infinit888
Published on 13 May 2008Mainstream media seems to be only pushing the story about an oppressed Tibet and referring to the Dalai Lama as a saint.
This is a compilation of clips from Penn & Teller’s Bullshit! “Holier Than Thou” speaking about Tibet and the Dalai Lama.
April 11, 2018
Penn & Teller: Dalai Lama and Tibet
QotD: Wealth hath its (social) privileges
Rich people — left, right, center — think what they have to say is interesting because they get used to people treating them that way.
Ramesh Ponnuru, Twitter, 2016-07-21.
April 10, 2018
New Year’s Day in 2019 will be a big day for works finally entering public domain
The US government messed around with the copyright laws so that from 1998 until the end of this year, very little material was allowed to slip out of copyright protection and into the public domain. (Many people point their fingers at the Disney corporate lawyers and their pliable friends in Washington DC for this oddity.) In The Atlantic, Glenn Fleishman explains some of the legal issues that will finally begin to allow works to enter public domain status in the US normally next year:
The Great American Novel enters the public domain on January 1, 2019 — quite literally. Not the concept, but the book by William Carlos Williams. It will be joined by hundreds of thousands of other books, musical scores, and films first published in the United States during 1923. It’s the first time since 1998 for a mass shift to the public domain of material protected under copyright. It’s also the beginning of a new annual tradition: For several decades from 2019 onward, each New Year’s Day will unleash a full year’s worth of works published 95 years earlier.
This coming January, Charlie Chaplin’s film The Pilgrim and Cecil B. DeMille’s The 10 Commandments will slip the shackles of ownership, allowing any individual or company to release them freely, mash them up with other work, or sell them with no restriction. This will be true also for some compositions by Bela Bartok, Aldous Huxley’s Antic Hay, Winston Churchill’s The World Crisis, Carl Sandburg’s Rootabaga Pigeons, e.e. cummings’s Tulips and Chimneys, Noël Coward’s London Calling! musical, Edith Wharton’s A Son at the Front, many stories by P.G. Wodehouse, and hosts upon hosts of forgotten works, according to research by the Duke University School of Law’s Center for the Study of the Public Domain.
Throughout the 20th century, changes in copyright law led to longer periods of protection for works that had been created decades earlier, which altered a pattern of relatively brief copyright protection that dates back to the founding of the nation. This came from two separate impetuses. First, the United States had long stood alone in defining copyright as a fixed period of time instead of using an author’s life plus a certain number of years following it, which most of the world had agreed to in 1886. Second, the ever-increasing value of intellectual property could be exploited with a longer term.
Here’s a graphical representation of how the copyright laws interact with Amazon’s ability/interest in stocking or otherwise making available older still-in-copyright works (graphic from 2015):
So, what’s the Disney connection?
The details of copyright law get complicated fast, but they date back to the original grant in the Constitution that gives Congress the right to bestow exclusive rights to a creator for “limited times.” In the first copyright act in 1790, that was 14 years, with the option to apply for an automatically granted 14-year renewal. By 1909, both terms had grown to 28 years. In 1976, the law was radically changed to harmonize with the Berne Convention, an international agreement originally signed in 1886. This switched expiration to an author’s life plus 50 years. In 1998, an act named for Sonny Bono, recently deceased and a defender of Hollywood’s expansive rights, bumped that to 70 years.
The Sonny Bono Act was widely seen as a way to keep Disney’s Steamboat Willie from slipping into the public domain, which would allow that first appearance of Mickey Mouse in 1928 from being freely copied and distributed. By tweaking the law, Mickey got another 20-year reprieve. When that expires, Steamboat Willie can be given away, sold, remixed, turned pornographic, or anything else. (Mickey himself doesn’t lose protection as such, but his graphical appearance, his dialog, and any specific behavior in Steamboat Willie — his character traits — become likewise freely available. This was decided in a case involving Sherlock Holmes in 2014.)
The reason that New Year’s Day 2019 has special significance arises from the 1976 changes in copyright law’s retroactive extensions. First, the 1976 law extended the 56-year period (28 plus an equal renewal) to 75 years. That meant work through 1922 was protected until 1998. Then, in 1998, the Sonny Bono Act also fixed a period of 95 years for anything placed under copyright from 1923 to 1977, after which the measure isn’t fixed, but based on when an author perishes. Hence the long gap from 1998 until now, and why the drought’s about to end.
