Quotulatiousness

November 10, 2022

Contemplating the end of brand franchises like Star Wars

Filed under: Business, History, Media — Tags: , , — Nicholas @ 05:00

Ted Gioia is wondering how Star Wars ends:

Original Stormtrooper Hero Helmet from Shepperton Design Studios + originalstormtrooper.com

Lately, I’ve been wondering how Star Wars ends.

Let me be clear, I’m not worried about how the story resolves, or what happens to the characters. I have zero interest in all that. Darth Vader can win the Nobel Peace Prize, for all I care.

I’m more concerned with how a powerful brand franchise loses its stranglehold on the culture. And it’s not just Star Wars, it’s all those other stories that never achieve closure. I’m talking about Batman and Indiana Jones and James Bond and the Marvel Cinematic Universe (or MCU, for short), and the rest of them.

They all die, sooner or later. But how?

Heroes in capes and colorful costumes seem invincible now, if only because these fictional flâneurs are bigger than anything else in commercial culture. If Spiderman and Batman were real people, they would boast higher incomes and net worth than any flesh-and-blood entertainer in the world. The Marvel Cinematic Universe, which Disney acquired back in 2009, must be worth ten or twenty times the $4 billion they spent back then — total revenues from Marvel brands since then are somewhere around the one trillion dollar mark.

No pop star in history has ever possessed that kind of earning power.

Can these franchises just go on forever? The management team at Disney certainly must hope so, judging by their never-ending slate of Star Wars, Marvel, and other brand extension offerings. No Time to Die isn’t just the name of the 25th James Bond movie, but a promise for the future — why not another 25 films in the series? Or 50 or 100?

But brand franchises do die, or become so tired that few people care anymore. Universal Studios made so much money from Ma and Pa Kettle films that these corny comedies allegedly saved it from bankruptcy in the 1940s, but by 1960 audiences had lost interest in the predictable formulas of the series.

The Carry On films were the most dependable audience draw in British comedy, but after 31 movies the franchise could carry on no longer. A final resuscitation attempt after 14 years not only failed at the box office but was voted the worst British film ever made.

Some franchises not only die, but become genuinely toxic as attitudes evolve — killing, for example, the Charlie Chan franchise, and making it unlikely that Tarzan or the Lone Ranger or many other once lucrative brands will ever enjoy another meaningful payday.

None of this should surprise us, because narratives and protagonists go in and out of fashion like anything else. A story that charmed your grandparents is unlikely to interest your grandchildren.

November 8, 2022

The inevitable next act of the media subsidy game – “Before long we will be back for more”

Filed under: Business, Cancon, Government, Media, Technology — Tags: , , , , , , — Nicholas @ 05:00

In The Line, Peter Menzies outlines the state of play in the continued efforts of the federal government to pass C-18, a bill that will massively benefit certain media outlets … or convince the “tech giants” to pull out of the Canadian market altogether rather than pay the blackmail:

News Media Canada’s persistent campaigning finally produced its Holy Grail — Bill C-18. All might have been well for Torstar, Postmedia and Le Devoir except that once the flesh was thrown on the bones of the Act, broadcasters that aren’t facing economic peril heard the dinner bell and came running.

The result, according to the Parliamentary Budget Officer, is that Bill C-18 is expected to produce $329 million in annual revenue for Canadian media (for context, that’s less than the Calgary Herald, Edmonton Journal, Edmonton Sun and Calgary Sun were bringing in between them 20 years ago). Of that, $249 million will go to broadcasters, few of whom are on a fiscal ledge and a good many of whom have contributed to the demise of local newspapers. Remarkably, the CBC, already receiving $1 billion in taxpayer funding, will get the most of that cash, followed by CTV (Bell), Rogers, Videotron and others. The newspapers and start ups will have $80 million (a little more than what the Edmonton Journal and Edmonton Sun used to make in combined annual profit) to fight over.

And very few of those previously mentioned startups — run by mostly young and often female innovators — trying to find a sustainable business model for good journalism can expect anything more than a token pay off. No. They will have to go to the little kids table and see what they can find on the children’s menu of subsidies.

