Quotulatiousness

April 25, 2021

Allied Intelligence cracks Japanese codes! – 139 – WW2 – April 25, 1942

Filed under: Britain, Germany, History, Japan, Military, Pacific, Russia, USA, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 24 Apr 2021

After last week’s Doolittle Raid on Tokyo, pretty much the entire Japanese fleet is sent out looking for American ships. They do not find them, but the enormous amount of radio traffic they generate is a treasure trove for Allied codebreakers to work on. The Allies ship 46 British Spitfire planes to Malta … and all of them are destroyed by the Axis within 48 hours. Germany begins bombing tourist and cultural destinations in Britain, and to make things even worse for the British this week, they realize they can’t hold Burma and are now making tracks for India, with the Japanese Army in hot pursuit.

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Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Daniel Weiss

Sources:
– National Portrait Gallery
– Naval History and Heritage Command
– Book by Rob Crosswell, Arrow by 4B Icons – from the Noun Project
– Russian International News Agency

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Jo Wandrini – “Dragon King”
– Howard Harper-Barnes – “Underlying Truth”
– Edward Karl Hanson – “Spellbound”
– Craft Case – “Secret Cargo”
– Johan Hynynen – “Dark Beginning”
– Andreas Jamsheree – “Guilty Shadows 4”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 23, 2021

Taiwan Under Occupation, Axis Solidarity, and U-Boats in the Med – WW2 – OOTF 022

Filed under: China, Europe, Germany, History, Japan, Military, WW2 — Tags: , , , , , — Nicholas @ 04:00

World War Two
Published 22 Apr 2021

Ever wonder what life was like in Taiwan during the Second World War? Or if German U-Boats were active in the Mediterranean? You can find out the answers in this episode of Out of the Foxholes!

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell
Written by: Ian Sowden, Lewis Braithwaite, Timothy Smith
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Ian Sowden, Lewis Braithwaite, Timothy Smith
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory​)

Sources:
David Rumsey Map Collection, David Rumsey Map Center, Stanford Libraries
Chapman University Digital Commons

Soundtracks from the Epidemic Sound:
Yi Nantiro – “Watchman”
Max Anson – “Ancient Saga”
Skrya – “First Responders”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 22, 2021

The Winter War

Filed under: Europe, History, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 03:00

In Quillette, Sean McMeekin outlines the disaster of the first Soviet offensive against Finland in the opening battles of the 1939-40 Winter War:

While Finland, with a tiny population of scarcely 3.5 million, could hardly have threatened the Soviet colossus, it had fought fiercely for independence during the Russian Civil War, conquering Helsinki in April 1918 and dealing the Reds a series of painful blows. The Finnish White Guards — as the Bolsheviks referred to the forces then commanded by the redoubtable Gustaf Mannerheim — had also, Stalin remembered, worked with German troops and collaborated with the British Baltic fleet. Had Mannerheim’s connections with the Germans not been so strong, the British might have lent his Finnish guards more support in the critical days of fall 1919, when Petrograd nearly fell to the Whites. But this was small consolation to Stalin, who mostly remembered the humiliation of losing Finland and Finnish double-dealing with outside powers. The fear that Finland might once again invite in a power hostile to the USSR, whether Britain or Germany, was never far from Stalin’s mind.

When Molotov summoned a Finnish delegation to the Kremlin on October 12th, 1939, Stalin made a personal appearance to heighten the intimidation factor, and he handed the Finns a brutal ultimatum demanding, among other things, “that the frontier between Russia and Finland in the Karelian Isthmus region be moved westward to a point only 20 miles east of Viipuri, and that all existing fortifications on the Karelian Isthmus be destroyed.” Stalin made it clear that this was the price that Finland had to pay to avoid the fate of Poland.

Aggressive and insulting as the Soviet demands on Finland were, Stalin and Molotov fully expected them to be accepted. As the Ukrainian party boss and future general secretary Nikita Khrushchev later recalled, the mood in the Politburo at the time was that “all we had to do was raise our voice a little bit and the Finns would obey. If that didn’t work, we could fire one shot and the Finns would put up their hands and surrender.” Stalin ruled, after all, a heavily armed empire of more than 170 million that had been in a state of near-constant mobilization since early September. The Red Army had already deployed 21,000 modern tanks, while the tiny Finnish Army did not possess an anti-tank gun. The Finnish Air Force had maybe a dozen fighter planes, facing a Red Air armada of 15,000, with 10,362 brand-new warplanes built in 1939 alone. Finnish Army reserves still mostly drilled with wooden rifles dating to the 19th century. By contrast, the Red Army was, in late 1939, the largest in the world, the most mechanized, the most heavily armored, and the most lavishly armed, even if surely not — because of Stalin’s purges — the best led.

