History With Hilbert
Published on 26 Sep 2017A beginner’s guide to the politics of Dark Age Britain, from the southern Celts to the Anglo-Saxon kingdoms and the Pictish north.
May 20, 2019
A Guide to Dark Age British Politics
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May 19, 2019
The German Breakthrough in the West – WW2 – 038 – May 18 1940
World War Two
Published on 18 May 2019The German invasion of Western Europe has been going for over a week now, and the Neutral and Allied countries are in disarray. The Netherlands, despite putting up fierce resistance on some occasions, faces overwhelming powers while Belgium, France and the British feel the pressure from an organised and armoured assault from the Ardennes. And still, the German tanks, soldiers and aircraft are not all the Allies have to fear, as many of their losses are caused by their own command.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
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Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
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– © IWM (C 1666)A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
This is the longest weekly episode of our World War Two series to this date, and boy are we proud. We made sure to make this the absolute best it could possibly be. After last week’s episode of WW2, it was hard to imagine that Eastory could surpass his efforts for that episode anytime soon, but it took him one week. Iryna, our editor in Warsaw, did an amazing job with putting together this episode. We hope you like it as much as we do. Thanks for your ongoing support and if you don’t already, please consider supporting us on Patreon.By the way, we have an Instagram feed where we dedicate one post per day of the war, which allows us to give some topics a little more attention, like the invasion of the Netherlands. You can check them out here:
11 May 1940 – Germans attack Dutch positions on the Grebbeberg and the Grebbeline: https://www.instagram.com/p/BxVBQcwnHAs/
12 May 1940 – Three German Panzer divisions approach Sedan to Force a breakthrough into France: https://www.instagram.com/p/BxYS8XqHdTh/
13 May 1940 – The Battle of the Grebbeberg ends in a German victory, allowing them to push into Holland: https://www.instagram.com/p/Bxauq9HnqOW/
14 May 1940 – German bombers destroy the inner city of Rotterdam while peace talks are going on: https://www.instagram.com/p/Bxc7zreiXo8/
15 May 1940 – The French fight a successful but practically meaningless battle at Gembloux: https://www.instagram.com/p/BxfGP1qCzV9/
16 May 1940 – Guderian rapidly moves westward, showing the full potential of tank-warfare: https://www.instagram.com/p/BxhxvyDClbY/
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May 18, 2019
Tim Worstall lists the benefits of a hard Brexit
In the Continental Telegraph, Tim Worstall responds to a demand for a list of the benefits of a hard Brexit:
1) How will you protect UK business from dumping?
We won’t. The aim, purpose and intention of trade is to gain access to those things which Johnny Foreigner makes better, cheaper, faster – pick any two of three – than our own domestic producers do. Given that the aim of an economy is to make the people, consumers, as well off as the constraints of the real world allow, we wouldn’t protect domestic producers from anything. Shape up or go bust.
As even the Treasury’s briefing on the costs and benefits of Brexit said, competition from trade is exactly what incentivises domestic producers to become more productive.
So, we don’t protect from dumping and the people of Britain become richer. The problem with this is?
2) What will you do for those who lose their jobs because the businesses that employ them are undermined by WTO rules?
Exactly the same as we do for anyone else who loses their job for any other reason. The economy destroys some 10% of all jobs every year – some 3 million – and another 10% are generated newly as well. That’s just what labour market churn is. We have a welfare system for the interim and people who lose jobs because of Brexit or WTO do exactly as everyone else, get another job with the welfare state as the backstop.
And it’s important to note how new job creation works. It isn’t that we must plan what those jobs are before the old disappear. It’s the availability of the newly employable labour which generates the testing of what should be done next.
3) What will you do on the Northern Ireland border?
Lie.
We have pointed this out before:
Our answer should be “Yes.” We agree that we are leaving, that we have put in place that hard border. Then we do absolutely nothing above what we already do. People come and go as they wish, carrying what goods they can, and we do nothing. Except, as we already do, we keep an eye on those moving things on an industrial scale and have our little customs and tax chats with them away from that line on the map.
