exactly?
Bryden goes on to tell us, sort of: “The report,” she writes, “is part of a series of assessments conducted by the Centre for International Governance Innovation and the Transatlantic Commission on Elections Integrity for the Alliance of Democracies Federation.” Show of hands: how many of you found it possible to read that sentence without falling asleep? Don’t worry, you weren’t meant to read it — just to absorb its general miasma of seriousness.
Ottawans will know the Centre for International Governance Innovation: it is, essentially, a big pile of Jim Balsillie’s money, and ours. There is a CIGI Campus in Waterloo, Ont., built by Balsillie with matching funds from the provincial and federal governments, that contains the CIGI think-tank and collects rent from the U of W and Wilfrid Laurier U. The Transatlantic Commission on Election Integrity is another think-tank, an international one established amidst post-Trump panic by a range of institutions that includes Microsoft, BMW and other global companies and nonprofits.
Bill Gates didn’t write the “international report.” The report says it was “submitted to TCEI by Allan Rock, TCEI member.” Mr. Rock was, you may recall, a key figure in Jean Chrétien’s cabinet and then president of the University of Ottawa. He “submitted” the report … but did he write it? What the text says is that research and writing done by two University of Ottawa law students “were essential to the preparation of this report … Allan Rock expresses his sincere appreciation for their excellent work.”
So, yeah: it’s a jeremiad against fake news that is pretty much just a long op-ed written on contract by two underpaid young Canadians. After a few impressive-sounding (and foreign-funded) brand names are tacked on, this ends up in your newspaper as a distinguished “international report” justifying draconian regulation of social media.
Otto von Bismarck talks with the captive Napoleon III after the Battle of Sedan in 1870.
The “news sausage” comment is a reference to a quote frequently (but apparently mistakenly) attributed to German Chancellor Otto von Bismarck, that laws and sausages are things you should never watch being made.
June 2, 2019
A rare word in favour of free speech from the PM
Chris Selley on an unusually free-speech oriented comment from Justin Trudeau, who is more commonly heard making threats to shut down speech he doesn’t like:
Prime Minister Justin Trudeau said something interesting this past week, in a conversation with Vox journalist Liz Plank at the Open Government Partnership Summit in Ottawa. When it comes to regulating social media giants like Facebook, he suggested, governments like Canada’s have to be very, very careful.
“We recognize that the solution doesn’t lie in government’s heavy hand over our internet (and) public spaces,” he said. “Freedom of expression, freedom of speech, is so fundamental to our democracies that … as soon as we say we have to limit hate speech, we have to protect citizens, there are some really tricky decisions we have to (make).”
It’s interesting primarily because Trudeau and various of his ministers have been threatening for what seems like forever to bring the hammer down. “The platforms are failing their users and they’re failing our citizens,” a full-thesp Trudeau intoned in unveiling the government’s buzzword-laden Digital Charter. “They have to step up in a major way to counter disinformation. And if they don’t, we will hold them to account, and there will be meaningful financial consequences.”
Indeed, Trudeau warned Plank that if “partnership” with social media companies doesn’t yield the desired results — whatever those might be; the government has been studiously vague — “we will take measures that we will regret having to take.”
Still it’s nice to see freedom of speech get a shout out from the top. The sabre-rattling act is wearisome, but it’s vastly preferable to the government speech-regulation power trip that a remarkable number of mainstream Canadian voices have been demanding. Perhaps Trudeau realizes that while the government can and should encourage and work with social media companies to weed out national security threats and illegal material, it has no legal grounds to compel those companies to prohibit “disinformation” or “hate speech” as loosely defined by many people calling for serious regulations — which is to say nasty stuff they don’t like.
May 30, 2019
Fahrenheit 451 – Dystopias and Apocalypses – Extra Sci Fi
Extra Credits
Published on 28 May 2019Ray Bradbury not only cautions against censorship (the primary theme of Fahrenheit 451), but offers interesting commentary on who censors works at all, and why humans do it anyway.
Fahrenheit 451 is about many things. In Bradbury’s younger days, just coming out of the McCarthy era, he said the book was about censorship and book burning. Later in life, he said it was about the dangers of easy entertainment. Let’s analyze these viewpoints a little further.
May 22, 2019
April 19, 2019
QotD: The revolution will be YouTubed, which might snuff it out before it gets underway
I think that a number of factors will ultimately tamp it down [campus protests/riots]. The ability of people to record videos of police has been a tremendous spur to calls for reform. But police are not the only people who can be filmed in public; so can protesters. I suspect that as people discover what can happen when future employers google up videos of you shouting “[expletive deleted] the police” or screaming at professors and speakers, the costs of this sort of protest will rise, and there will be less of it. Moreover, I suspect that both alumni and state funding for schools where this sort of thing happens a lot will often decline, putting pressure on administrators to curb it.
Megan McArdle, “Ask Me Anything”, Reddit, 2017-04-10.
