The Cold War
Published 28 Sep 2019Our series on the history of the Cold War period continues with a documentary on Malayan Emergency of 1948-1960 during which the British empire was challenged by the emerging Malayan Communist Party. These events led to the independence of Malaya.
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World War Two
Published 28 Nov 2020The German advance has pushed within artillery range of Moscow, but can they reach it — and take it — before the Red Army and the murderously cold weather halt them? Meanwhile in North Africa, both Erwin Rommel and Claude Auchinleck make daring and brilliant moves that save the fight for their sides. A mighty Japanese fleet is now secretly heading for Hawaii to make a surprise attack on American territory while the US worries where in Southeast Asia the Japanese are planning to attack.
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Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel Weiss
Norman Stewart – https://oldtimesincolor.blogspot.com/
Dememorabilia – https://www.instagram.com/dememorabilia/
Klimbim https://www.flickr.com/photos/2215569…
Mikołaj Uchman
Spartacus OlssonSources:
Bundesarchiv
IWM E 6661, WPN 298, E 446
Bletchley Park Trust
Mil.ru
RIA Novosti #303890, #2551
Yad Vashem 4562/3
Picture of Cordell Hull, courtesy of National Portrait GallerySoundtracks from the Epidemic Sound:
Rannar Sillard – “March Of The Brave 10”
Johan Hynynen – “Dark Beginning”
Hakan Eriksson – “Epic Adventure Theme 3”
Johannes Bornlof – “Death And Glory 2”
Jo Wandrini – “To War!”
Fabien Tell – “Weapon of Choice”
Fabien Tell – “Last Point of Safe Return”
Johannes Bornlof – “The Inspector 4”
Andreas Jamsheree – “Guilty Shadows 4”
Philip Ayers – “Trapped in a Maze”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
2 days ago (edited)
– IMPORTANT NOTICE –
Since we’re all busy working on our minute-by-minute coverage of Pearl Harbor, which is edging ever closer, it has been an especially challenging task to follow Operation Crusader in all its complexity. This has resulted in an error on the animated map about which we want to be transparent and honest.The current map suggests that the 2nd New Zealand Division links up with the Tobruk garrison from the south-east. In reality, it does so from the Via Balba running along the coast, along which it has advanced during the past days. Another thing to note is the position of the Allied 30th Corps, which has withdrawn further south after the Battle of Sidi Rezegh than the map shows. They are positioned near Gabr Saleh as the New Zealanders link up with Tobruk.
We apologize for this inaccuracy and are working to fix this error as soon as possible.
———-
It’s getting closer … 9 days from now is December 7th, and we will cover the Japanese attacks of that day right here in real time for FIVE HOURS. Pearl Harbor minute by minute will be the most exciting documentary series you’ve ever seen. https://youtu.be/5D8c7YvLBUc
And in addition to our weekly coverage of the war right here, we also do daily coverage of it over on our instagram. Check that out at: https://www.instagram.com/world_war_two_realtime/
Andrew Roberts reviews a new biography of King George III for The Critic:
King George III in his coronation robes.
Portrait by Allan Ramsay (1713-1784), original in the Art Gallery of South Australia via Wikimedia Commons.
Over the past six years, Penguin have been publishing their excellent Monarchs series in which a leading historian writes a 30,000-word book on a king or queen from Athelstan to Elizabeth II. There are now 45 of them (including David Horspool on Oliver Cromwell, who sneaks in despite the monarchical rubric, and Jonathan Keates who reasonably enough lumped William III and Queen Mary together). These extended essays are attractively produced, can be read in a couple of hours, and many are true gems, from historians such as Tom Holland, John Guy, Tim Blanning, Norman Davies, Roger Knight, Jane Ridley, Richard Davenport-Hines, David Cannadine — you get the idea.
Now Professor Jeremy Black gives us a full-throated defence of the monarch who is only really generally known as the king who went insane and who lost the American colonies, and who now prances around in the camp-yet-sinister show-stopping song in Hamilton: The Musical. “When considering George III’s mistakes,” Black argues, persuasively, “it is important to assess the parameters of the possible and to consider comparisons.” With his expertise in eighteenth-century European history, Black is able to place George III in the wider context of contemporary monarchs such as Catherine the Great, Frederick the Great, Louis XVI and Napoleon.