[…]

Just past dawn on November 30th, Stalin’s undeclared war against Finland began with a furious artillery barrage on all fronts, followed by the scream of warplanes overhead. The only difference between the bald acts of territorial aggression in Finland and Poland was that the Soviet blitzkrieg was less efficient. Soviet medium bombers — mostly SB-2s cautiously dropping one-ton payloads from heights of 3,000 feet or more — weren’t especially accurate. In Helsinki, Russian bombers failed to knock out a single docking bay, airfield runway, Finnish warplane, or oil tank (although one airport hangar was destroyed). A stray bomb hit the Soviet legation building. According to eyewitnesses, Red fighter pilots strafed Helsinki suburbs as well, “machine-gunning women and children who had fled their houses to the fields.” Similar scenes of horror were repeated in Viipuri (Vyborg), as well as in provincial towns such as Lahti, Enso, and Kotka.

Meretskov’s landward assault on the Karelian Isthmus fared poorly. During the interval between the border incident of November 26th and the Russian onslaught early on November 30th, Mannerheim had wisely evacuated most of the civilian population. A series of clever booby traps were set for the invaders, including “pipe mines” — steel tubes crammed with explosives buried in snowdrifts and set off by hidden trip wires. The most effective defense of all was the Molotov cocktail, first used in Spain but ingeniously updated by the Finns, who would fill liquor bottles with a blend of gasoline or kerosene, tar, and potassium chloride. In fits of derring-do, Finnish soldiers on skis would drop these into the turrets of advancing tanks, ram branches or crowbars into the tank treads, or slice holes in the ice to sink them. Despite boasts in the Russian high command that the campaign would be over in 12 days, by mid-December, most of the Soviet Seventh and Thirteenth Armies were still blundering along short of the Mannerheim Line. On December 17th, in fact, the Thirteenth Army actually went into reverse, retreating after bloody losses in a clash at Taipale. By then, even the tiny Finnish Air Force of old Dutch Fokker fighters had joined the rout, knocking down Soviet bombers — one Finnish ace took out six in four minutes — and doing wonders for the morale of the Finns below. Further north, the Soviet Ninth Army was nearly destroyed in a battle near a burned-out Suomussalmi on December 9th. One Finnish ski sniper, a farmer named Simo Häyhä, personally killed, according to (improbable) legend, more than 500 Russians[*]. Wounded Russians overwhelmed the hospitals of Leningrad. One overworked Soviet surgeon complained in early December that he was dealing with nearly 400 wounded Red Army soldiers every day.

* The story of Simo Häyhä was set to music by Sabaton in their song “White Death” on the Coat of Arms album. Indy Neidell discussed the history behind the music in a Sabaton History video in 2019.

April 18, 2021

America Strikes Back – Tokyo in Flames – WW2 -138 – April 18 1942

World War Two
Published 17 Apr 2021

The Doolittle Raid is just a little bombing raid over Tokyo that doesn’t do that much physical damage. It does, however, have big repercussions — partly in terms of future offensive plans for the Japanese fleet, and partly in terms of the thousands of Chinese lives taken in reprisals for allowing the US bombers to land in China. There is small scattered action on the Eastern Front, more Japanese advances in Burma, and a French VIP escapes captivity in Germany and heads for Switzerland and freedom.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Norman Stewart – https://oldtimesincolor.blogspot.com/

Sources:
– Stan S. Katz
– IWM: IND 3595
– Image of ‘The Fortress of Königstein from the North-West’ by Bernardo Bellotto, © National Gallery of Art, Washington

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Howard Harper-Barnes – “London”
– Jo Wandrini – “Dragon King”
– Dream Cave – “The Beast”
– Reynard Seidel – “Rush of Blood”
– Wendel Scherer – “Out the Window”
– Brightarm Orchestra – “On the Edge of Change”
– Gunnar Johnsen – “Not Safe Yet”
– Johan Hynynen – “Dark Beginning”
– Philip Ayers – “Trapped in a Maze”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

Boys Mk I Anti-Tank Rifle at the Range

Filed under: Britain, History, Military, Weapons, WW2 — Tags: , , , — Nicholas @ 02:00

Forgotten Weapons
Published 2 Jan 2021

http://www.patreon.com/ForgottenWeapons

https://www.floatplane.com/channel/Fo…

Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…

(Edit: Tungsten carbine is, of course *denser* than steel, not lighter. Sorry.)