April 6, 2018
Kevin Williamson fired for expressing a view shared by at least 40% of Americans
Katherine Mangu-Ward responds to Williamson’s short tenure at The Atlantic after they found themselves shocked and horrified when it was discovered that he really was an outspoken anti-abortion conservative:
Williamson expressed the view that abortion is murder and should be punished to the full extent of the law (although he also later indicated that he has mixed feelings about capital punishment). I do not share his view. But by declaring Williamson to be outside the Overton window of acceptable political discourse because he believes strongly that abortion is a serious, punishable crime, The Atlantic is essentially declaring that it cannot stomach real, mainstream conservatism as it actually exists in 21st century America.
Williamson uses colorful and sometimes rash language. He didn’t have to detail the grisly form of punishment he would inflict on women who decide to terminate their pregnancies. He chose to do so because he enjoys provoking a reaction. But The Atlantic knew that about him before it hired him.
[…]
It is, of course, the perfect right of The Atlantic‘s editors to publish whomever they wish. Reason staffers are all libertarian, under a big-tent understanding of that term (not to brag, but we are repping the pro-life view). That’s written into our mission as a magazine. But if The Atlantic purports to capture a broad spectrum of American political views, Williamson’s firing is a sign that it hasn’t yet figured out how to do so. And the reader outcry against him (and his rightish heterodox kinfolk at The New York Times) is a sign of a market that has grown increasingly squeamish about a genuinely inclusive journalistic vision.
I have personally been the beneficiary of this doublethink on ideological diversity for years. When institutions recognize the need to have a nonliberal somewhere in their midst, they look across the landscape and discover that the closest thing to conservatism that they can tolerate is a relatively mild-mannered, young(ish), female, pro-choice libertarian. Which is to say, not a conservative at all.
The Atlantic publishes lots of interesting heterodox voices, of course. And I’d like to think I do provide ideological diversity in situations where I’ve been called in. But putting me on a panel is not nearly the same thing as giving the conservative side of the American political spectrum a hearing.
April 5, 2018
Mark Steyn on the YouTube shooting in San Bruno
The shooting at the YouTube offices in San Bruno, California may not be in the headlines for long, as the story is so off-beat compared to other recent events that it doesn’t easily fit the model the media prefers for reporting gun crime (or high tech stories). Mark Steyn calls it the “grand convergence”:
The San Bruno attack also underlines a point I’ve been making for over a decade, ever since my troubles with Canada’s “human rights” commissions: “Hate speech” doesn’t lead to violence so much as restraints on so-called “hate speech” do – because, when you tell someone you can’t say that, there’s nothing left for him to do but open fire or plant his bomb. Restricting speech – or even being perceived to be restricting speech – incentivizes violence as the only alternative. As you’ll notice in YouTube comments, I’m often derided as a pansy fag loser by the likes of ShitlordWarrior473 for sitting around talking about immigration policy as opposed to getting out in the street and taking direct action. In a culture ever more inimical to freedom of expression, there’ll be more of that: The less you’re permitted to say, the more violence there will be.
Google/YouTube and Facebook do not, of course, make laws, but their algorithms have more real-world impact than most legislation – and, having started out as more or less even-handed free-for-alls, they somehow thought it was a great idea to give the impression that they’re increasingly happy to assist the likes of Angela Merkel and Theresa May as arbiters of approved public discourse. Facebook, for example, recently adjusted its algorithm, and by that mere tweak deprived Breitbart of 90 per cent of its ad revenue. That’s their right, but it may not have been a prudent idea to reveal how easily they can do that to you.
What happened yesterday is a remarkable convergence of the spirits of the age: mass shootings, immigration, the Big Tech thought-police, the long reach of the Iranian Revolution, animal rights, vegan music videos… But in a more basic sense the horror in San Bruno was a sudden meeting of two worlds hitherto assumed to be hermetically sealed from each other: the cool, dispassionate, dehumanized, algorithmic hum of High Tech – and the raw, primal, murderous rage breaking through from those on the receiving end.
April 4, 2018
The bias against reporting good news
Last month, Matt Ridley looked at the contrast between how readily bad news is shared and how reluctant we seem to be to share good news:
[…] It also feeds our appetite for bad news rather than good. Almost by definition, bad news is sudden while good news is gradual and therefore less newsworthy. Things blow up, melt down, erupt or crash; there are few good-news equivalents. If a country, a policy or a company starts to do well it soon drops out of the news.