It is distressingly obvious that while so many were tricked into believing this was the most progressive Canadian government ever, it is in fact, a slave to the status quo; as staunch a defender of the corporate establishment as the Toronto Club could wish for. With the 21st century and all its opportunities staring it in the face, Justin Trudeau’s government has not only turned its back on innovation, it has put its thumb on the scale in favour of failed business models that long ago ran out of ideas.

Yet there may be a final twist in this tale.

Bill C-18’s particulars are, as Meta/Facebook’s Kevin Chan put it to a Parliamentary committee last week “globally unprecedented”. For all its sins — and for all we know there are a few more skeletons rattling around in its closet — Meta is unlikely to pay up. Sure, it can cover the Canadian shakedown; what it can’t afford though is to pay every other country in the world that makes the same demand. So Meta says it may simply stop serving up news links which, when you think about it, is a better idea in the long run than permanently entrenching its dominant market position

So while the publishers of those blank pages appear to have bullied even the Conservatives into supporting this travesty, they are still left to ponder:

“Imagine if Facebook wasn’t there.”

November 7, 2022

The only way to get a Grammy Award rescinded

Filed under: Business, Media — Tags: , , , , — Nicholas @ 03:00

I don’t follow the various entertainment industry awards (Oscar, Emmy, Grammy, Tony, etc.), so I wasn’t aware that only one Grammy Award has ever been taken back since they started handing them out. Given how disturbing the career lowlights of celebrities can be, what level of horrifying behaviour or criminal action does it take to have the award rescinded? Ted Gioia has the details:

“Milli Vanilli Blame it on the Rain (12 inch single)” by acme401 is licensed under CC BY-SA 2.0 .

Milli Vanilli, a pop duo act from Munich, will never enter the Rock & Roll Hall of Fame. They were hot back in 1990, and even won the Grammy for Best New Artist. Their debut album eventually sold ten million copies. But Fab Morvan and Rob Pilatus, the two musicians who performed as Milli Vanilli, are remembered today as a scandal and blot of shame on the music business.

What terrible thing did they do to get blacklisted and cancelled? You may already know, and if not, I’ll tell you.

    Milli Vanilli’s Grammy was rescinded — the first and only time that has happened in the history of the award. I note that Bill Cosby still has his eight Grammy Awards. Even after Phil Spector’s murder conviction, nobody took away his prizes and honors.

But allow me to put matters in context first.

Looking back on the music stars of that era, it would be hard to create a greater scandal than, say, Michael Jackson. He was eventually arrested and charged with child molestation. Although Jackson never got convicted, the cumulative evidence is very troubling — even so, he gets plenty of airplay nowadays and is still lauded as the King of Pop. A high-profile musical celebrating his artistry opened on Broadway earlier this year.

The songs are great. I won’t deny it.

Jackson escaped a prison sentence, but many other music stars have served time for high-profile crimes without losing their fans. When R. Kelly recently got convicted of kidnapping, sexual exploitation of a child, and racketeering, his sales soared 500% in the aftermath. I’d prefer to disagree with those glib experts who claim “all publicity is good publicity” — but it’s hard to argue with those numbers.

Just a few weeks after the Milli Vanilli scandal, Rick James was charged with kidnapping and sexual assault — and then got arrested again for similar abuses three months later while out on bail. He continued to make recordings after his release from Folsom Prison, and returned to the Billboard chart. Health problems, not James’s criminal record, finally curtailed his career. And in 2020, his estate got a big payday by selling his masters and publishing rights to the Hipgnosis Song Fund.

Other music industry legends have committed murder or manslaughter. Suge Knight won’t become eligible for parole until 2034, and Phil Spector died while incarcerated for murder in 2021. The latter was widely praised in published obituaries, and his recordings remain cherished by fans.

And now let’s turn to Milli Vanilli.

Milli Vanilli haven’t fared so well. You might even say they have been wiped out of pop music history, lingering on merely as a joke or worse. But no one got raped or murdered by their antics. They didn’t even trash their hotel rooms or get arrested buying weed.

So what did they do that led to permanent cancellation?