I have done several previous videos on the Boys antitank rifle, but never actually fired one — until today! We’re out at the range with a MkI Boys and five rounds of its .55 Boys ammunition. So let’s see if it’s as painful to shoot as people say …

Contact:
Forgotten Weapons
6281 N. Oracle #36270
Tucson, AZ 85740

April 17, 2021

Can you build a Starter Set Model Kit using ONLY the included paints and glue?

Filed under: Military, Randomness, WW2 — Tags: , , — Nicholas @ 02:00

Model Minutes
Published 10 Dec 2020

Quite often I get asked if you can build a Starter Set Model Kit using ONLY the included paints and glue? Well, why not? What would it actually look like? I feel like there might be a bit of a CHALLENGE coming on …

Join me in this video as I build (and review) the Airfix Messerschmitt Bf109E-3 plastic model kit in 1/72 scale which comes as part of a starter set — with glue, paint and brush included. I will be building this kit with only these products to see how it turns out.

Unboxing review of this kit:
https://youtu.be/NWHsWtxot_c

Please consider pledging your support to help keep the channel growing from strength to strength. Find out what’s in-store and how to unlock additional perks here: https://www.patreon.com/modelminutes

If you like what I do, why not buy me a coffee over at http://ko-fi.com/modelminutes

Come join the live conversation over at Discord, chat to other modellers in real time! https://discord.gg/JP4tk2n

If you want to buy any of the kits I’ve built or recommend — take a look here (it helps support the channel):
https://www.amazon.co.uk/shop/modelmi…

Let’s get social!
https://twitter.com/ModelMinutes
https://www.instagram.com/modelminutes/

This video is intended for adult scale model enthusiasts.

Model Minutes holds no responsibility for any accidents, damage or injury that could occur as a result of attempting to replicate any steps depicted in this video.

All music used from the YouTube Audio Library.

#Airfix #Model #Modelkit #starterset #scale #bf109

From the comments:

Model Minutes
4 days ago
Before you leave a comment about thinning the paint or using extra tools/products, read this:

I don’t think a lot of people watching this one quite “got” what I was going for here. My aim (if it wasn’t clear) was to see how good I could make this model kit using only the included products and a knife. I gave myself really strict rules to follow in an attempt to get a “best case” model out of a “worst case” situation.

Many people seem to think that beginners would instantly know that they are supposed to thin their paints, sand the plastic, fill the gaps, use extra brushes … and if, as a beginner you knew that, then you were so fortunate!

But this video is for those of us (me included) who knew nothing about model building, had no one to help us and nothing to look to for reference. When I started, YouTube didn’t exist (the internet wasn’t really a thing for me growing up either) and if I wanted to read up about modelling it meant buying magazines and looking for the information.

My build in this video is a throwback to my early days, where I built what I wanted, how I wanted, and usually with only what I had, could borrow, recycle or afford with my small amount of pocket money.

Ultimately though, I think the point of this build and video has been missed by some.

It’s meant to be fun, a light and entertaining look at our hobby. After all, isn’t this hobby supposed to be fun anyway?

I’d also like to think that some beginners out there see this one and realise that you don’t have to build a model kit with all these extra things that so many youtubers use these days. Although it’s good to have aspirations I think it’s unrealistic and can put newcomers off. If my video encourages just one new person to start building, then that’s a success right? We should be encouraging new members to the hobby because it’s in our interest too! If you agree, send someone this video and encourage them to start!

TLDR: I made this video for entertainment. It’s not a tutorial. I added extra restrictions because otherwise it wouldn’t be a “challenge” — it would be a normal build video.