“In contradiction to the Whig and American image of George as a tyrant, or at least a would-be tyrant,” Black states, “he had a strong conviction of the value of limited monarchy and was a willing student of the lessons of the Glorious Revolution and the subsequent Revolution Settlement.”
Black brilliantly demolishes the paranoiac Whig view of George as trying to accrete powers to himself unconstitutionally. The George who emerges is a far more attractive figure than the Whig historians depicted, let alone Thomas Jefferson with his 28 histrionic and inaccurate accusations against George in the Declaration of Independence, and especially Lin-Manuel Miranda’s hilarious but profoundly historically incorrect caricature.
Instead, Black portrays a monarch with “a strong religious faith, a passion for hunting and an interest in art, architecture, music, astronomy and exploration”. He was a Renaissance man with an Enlightenment viewpoint, although Black also lists his failings, which were obstinacy, self-righteousness and a certain amount of priggishness when young. Black calls him a “fogey”. These were hardly cardinal sins, and a world away from the lust for dictatorship of which he has been accused.
Jeremy Black — who is fast becoming a national treasure in his own right, having written well over 100 books — takes a refreshingly unmodish stance towards George (as you might have guessed from listing hunting amongst the king’s attributes). “His qualities are easier to understand for those who prize commitment, duty, and integrity,” he concludes, “than in a modern age when scorn and satire, even hatred of the nation’s history, are often prominent.”
To-day our platoon once marched, in perfect step, for seven complete and giddy paces, before disintegrating into its usual formation — namely, an advance in irregular échelon, by individuals.
Ian Hay (Major John Hay Beith), The First Hundred Thousand: Being the Unofficial Chronicle of a Unit of “K(1)”, 1916.
TimeGhost History
Published 25 Nov 2020The First World War has been over for a year, and the modern era plows ahead. But so does fear and paranoia. In America, the Red Scare goes into overdrive.
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Hosted by: Indy Neidell
Written by: Indy Neidell and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell and Francis van Berkel
Image Research by: Daniel Weiss and Spartacus Olsson
Edited by: Daniel Weiss
Sound design: Marek KamińskiColorizations:
Daniel Weiss – https://www.facebook.com/TheYankeeCol…Sources:
Some images from the Library of CongressSome Soundtracks from Epidemic Sound, ODJB, Edward Elgar, Richard Strauss and Pietro Mascagni:
– “One More for the Road” – Golden Age Radio
– “Dawn Of Civilization” – Jo Wandrini
– “Deviation In Time” – Johannes Bornlof
– “Easy Target” – Rannar Sillard
– “Dark Beginning” – Johan Hynynen
– “Steps in Time” – Golden Age Radio
– “Tiger Rag” – ODJB
– “Cello Concerto” – Edward Elgar
– “Pomp and Circumstance” – Edward Elgar
– “Die Frau ohne Schatten: Act III” – Richard Strauss
– “Cavalleria Rusticana” – Pietro Mascagni
– “What Now” – Golden Age RadioArchive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
The Tank Museum
Published 18 Oct 2019David Fletcher looks at the British WW2 Coventry Armoured Car. It never saw service and was already considered obsolete by the time it was built.
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Tank 100 First World War Centenary Blog: ► http://tank100.com/
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By an odd co-incidence, I began reading the third volume of Morris’s British Empire trilogy just last night and today I discovered that she recently died at age 94. The particular edition I have has Morris’s original male name on the cover, but her female name in the “note about the author”:
Jan Morris, who died last week at the age of 94, may have lived one of the more various and accomplished lives on record. She was, in turn, a soldier, a newspaper correspondent with a number of scoops to her name, a fine memoirist, and a writer of books whose scope encompassed the world.
Any dutiful obituarist must also note something else which happened fifty years ago. It is likely for ever to feature in the first paragraph, if not the first line, of everything written about Morris. She was born a man, named James by her parents, and underwent what her publishers and profilers term “a change of sexual role” in 1972 – back when such a thing was a rarity and rather dangerous to accomplish.