What other people wish to do on their side of that line is entirely up to them. We will do, as we’ve always done when in our right minds, what is useful and beneficial to us. It’s somewhat unfashionable these days to talk of the empire but it’s still true that we had it. Often because we’re rather good at this lying, cheating and dissembling. We should carry on. So, there’s the border, as it is today. And?
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6 Wartime Foods | British Pathé
British Pathé
Published on 20 Sep 2016BON APPETIT – FOOD MONTH ON BRITISH PATHÉ (SEPTEMBER 2016): 6 Wartime Foods.
War and postwar changed the perception of foods that we now may consider as ordinary and basic. Here is a list of 6 Wartime Foods.
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Music:
The Show Must Be Go (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
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Each month, a range of new uploads and playlists tell the story of a particular topic through archive footage. Let us know what themes you’d like to see by leaving us a comment or connecting with us on social media.BRITISH PATHÉ’S STORY
Before television, people came to movie theatres to watch the news. British Pathé was at the forefront of cinematic journalism, blending information with entertainment to popular effect. Over the course of a century, it documented everything from major armed conflicts and seismic political crises to the curious hobbies and eccentric lives of ordinary people. If it happened, British Pathé filmed it.Now considered to be the finest newsreel archive in the world, British Pathé is a treasure trove of 85,000 films unrivalled in their historical and cultural significance.
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British Pathé also represents the Reuters historical collection, which includes more than 120,000 items from the news agencies Gaumont Graphic (1910-1932), Empire News Bulletin (1926-1930), British Paramount (1931-1957), and Gaumont British (1934-1959), as well as Visnews content from 1957 to the end of 1979. All footage can be viewed on the British Pathé website.
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May 17, 2019
Was Shakespeare really an illiterate illegal immigrant disabled asexual woman of colour?
Oliver Kamm discusses the most recent “Was Shakespeare really …?” article, this one published in The Atlantic by Elizabeth Winkler:
This was long thought to be the only portrait of William Shakespeare that had any claim to have been painted from life, until another possible life portrait, the Cobbe portrait, was revealed in 2009. The portrait is known as the “Chandos portrait” after a previous owner, James Brydges, 1st Duke of Chandos. It was the first portrait to be acquired by the National Portrait Gallery in 1856. The artist may be by a painter called John Taylor who was an important member of the Painter-Stainers’ Company.
National Portrait Gallery image via Wikimedia Commons.
[Winkler] accuses what she calls orthodox Shakespeare scholars of “a dogmatism of their own” on the issue, whereby “even to dabble in authorship questions is considered a sign of bad faith, a blinkered failure to countenance genius in a glover’s son.” Armed with this tendentious premise, along with the less contentious one that Shakespeare depicts female characters with unrivalled sympathy and insight, Winkler spins a hypothesis that Emilia Bassano, born in London in 1569 to Venetian immigrants, is a viable candidate for the true author.
Even as I read Winkler’s piece, I expected a denouement that it was all a piece of fiction, analogous to the enjoyable 2009 caper St Trinian’s 2: The Legend of Fritton’s Gold, which ends with buried treasure under the Globe Theatre and the discovery of Shakespeare’s true identity. It never came. The article was presented as a serious contribution to a debate in which Winkler has made a potentially historic discovery.
In British newspapers, there is a longstanding technique of obscuring a paucity of evidence in support of a preposterous thesis by posing it as a question. It’s been dubbed by the political commentator John Rentoul “Questions to Which the Answer is No” (QTWAIN). Winkler’s article employs the stratagem liberally. “Was Shakespeare’s name useful camouflage, allowing [Bassano] to publish what she otherwise couldn’t?” “Could Bassano have contributed [to literature] even more widely and directly?” In a moment of self-knowledge, Winkler asks: “Was I getting carried away, reinventing Shakespeare in the image of our age?” Yet she immediately supplies not the correct answer but yet another QTWAIN: “Or was I seeing past gendered assumptions to the woman who — like Shakespeare’s heroines — had fashioned herself a clever disguise?”