April 16, 2021

The Bataan Death March Begins – WAH 032 – April 1942, Pt. 1

Filed under: Britain, Europe, Germany, History, Japan, Military, Pacific, USA, WW2 — Tags: , , , , , , — Nicholas @ 04:00

World War Two
Published 15 Apr 2021

Malta and British cities are victim to German bombs, while the Japanese advance in Burma causes a refugee crisis. In the Philippines, 80,000 Allied POWs walk the Bataan Death March.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Miki Cackowski and Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Mikołaj Uchman
Election1960 https://commons.wikimedia.org/wiki/Fi…​

Sources:
IWM C 4743, CL 2377
Bundesarchiv
From the Noun Project: Watchtower by Eliricon

Soundtracks from the Epidemic Sound:
Johan Hynynen – “Dark Beginning”
Fabien Tell – “Weapon of Choice”
Wendel Scherer – “Defeated”
Philip Ayers – “Trapped in a Maze”
Cobby Costa – “From the Past”
Cobby Costa – “Flight Path”
Wendel Scherer – “Growing Doubt”
Jon Bjork – “For the Many”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 days ago (edited)
Under our previous episode I told you about how YouTube has been age restricting these videos, effectively censoring them and turning the format into an echo chamber that doesn’t reach beyond the viewers who already know about it. As I explained we feel that it’s a great disservice to education and remembrance, and it has affected me deeply personally making me question why we do this. Two things happened:

1. You collectively gave us the most amazing reception and reminded us of how important the work we do is. I can’t thank you enough for the amazing comments, many of them where kind, supportive, and motivating far beyond what I feel we deserve. You lifted my spirits and brought me out of the slump I was in, cementing, and confirming that what we do matters. In the name of the entire team: thank you so much, it is an immense honor to have you all with us.

2. YouTube did not age restrict the video, and even cleared it for monetization, leading to that it once again reached a viewership like before the string of age restrictions we were struck with. We haven’t heard any explanation from YouTube and we won’t. Furthermore, I am painfully aware that these decisions depend completely on the whims of the individuals at Google who review the videos. We also know that these individuals are different for every video, so I fear that that this state of affairs will not remain. Already, this video was judged as “not suitable for all advertisers” and will therefore be recommended to viewers less often in YouTube’s system. Hence, although it pains us, and is against the principles we stand for, we have also prepared a version of this video with all images documenting the atrocities we expose blurred out – we can only hope that we don’t need it.

I’d like to end with an anecdote out of my motivation to create this series. Many, many moons ago, when I was in senior high at boarding school in Sweden, Elie Wiesel – author, chronicler of the Holocaust, and survivor of Auschwitz and Buchenwald came to our school. It was in 1986, the same year that he received the Nobel Peace Prize for his work, and if I remember correctly he had connected a lecture tour to his reception of the award.

In any case — I had the privilege of speaking to Mr. Wiesel in a small group. He explained something that has stayed with me ever since. To him, his experiences were not defeating, the entire Holocaust was not a defeat, not only had humanity been victorious in the end, but he and others had survived to tell the tale — which to him was a special kind of victory that came with the responsibility of sharing and educating.

Mr. Wiesel, a kind, warm hearted man, full of humor and life despite the horrors he had lived, passed five years ago. It is for him, for the other survivors of every ethnicity faced by any kind or terror, and for those who didn’t make it through that we do this — to celebrate their life and continue turning their suffering from defeat into victory by remembering even after they are gone.

Yours,
Spartacus

April 15, 2021

Eichmann in Budapest

Filed under: Europe, Germany, History, Military, WW2 — Tags: , , , — Nicholas @ 03:00

Alexander Faludy outlines the horrific “success” of Adolf Eichmann’s activities in Hungary in 1944:

SS-Obersturmbannführer Adolf Eichmann (1906–1962), head of Reichssicherheitshauptamt (RSHA, Reich Security Central Office) Department IV B4 (Jewish affairs), who organized the deportation of Jews to the Auschwitz concentration camp in German-occupied Poland during the Holocaust. Taken in or around 1942, this appears to have been Eichmann’s official RSHA ID photograph.
Photographer unknown, public domain image via Wikimedia Commons.

SS Obersturmbannführer (Lt. Col.) Adolf Eichmann, head of Reich Security Main Office IV.B.4 (Jewish Affairs), arrived at Budapest’s Keleti railway station together with 19 subordinates on 21 March 1944. Just 48 hours had passed since German troops had marched into the country, and a car was waiting to take Eichmann to the city’s Astoria Hotel close to the Pest riverbank. From these incongruously elegant surroundings Eichmann would commence the most feverous episode in the Final Solution of the Jewish question in Europe: the destruction of the Jews of Hungary, the only chapter in its history he was to supervise in person and in full.