March 30, 2019
The EU’s copyright regulation is a stalking horse for online censorship and control
To the amazement of many non-EU observers, the European Parliament passed blatantly authoritarian and corporatist changes to the rules on copyrights that will have potentially vast impact on the internet across the world, not just inside the EU. At City A.M., Kate Andrews explains why this is such bad news for all internet users:
The two most controversial points in the law – Article 11 and Article 13 – are almost certain to stifle digital activity, and interfere with the free way that people currently use online platforms.
Article 11, known as the “link tax”, would make online platforms compensate press publishers for links and article content posted on their sites.
As my colleague Victoria Hewson highlighted in her latest briefing, this approach has been “widely criticised as a distortive measure that seeks to prop up a declining industry”.
As many local and national newspapers decline in readership and revenue, governments have become increasingly protectionist in their attempts to “rebalance” the sector, by cracking down on online platforms.
The link tax has little merit, even if rebalancing is the goal. News outlets which require payment for readership already have logins and paywalls to protect their content from free access.
[…]
Article 13 will also be distortive to the market, as it makes online platforms increasingly liable for copyright infringement.
As Hewson’s briefing notes, major online platforms already have routine screening processes for content that violates copyright law or their own rules. But the new regulations “remove the protection for platforms previously available if they removed violating content promptly on receiving notice of it, and contravene fundamental rights such as free expression and freedom from monitoring”.
The Directive claims that safeguards – including pastiche, parody, and quotations – will be protected, and that meme content has been excluded.
But the algorithms which these platforms will have to implement to adhere to Article 13 are going to struggle to see the difference between infringement and fair use when comparing uploads to content that is registered as copyrighted.
March 15, 2019
QotD: Gender correctness
Five years ago, if someone had told you it would soon become tantamount to a speechcrime to say ‘There are two genders’, you would have thought them mad.
Sure, we live in unforgivably politically correct times. Ours is an era in which the offence-taking mob regularly slams comedians for telling off-colour jokes, demands the expulsion from campus of speakers who might offend students’ sensibilities, and hollers ‘Islamophobe’, ‘homophobe’ or ‘transphobe’ at anyone who transgresses their moral code on anything from same-sex marriage to respecting Islam. (A phobia, we should always remind ourselves, is a mental malaise, a disturbance of the mind. How very Soviet Union to depict your opponents essentially as mentally diseased.)
And yet for all that, surely it would never become a risky business to utter the opinion: ‘There are men and women and that’s all.’ Well, that has now happened. It is now looked upon as hateful, sinful and phobic, of course, to express a view that has guided humanity for millennia: that humankind is divided into two sexes, and they are distinctive, and one cannot become the other.
Say that today in a university lecture room packed with right-on millennials and watch their faces contort with fury. Write it in a newspaper column or blog post and witness the swift formation of a virtual mob yelling for you to be fired. Say it on TV and there will be protests against you, petitions, demands that you and your foul, outdated ideology be denied the oxygen of televisual publicity.
Brendan O’Neill, “It isn’t TERFs who are bigoted – it’s their persecutors”, Spiked, 2019-01-28.
March 7, 2019
Outbreak of the War Against Humanity – WW2 – WaH 001 – 5 March 1940
World War Two
Published on 6 Mar 2019When the Second World War breaks out, it is at first largely a war between one side of totalitarian aggressors against a portion of the democratic countries of the world defending other totalitarian states. From the first day of the war in Poland, as it already is in China, this will be a war against humanity.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Spartacus Olsson
Produced and Directed by: Astrid Deinhard
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Creative Producer: Joram Appel
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Research by: Spartacus Olsson
Edited by: Spartacus Olsson and Wieke KapteijnsArchive by Screenocean/Reuters https://www.screenocean.com
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
47 minutes ago (edited)
READ THIS AND OUR RULES BEFORE COMMENTING Here it is with some slight delay – the first episode of War Against Humanity, written and hosted by Spartacus Olsson. Due to the delay, this video went public on YouTube and was not in Preview for the TimeGhost army – we apologise for this – the next WaH video will be given in advance. To be clear it is the support of the TimeGhost army that enables us to continuously expand and improve our coverage – if you haven’t already, consider signing up on timeghost.tv or https://www.patreon.com/TimeGhostHistory – Now, we have age-restricted this video of our own accord because of the extremely graphic content in some sections. While we are of the opinion that it should be available for anyone over the age of 15, YouTube does not offer us that possibility. We apologise to our viewers that are in that bracket, but we felt that it was more important to protect children from exposure to this kind of violence without the help of an adult to digest it.
February 22, 2019
QotD: The basic intellectual freedom
The Party told you to reject the evidence of your eyes and ears. It was their final, most essential command. His heart sank as he thought of the enormous power arrayed against him, the ease with which any Party intellectual would overthrow him in debate, the subtle arguments which he would not be able to understand, much less answer. And yet he was in the right! They were wrong and he was right. The obvious, the silly, and the true had got to be defended. Truisms are true, hold on to that! The solid world exists, its laws do not change. Stones are hard, water is wet, objects unsupported fall towards the earth’s centre. With the feeling that he was speaking to O’Brien, and also that he was setting forth an important axiom, he wrote:
Freedom is the freedom to say that two plus two make four. If that is granted, all else follows.