Their crime was posing as vocalists on their recordings, when they didn’t actually sing. When they went on the road, they lip-synced on stage. And — if I can be blunt — their greatest transgression was making the people who vote on Grammy awards look foolish.

October 30, 2022

“The Economist is the most over-rated publication in the English language”

Filed under: Books, Britain, Business, History, Media, WW2 — Tags: , , — Nicholas @ 03:00

I started reading The Economist when I was in college, and became a subscriber for nearly 20 years. Over the last few years, the tone of the articles shifted away from classical liberal toward communitarian or even full-blown socialist cheerleading, so I sadly ended my subscription and haven’t picked up a copy in at least 15 years. According to Ken Whyte in the SHuSH newsletter, things haven’t improved since I stopped paying attention:

The Economist recently said that book publishing in today’s economy resembles book publishing during the Second World War when “paper imports collapsed” and “publishers printed only sure-fire hits”.

The Economist is the most over-rated publication in the English language, especially by itself. I give it marks for its broad range of interests, ability to cover a lot of ground in relatively tight articles, and occasionally solid reporting, but if you’re going to boast incessantly about how smart you are …

… you’d better back it up. The Economist seldom does. It tends to glib, obvious, and sloppy. Most of its articles are written by anonymous b-level freelancers whose best stuff goes to outlets that afford bylines. Their work is edited to a stultifying homogeneity by a haughty grad student with a Financial Times subscription. Or so it reads.

This piece — “Books are Physically Changing Because of Inflation” — is a case in point. Paper imports to the UK were reduced during WW2 but they did not collapse. The problem for the book trade was rationing. The government restricted publishers to 60 percent of their pre-war paper volumes (later falling to 35 percent) and itself used far more tonnage for propaganda than the book industry normally required. Manpower shortages were another factor limiting the production of new titles.

Nor is it true that publishers released “only sure-fire hits”. While much of their paper allotment went to keeping hot-selling books in stock, many bets were placed on new titles and most of them paid. It was wartime and leisure activities were limited. “British publishers found that they could sell virtually any title,” writes Zoe Thomson in The Journal of Publishing Culture.

The article isn’t all bad. It reports that British book publishers are paying 70% more for paper than they were a year ago: “Supplies are erratic as well as expensive: paper mills have taken to switching off on days when electricity is too pricey. The card used in hardback covers has at times been all but unobtainable.”

To cope with the price increases, publishers are printing smaller books on cheaper paper and jamming more words onto the page. Writers are being asked to write shorter and are being held to their word limits.

That reflects the current state of the industry. It’s hardly news, though. SHuSH readers are probably sick of hearing me on rising paper and printing costs, and I’ve just been following what others have written. The cost of printing has more or less doubled since before COVID. Many smaller publishers are already releasing fewer and slimmer titles. If we are headed into a recession, the trend will continue.

October 28, 2022

The real tech startup lifecycle

Filed under: Business, Humour, Technology, USA — Tags: , , , , — Nicholas @ 03:00

Dave Burge (aka @Iowahawk on the Twits) beautifully encapsulates the lifecycle of most successful tech startups:

I like the thing where people assume everybody working at Twitter is a computer science PhD slinging 5000 lines of code daily with stacks of job offers for Silicon Valley headhunters, and not a small army of 27-year old cat lady hall monitors

Successful social media companies begin in a shed with 12 coders, and end up in a sumptuous glass tower with 1200 HR staffers, 2000 product managers, 5000 salespeople, 20 gourmet chefs, and 12 coders

True story, I was in SV a few weeks ago and visited a startup that’s gone from $4MM to $100+MM rev in 2 years. HQ currently cramped office with 30-40 coders in a strip mall, but moving to office tower soon. I’m like, man, you’ll eventually be missing this.

Why do successful tech companies have so many seemingly useless employees? For the same reason recording stars have entourages

Here’s the sociology: 5 coders form startup. Least embarrassing one becomes CEO. The other ones, CFO, COO, CMO, and best coder becomes CTO.

Company gets big; CFO, COO CMO hold a dick measuring contest to hire the biggest dept.

CTO still wants to be the only coder.