Feminist readings of Shakespeare have enriched literary criticism and scholarship in, among other areas, reconsidering genre distinctions and examining the effects of patriarchal structures on relations between the sexes. There is no decorous way of saying that Winkler’s article, by contrast, is a farrago that should never have been conceived, pitched, commissioned or published. Winkler credulously retails a series of purported mysteries about Shakespeare’s authorship that are no mystery at all, and repeats claims derived from Shakespeare denialists that any capable scholar would have been able to correct. She places particular stress on the work of a “meticulous scholar” Diana Price, who claims: “Writers in Elizabethan and Jacobean England left behind records of their professional activities. Shakespeare left behind documentation of his professional activities, but none is literary… He is the only alleged [emphasis added] writer of any consequence from the time period who left behind no personal evidence of his career as a professional writer.”
Price is neither meticulous nor a scholar (she designates herself “an independent scholar,” which should have caused Winkler greater wariness). As Alan Nelson of Berkeley University has put it, Price knows how to put a sentence together but she doesn’t know how to put an argument together.
We in fact have unimpeachable evidence of Shakespeare’s activities as a writer, far more than we do for, say, his fellow-dramatists John Webster or Cyril Tourneur, but by a series of rhetorical sleights-of-hand Price rules it all inadmissible. To give a single but weighty example: Shakespeare’s fellow actors John Heminge and Henry Condell assembled the First Folio of Shakespeare’s works, published in 1623, with Shakespeare’s name on the title page and his engraved image in the frontispiece, and with a laudatory poem by Ben Jonson referring to the author as “Sweet Swan of Avon.” Price dismisses this as evidence of authorship because it’s posthumous, coming seven years after Shakespeare’s death, even though the planning and publishing of the book must have taken years, and Heminge, Condell and Jonson all knew Shakespeare personally. This isn’t scholarship but sophistry.
A noteworthy example of Betteridge’s Law of Headlines. (As is, of course, the headline on this post.)
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May 16, 2019
Boys Anti-Tank Rifle: Mk I and Mk I* Improvements
Forgotten Weapons
Published on 11 Apr 2019These rifles are lots #1087 and #1088 at Morphy’s April 2019 auction:
https://www.forgottenweapons.com/boys…The Boys Anti-Tank Rifle was adopted by the British military in 1937, and remained in production until 1943 when it was replaced by the PIAT. During that time more than 114,000 were made, both in the UK and in Canada. Canadian engineers at the John Inglis company devised a number of improvements to the rifle in 1942, which were adopted as the Mk I* pattern that year. Today we are looking at these improvements with examples of each type side by side. They are a new style of muzzle brake, simplified rear sight, and improved bipod design.
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May 15, 2019
1984 – Dystopias and Apocalypses – Extra Sci Fi
Extra Credits
Published on 14 May 2019What makes 1984 still relevant to modern readers is that it serves as a warning against fascism in all its possible forms. George Orwell’s service fighting in the Spanish Civil War led him to see that the heart of totalitarianism is about xenophobia and nationalism no matter which kind of government it came from.
The idea that Orwell presents us in 1984 is that people subtle enough and brutal enough can take the undirected dissatisfaction and anger of a society and point it at whatever they will, using us to damn ourselves.
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Modern architecture as a generations-long art crime spree
Theodore Dalrymple is clearly quite a fan of Making Dystopia: The Strange Rise and Survival of Architectural Barbarism by James Stevens Curl, as this is at least the third review of the book I’ve seen by him (and you can probably tell I agree with much of his viewpoint that I’m blogging it yet again…)
In a recent debate in Prospect magazine on the question of whether modern architecture has ruined British towns and cities, Professor James Stevens Curl, one of Britain’s most distinguished architectural historians, wrote as his opening salvo:
Visitors to these islands who have eyes to see will observe that there is hardly a town or city that has not had its streets — and skyline — wrecked by insensitive, crude, post-1945 additions which ignore established geometries, urban grain, scale, materials, and emphases.
This is so self-evidently true that I find it hard to understand how anyone could deny it, but modern architects and hangers-on such as architectural journalists do deny it, like war criminals who, for obvious reasons, continue to deny their crimes in the face of overwhelming evidence.