For speed and scale the deportations went unmatched: 424,000 people were despatched by train in just 52 days, from 14 May to 9 July. In this fleeting window Hungarian Jews became the single largest group gassed at Auschwitz. The crematoria couldn’t cope with such “over-supply”, and Commandant Rudolf Höß ordered special fire pits dug — filling the camp with noxious smoke. According to Primo Levi, “there were weeks when only Hungarian was heard in Auschwitz”.

Physical annihilation was undergirded by Eichmann’s elaborate psychological strategy. Sophisticated Budapest Jews who might escape or resist were pacified by newspaper reports that only “ost Juden” from Hungary’s nether regions were being removed as “undesirables”. Many only saw through the lie, if at all, when deportations reached Budapest’s outer suburbs in early July — just before Admiral Miklós Horthy, Hungary’s Head of State, halted them under diplomatic pressure from the Western Allies and neutrals.

Throughout the deportations, and across Hungary’s length, Eichmann deluged Jews with ever more complex regulations covering the minutiae of daily life. These instilled a false sense of permanence which inhibited hiding or escape: “why would the authorities go to all this trouble if they were just going to get rid of us?”

Even as deportations rolled on, Eichmann conducted elaborate negotiations for fanciful “rescue schemes” including, but not limited to, the infamous “Blood for Trucks” project involving Rudolf Kastner — the proposed barter of one million Jewish lives for 10,000 Western motor vehicles for use on the Eastern front against the USSR. The aim, Eichmann later acknowledged, was not just to split Western powers from the Soviets, but also to distract Hungary’s Jewish leaders from counter-organising: keeping minds busy and hopes alive.

All the while Eichmann treated Jewish leaders in Budapest to flashes of menace. One day he promised them a return to normality “after the war”, the next he would snarl “Do you know who I am? I am a bloodhound!” With studied cruelty Eichmann arranged the ghettoisation of Hungary’s Jews to begin on Sunday, 16 April: the first day of Passover, 1944.

Eichmann did many things in Hungary; the one thing he did not do was simply “obey orders” — indeed over time he defied them with gathering frequency. That autumn as inevitable defeat became ever more apparent Eichmann, helped by local enthusiasts, intensified his efforts, instigating newly inventive means of eliminating Jews in Hungary and the Balkans through “death marches” and localised killing sprees. In doing so, Eichmann subverted instructions from Himmler who ordered cessation as part of a delusional plan to negotiate with the allies.

This “Eichmann in Budapest” should be recalled while contemplating the later Eichmann in Jerusalem.

April 14, 2021

War Stories We Didn’t Get to Tell – WW2 – Reading Comments

Filed under: Cancon, Europe, History, Military, Russia, USA, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 13 Apr 2021

Another edition of Across the Airwaves, where Indy, Sparty, and Astrid look at interesting and unique comments from our videos. In this episode, some amazing war stories that we didn’t get to tell.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Indy Neidell, Spartacus Olsson, and Astrid Deinhard
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Edited by: Karolina Dołęga
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​), Karolina Dołęga

Sources:
– Bundesarchiv
– Library of Congress
– Australian War Memorial
– Icons from the Noun Project: Boat by Richard Cordero, captain by Gan Khoon Lay, Mine Ship by Luke Anthony Firth, Wrench by Gregor Cresnar
– Explosion animation by Ignisium from YouTube
– Uboat.net, picture of SS Oklahoma courtesy of Texaco Archives

Soundtracks from Epidemic Sounds:
– “Other Sides of Glory” – Fabien Tell
– “London” – Howard Harper-Barnes
– “Deflection” – Reynard Seidel
– “The Inspector 4” – Johannes Bornlöf
– “What Happens in the Park” – Claude Signet

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 hours ago (edited)
Day in day out, we review thousands of comments from people across the world. It’s always heartening to come across the ones that are particularly interesting, educational, touching, or even funny. This format, “Across the Airwaves”, is a great way for us to interact directly with our community and in this episode, Indy, Sparty and Astrid mainly look at comments from people offering extra details and analysis that we didn’t have the chance to include in our regular content.