I hope to leave that subject aside for a moment while contemplating her place in letters. By the end of her long life, Morris had become something of a national treasure and an institution. Her quixotic obsessions – a personal, mythical interpretation of the Welsh side of her family and her home in that country, and the late First Sea Lord Jackie Fisher – became the subject of stories shared by friends, editors and admirers.
She gave wise and funny interviews to the papers about savouring mussels without dignity and why whether what one is doing is kind ought, in a good world, to be the modest test applied to action.
Other profilers note her long companionship with Elizabeth (née Tuckniss) – first through marriage, then a legally-divorced close friendship, and finally a civil partnership, with the ceremony witnessed by a local couple who afterwards invited the two for tea. Elizabeth survives Jan, but a visiting journalist or two was shown the headstone which is planned for both of them. They will lie on a Welsh island they owned in the Dwyfor, a river that runs by their home. The stone reads: “Here lie two friends, at the end of one life”.
These are beautiful stories, but they should not retroactively colour in fully our impressions of Morris. Nor should a sense – repeated in some otherwise careful obituaries – that as “James”, Morris’s “written voice always sounded certain”. Whereas as Jan, her writing grew more introspective and aware of the ways that time and tide conspire to decay the facades of men as much as they do institutions and places. This was exhibited notably in her Pax Britannica trilogy, which chronicled Britain’s imperial decline.
In The Critic, Nigel Jones considers some of the great orators of history:
Prime Minister Winston Churchill greets Canadian PM William Lyon Mackenzie King, 1941. Churchill was certainly one of the great orators of history … Mackenzie King, on the other hand, certainly was not.
Photo from Library and Archives Canada (reference number C-047565) via Wikimedia Commons.
On 19 November 1863, President Abraham Lincoln rose to speak at Gettysburg, Pennsylvania, the battlefield which four and a half months before had seen the decisive turning point of the American Civil War. Lincoln was not even the principal speaker at the ceremony to dedicate a cemetery for those who had fallen in the battle.
Before he spoke, the President had to sit through a two-hour address by a pompous official orator, a windbag called Edward Everett. But when he finally got to his feet Lincoln entered political immortality. He spoke for only two minutes, but the few words he uttered about “Government of the people, by the people, and for the people” have echoed down the years – even Mrs Thatcher made a recording of them – inspiring and rousing generations to value and defend democracy.
Winston Churchill’s iconic status as Britain’s greatest Prime Minister largely rests on the handful of radio speeches he growled out to the nation in the darkest days of World War Two: “… fight them on the beaches … so much owed by so many to so few … this was their finest hour …” and so on.
Ever since Roman statesmen such as Cato and Cicero delivered their speeches on the Capitol, oratory like that spoken by Lincoln and Churchill has been a mainstay of western civilisation and governance. A carefully constructed argument or a few ringing phrases having the power to change minds, stiffen sinews, and bring down leaders.
Churchill himself was brought to supreme political power in 1940 by the power of the spoken word. Those words were spoken by one politician – his friend and schoolmate Leo Amery – quoting another, when Amery repeated Oliver Cromwell’s words dismissing the Long Parliament in calling for the end of Neville Chamberlain’s feeble administration: “You have sat here too long for any good you have been doing. Depart, I say, and let us have done with you: in the name of God, go!” Chamberlain, albeit reluctantly, went.