I suspect it really does takes 1000 or more developers to keep Twitter running; backend, DB, security, adtech/martech etc. But I’d guess a significant # of Twitter devs are basically translating what triggers the cat ladies into AI algorithms.

October 26, 2022

Four Myths About Construction Debunked

Filed under: Business, Economics, History, Technology — Tags: , , , — Nicholas @ 02:00

Practical Engineering
Published 21 Jun 2022
Let’s set the record straight for a few construction misconceptions!

Errata: The shot at 4:16 is of the Greek Acropolis (not a Roman structure).

Over the past 6 years of reading emails and comments from people who watch Practical Engineering, I know that parts of heavy construction are consistently misunderstood. So, I pulled together a short list of the most common misconceptions. Hope you don’t mind just a little bit of ranting from me 😉
(more…)

QotD: Protectionism forces buyers to take worse deals

Filed under: Business, Economics, Government, Liberty, Quotations — Tags: — Nicholas @ 01:00

No law or legislation prevents businesses from demanding, as a term of their selling outputs to consumers, that consumers continue to patronize these same businesses for a minimum number of years – or, indeed, until death (or bankruptcy) do them part. No law or legislation prevents workers from demanding, as a term of their agreeing to work for employers, that employers continue to employ these same workers for a minimum number of years – or, indeed, until death (or bankruptcy) do them part.

[…] too often when buyers shift some of their patronage from domestic producers to foreign producers, domestic producers – both firm owners and workers – insist that the state is morally obliged to force buyers to continue to purchase their products and their labor without any reduction in the prices and wages charged by sellers. These producers greedily and falsely insist that it’s bad policy for the state to allow buyers to shift their patronage to other sellers. Because those other sellers happen to be located abroad – or in the case of immigrants happen not to have passports issued by the domestic sovereign – such greedy and false insistence by domestic producers and workers is remarkably seen as legitimate, despite the fact that there’s nothing remotely legitimate about such insistence.

Tariffs and other forms of “protectionism” are means of forcing buyers to act and to pay as if they agreed to terms of contracts with sellers that these buyers never agreed to and that the sellers who benefit from the protectionism were unwilling to pay for in their contractual dealings with their customers.

Protectionism is akin to changing the rules of a game in the middle of a game. It’s unfair. It’s unproductive. It’s theft wrapped in flags, and too-often faux-sanctified by specious theorizing.

Don Boudreaux, “Protectionism Is a Means of Stealing That Which Suppliers Are Unwilling to Purchase”, Café Hayek, 2016-09-10.

October 25, 2022

A Multi-Trillion Dollar Pipe Dream

Filed under: Business, China, Economics, Environment, Technology, USA — Tags: , , , — Nicholas @ 02:00

PragerU
Published 16 Jun 2022

Are we heading toward an all-renewable energy future, spearheaded by wind and solar? Or are those energy sources wholly inadequate for the task? Mark Mills, Senior Fellow at the Manhattan Institute and author of The Cloud Revolution, compares the energy dream to the energy reality.
(more…)

October 24, 2022

QotD: When the “Grand Tour” gave way to the mere “tourists”

Filed under: Britain, Business, Europe, France, History, Quotations — Tags: , , , — Nicholas @ 01:00

Few of the many holidaymakers photographing their artisanal breakfast for a sunlit post on Instagram will have heard of Albert Smith. But they owe him a moment’s reflection: for if anyone can be said to have perfected the packaged visuals of a holiday abroad, it is Smith, a showbusiness titan of mid-Victorian London. Smith’s wildly popular panoramic spectaculars of his travels across Europe drew audiences of thousands. He was a prolific journalist, a bestselling novelist, a man-about-town, a mountaineer, and a dandy, but it was Smith’s innovative talent for boiling down his adventures abroad into a collection of vivid and memorable images that proved his biggest crowd-puller. Panoramas — vast paintings showing a 360-degree view of a landscape — had been part of the London scene since the turn of the century, but Smith took the panoramic experience to new levels of immersion: he was the self-appointed star of his own show, dramatising his own adventures against a sliding background of tableaux complete with music and props.