Hope you enjoy hearing them. A big thanks to our community, especially our TimeGhost Army members.

April 11, 2021

America Surrenders – The Fall of Bataan – 137 – April 10, 1942

World War Two
Published 10 Apr 2021

After holding out since the beginning of the year, the American and Filipino defenders at Bataan can do so no more, and they surrender to the Japanese — the Bataan Death March for the 75,000 prisoners begins. Meanwhile, the Japanese carrier fleet launches a raid on Colombo and shipping in the Bay of Bengal, wrecking Britain’s Eastern Fleet in the process and forcing them to move to African coastal bases. Adolf Hitler issues the directive outlining his plans for a summer offensive against the USSR that aim south toward the Caucasus.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Check out Indy’s Tie Barn to get your own tie right here: https://www.youtube.com/c/IndysTieBar…

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Mikołaj Uchman
– Daniel Weiss
– Norman Stewart – https://oldtimesincolor.blogspot.com/​

Sources:
– IWM A 25477, A 10499

Soundtracks from Epidemic Sound:
– Rannar Sillard – Easy Target
– Jo Wandrini – Dragon King
– Farrell Wooten – Duels
– Andreas Jamsheree – Guilty Shadows 4
– Howard Harper-Barnes- Underlying Truth
– Johan Hynynen – Dark Beginning
– Gunnar Johnsen – Not Safe Yet
– Flouw – A Far Cry
– Brightarm Orchestra – On the Edge of Change

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 9, 2021

Leading the Resistance – WW2 – Gallery 03

World War Two
Published 8 Apr 2021

Under the violent occupation by Axis forces, dozens all over the globe resisted or took up arms to fight for the survival of their nation, ethnicity, ideology or ideals.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Spartacus Olsson and Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Mikołaj Uchman
Dememorabilia – https://www.instagram.com/dememorabilia/​

Sources:
Marxist Internet Archive
Picture of Tito during a Partisan gathering, courtesy of Музеј Старе Херцеговине
Yad Vashem 75FO4, 4613/899, 4248/20, 1605/91
Bundesarchiv
USHMM
IWM NA 15129

Soundtracks from the Epidemic Sound:
Phoenix Tail – “At the Front”
Reynard Seidel – “Deflection”
Hakan Eriksson – “Epic Adventure Theme 4”
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Howard Harper-Barnes – “London”
Rannar Sillard – “March Of The Brave 10”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

April 7, 2021

Hitler and Stalin’s Child Soldiers: The Hitler Youth and KOMSOMOL – WW2 – On the Homefront 008

Filed under: Germany, History, Italy, Military, Russia, WW2 — Tags: , , , , — Nicholas @ 04:00

World War Two
Published 6 Apr 2021

Patriotism and war enthusiasm sweeps through the totalitarian countries in the run-up to the Second World War. This doesn’t leave out children either, who are supposed to become the prime soldiers of the future.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Anna Deinhard
Written by: Fiona Rachel & Spartacus Olsson
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Fiona Rachel
Edited by: Karolina Dołega
Sound design: Marek Kamiński

Colorizations by:
– Mikołaj Uchman
– Daniel Weiss

Sources:
– Bundesarchiv
– Library of Congress
– RIAN NOVOSTI: 25358
– Narodowe Archiwum Cyfrowe NAC
– Yad Vashem: 6884/13, 6884/14, 6884/5
– National Archives NARA
– Picture of Boy Scouts at a Campsite courtesy of Springfield College, Archives and Special Collections
– English children at school in 1920s courtesy of pellethepoet from Flickr – https://tinyurl.com/yerg47hn​
– Fortepan: 5660, 1371, 32045, 55755,
– Picture of the League of German Girls with children courtesy of Facing History and Ourselves & Hoover Institution Archives – https://tinyurl.com/yzrfozas

Soundtracks from Epidemic Sounds:
– “The Inspector 4” – Johannes Bornlöf|
– “Weapon of Choice” – Fabien Tell
– “Remembrance” – Fabien Tell
– “Moving to Disturbia” – Experia
– “Break Free” – Fabien Tell

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
3 hours ago (edited)
When thinking of people who have been affected by the horrors of war, children are not usually the first group to pop into one’s mind. Of course, fathers away at the front and wartime propaganda bring the war closer to children’s homes, but with state-controlled youth organizations in totalitarian countries, we have yet another topic at our hands, how the war crept into children’s lives. Even though with the end of the war this dark chapter of youth movements in Europe mostly got to an end, clubs and associations are still an important part of youth culture to network and emancipate oneself. Have you been part of a club or other youth organizations in your childhood? Please let us know in the comments.