This is true not only of Britain but of many, perhaps most, other countries that have or had any towns or cities to ruin. Anyone who rides into the center of Paris from Charles de Gaulle Airport, for example, will be appalled at the modernist visual hell that scours his eyes as he goes.
Nor is this visual hell the consequence of the need to build cheaply. Where money is no object, contemporary architects, like the sleep of reason in Goya’s etching, bring forth monsters. The Tour Montparnasse (said to be the most hated building in Paris), the Centre Pompidou, the Opéra Bastille, the Musée du quai Branly, the new Philharmonie, do not owe their preternatural ugliness to lack of funds, but rather to the incapacity, one might say the ferocious unwillingness, of architects to build anything beautiful, and to their determination to leave their mark on the city as a dog leaves its mark on a tree.
Professor Curl’s magnum opus is both scholarly and polemical. He has been observing the onward march of modernism and its effects for sixty years and is justifiably outraged by it. British architects have managed to reverse the terms of the anarchist Bakunin’s dictum that the urge to destroy is also a creative urge: Their urge to create is also a destructive urge. I could give many concrete examples (no pun intended).
Philharmonie at the Parc de la Villette, Paris.
Photo by Zairon via Wikimedia Commons.
Curl knows that he is arguing not against an aesthetic, but against an ironclad ideology. The architectural Leninists have been determined so to indoctrinate the public that they hope and expect a generation will grow up knowing nothing but modernism, and therefore will be unable to judge it. (All judgment is comparative, as Doctor Johnson said.) In Paris recently, I saw an advertisement on the Métro (a few days before the fire in Notre-Dame) to the effect that Paris would not be Paris without the Centre Pompidou — which, of course, has a good claim to be the ugliest building in the world. In the face of such an advertisement promoted by the cultural elite, what ordinary person would dare demur?
Centre Georges-Pompidou (no, this isn’t an under construction image … it’s from 2017 and the construction was technically complete in 1977)
Gerd Eichmann photo via Wikimedia Commons.
Could anyone imagine a worldwide outpouring of genuine and heartfelt grief, such as that which greeted the burning of Notre-Dame de Paris, if any building of the last seventy years burnt down? Indeed, the destruction of many would be a cause almost for rejoicing. Modernist buildings will never age as Notre-Dame aged; they will merely deteriorate, and usually do deteriorate even before completion.
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May 14, 2019
The Broad Fourteens – Royal Navy Motor Torpedo Boats In WWII
PeriscopeFilm
Published on 20 Sep 2017Support Our Channel : https://www.patreon.com/PeriscopeFilm
Made in 1945, THE BROAD FOURTEENS is one of the excellent, dramatized accounts of WWII made by the Ministry of Information for morale purposes. The film shows the first posting, and eventual first action, of a newly-trained motor torpedo boat (MTB) crew. (‘The Broad Fourteens’ is the name given to a patrol area of the North Sea off the Dutch coast.) The film joins the boat and crew at the end of their training (probably HMS Bee, the Coastal Force working up base at Weymouth). The boats featured include 70’ Vosper 1942 class boats, 70’ British Power Boat motor gunboats and MTB 210 — a J Samuel White-built 70’ Vosper which later joined the 13th MTB Flotilla at Dover. The fictional MTB 181 is probably MTB 352, commanded by Lieutenant John M Moore RNVR which joined the 11th MTB Flotilla at Felixstowe after completing her work up. Also featured is MTB 354, commanded by Lieutenant Roland Plugge RN which was the SO’s boat, 5th MTB Flotilla, at Dover. The German flak trawler is in fact an RN Isles Class trawler standing in.