Smith’s most celebrated panorama relived his ascent of Mont Blanc in 1851 — which had been an astonishing physical feat for a clubbable bon viveur (though he had to be dragged to the summit barely conscious, he claimed to have celebrated by drinking a bottle of champagne and smoking a cigar). He pulled out all the stops to recreate Mont Blanc on the stage of the Egyptian Hall, Piccadilly in 1852, importing woodcarvers from Chamonix to recreate a Swiss chalet. St Bernards roamed the aisles and during the interval hot baked potatoes were dispensed for those in the audience feeling a glacial chill from the buckets of cold water placed around the hall. The stage was decked with alpine plants; there was a waterfall with real water, a mill wheel and a lily pond; the walls of the theatre were hung with chamois skins. “The Ascent of Mont Blanc” ran for six years and 2,000 performances, and on top of the fortune he made in ticket sales, Smith cannily expanded his repertoire by selling colouring books, fans, board games and miniature models of Mont Blanc.

Smith, an unrepentant populist (he liked to shock Thackeray by saying that Shakespeare was “all rot”), knocked the high culture out of the touristic experience. He made the adventure of foreign parts bite-sized and accessible — if not in reality, at least in dreams. He called it “the Alps in a box”. Figuratively speaking, Smith’s panoramas boxed up the great sights of the classical Grand Tour and sold them in miniature form, building them up with a dramatic flourish then cutting them down to size with a knowing dig in the ribs. Smith’s success runs parallel with the emergence of photography, the industrial manufacture of souvenirs, and the “I was here” frame of the postcard. After Smith, it became possible to think of “buying” the travel experience without actually going very far, framing it, and taking it home with you. Antiquarian high-culturists looked for quiddity and oddity when abroad but Smith encouraged a joyful appetite for mass-produced kitsch. His own apartment off Tottenham Court was a riot of knick-knackery from his travels. There was a figure of a Swiss peasant with a clock-face in his waistcoat, Venetian glasses, miniature Swiss chalets, soap from Vienna in the shape of fruit and a working model of a guillotine.

The tourist boom in Chamonix inspired by Smith was viewed with horror by those who thought the mountain were theirs to command. Ruskin found the “white leprosy of hotels” and souvenir shops that followed the visitors into the Alps was a blasphemy against “all the deep and sacred sensations of nature”. Everywhere the new tourists went, reported a journalist in 1856, they brought with them “Cockneyism, Albert Smithery, fun, frolic and vulgarity”. The rise in popular tourism to Europe, sparked most importantly by Thomas Cook, had highlighted a divide which has characterised British travelling ever since. In this paradigm, the tourist is the new bug and the traveller is the old soul. And even when they are gazing at the same view, the latter thinks the former is spoiling the view. The distaste is notable in how often crowds of tourists were, and still are, described in terms of mindless cattle or insects — they come in “herds” and “swarms” and “flocks”.

Lucy Lethbridge, “The snobbery of Brits abroad”, UnHerd, 2022-07-12.

October 21, 2022

QotD: The real reason for Upton Sinclair writing The Jungle

Filed under: Books, Bureaucracy, Business, Food, Government, Health, History, Quotations, USA — Tags: , , , , , — Nicholas @ 01:00

In 1906, Upton Sinclair came out with his book The Jungle, and it shocked the nation by documenting the horror of the meat-packing industry. People were being boiled in vats and sent to larders. Rat waste was mixed with meat. And so on.

As a result, the Federal Meat Inspection Act passed Congress, and consumers were saved from ghastly diseases. The lesson is that government is essential to stop enterprise from poisoning us with its food.

To some extent, this mythology accounts for the wide support for government’s involvement in stopping disease spread today, including Covid and the catastrophic response.

Not only that, but the story is also the basis for the US Department of Agriculture’s food inspection efforts, the Food and Drug Administration’s regulation of medical drugs, the central plan that governs food production, the Centers for Disease Control and Prevention, and the legions of bureaucrats who inspect and badger us every step of the way. It is the founding template for why government is involved in our food and health at all.

It’s all premised on the implausible idea that people who make and sell us food have no concern as to whether it makes us sick. It only takes a quick second, though, to realize that this idea just isn’t true. So long as there is a functioning, consumer-driven marketplace, customer focus, which presumably includes not killing you, is the best regulator. Producer reputation has been a huge feature of profitability, too. And hygiene was a huge feature of reputation — long before Yelp.