Cheers, Fiona

April 4, 2021

The Carpet Bombing of Germany begins – WW2 – 136 – April 3, 1942

World War Two
Published 3 Apr 2021

Britain’s campaign to firebomb the old towns of Germany where civilians reside begins in earnest this week. The British also destroy the port at St. Nazaire in commando action. In the Indian Ocean, however, they are avoiding contact with the Japanese, even while on land the Japanese advance in both Burma and New Guinea.

Check out Indy’s Tie Barn to get your own tie right here: https://www.youtube.com/c/IndysTieBar…

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Written and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Iryna Dulka
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
– Daniel Weiss
– Carlos Ortega Pereira, BlauColorizations – https://www.instagram.com/blaucolorizations
– Election1960 from Wiki Commons

Sources:
– Bundesarchiv – 101II-MW-3722-03
– IWM C 2351, A 11787, H_018753_1, R 1827

Soundtracks from the Epidemic Sound:
– Rannar Sillard – “Easy Target”
– Edward Karl Hanson – “Spellbound”
– Phoenix Tail – “At the Front”
– Jo Wandrini – “Dragon King”
– Phoenix Tail – “Last Minute Reaction”
– Craft Case – “Secret Cargo”
– Fabien Tell – “Last Point of Safe Return”
– Howard Harper-Barnes – “Underlying Truth”
– Flouw – “A Far Cry”
– Fabien Tell – “Break Free”
– Wendel Scherer – “Time to Face Them”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

German railway logistical problems after Operation Barbarossa began

Filed under: Europe, Germany, History, Military, Railways, Russia, WW2 — Tags: , , — Nicholas @ 03:00

I was involved in a discussion on the TimeGhost Army forum on the reasons the Wehrmacht didn’t get as much use out of the existing Soviet railway system to support their forces. I ended up writing enough that I thought it’d be worth pulling together into a blog post. The original question was why didn’t the Germans build new rail lines in Poland to the Russian gauge — which was different enough from the standard 4′ 8 1/2″ gauge used in most of the rest of Europe to help supply their armies.

Example of the damage to Soviet railway lines conducted during the Soviet retreat in 1941.
This photo originally from Wydawnictwo Prasowe Kraków-Warszawa via Wikimedia Commons.

In Christian Wolmar’s Engines of War: How Wars Were Won and Lost on the Railways, he outlines the troubles the Germans faced after launching Operation Barbarossa with regard to logistics on the railway network. Each of the main Germany axes of advance had only one Soviet rail line to provide the bulk of the transport, but the Soviets had successfully withdrawn or destroyed the majority of the locomotives and rolling stock. German industry could have been assigned the task of producing new locomotives to fit the Russian gauge, but re-gauging the existing track was significantly faster.

This meant a significant labour requirement to unload incoming German trains at the furthest point of conversion and re-loading onto the few Russian trains that were able to be put back into service. This was a major task for the German army even before Partisan activity began in earnest. The available coal to fuel the engines in Russia was of inferior thermal quality to the coal the German locomotives were designed to use, so in addition to all the military supplies that had to be carried, the Germans also had to supplement the Russian coal with significant amounts of better coal from elsewhere in Europe.

The next problem didn’t show up until late in 1941, but it was the same problem the fighting troops had to contend with: the Russian winter. Russian railway locomotives were engineered to operate throughout the year, but German locomotives almost never faced the low temperatures that happen in Russia, so any German locomotive allowed to freeze was almost certainly lost to permanent mechanical failure (the locomotive’s entire boiler would need to be replaced, which was not a repair that could be made in the field).

Compounding the problems for the Germany railway troops was that the military planners failed to give the railway troops any priority for supplies and reinforcements, which meant that the higher priority troops (the front-line soldiers) often had to wait longer and/or receive less because the railways weren’t able to repair damaged track or rolling stock or increase the speed of re-gauging the Russian railways.