World War Two
Published 21 Nov 2020The long planned Allied Offensive in North Africa — Operation Crusader — begins, but the Allies are worrying about how to defend Singapore in case of Japanese aggression. The Germans renew their drive on Moscow, but their number one flying ace perishes, a major PR hit.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesWritten and Hosted by: Indy Neidell
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Indy Neidell
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Ruffneck88 https://commons.wikimedia.org/wiki/Ca…
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Daniel Weiss
Adrien Fillon – https://www.instagram.com/adrien.colo…
Norman Stewart – https://oldtimesincolor.blogspot.com/
Spatacus OlssonSources:
Narodowe Archiwum Cyfrowe
Bundesarchiv
Australian War Memorial
Yad Vashem 143BO2
IWM E 6661, K 1261, A 3898, A 10499, FE 487, TR153, E 2384ESoundtracks from the Epidemic Sound:
Johannes Bornlof – “Death And Glory 2”
Johan Hynynen – “Dark Beginning”
Farrell Wooten – “Blunt Object”
Reynard Seidel – “Deflection”
Johannes Bornlof – “Last Man Standing 3”
Johannes Bornlof – “The Inspector 4”
Philip Ayers – “Under the Dome”
Max Anson – “Ancient Saga”
Johannes Bornlof – “Deviation In Time”
Jon Bjork – “Disposal”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
3 days ago
On December 7th we will cover the Japanese attack on Pearl Harbor in real time, minute by minute, as it happens … for five solid hours starting 0610 local Hawaiian time right here on this channel. Don’t miss it!And if you want a dose of WW2 action every day, then check out our day by day instagram coverage of the war right here: https://www.instagram.com/world_war_two_realtime/
The Great War
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Presented by: Jesse Alexander
Written by: Jesse Alexander
Director: Toni Steller & Florian Wittig
Director of Photography: Toni Steller
Sound: Toni Steller
Editing: Toni Steller
Motion Design: Philipp Appelt
Mixing, Mastering & Sound Design: http://above-zero.com
Maps: Daniel Kogosov (https://www.patreon.com/Zalezsky)
Research by: Jesse Alexander
Fact checking: Florian WittigChannel Design: Alexander Clark
Original Logo: David van StepholdContains licensed material by getty images
All rights reserved – Real Time History GmbH 2020
From the comments:
The Great War
2 days ago
Hope the new mic does its job and the audio is alright for all of you. We also got a lot of questions about the contents of Jesse’s bookshelf and the Emergency Lockdown Studio Also Known As Jesses Living Room (ELSAKAJLR™). Think we will film an extra video with Jesse (MTV Cribs?).
Melanie McDonagh reviews the re-released early work by Douglas Murray:
It would probably have been better for Lord Alfred Douglas to have died young. Had he died when he was still beautiful and youthful looking, he would have remained forever the gilded youth Oscar Wilde loved. That golden Alfred Douglas survives in the famous photograph on the front of Douglas Murray’s book, with Wilde sitting near Bosie, his arm extended behind the boy with something like possessiveness. Instead the boy survived until 1945, worn, lonely and poverty-stricken, his looks withered, his nose pinched, contemptuous of modernity, but still with a redemptive, blistering integrity.
Twenty years after it was first written, Douglas Murray has reissued his fine biography of Bosie: his first book, written in his gap year before he went to Oxford. Looking back now on his precocious work, he thinks he overdid a little his enthusiasm for Douglas’s poetry, understated his toxic anti-Semitism and didn’t quite do justice to the pederastic element of his early sexuality – as Bosie preferred to put it, his tastes were for youth and softness. In practice this could mean 14-year-old boys, even younger, at a time when he and Wilde had reunited following Wilde’s release from prison. Actually, I think Murray’s original estimate of Alfred Douglas’s sonnets was absolutely right; they vary in quality, but as he said, at their best they equalled the poets he most venerated.
Trouble is, not many people think of Alfred Douglas as a poet, even though they might unknowingly quote perhaps his most famous line, about the love that dares not speak its name. But there were literary critics in his own day who compared him to Shakespeare as a writer of sonnets. Remarkably he has fallen almost entirely off the literary radar now, known only as a player in Wilde’s drama, and it is a pity that the success of this biography hasn’t changed that.
One of the services Douglas Murray performs in his biography is simply to reproduce some of his finest verses so we can judge it for ourselves. Indeed, while writing the book he managed to persuade the Home Office to release the copybook in which Alfred Douglas wrote his prison verses, In Excelsis, which the authorities refused to do in his lifetime.
Even in his own time, most people thought of him as the lover of Oscar Wilde, a byword for a bugger, the boy who brought about Wilde’s destruction through the vengeful malice of his unbalanced father. That perception was powerfully reinforced by Wilde’s terrible letter written from prison, De Profundis, in which he empties his bitterness against the youth he loved in an outpouring of emotion which was in many respects unjust and untrue, especially about Bosie’s financial support for Wilde. Fatally, the letter was never given to him by Robert Ross, Wilde’s friend, and only released in full during a devastating court case.