Sinclair’s book was not intended as a factual account. It was a fantasy rendered as an ideological screed. It did drum up support for regulation, but the real reason for the act’s passage was that the large Chicago meat packers realized that regulation would hurt their smaller competitors more than themselves. Meat inspections imposed costs that cartelized the industry.

That’s why the largest players were the law’s biggest promoters. Such laws almost have more to do with benefiting elites than protecting the public. It was not really about safety, the best scholarship shows, but exclusionary regulation to raise competitors’ costs of doing business.

Jeffrey A. Tucker, “Poke and Sniff: A Lesson from 1906”, Brownstone Institute, 2022-06-29.

October 16, 2022

“Musk’s plebeian sense of humor is probably a big part of why the establishment can’t stand him”

Filed under: Business, Media, Politics, USA — Tags: , , , , — Nicholas @ 05:00

Patrick Carroll speculates on why Elon Musk is so disliked by the other rich and powerful folks in his 0.01% demographic:

This isn’t the first time Musk has brought his playful, irreverent, meme-culture spirit to the market. A few years ago he launched his car into space because he thought it would be amusing, and some of his companies now accept Dogecoin as payment.

Musk in general seems rather fun, relatable, and laid back. He doesn’t take himself too seriously, and that’s probably a big part of why people like him.

Another reason he’s so likable is that he doesn’t mind poking fun at politicians, executives, and other “blue-check” elites. To the contrary, he seems to enjoy it.

Examples of Musk mocking the elites abound.

[…]

The question then becomes, how do we combat the insistence on political correctness? How do we push back when moral busybodies insert themselves in matters that are none of their business?

At first, it’s tempting to meet them on their own terms, to politely and logically state our case and request that they leave us alone. And sometimes that can be the right move. But often, a much more effective approach is to do what Elon Musk is doing: become the fool.

Rather than taking the elites seriously, the fool uses wit, humor, and satire to highlight how ridiculous the elites have become. He employs clever mockery and a tactful mischievousness to call the authority of the elites into question. When done well, this approach can be brilliantly effective. There’s a reason joking about politicians was banned in the Soviet Union.

The story of the Weasley twins and Professor Umbridge in Harry Potter and the Order of the Phoenix is one of my favorite examples of how mischievousness and mockery can be used to expose and embarrass those who take things too seriously. As you probably know, Umbridge was committed to formality and order, and she imposed stringent limits on fun and games. Now, the Weasley twins — the jesters of Hogwarts, as it were — could have responded with vitriol. They could have written angry letters, signed a petition, and gone through all the proper channels to get her removed. But instead, they threw a party in the middle of exams, making a complete mockery of her seriousness. They gave her the one thing she couldn’t stand: fun. And wasn’t that way more powerful?

If I had to guess, Musk’s plebeian sense of humor is probably a big part of why the establishment can’t stand him. They don’t mind someone who challenges them through the proper channels and in a respectful manner — that’s actually playing into their hand, because it concedes they are deserving of respect in the first place. What they can’t stand is being taken lightly, being teased and ridiculed and ultimately ignored.

Why can’t they stand that? Because our reverence for the elites is actually the source of their power. They win as long as we take them seriously. They lose the moment we don’t.

October 11, 2022

Growing grapes for wine

Filed under: Business, USA, Wine — Tags: — Nicholas @ 05:00

A guest post at Founding Questions from Allen discusses his many years of growing grapes:

I grew grapes for wine, the noble Vitis Vinifera, for close to 30 years. My heart went out of it when I saw the advent of celebrity wine producers. I could stomach the idea of box wine for women with their cats, after all what else did they have, but the very idea that celebrity itself might indicate discernment or ability was a bridge too far for me.

A good wine can enhance a meal. In fact given any other choice I will choose water with lemon if a decent wine is not available. The acid in the wine, or from the lemon, keeps the palate clear and lets you get more flavor out of a well done meal. Then there is the allure, “why yes I grow my own grapes and make my own wine my dear, care for a glass?” If there is a better way to get a lady to throw her panties at a farmer I don’t know what it is. Oh, and that is FNG, that country song, “She Thinks My Tractor’s Sexy”. No she doesn’t, you damn dope.