This distorts our view of the world. Two years ago a group of Dutch researchers asked 26,492 people in 24 countries a simple question: over the past 20 years, has the proportion of the world population that lives in extreme poverty
1) Increased by 50 per cent?
2) Increased by 25 per cent?
3) Stayed the same?
4) Decreased by 25 per cent?
5) Decreased by 50 per cent?
Only 1 per cent got the answer right, which was that it had decreased by 50 per cent. The United Nations’ Millennium Development goal of halving global poverty by 2015 was met five years early.
As the late Swedish statistician Hans Rosling pointed out with a similar survey, this suggests people know less about the human world than chimpanzees do, because if you had written those five options on five bananas and thrown them to a chimp, it would have a 20 per cent chance of picking up the right banana. A random guess would do 20 times as well as a human. As the historian of science Daniel Boorstin once put it: “The greatest obstacle to discovery is not ignorance — it is the illusion of knowledge.”
Nobody likes telling you the good news. Poverty and hunger are the business Oxfam is in, but has it shouted the global poverty statistics from the rooftops? Hardly. It has switched its focus to inequality. When The Lancet published a study in 2010 showing global maternal mortality falling, advocates for women’s health tried to pressure it into delaying publication “fearing that good news would detract from the urgency of their cause”, The New York Times reported. The announcement by NASA in 2016 that plant life is covering more and more of the planet as a result of carbon dioxide emissions was handled like radioactivity by most environmental reporters.
What is more, the bias against good news in the media seems to be getting worse. In 2011 the American academic Kalev Leetaru employed a computer to do “sentiment mining” on certain news outlets over 30 years: counting the number of positive versus negative words. He found “a steady, near linear, march towards negativity”. A recent Harvard study found that 87 per cent of the coverage of the fitness for office of both candidates in the 2016 US presidential election was negative. During the first 100 days of Donald Trump’s presidency, 80 per cent of all coverage was negative. He is of course a master of the art of playing upon people’s pessimism.
March 29, 2018
March 27, 2018
Stereotype duel – Boomers versus Millennials
In the latest Libertarian Enterprise, Sarah Hoyt discusses the long-term damage the Boomers have done to the Millennials:
I’m highly amused that the boomers, possibly the most media-stereotyped generation in history, where the decent members keep telling us they’re not like the lunatics who protested, shut down universities and joined sex communes to share medieval-like diseases from never bathing, are the ones most stereotyping the millennials, according to how the media portrays the millennials.
As some millennial readers here have said, and as I know from my circle, most millennials aren’t like the lazy, game addicted creatures who preach socialism at everyone that the media shows you. Most millennials I know were raised under the spur of boomer teachers who — sorry guys — really are stereotypical in “challenge all authority except mine!
Yes a lot of millennials got lost along the way, and yes, I know my share of millennials drifting through life with no aim, no job, no training, nothing.
But do consider these kids were assured from their youngest age that they were surplus (there are too many humans. I mean they tried to force both of my kids to sign a no-reproduction agreement); that there is nothing they can do (capitalism is inherently unjust, and we’re all ruled by corporations and big, shadowy forces); that no one cares about them (blood for oil; the only reason guns aren’t banned is because people want you to get shot); that their future is poorer and any children they have will be condemned to hell on Earth (we’re running out of oil, water (according to my kids’ teachers), glass (also according to my kids’ teachers) and anything else you can think of (including some things you can’t), there is no future for humanity (global warming is going to kill us all.)
The amazing thing is not that some millennials drift through life with no aim and no plan. Who cares, if it’s all going to end, anyway.
I’m fairly sure they resemble nothing so much as the generation that grew up in the shadow of the year 1000, except without the religious portion, since the prophecies that depress them pretend not to be religious. And yet, anyone who has seen a millennial white male talk about how he’s guilty of all the evils in the world and how he will never be clean of white privilege knows EXACTLY what the flagellants looked like.
Put yourself in their place. The kids who swallowed the gospel of human guilt for everything and in particular the gospel that the West is particularly evil and that the end is nigh and inevitable aren’t getting up and building. I’m shocked, aren’t you shocked?
The brighter they are, too, the easier it is for them to swallow that gospel, because it’s easier for smart people to become attracted by internally consistent systems even if (particularly if) they have no contact with the outside world.