George Orwell, Nineteen Eighty-Four, 1949.
February 3, 2019
January 10, 2019
Patreon’s changing role
At Quillette, Uri Harris outlines how Patreon has changed over the last year or so and what those changes mean for both content creators and financial supporters:
On December 6, crowdfunding service Patreon removed the account of popular YouTuber Carl Benjamin, who is better known by his YouTube moniker Sargon of Akkad. In a statement, Patreon explained that Benjamin was removed for exposing hate speech under its community guidelines, which prohibit: “serious attacks, or even negative generalizations, of people based on their race [and] sexual orientation.” The incident in question was an appearance on another YouTube channel where Benjamin used racial and homosexual slurs during an emotional outburst. (The outburst was transcribed and included for reference as part of Patreon’s statement.)
Patreon’s reaction sparked immediate accusations of political bias from many centrists and conservatives, as Benjamin—who identifies as a classical liberal—is a frequent and outspoken critic of contemporary progressivism, receiving hundreds of thousands of views on many of his videos. The fact that Benjamin was removed from Patreon for an outburst on another YouTube channel almost a year ago, when he produces hours of content every week on his own channels and appears regularly on many others, suggested that this was a targeted attempt to remove him due to his politics, either by Patreon employees themselves or as a response to outside pressure.
This belief was bolstered by the fact that Patreon’s CEO Jack Conte had appeared on popular YouTube talk show “The Rubin Report” last year to explain the removal of conservative YouTube personality Lauren Southern, where he seemed to suggest that Patreon’s content policy had three sections and that hate speech was in the first section, meaning that it only applied to content uploaded to Patreon’s own platform. (Southern was removed for off-platform activity because she had “crossed the line between speech and action,” Conte maintained, which he implied was covered by the more severe second and third sections of their content policy.)
There’s nothing unusual about a company revising its content policy, of course, but it seemed suspicious that Benjamin was being removed for a different set of rules than those Patreon’s CEO had previously articulated. In fact, several people pointed out the prevalence of similar slurs on Patreon’s own platform as further indication that Benjamin was specifically targeted for his political views.
December 17, 2018
QotD: Woodrow Wilson’s repressive regime
Not surprisingly, such intellectual kindling was easy to ignite when World War I broke out. The philosopher John Dewey, New Republic founder Herbert Croly, and countless other progressive intellectuals welcomed what Mr. Dewey dubbed “the social possibilities of war.” The war provided an opportunity to force Americans to, as journalist Frederick Lewis Allen put it, “lay by our good-natured individualism and march in step.” Or as another progressive put it, “Laissez faire is dead. Long live social control.”
With the intellectuals on their side, Wilson recruited journalist George Creel to become a propaganda minister as head of the newly formed Committee on Public Information (CPI).
Mr. Creel declared that it was his mission to inflame the American public into “one white-hot mass” under the banner of “100 percent Americanism.” Fear was a vital tool, he argued, “an important element to be bred in the civilian population.”
The CPI printed millions of posters, buttons, pamphlets, that did just that. A typical poster for Liberty Bonds cautioned, “I am Public Opinion. All men fear me!… [I]f you have the money to buy and do not buy, I will make this No Man’s Land for you!” One of Creel’s greatest ideas – an instance of “viral marketing” before its time – was the creation of an army of about 75,000 “Four Minute Men.” Each was equipped and trained by the CPI to deliver a four-minute speech at town meetings, in restaurants, in theaters – anyplace they could get an audience – to spread the word that the “very future of democracy” was at stake. In 1917-18 alone, some 7,555,190 speeches were delivered in 5,200 communities. These speeches celebrated Wilson as a larger-than-life leader and the Germans as less-than-human Huns.
Meanwhile, the CPI released a string of propaganda films with such titles as The Kaiser, The Beast of Berlin, and The Prussian Cur. Remember when French fries became “freedom fries” in the run-up to the Iraq war? Thanks in part to the CPI, sauerkraut become “victory cabbage.”
Under the Espionage Act of 1917 and the Sedition Act of 1918, Wilson’s administration shut down newspapers and magazines at an astounding pace. Indeed, any criticism of the government, even in your own home, could earn you a prison sentence. One man was brought to trial for explaining in his own home why he didn’t want to buy Liberty Bonds.
The Wilson administration sanctioned what could be called an American fascisti, the American Protective League. The APL – a quarter million strong at its height, with offices in 600 cities – carried government-issued badges while beating up dissidents and protesters and conducting warrantless searches and interrogations. Even after the war, Wilson refused to release the last of America’s political prisoners, leaving it to subsequent Republican administrations to free the anti-war Socialist Eugene V. Debs and others.
Jonah Goldberg, “You want a more ‘progressive’ America? Careful what you wish for: Voters should remember what happened under Woodrow Wilson”, Christian Science Monitor, 2008-02-05.