Somone agreed that these were significant problems for the Wehrmacht, but weren’t they at least somewhat taken into consideration in the planning process:

You’re quite correct that the military planners must have been aware of these issues and a rational army staff would have taken them fully into account in their war plans. It’s possible that they expected to capture a much larger proportion of the Russian locomotives and rolling stock in the initial attacks, but they should have made contingency plans that didn’t absolutely depend on all of them falling into German hands … which is what appears to have been their “plan”.

I agree that it would have been a sensible thing to take into consideration that even if everything went off perfectly – and it never does in wartime – large parts of the German military were going to be staying in Russia for a very long time. Russian winter is, thanks to the historical experiences of Charles XII and Napoleon, proverbial. Hitler’s interventions in the planning process can only account for so much of the irrational optimism: the rest is clearly staff failure at many different levels.

Historical changes of gauge in peacetime have been achieved in amazingly short periods of time … but that was with the advantage of advance planning and having vast numbers of workers available on a tight timetable to get it done. My personal sense (not derived from Christian Wolmar’s book) is that the German military as a whole put too much emphasis on the “teeth” and no where near enough on the “tail” for anything other than a “short, victorious war”.

Railways in North America had certainly tried to adopt as many mechanical aids to track maintenance as they could afford, but I’m not sure if that was equally true of European railways at that time. I recall watching a late 1940s promotional film by one of the “Big Four” British railways showing the innovative way they were now doing track work, and even with some quite modern mechanical aids, there were still dozens of workers clustered around the work (in that time period, not wearing any of what we’d now consider essential safety gear), because labour was still relatively cheap and plentiful.

[…]

There’s a hoary old saying about amateurs plan strategy, but professionals plan logistics. Despite having the benefit of basically inventing the modern military staff system, German plans in WW2 appear in hindsight to be very amateurish once you get to the strategic scale. […] Given the constraints, I think the Germans did far better than they should have done to get as close to Moscow as they did. […] Human psychology plays a large part in explaining both the Germans’ incredible over-confidence (what the Japanese termed “Victory disease”) and Stalin’s willing self-delusion that the Germans wouldn’t attack him while his forces weren’t ready.

April 2, 2021

Victory at any Cost? – Allied Censorship – WW2 Special

Filed under: Britain, History, Military, USA, WW2 — Tags: , , — Nicholas @ 04:00

World War Two
Published 1 Apr 2021

Censorship was not just a practice in totalitarian regimes. During World War Two, democratic liberties in Allied countries often clashed with propaganda and restrictions of the press.

Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tv

Follow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sources

Hosted by: Spartacus Olsson
Written by: Joram Appel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Joram Appel
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory​)

Colorizations by:
Adrien Fillon – https://www.instagram.com/adrien.colo…​

Sources:
Dutch National Archives
IWM D 20472
Bundesarchiv
from the Noun Project: Map by BaristaIcon, strategy by Fran Couto, weather by Yoyon Pujiyono, building by Made, Government by lathiif studio, documents by Geovani Almeid, Pen by Caesar Rizky Kurniawan
The True Cost of Petrol, courtesy of www.mirrorpix.com

Soundtracks from the Epidemic Sound:
Johannes Bornlof – “The Inspector 4”
Fabien Tell – “Last Point of Safe Return”
Johan Hynynen – “Dark Beginning”
Reynard Seidel – “Deflection”
Phoenix Tail – “At the Front”
Johannes Bornlof – “Deviation In Time”
Max Anson – “Maze Heist”
Wendel Scherer – “Out the Window”

Archive by Screenocean/Reuters https://www.screenocean.com​.

A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.

From the comments:

World War Two
2 days ago
Censorship is a phenomenon of all ages. Those in power sometimes don’t want certain voices to be heard for a variety of reasons. While this episode is about political and military censorship, we ourselves are still dealing with another kind of censorship today. Economic, political and PR reasons to demonetize or age-restrict our videos are being conflated with “safety” and “harm” of “certain audiences”. We adamantly object to the restriction of fact-based history for the sake of business and public image. This is why it’s so important that we’re able to remain independent. We have full editorial control of our content, and we won’t surrender our mission to publish factual, unbiased and unsanitized documentaries. Our TimeGhost Army is the main reason why we have been able to remain independent and unwavering. Join the TGA at www.patreon.com/timeghosthistory or https://timeghost.tv

Cheers,
Joram

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