I know it sounds trite but good wine starts in the dirt and everything in the dirt ends up in the wine. I had sandy, rocky soil with minimal amounts of organic material. Vines need to struggle to make good wine grapes. I did fertilize but with composted organic material and a mixture of manures. If your manure still contain some amount of ammonia in it the wine will have an interesting bouquet so patience grasshopper, give it 2-3 years to compost well. Watering, I always drip irrigated but sparingly. If you’ve got city water its treatment chemicals will end up in the wine so avoid it as much as possible. I had my own deep water wells so I didn’t have that worry. It’s the same with pest treatments. I planted a certain type of tree near the vineyard that Ladybugs were partial to. Ladybugs do a number on most common insect pests.

So you’ve got your dirt now what? Dig son dig. My preferred vine and row spacing was 8 feet by 8 feet, 8 feet between vines with rows 8 feet apart. I dug a trench approximately 3 feet wide by 3 feet deep for each row of vines. Before you ask, yes I did it by hand. Machinery can actually make things worse as it can compact the soil to rock hard consistency where it isn’t digging. The idea here is to get the vines’ roots to run deep and spread. If your soil is especially compacted a power auger is useful to break up the soil.

Next up you need a trellis because grapes require a lot of support. I used a four wire trellis with two arms to spread the canopy out. The more leaf area you have the more photosynthesis and consequently higher growth you will have. It also will drive the acid sugar balance in the grapes. You’ll have to experiment with it to find out what works best for your location and microclimate. Fortunately you have that 4 to 5 years before you get a good crop.

October 8, 2022

Faint glimmers of hope for Canadians’ “right to repair”?

Filed under: Business, Cancon, Law, Liberty, Technology — Tags: , , , , — Nicholas @ 03:00

Michael Geist on the state of play in modifying Canada’s digital lock rules to allow consumers a tiny bit more flexibility in how they can get their electronic devices repaired:

“The Self-Repair Manifesto from ifixit.com ‘If you can’t fix it, you don’t own it’. Hear, hear!” by dullhunk is licensed under CC BY 2.0 .

Canadian anti-circumvention laws (also known as digital lock rules) are among the strictest in the world, creating unnecessary barriers to innovation and consumer rights. The rules are required under the World Intellectual Property Organization’s Internet Treaties, but those treaties leave considerable flexibility in how they should be implemented. This is reflected in the countless examples around the world of countries adopting flexible anti-circumvention rules that seek to maintain the copyright balance. Canada was pressured into following the restrictive U.S. approach in 2012, establishing a framework is not only more restrictive than required under the WIPO treaties, but even more restrictive than the U.S. system.

One of the biggest differences between Canada and the U.S. is that the U.S. conducts a review every three years to determine whether new exceptions to a general prohibition on circumventing a digital locks are needed. This has led to the adoption of several exceptions to TPMs for innovative activities such as automotive security research, repairs and maintenance, archiving and preserving video games, and for remixing from DVDs and Blu-Ray sources. Canada has no such system as the government instead provided assurances that it could address new exceptions through a regulation-making power. In the decade since the law has been in effect, successive Canadian governments have never done so. This is particularly problematic where the rules restrict basic property rights by limiting the ability to repair products or ensure full interoperability between systems.

The best policy would be to clarify that the anti-circumvention rules do not apply to non-infringing uses. This would enable the anti-circumvention rules to work alongside the user rights in the Copyright Act (also known as limitations and exceptions) without restricting their lawful exercise. This approach was endorsed by the 2019 Canadian copyright review, which unanimously concluded:

    it agrees that the circumvention of TPMs should be allowed for non-infringing purposes, especially given the fact that the Nintendo case provided such a broad interpretation of TPMs. In other words, while anti-circumvention rules should support the use of TPMs to enable the remuneration of rights-holders and prevent copyright infringement, they should generally not prevent someone from committing an act otherwise authorized under the Act.