(0:48) Introduces the viewer to how the “broad fourteens” came to exist. Navy training is depicted (2:15). At the training commander’s office (2:25) the film shows the commander and the captain conversing about torpedo and battle experiences and strategies. [Note that they emphasize that Lieutenant Howard is Canadian, although clearly serving in the Royal Navy, as he doesn’t have a “Canada” patch on the shoulder of his uniform.] The crew is shown going through their regular activities. They discuss the previous battles as they are called together. The commander and the captain (5:10) discuss the boat’s impending departure. 5:40 shows the operational base as crews and the commander busily arrive the base. (6:48) operation room as a crew brings a report to the commander. The captain talks about his crew alongside another (7:28). At mark 8:00 the film shows the crew’s residential life. The crew are shown prepping for the first operation as their boats head offshore (9:15) and into the deep sea. The captain is shown calculating the boat’s navigation on his map (10:20). A communication link is established (11:18) and the captain discusses how much longer it is till they get to the operation site. Back at the base (12:20) the crews left converse. The crews are seen at the starmouth arms (14:30), they enjoyed listening to their music at (15:00). The crew takes care of their ship (16:05).
The commander converses with the captain (16:45). The crew are shown in their rooms (17:18). (17:27) is the Starmouth Arms where the crew talk among themselves. The Starmouth Arms manager receives a call which got all crews back to their base (18:40). The commander gives a report (19:20) on the mission and key targets. The meeting closes (20:00) as all crew member are set as they start their engine and move on (21:15). On the deep sea is the navigation map (21:50). At mark 22:20, the crews stops for awhile and takes a break. They move on (22:53). The key target is seen (23:10) and the troops get ready for firing. All crew on set as they wait on the captain to give the go ahead to shoot (23:50). The captain makes the key calculations as the crew stands by for the torpedo release. He gives the go (24:47) and the torpedo is launched out. The torpedo engages the target (25:06). Reports about the operation are documented (25:30) as they proceed to rendezvous point. Two German gun boats are sighted (25:47) as they appear and fire at the crew (26:03). Firing continues till 26:45. There is alarm about fire at the cargo base as a crew is injured (27:00). The fire is attended to as firing continues (27:50). The report about the casualty and the op is documented (28:30). Explosives are launched across the sea towards the enemy gun boats (29:15) as they cool down the heat on them.
Meanwhile back at the base, the film shows the commander (30:00) receiving a visit from his superior, who asks about the mission report as he looks towards the map (30:40). At the battle front, the captain asks about news on the gun boats (31:11) as his underlings all wait in anxiety. The gun boats are sighted (31:38) as they closes on fast towards the crew. At mark 31:53, they opened fire against the boat. A crew is hit (32:15). A gun boat comes in their rescue (33:00) and defeats the enemy boat. Gregory and Johnny are shown wounded. The gun boat (34:00) makes reports and request the course as they depart for home port.
This film is part of the Periscope Film LLC archive, one of the largest historic military, transportation, and aviation stock footage collections in the USA. Entirely film backed, this material is available for licensing in 24p HD, 2k and 4k. For more information visit http://www.PeriscopeFilm.com
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May 12, 2019
Hitler Strikes in the West – WW2 – 037 – May 11 1940
World War Two
Published on 11 May 2019As the Allied troops in central Norway are evacuated and the Norwegian troops there surrender to the Germans, the Allied position around Narvik is still quite strong. With the addition of roughly 5000 Polish soldiers, the French, British and Norwegian force will prove to be a formidable foe for the Germans up North. This week however, the war drastically changes as not three but four Neutral countries are invaded. The Phoney War is ultimately over.
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Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Produced and Directed by: Spartacus Olsson and Astrid Deinhard
Executive Producers: Bodo Rittenauer, Astrid Deinhard, Indy Neidell, Spartacus Olsson
Creative Producer: Joram Appel
Research by: Indy Neidell
Edited by: Ben Ollerenshaw and Wieke Kapteijns
Map animations: EastoryColorisations by Norman Stewart and Julius Jääskeläinen https://www.facebook.com/JJcolorization/
Sources: IWM (A 7644), IWM (A 7637), IWM HU 55505, Bundesarchiv, Photos from the Jonatan Myhre Barlien photo collection.