Forgotten Weapons
Published 23 Aug 2018http://www.patreon.com/ForgottenWeapons
Cool Forgotten Weapons merch! http://shop.bbtv.com/collections/forg…
Adopted in 1880 to replace the Adams revolver, the Enfield MkI was based on an extraction system patented in the 1870s by Owen Jones of Philadelphia. This was similar in practice to the Merwin & Hulbert, with the barrel and cylinder hinging forward while the cartridge cases were held to the back of the frame. This system allowed empty cases to drop free (except the 6 o’clock position one, which often stuck) while retaining any unfired cartridges in the cylinder. Because the extractor star was fixed to the frame, the piece had to be loaded one round at a time through a loading gate (again, like the Merwin & Hulbert).
In 1882 a number of improvements were made to the design and lockwork, including features to prevent the cylinder from rotating freely and to disconnect the hammer when the loading gate was open. This was adopted as the MkII in 1882. A further change was made in 1887, following the death of a Royal Navy sailor whose gun fell out of its holster and discharged upon hitting the hammer. A new safety mechanism was added to prevent this from happening again, and most guns in service were retrofitted with it.
The Enfield was generally not well received, as it was heavy and a bit awkward to handle. It was issued to the Army, Navy, and RCMP, but replaced by the first adopted Webley top-break revolvers in the late 1880s (Enfield MkII production ceased in 1889). Unlike the Webleys and other private-production guns, there was never a civilian version of the Enfield MkI or MkII made, and they are scarcer to find today as a result.
If you enjoy Forgotten Weapons, check out its sister channel, InRangeTV! http://www.youtube.com/InRangeTVShow
Contact:
Forgotten Weapons
6281 N Oracle #36270
Tucson, AZ 85704
Footnote by Field Marshal Lord Alanbrooke, War Diaries, 1939-1945, 1957.
Independent Man
Published 13 Aug 2017Original Video: https://www.youtube.com/watch?v=iV5Qv…
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World War Two
Published 18 Nov 2020When Allies and Axis clash on the deserts of North Africa, harsh and unique conditions force them to develop new tactics. From misdirection to new ways to move across the desert, all to gain an advantage over the enemy.
Join us on Patreon: https://www.patreon.com/TimeGhostHistory
Or join The TimeGhost Army directly at: https://timeghost.tvFollow WW2 day by day on Instagram @ww2_day_by_day – https://www.instagram.com/ww2_day_by_day
Between 2 Wars: https://www.youtube.com/playlist?list…
Source list: http://bit.ly/WW2sourcesHosted by: Indy Neidell
Written by: Marlon William Londoño and Francis van Berkel
Director: Astrid Deinhard
Producers: Astrid Deinhard and Spartacus Olsson
Executive Producers: Astrid Deinhard, Indy Neidell, Spartacus Olsson, Bodo Rittenauer
Creative Producer: Maria Kyhle
Post-Production Director: Wieke Kapteijns
Research by: Marlon William Londoño
Edited by: Miki Cackowski
Sound design: Marek Kamiński
Map animations: Eastory (https://www.youtube.com/c/eastory)Colorizations by:
Julius Jääskeläinen – https://www.facebook.com/JJcolorization/
Spartacus OlssonSources:
IWM E 18461, E 8361, E 10147, E 12630, E 12385, E 12375, E 21337, E 12410, HU 3715, E 21339, E 4350
Picture of John Hutton, courtesy of Coventry Society
Picture of Edwin Galligan, Steven Sykes and Fred Pusey, courtesy of Rick Stroud
Picture of Hugh Cott, courtesy of Selwyn College, Cambridge
Picture og Ralph Alger Bagnold, courtesy of National Portrait Gallery
from the Noun Project: sun by MRFASoundtracks from the Epidemic Sound:
Reynard Seidel – “Deflection”
Max Anson – “Ancient Saga”
Hakan Eriksson – “Epic Adventure Theme 4”
Rannar Sillard – “March Of The Brave 4”
Jon Bjork – “Force Matrix”Archive by Screenocean/Reuters https://www.screenocean.com.
A TimeGhost chronological documentary produced by OnLion Entertainment GmbH.
From the comments:
World War Two
6 hours ago
As we see the North African campaign ongoing in our week by week series, in today’s episode we take a closer look at the tactics and logistical developments that helped shaped that campaign.
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