The government has not acted on this recommendation, but two private members bills are working their way through the House of Commons that provide some hope of change. First, Bill S-244 on the right of repair. Introduced by Liberal MP Wilson Miao in February, the bill this week passed second reading unanimously and has been referred to the Industry committee for further study. The lack of a right of repair exception in Canadian digital lock rules has hindered both consumers and Canadian innovation significantly, leaving consumers unable to repair their electronic devices and farmers often locked out of their farm equipment. After farmers protested against similar copyright restrictions, the U.S. established specific exceptions permitting digital locks to be circumvented to allow repair of software-enabled devices.

Given the impact on consumers, the agricultural sector, and the environment, a provision that explicitly permits circumvention for purposes of the right of repair in Canada is long overdue. Indeed, such an approach is consistent with the 2019 copyright review recommendation:

    Recommendation 19

    That the Government of Canada examine measures to modernize copyright policy with digital technologies affecting Canadians and Canadian institutions, including the relevance of technological protection measures within copyright law, notably to facilitate the maintenance, repair or adaptation of a lawfully-acquired device for non-infringing purposes.

October 4, 2022

“On the cover of the Rolling Stone“

Filed under: Business, Media, USA — Tags: , , , — Nicholas @ 05:00

Ted Gioia discusses the oddly nostalgic turn modern music writing has taken:

The first thing you notice is the sheer abundance of music magazines on display. We must truly be living in a golden age of music writing if it can support so many periodicals.

I was very happy to see this — at least at first glance.

But at second glance, I started to notice the cover stories.

Lavish attention is devoted here to artists who built their audience in the last century — Miles Davis, David Bowie, Buddy Holly, Blondie, Led Zeppelin, Björk, Motorhead, The Cure, etc. That’s an impressive roster of artists (well, most of them), but they don’t really need the publicity nowadays — they were legends before many of us were born.

Even the magazine names reveal a tilt toward nostalgia. I can’t make out the titles in their entirety, but I see the words Retro, Vintage, and Classic. Publishers are shrewd people, and they don’t put these words in large font unless the audience responds to them.

Maybe print media is nostalgic by definition — if, as we’re repeatedly told, young people don’t read things on paper. (I’m skeptical of that claim, but I hear it all the time.) Yet when I visit the websites, I see the same backward glance. You can’t click on Rolling Stone‘s homepage or Twitter feed without finding some massive list article — touting the “100 Best Songs of 1982” or “The 100 Greatest Country Albums of All Time“. You will find similar retro celebrations at almost every other music media website with a large crossover readership.

Editors love lists nowadays, especially of all-time greats. If I pitch an article like that, the whole editorial team starts salivating — you can even feel the moisture over Zoom — in sharp contrast to any proposed article on a young, unproven musician. Those pitches get pitched right back in your face. You might conclude that we have now arrived at the end of history, with all greatness residing in the past. The editors, at least, must think so.

Things weren’t always like this. Go back and look at old issues of Rolling Stone or Downbeat or some other music magazine — there were years in which every cover story was about a living person and usually someone young with something new to say.

Those days are gone. But here’s the most ironic fact of all — the actual cover stories haven’t changed.

On the cover of the Rolling Stone — 1971, 1984 and 2012

By the way, I’d like to know when Rolling Stone published its first “all-time greats” list — that was the moment when nostalgia first entered the rock bloodstream, a vital force previously resistant to sentimental yearnings for the past.

October 2, 2022

What is a Bopper Car?

Filed under: Business, History, Railways, USA — Tags: , , — Nicholas @ 02:00

Lake Superior Railroad Museum & NS Scenic Railroad
Published 5 Jun 2020

Railroads came up with lots of great ideas to make things more efficient. Many of those ideas, like bottled water, and the red carpet, are part of our daily lives … as we have shown you in previous episodes.

Today, we talk about an idea that sounded good, but didn’t work out: The Bopper Car. A combination of hopper car and box car. Only a few were made, and the remaining ones were donated to the Lake Superior Railroad Museum. Today they’re used as storage for many of the shop’s parts.
(more…)

« Newer Posts — Older Posts »

Powered by WordPress