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Archive by Screenocean/Reuters https://www.screenocean.com.A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
The Phoney War is over. This is the week that many have been anxiously waiting for (how did they know something big was going to happen). We have some great episodes coming up, which are like this one only as great as they are because of the amazing effort that our team puts in creating them. As is very apparent in this episode, Eastory’s maps take these videos to the next level. Every week we’re stunned by his level of detail and the amazing value that is added by these maps. As the war enters a new phase, so do we. Next week will see the first of our roadtrip to France specials going live as well as the longest weekly episode we have written up until now.Cheers,
Joram
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QotD: The British Army between the wars
In the nineteenth century the British common soldier was usually a farm labourer or slum proletarian who had been driven into the army by brute starvation. He enlisted for a period of at least seven years – sometimes as much as twenty-one years – and he was inured to a barrack life of endless drilling, rigid and stupid discipline, and degrading physical punishments. It was virtually impossible for him to marry, and even after the extension of the franchise he lacked the right to vote. In Indian garrison towns he could kick the “niggers” with impunity, but at home he was hated or looked down upon by the ordinary population, except in wartime, when for brief periods he was discovered to be a hero. Obviously such a man had severed his links with his own class. He was essentially a mercenary, and his self-respect depended on his conception of himself not as a worker or a citizen but simply as a fighting animal.
Since the war the conditions of army life have improved and the conception of discipline has grown more intelligent, but the British army has retained its special characteristics – small size, voluntary enlistment, long service and emphasis on regimental loyalty. Every regiment has its own name (not merely a number, as in most armies), its history and relics, its special customs, traditions, etc., etc., thanks to which the whole army is honey-combed with snobberies which are almost unbelievable unless one has seen them at close quarters. Between the officers of a “smart” regiment and those of an ordinary infantry regiment, or still more a regiment of the Indian Army, there is a degree of jealousy almost amounting to a class difference. And there is no question that the long-term private soldier often identifies with his own regiment almost as closely as the officer does. The effect is to make the narrow “non-political” outlook of the mercenary come more easily to him. In addition, the fact that the British Army is rather heavily officered probably diminishes class friction and thus makes the lower ranks less accessible to “subversive” ideas.
But the thing which above all else forces a reactionary view-point on the common soldier is his service in overseas garrisons. An infantry regiment is usually quartered abroad for eighteen years consecutively, moving from place to place every four or five years, so that many soldiers serve their entire time in India, Africa, China, etc. They are only there to hold down a hostile population and the fact is brought home to them in unmistakeable ways. Relations with the “natives” are almost invariably bad, and the soldiers – not so much the officers as the men – are the obvious targets for anti-British feeling. Naturally they retaliate, and as a rule they develop an attitude towards the “niggers” which is far more brutal than that of the officials or business men. In Burma I was constantly struck by the fact that the common soldiers were the best-hated section of the white community, and, judged simply by their behaviour, they certainly deserved to be. Even as near home as Gibraltar they walk the streets with a swaggering air which is directed at the Spanish “natives.” And in practice some such attitude is absolutely necessary; you could not hold down a subject empire with troops infected by notions of class-solidarity. Most of the dirty work of the French empire, for instance, is done not by French conscripts but by illiterate Negroes and by the Foreign Legion, a corps of pure mercenaries.
To sum up: in spite of the technical advances which do not allow the professional officer to be quite such an idiot as he used to be, and in spite of the fact that the common soldier is now treated a little more like a human being, the British army remains essentially the same machine as it was fifty years ago.
George Orwell, “Democracy in the British Army”, Left, 1939-09.
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May 10, 2019
Operation Pedestal: The Convoy That Saved Malta
Historigraph
Published on 6 Apr 2019If you enjoyed this video and want to see more made, consider supporting my efforts on Patreon: https://www.patreon.com/historigraph
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#OperationPedestal #Historigraph
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Jonathan Dimbleby, The Battle of the Atlantic.
Correlli Barnett, Engage the Enemy More Closely
James Holland, The War In the West Volume 2
naval-history.netMusic:
“Rynos Theme” Kevin MacLeod (incompetech.com)
Licensed under Creative Commons: By Attribution 3.0 License
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May 9, 2019
QotD: Respect for the law
Here one comes upon an all-important English trait: the respect for constitutionalism and legality, the belief in “the law” as something above the State and above the individual, something which is cruel and stupid, of course, but at any rate incorruptible.