Again, these aren’t all the millennials, just like the toking, commune dwelling lot weren’t all of the boomers.
But they are a significant portion, and in some way they might be the portion that would have been most dedicated/creative.
So, what can be done?
History Buffs: Tora! Tora! Tora!
History Buffs
Published on 21 Jun 2017Tora! Tora! Tora! is a 1970 Japanese-American historical war film that dramatizes the Japanese attack on Pearl Harbor in 1941. The film was directed by Richard Fleischer, Toshio Masuda and Kinji Fukasaku and stars an ensemble cast, including Martin Balsam, Joseph Cotten, Sō Yamamura, E. G. Marshall, James Whitmore and Jason Robards. The title is the Japanese codeword used to indicate that complete surprise had been achieved. “Tora” means “tiger” in Japanese.
Cynical Historian: Pearl Harbor review – https://www.youtube.com/watch?v=oUlwDDeAQNE
March 26, 2018
March 24, 2018
QotD: Joining “The Firm”
Personally I think Meghan Markle would be a catastrophic addition to The Firm if she does not understand why it is a terrible idea for the Royals to get political. Do that and they stop being symbols (essentially endearing living flags whose job is to wave strangely and act as a navigational datum for flypasts) and become legitimate political targets. There is no surer route to a republic and I would regret that (as I do not share Spiked’s democracy fetish) but not necessarily oppose it if the House of Windsor does indeed go full retard.
Perry de Havilland, “Samizdata quote of the day”, Samizdata, 2018-03-01.
March 23, 2018
Who’s gaslighting who?
Nick Gillespie on the gaslighting of America:
The election of Donald Trump hasn’t just brought a poorly mannered reality TV star into the Oval Office and our newsfeeds. It has also popularized the concept of gaslighting, or tricking rational people into thinking they’re insane. The phrase is a reference to a 1944 movie in which Charles Boyer tries to convince his young bride, played by Ingrid Bergman, that she’s nuts so he can cover up a murder and search for jewels hidden in the house they share (the house’s gas lamps flicker due to Boyer’s late-night searches, hence the title).
Go Google “Donald Trump is gaslighting America” and you’ll find a constantly growing list of stories from outlets ranging from CNN to Teen Vogue to Vanity Fair to Refinery 29. The common thread is some variation on the theme that Trump’s brazen lies, misstatements, and rhetorical sleights of hand are designed to drive us all batshit crazy by contradicting what we plainly see happening to the United States of America. At rock bottom, Trump’s detractors believe there is simply no way that he could have legitimately won the 2016 election, especially against Hillary Clinton, of whom President Obama said, “I don’t think that there’s ever been someone so qualified to hold this office.”
Yet it’s not Donald Trump who is gaslighting us, but Hillary Clinton, whose complete and utter refusal to take responsibility for her loss is at the heart of what’s so weird about contemporary America. You read it here first: Trump is the effect and not the cause of the ongoing mudslide that is the daily news. Ever since about 11 p.m. ET on November 8, 2016, Clinton and her allies in the media have worked overtime to provide increasingly fanciful explanations for her failure to beat the least-credible candidate ever in American history. Sometimes the apologias are conscious, sometimes not, but nobody really wants to accept what happened (in fact, even Trump himself couldn’t believe it for a while, which helps explain why his transition was so incompetent). The result is a non-stop barrage of stories, some more credible than others, that Trump’s win was the result of some sort of sinister machination that has undermined our democracy. Following from this interpretation every aspect of his behavior, from his bro-ing out with Vladimir Putin to his indifferent spelling and capitalization while tweeting, is just one more sign that we are living in a world gone stark, raving mad.
To be fair, Trump trades in delusion, such as his insistence that violent crime is at or near all-time highs, that massive voter fraud was the only reason he lost the popular vote, and that his inauguration was the most-viewed ever. These sorts of patently false statements do indeed constitute attempts at gaslighting. So, too, do his unconvincing denials about a sexual relationship with the porn star known as Stormy Daniels, his doctor’s statement that he only weighs 239 lbs. (giving rise to the “Girther” movement), and his fanciful stories about how Japanese car makers use bowling balls in quality-assurance tests. Against such a backdrop, even the president’s so-far-not-contradicted denial that his campaign colluded with Russia seems like a form of gaslighting. In fact, everything he says seems like it’s intended to drive us insane or at least seriously question basic reality.