It is not that anyone imagines the law to be just. Everyone knows that there is one law for the rich and another for the poor. But no one accepts the implications of this, everyone takes it for granted that the law, such as it is, will be respected, and feels a sense of outrage when it is not. Remarks like “They can’t run me in; I haven’t done anything wrong”, or “They can’t do that; it’s against the law”, are part of the atmosphere of England. The professed enemies of society have this feeling as strongly as anyone else. One sees it in prison-books like Wilfred Macartney’s Walls Have Mouths or Jim Phelan’s Jail Journey, in the solemn idiocies that take place at the trials of conscientious objectors, in letters to the papers from eminent Marxist professors, pointing out that this or that is a “miscarriage of British justice”. Everyone believes in his heart that the law can be, ought to be, and, on the whole, will be impartially administered. The totalitarian idea that there is no such thing as law, there is only power, has never taken root. Even the intelligentsia have only accepted it in theory.
George Orwell, “England Your England”, 1941-02-19.
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May 7, 2019
The Suez Crisis reconsidered
Jordan Chandler Hirsch reviews a new book on what is now a somewhat forgotten international crisis that shook the Atlantic alliance, Philip Zelikow’s Suez Deconstructed:
Zelikow encourages readers to assess Suez by examining three kinds of judgments made by the statesmen during the crisis: value judgments (“What do we care about?”), reality judgments (“What is really going on?”), and action judgments (“What can we do about it?”). Asking these questions, Zelikow argues, is the best means of evaluating the protagonists. Through this structure, Suez Deconstructed hopes to provide “a personal sense, even a checklist, of matters to consider” when confronting questions of statecraft.
The book begins this task by describing the world of 1956. The Cold War’s impermeable borders had not yet solidified, and the superpowers sought the favor of the so-called Third World. Among non-aligned nations, Cold War ideology mattered less than anti-colonialism. In the Middle East, its champion was Egyptian President Gamal Abdel Nasser, who wielded influence by exploiting several festering regional disputes. He rhetorically — and, the French suspected, materially — supported the Algerian revolt against French rule. He competed with Iraq, Egypt’s pro-British and anti-communist rival. He threatened to destroy the State of Israel. And through Egypt ran the Suez Canal, which Europe depended on for oil.
Egypt’s conflict with Israel precipitated the Suez crisis. In September 1955, Nasser struck a stunning and mammoth arms deal with the Soviet Union. The infusion of weaponry threatened Israel’s strategic superiority, undermined Iraq, and vaulted the Soviet Union into the Middle East. From that point forward, Zelikow argues, the question for all the countries in the crisis (aside from Egypt, of course) became “What to do next about Nasser?”
Israel responded with dread, while, Britain, France, and the United States alternated between confrontation and conciliation. Eventually, the United States abandoned Nasser, but he doubled down by nationalizing the Suez Canal. This was too much for France. Hoping to unseat Nasser to halt Egyptian aid to Algeria, it concocted a plan with Israel and, eventually, Britain for Israel to invade Egypt and for British and French troops to seize the Canal Zone on the pretense of separating Israeli and Egyptian forces. The attack began just before the upcoming U.S. presidential election and alongside a revolution in Hungary that triggered a Soviet invasion. The book highlights the Eisenhower administration’s anger at the tripartite plot. Despite having turned on Nasser, Eisenhower seethed at not having been told about the assault, bitterly opposed it, and threatened to ruin the British and French economies by withholding oil shipments.
Throughout, Suez Deconstructed disorients. As the story crisscrosses from terror raids into Israel to covert summits in French villas, from Turtle Bay to the Suez Canal, names and places, thoughts and actions blur. Venerable policymakers scramble to comprehend the latest maneuvers as they struggle with the weight of history: Was Suez another Munich? Could Britain and France still project power abroad? Would a young Israel survive?
If you’re not familiar with the Suez Crisis and want more than just the Wikipedia article for background, here’s the coverage of the military side of things from the British perspective (Operation Musketeer) from Naval History Homepage.
A detailed map of Port Said in 1936 (American Geographical Society Library). Changes by 1956 are not known.
Map via Naval History Homepage.
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May 6, 2019
Mers El Kebir: When The British Blew Up the French Fleet
Historigraph
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